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The innovative application of Miao embroidery in modern clothing design in Guizhou Province Summary:Guizhou Miao embroidery is one of the intangible cultural heritage in the It is a wonderful flower in the history of Chinese embroidery and has a unique artistic Miao embroidery is a cultural product created by the people of Miao nationality who exert their wisdom and diligence in the life of It is the carrier of Miao The application of Miao embroidery innovation in Guizhou in modern clothing design is beneficial to the establishment of unique artistic style of modern clothing, the integration of traditional technology and modern design, and the inheritance and development of traditional Key words:Guizhou Miao Embroidery; modern clothing design; innovative application IntroductionMiao embroidery in Guizhou Province is wonderful, but with the development of the times, Miao embroidery skills gradually decline, is facing the challenge of metamorphosis and Designers in the new era should shoulder the responsibility of inheriting and developing the Miao embroidery The Miao embroidery is a source of inspiration for modern fashion design because of its rich and varied shapes, colors and techniques[1]In the new era, how to apply the innovation of Guizhou Miao embroidery to modern clothing design, how to inherit and innovate, how to collide traditional techniques with modern design to create new sparks, and how to make Miao embroidery glow with new vitality, , it is worthy of our deep thought and Main characteristics and distribution of Miao embroidery in GuizhouMiao embroidery in Guizhou is very Different needlework methods should be considered according to the expression of different objects and artistic Some needlework, some needlework, some needlework, and some needlework involve thread winding, weaving and knotting each Guizhou Miao embroidery mainly flat embroidery, lock embroidery, braids embroidery, seed embroidery, plate embroidery, broken thread embroidery, tin embroidery and so on, embroidery design texture rich three-dimensional There are many branches of Miao ethnic group in Guizhou, and different regions have different representative types of embroidery: the most common flat embroidery, mainly distributed in southeast Guizhou Taijiang, Shidong, Rongjiang and Danzhai C Flat embroidery single needle single thread, pay attention to even and even CREPE and braid embroidery are mainly distributed in Xi River and L It is one of the most unique traditional The craft is complicated, first the silk thread weaves the small plait, with the traditional pattern pastes the cloth as the bottom, the small plait sews on the pattern, each sews a stitch to fold, causes the small plait drape three-dimensional, like the Dazi embroidery is mainly distributed in Taijiang, Dazi is to wire around a few times and then insert the base cloth to play a knot in one heart, a Zhang Sengyou Broken thread embroidery, mainly distributed in Taijiang, is a very special embroidery method in flat Broken thread embroidery divides ordinary silk thread into 8 to 12 strands of fine thread, and then uses fine threads to make flat It is exquisite, exquisite and It is a fine work in Miao Tin Embroidery is distributed in J The Intelligent Miao people cut tin foil into thread and embroider it on The geometric pattern is the most fashionable style of embroidery[2]Miao embroidery in Guizhou Province is rich and colorful, with distinctive features, which congeals the national spirit and historical and cultural connotation of G Development Status of Miao embroidery in Guizhou ProvinceWith the development of social economy, there are fewer and fewer young people learning embroidery skills[3]Miao embroidery process innovation and age is proportional to the younger generation of the Miao is the carrier of process inheritance, lack of innovation will lead to Miao embroidery culture and environmental adaptability[4]The lack of innovation ability has become a big problem in the development of Miao embroidery Colorful Guizhou has unique tourism In recent years, the rapid development of Guizhou tourism industry has led to the development of tourism products, and the design of tourism products with Guizhou characteristics has become a hot spot, including the development of Guizhou Miao embroidery tourism products with Guizhou characteristics, for example has the Miao nationality embroidery clothing, the bag, the small