你和我写的差不多啊，去网上搜下，哥特文学的重要性。下面是我找的资料，你参考下吧。
哥特文学现在已经成为英美文学研究中的一个重要领域。对哥特文学的认真研究开始于20 世纪二三十年代, 到70 年代以后, 由于新的学术思潮和文学批评观念的影响, 该研究出现了前所未有而且日趋高涨的热潮。根据在国际互联网上的搜索, 到2000 年9月为止, 英美等国的学者除发表了大量关于哥特文学的论文外, 还至少出版专著达184部, 其中1970 年以后为126 部, 仅90 年代就达59 部, 几乎占总数的三分之一。当然,近年来哥特文学研究的状况不仅在于研究成果迅速增加, 更重要的是它在深度和广度方面都大为拓展, 并且把哥特传统同英美乃至欧洲的历史、社会、文化和文学的总体发展结合起来。爱伦•坡被公认为是“第一个写出真正的哥特式小说精品的美国人．使哥特小说朝内在化方面发展最突出的作家。爱伦•坡的诸多短篇小说如：《厄舍古屋的倒塌》、《泄秘的心》、《黑猫》、《红死魔的面具》、《活埋》、《陷坑和钟摆》、《一桶白葡萄酒》等都含有浓郁的哥特意蕴。
"The Black Cat" is a short story by Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart".[1] In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt. The story is presented as a first-person narrative using an unreliable narrator. The narrator tells us that from an early age he has loved animals. He and his wife have many pets, including a large black cat named Pluto. This cat is especially fond of the narrator and vice versa. Their mutual friendship lasts for several years, until the narrator becomes an alcoholic. One night, after coming home intoxicated, he believes the cat is avoiding him. When he tries to seize it, the panicked cat bites the narrator, and in a fit of rage, he seizes the animal, pulls a pen-knife from his pocket, and deliberately gouges out the cat's eye.From that moment onward, the cat flees in terror at his master's approach. At first, the narrator is remorseful and regrets his cruelty. "But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of PERVERSENESS." He takes the cat out in the garden one morning and hangs it from a tree, where it dies. That very night, his house mysteriously catches on fire forcing the narrator, his wife and their servant to flee.The next day, the narrator returns to the ruins of his home to find, imprinted on the single wall that survived the fire, the figure of a gigantic cat, hanging by its neck from a rope.At first, this image terrifies the narrator, but gradually he determines a logical explanation for it, that someone outside had thrown the dead cat into the bedroom to wake him up during the fire, and begins to miss Pluto. Some time later, he finds a similar cat in a tavern. It is the same size and color as the original and is even missing an eye. The only difference is a large white patch on the animal's chest. The narrator takes it home, but soon begins to loathe, even fear the creature. After a time, the white patch of fur begins to take shape and, to the narrator, forms the shape of the gallows.Then, one day when the narrator and his wife are visiting the cellar in their new home, the cat gets under its master's feet and nearly trips him down the stairs. In a fury, the man grabs an axe and tries to kill the cat but is stopped by his wife. Enraged, he kills her with the axe instead. To conceal her body he removes bricks from a protrusion in the wall, places her body there, and repairs the hole. When the police came to investigate, they find nothing and the narrator goes free. The cat, which he intended to kill as well, has gone missing.On the last day of the investigation, the narrator accompanies the police into the cellar. There, completely confident in his own safety, the narrator comments on the sturdiness of the building and raps upon the wall he had built around his wife's body. A wailing sound fills the room. The alarmed police tear down the wall and find the wife's corpse, and on her head, to the horror of the narrator, is the screeching black cat. As he words it: "I had walled the monster up within the tomb!" Like the narrator in Poe's "The Tell-Tale Heart", the narrator of "The Black Cat" has questionable sanity. Near the beginning of the tale, the narrator says he would be "mad indeed" if he should expect a reader to believe the story, implying that he has already been accused of madness.