英语毕业论文与京剧有关

Beijing opera or Peking opera (simplified Chinese:京剧; traditional Chinese:京剧; pinyin:Jīngjù) is a form of traditional Chinese theatre which combines music,vocal performance,mime,dance and arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north,and Shanghai in the south.[3] The art form is also enjoyed in Taiwan,where it is known as Guoju (国剧; pinyin:Guójù).It has also spread to other countries such as the United States and Japan.[4]Beijing opera features four main types of troupes often have several of each variety,as well as numerous secondary and tertiary their elaborate and colorful costumes,performers are the only focal points on Beijing opera's characteristically sparse utilize the skills of speech,song,dance,and combat in movements that are symbolic and suggestive,rather than all else,the skill of performers is evaluated according to the beauty of their also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production.[5] The layers of meaning within each movement must be expressed in time with music of Beijing opera can be divided into the Xipi and Erhuang include arias,fixed-tune melodies,and percussion patterns.[6] The repertoire of Beijing opera includes over 1,400 works,which are based on Chinese history,folklore,and,increasingly,contemporary life.[7]In recent years,Beijing opera has attempted numerous reforms in response to sagging audience reforms,which include improving performance quality,adapting new performance elements,and performing new and original plays,have met with mixed Western works have been adopted as new plays,but a lack of funding and an adverse political climate have left Beijing opera's fate uncertain as the form enters the 21st century

京剧是中国的国粹之一，其早期源于安徽的徽班进京，中国的戏曲无论是京剧还是其他戏剧都有以下几个特点，我自己总结的：首先是虚拟性，不同于国外的戏曲戏剧，中国的戏剧没有写实的布景和灯光，所有的场景环境的变换都是由台上的角色的动作从而表达出来。其实是程式化，这个程式化是指中国的戏曲的唱念做打以及生旦净末丑。这些都是有着很具体的要求，比如一个帝王将相出场时候应该如何亮相，如何下场，花旦的贴片等。这就注定了中国戏曲人物的造型和动作设计的程式化，而这一点又恰恰成就了京剧的最大特点。是其他戏剧所没有的。这两点即是京剧的特点也是中国戏剧的特点，在往细节的说就是在唱腔啊台本上以及具体动作上的特点，我想你写英文作文应该不用那么细，如果你要我用英文帮你写，我实在是不知道如何翻译！

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Peking Opera, once called pingju, is one of the five major operas in China.

（京剧，曾称平剧，中国五大戏曲剧种之一。）

The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.

（场景布置注重写意，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏。）

Regarded as the quintessence of Chinese culture, Chinese opera tops the list.

（被视为中国国粹，中国戏曲三鼎甲“榜首”。）

Peking Opera travels all over the world, with Beijing as the center and throughout China.

（京剧走遍世界各地，分布地以北京为中心，遍及中国。）

It has become an important medium to introduce and spread traditional Chinese art and culture.

（成为介绍、传播中国传统艺术文化的重要媒介。）

On November 16, 2010, Beijing Opera was listed in the representative list of world intangible cultural heritage.

（在2010年11月16日，京剧被列入“世界非物质文化遗产代表作名录”。）

扩展资料

京剧行当分类：

1，生

除了花脸以及丑角以外的男性正面角色的统称，分老生（又分重唱的安工老生，重做的衰派老生，重武的靠把老生）、武生（分长靠武生、短打武生并应工猴儿戏）、小生（分扇子生、雉尾生、穷生、武小生） 、红生 、娃娃生。

2，旦

女性正面角色的统称，分青衣（正旦）、花旦、闺门旦、刀马旦、武旦、彩旦。

3，净

俗称花脸，大多是扮演性格、品质或相貌上有些特异的男性人物，化妆用脸谱，音色洪亮，风格粗犷。“净”又分为以唱功为主的大花脸，分正净（重唱功，称铜锤、黑头）、架子花（重工架）、武二花、摔打花、油花（一称毛净）。

4，丑

扮演喜剧角色，因在鼻梁上抹一小块白粉，俗称小花脸。分文丑（分方巾丑、袍带丑、老丑、荣衣丑，并兼演彩旦、婆子）、武丑（又称开口跳）等。各个行当都有一套表演程式，在唱念做打的技艺上各具特色。

参考资料来源：百度百科-京剧