ornament and so Since 2015, the international ethnic and folk cultural tourism products fair of Guizhou has been held, fully displaying the colorful and varied forms of Guizhou, displaying ingenious ethnic cultural products and unique ethnic cultures, to promote the protection, inheritance and scientific and reasonable industrial transformation of national folk arts and crafts, so as to promote Guizhou mass entrepreneurship and innovation, further enhance cultural self-confidence, and enhance the soft power of The opening of the fair has brought a new opportunity for the innovation and development of Miao embroidery in G The application of Miao embroidery in costume design in Guizhou P1The application of Miao embroidery in traditional dress in Guizhou ProvinceMiao embroidery is not bound by natural form, pay attention to emotional expression screen, rich in strong artistic Abstract methods are widely used in the modeling of Traditional Miao The image of virtual animals and plants of the Miao people in Guizhou Province means that in the long course of history, the Miao people have naturally transcended the process of imitating reality in the face of various external circumstances, the abstract form of the object in the Miao embroidery to provide a broad space for its In the traditional costumes, the Miao people in Guizhou have rich and colorful embroidery colors and techniques, which are full of the unique artistic language of the Miao C In traditional costumes, Miao embroidery uses unique embroidery techniques to decorate costumes, which are often decorated on the body, placket, collar, cuffs and Hem of traditional costumes, the texture effect in the decoration increases the layering, massiness and artistic sense of the Women dress up, complex exquisite needle will focus on the collar, cuffs and other parts, highlighting the focus of clothing, and ensure the harmony and unity of clothing and accessories[5]2The application of Miao embroidery in modern clothing designThe modern clothing design uses the Miao nationality traditional color matching method for reference, the decorative color mainly gives priority to the bright color, forms the intense contrast Highlight the decorative patterns of clothing, traditional Miao costumes into modern In the modern clothing design, the traditional national cultural elements are increasing, the unique style of Guizhou Miao embroidery has created the traditional significance modern fashion works in the international modern clothing design application[6]In 2009, the famous domestic designer Lin Xuefei designed the evening dress with the Miao nationality characteristic by the tin embroidery element, and displayed it at the European wedding dress conference, which caused a great sensation Miaos'clothing elements are widely used in modern fashion design in European and American fashion Modern women underwear design is often used embroidery techniques, highlighting the Miao embroidery close to the heart, showing the feminine soft and sexy[7]
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A feature of all modern human societies is the wearing of clothing, a category encompassing a wide variety of materials that cover the The primary purpose of clothing is functional, as a protection from the Clothes also enhance safety during hazardous activities such as hiking and cooking, by providing a barrier between the skin and the Further, clothes provide a hygienic barrier, keeping toxins away from the body and limiting the transmission of Clothing performs important social and cultural A uniform, for example, may identify civil authority figures, such as police and army personnel, or it may identify team, group or political In many societies, norms about clothing reflect standards of modesty, religion, gender, and social Clothing may also function as a form of adornment and an expression of personal taste or Throughout history, many materials have been used for Materials have ranged from leather and furs, to weaved and woven materials, to elaborate and exotic natural and synthetic Recent scientific research estimates that humans have been wearing clothing for as long as 650,000 [1] Others claim that clothing probably did not originate until the Neolithic Age (the "New Stone Age")[citation needed]Articles carried rather than worn (such as purses), worn on a single part of the body and easily removed (scarves), worn purely for adornment (jewellery), or those that serve a function other than