[2]One of Poe's darkest tales, "The Black Cat" includes his strongest denouncement of alcohol. The narrator's perverse actions are brought on by his alcoholism, a "disease" and "fiend" which also destroys his personality.[3] The use of the black cat evokes various superstitions, including the idea voiced by the narrator's wife that they are all witches in disguise. The titular cat is named Pluto after the Roman god of the Underworld. Publication history"The Black Cat" was first published in the August 19, 1843 issue of The Saturday Evening Post. At the time, the publication was using the temporary title United States Saturday Post.[4] Readers immediately responded favorably to the story, spawning parodies including Thomas Dunn English's "The Ghost of the Grey Tadpole".[5][edit] Adaptations [edit] In film "The Black Cat" was adapted into a film starring Bela Lugosi and Boris Karloff in 1934 and another with Lugosi and Basil Rathbone in 1941, although neither version bears much resemblance to the original story.[5] Many other adaptations exist but the most faithful to the original is the middle segment of Roger Corman's trilogy film Tales of Terror in 1962.[5] Although the overall film was cast with Vincent Price as the lead, in this segment, he was in a supporting role with Peter Lorre as the main character. The 1934 film Maniac also loosely adapts the story. This version follows a former vaudeville actor who kills a doctor and takes the doctor's place to hide his crime. "The Black Cat" was also adapted into a film of the same name by Italian horror director Lucio Fulci in 1981. Film director Dario Argento presented his own loose adaptation of the story in the 1990 anthology film Two Evil Eyes.[edit] In television "The Black Cat" is the eleventh episode of the second season of Masters of Horror. The plot essentially retells the short story in a semi-autobiographical manner, with Poe himself undergoing a series of events involving a black cat which he used to inspire the story of the same name.[edit] Recordings In 1997, a compilation of Poe's work was released on a double CD entitled Closed on Account of Rabies, with various celebrities lending their voices to the tales. The Black Cat was read by avant-garde performer Diamanda Galás.[edit] References in literary works In 1970, Czech writer Ludvík Vaculík made many references to "A Descent into the Maelstr�0�2m" as well as "The Black Cat" in his novel The Guinea Pigs.[edit] References in art In 1910-11 Futurist artist Gino Severini painted "The Black Cat" in direct reference to Poe's short story. An illustration and description can be found at this site
商务英语翻译论文选题方向参考：
1、文本类型理论与商务英语翻译。
2、论项目教学法在高职商务英语翻译课程中的应用。
3、“翻译目的论”下商务英语翻译的特点。
4、从认知角度看商务英语翻译偏差。
5、高职商务英语翻译教学新方法。
6、商务英语翻译中的商务特征再现研究。
7、基于功能翻译理论的商务英语翻译研究。
8、奈达＂等值＂理论于商务英语翻译中的理解和应用。
9、商务英语翻译教程。
10、WORKSHOP在高职商务英语翻译课堂中的运用。
11、任务型教学法在《商务英语翻译》教学中的运用。
12、论商务英语翻译中的文化差异。
13、基于功能翻译理论的商务英语翻译教学。
14、“信”和“达”在商务英语翻译中的新探。
15、案例教学法在商务英语翻译教学中的应用。
16、国内商务英语翻译研究综述。
17、等值理论在商务英语翻译中的应用。
18、高职商务英语翻译课程“教学做一体”教学模式探索。
19、项目课程模式下商务英语翻译教学改革探析。
20、商务英语翻译准确性的六个＂限定＂。
选题的技巧
1、注重创新意识
树立学术创新意识是选题的根本。创新是科研工作的灵魂，其关键是学术思想的创新。创新无国界，即所选的课题是前人或他人尚未进行的，但在研究生阶段，这一点很难做到。
研究生学习期间，应从“继承性发展”着眼，把视线瞄准那些前人或他人曾经做过的研究，在此基础上提出新问题或新理论，深入研究使该课题有新的发展与补充。另外，有些课题虽然国外已有过较多的研究报道，但在国内尚属空白领域，也可作为研究生选题的切人点。
2、难度因人而异
研究生自身的性格特征及水平亦参差不齐，无论是基础知识、创新意识，还是科研作风、实际操作能力都有较大差异。由于对博士和硕士研究生培养要求的差异，选题的立足点也应不同。因此，选题也要因人而异，做到具体问题具体分析。对那些思维比较活跃、动手能力较强的研究生，宜选择创新成分多、难度较大的题目。
3、师生知识互补
21世纪是一个知识信息爆炸的时代，在浩如烟海的文献资料中，导师所掌握的信息毕竟有限，而研究生年富力强、思维活跃，其所学、所思往往可作为对研究课题的重要补充。因此，要强化师生之间的学术交流，互相学习，取长补短，教学相长。