protection (eyeglasses), are normally considered accessories rather than Social status Alim Khan's bemedaled robe sends a social message about his wealth, status, and powerIn some societies, clothing may be used to indicate rank or In ancient Rome, for example, only senators were permitted to wear garments dyed with Tyrian In traditional Hawaiian society only high-ranking chiefs could wear feather cloaks and palaoa or carved whale Under the Travancore Kingdom of Kerala, (India), lower caste women had to pay a tax for the right to cover their upper In China, before the establishment of the republic, only the emperor could wear History provides many examples of elaborate sumptuary laws that regulated what people could In societies without such laws, which includes most modern societies, social status is instead signaled by the purchase of rare or luxury items that are limited by cost to those with wealth or In addition, peer pressure influences clothing [edit] ReligionSee also: Category:Religious vesture Muslims usually wear white robes and a cap during prayersReligious clothing might be considered a special case of occupational Sometimes it is worn only during the performance of religious However, it may also be worn everyday as a marker for special religious For example, Jains wear unstitched cloth pieces when performing religious The unstitched cloth signifies unified and complete devotion to the task at hand, with no [citation needed] Sikhs wear a turban as it is a part of their The cleanliness of religious dresses in Eastern Religions like Hinduism, Sikhism, Buddhism and Jainism is of paramount importance, since it indicates Clothing figures prominently in the Bible where it appears in numerous contexts, the more prominent ones being: the story of Adam and Eve, Joseph's cloak, Judah and Tamar, Mordechai and E Furthermore the priests officiating in the Temple had very specific garments, the lack of which made one liable to Jewish ritual also requires rending of one's upper garment as a sign of This practice is found in the Bible when Jacob hears of the apparent death of his son J相关的中文平行文本如下：服装（亦称为衣物、衣服、衣着）最广义的定义,除了指躯干与四肢的遮蔽物之外,还包括了手部（手套）、脚部（鞋子、凉鞋、靴子）与头部（帽子）的遮蔽物几乎所有的人类都有穿着衣物的文化人类穿戴衣物除了有功能性的理由外,也有社会性的理由衣物能够保护脆弱的人体免于天气与环境的伤害,而同时服装中的每个物件也带有某种文化与社会意义社会阶级在许多社会中,拥有高地位的人会将某些特别的服装或饰品保留给自己来使用只有罗马皇帝可以穿戴染成紫红色（Tyrian purple）的服装；只有高地位的夏威夷酋长可以穿戴羽毛大衣与鲸齿雕刻古代中国只有皇帝皇后才可以穿十二章衣和翟服在许多情况下,有些抑制浪费的法律体系会精细地管理谁可以穿什么服装在其他的一些社会中,没有法律会去禁止低地位者去穿戴高地位者的服装,然而那些服装的高价位很自然就限制了他人的购买与使用在当代西方社会里,只有富人能够负担得起高级订制服装（haute couture）担心受到社会排挤也有可能限制了服装的选择[编辑] 职业军人、警察、消防队员通常会穿着制服,而许多企业中的员工也可能如此中小学生经常会穿着学校制服,而大学生则穿着学院服装宗教成员可能会穿着修道士服、道袍、袈裟有时候单是一件服装或配件就能够传达出一个人的职业与／或阶级比如说,主厨头上所戴的高顶厨师帽[编辑] 道德、政治与宗教在世界上许多地区中,民族服装与服装风格代表了某个人隶属于某个村庄、地位、宗教等等一个苏格兰人会用格子花纹（tartan）来宣告他的家世；一个正统犹太人会用侧边发辫（sidelock）来宣告他的信仰；而一个法国乡村妇女会用她的帽子（cap or coif）来宣告她的村庄服装也可以用来表现一个人对其文化规范与主流价值观的异议,以及个人的独立性在十九世纪的欧洲,艺术家与作家会过著波希米亚式的生活,并且刻意穿着某些服装来震惊他人：乔治·桑（George Sand）穿着男性的服装、女性解放运动者穿着短灯笼裤（bloomers）、男性艺术家穿着丝绒马甲（waistcoat）与俗丽的领巾波希米亚族、披头族（beatnik）、嬉皮、哥德族、庞克族继续在二十世纪的西方进行这个反文化传统近年来连高级订制服装都抄袭了街头时尚,这或许让街头时尚丧失了某些震惊他人的力量,然而它仍旧激励无数人试图把自己打扮的酷炫有型婚姻状态印度女人一旦结了婚,她们会在发际间点上朱砂痣（sindoor）,一旦守寡,她们就要抛弃朱砂痣与珠宝并且穿着朴素的白衣西方世界的男女可能会戴上结婚戒指来表示他们的婚姻状态请参见婚姻状态的可见标志
When early man invented clothes, he probably wanted to keep I am sure he never intended that it should become as elaborate as it has become For many a year,traditional clothes and modern clothes have been in competition as to which of them make the wearer more But it does seem that a lot of modern clothes are simpler and more Perhaps we are moving back to the age of cavemen who wore clothes for practical Modern clothes are definitely more practical as against traditional Almost all people now wear modern Nowadays even more and more people wear casual Jeans are everywhere except at formal T-shirts are common, They look comfortable and However, there are also a lot of people who take the trouble to dress well in formal clothes like shirts, trousers and I find them smart, But then, it is important to hold on to our In my opinion, each type of dress has its Modern clothes are ideal for most situations, while casual clothes are worn more As to traditional clothes, they must be worn for special
In flat vast Yudong
MyClothesIITheyareaT-shirt,ajacket,TheT-IMSDoyoulikethesekindsofclothes?Doyoulikebule?Whatisyourfavoriteclothes?Andwhatisyourfavoritecolor?Canyoutellme?我的衣服我有许多衣服我非常喜欢它们它们是一件T恤衫,一件夹克衫,一件衬衫和一条短裤这个T恤衫是我的最爱我也喜欢这条短裤我最喜欢的颜色是蓝色因此我的衣服都是蓝色你喜欢这些种类的衣服吗?你喜欢蓝色吗?你最喜欢的衣服是什么?并且你最喜欢的颜色是什么?你能告诉我吗?
［摘要］本文从服装的审美审美与功能结合、个性与时尚结合 、 品位与文化结合．提出了与这些发展方向适应的企业营销策略， 即注重产品设计的创新度、发挥终端市场中导购的作用及注重品牌形象的塑造与推广。 ［关键词］服装市场 消费心理 审美 品牌效应 服装行业是集艺术性与功能性为一体的行业市场份额是衡量服装整体设计、生产、销售是否成功的标尺，如何有效地把握现有市场份额、并不断开辟新市场是现代服装企业的生存之道．在对服装市场的研究中，企业生产不仅要考虑技术层面的相关问题，要时刻关注消费市场中的各种消费审美心理因素．服装的设计生产过程，也就是设计师和生产者对潜在的着装者 (消费者) 进行艺术表达和寻求 审美认同的过程，而着装者 (消费者) 也正是通过服饰的选择达到与设计师在风格样式、审美情趣以及德行品格上的默契与沟通。对消费者消费审美心理趋势与购买行为的客观分析势必也是对使企业更好地掌握消费趋势、 扩大市场占有率， 从而获得最大经济效益的积极思考。 一消费审美心理发展趋势特征分析 流行，变化莫测，它的变化受到诸多因素的影响，如相互模仿效应的结果，即所谓的穿着的人多了便构成了流行．那么在流行中把握消费者的审美心理，也称得上是因时、因地制宜．当前， 服装消费者的消费心理已渐趋成熟，并呈现出几个相互结合的特征。 (1)服装作为艺术的审美与功能的结合 随着生活水平与消费观念的不断变化，人们的消费生活正由追求数量转向追求质量的方向发展，服装作为一种艺术其功能不仅仅在于遮体和保暖，而更多在于道德、 审美、 认同和表现 。所谓的审美功能，就是服饰不但要对引起羞耻感 的部位进行遮掩 ， 而且要对身体进行美化，使之在视觉上取悦于人。服饰的认 同功能体现在两方面。一方面，通过共同的服饰符号，体现我们对特定的部落、氏族、团体、阶层、职业角色、民族或社会的认同，以及心理和情感的归属。这一类的认同体现的是个人与某个社会群体的一致和相同，因而可以叫做社会认同。另一方面， 人们也通过服装体现自己与其他成员的不同，表现自己的独特个性特征。 (2)服装艺术的个性与时尚的结合 现在的服装已成为了反映着装者社会性的一种无声语言，所以那些标榜自我存在、显现自我主张、有鲜明个性特征的服装必会受到消费者、 尤其是年轻消费者的青睐，在现代人眼里， 时髦、有创意的服装，能够张扬个性，可以更好的来修饰自我，当然， 在一定程度上也代表了时代所赋予它的特定内涵．比如在时尚界，“波西米亚” 风格成了追求放荡不羁，自由浪漫的代名词 ， 而“波乔米亚” 风格，也成了演绎小资情调的最好方式， “ 朋克、嬉皮”风格，是反叛精神、思想颓废的代表等，这些现存的服装风格同时也代表了未来服装消费的发展方向之一。 (3)服装艺术文化个性时尚与风格相结合——品牌效应 服装品牌的这种文化意味吸引着人们的向往和追求，尤其是国际名牌．如当消费者认定某一个品牌适合自己穿着时，便显示出对其情有独钟的非凡热情，于是对这种认准了的品牌有了感情上的依托， 品牌也就作为一种能激发人们情感的形式而存在．由此，消费者在选择品牌服装时便产生了物有所值，物超所值的朦胧概念。 现代人们在服装艺术上占主导地位的审美需要和审美理想， 是通过服装设计师们无数 的体验、沉思和奋斗，经历无数局部 的变革，最后才形成一个总的服装流行趋势。服装风格在形成 的过程中，既突破传统服装文化模式，同时又继承着传统模式的很多特性，使风格作为固定的文化特征，保留在地域或民族的文化传统 之 中。然而在当今日渐一体化的世界环境中，服装风格有着单线的发展危险趋势，服装文化的趋同性既是现代社会的一 大时代特征，又是民族性与世界性的尖锐斗争最激烈的阶段。 二、服装生产企业企业对消费审美心理的趋势的掌握 服装企业以赢利为出发点，他们尽可能地采取一切有效策略来增加企业的销售量以达到赢利的目的．而对服装市场中消费者审美心理趋势的研究正好满足 了企业不断发展的需要。 （1） 服装设计中流行趋势的把握 由于流行趋势的世界同步性正在逐步加强，因此有效把握流行趋势成为企业竞争的重要手段，正确掌握最新流行预测资讯，就有可能获得更大市场份额，毕竟，追逐流行的消费群体占绝大多数，因此有效掌握流行元素、充分挖掘目标消费群的时尚需求与诉求点，才能最终诱发消费者购买欲。 在预测流行趋势中，可以两方面作为重心：(1) 做深入细致的服装市场调研，包括服装原辅料市场，通过市场供求关系状况分析顾客群的购买心理趋向，以及对流行元素有效捕捉，便于及时运用到新设计当中；(2) 可根据企业及设计师在业内多年积累的经验，对新的流行做出判断，对流行色、 流行款式、 流行面料 等作尽可能有效的预测。 从这种意义来看，穿着者的审美素质影响着设计师的素质与服饰文化的发展方向。从深层来看，现代的人们注重表现美，更多地注重服饰是否符合自己的个性，适合于特定 的场合和自己的风度， 甚至不满足于设计师现成的安排， 而乐于按照自己的心愿去挑选、配套， 去“篡改”设计师的作品，淡薄“权威”，去创造和表现自己的个性内涵，让服饰折射出高雅的审美情趣。这所有一切的实现 ，就需要较高的审美素质作为前提 ，从这层意义来看， 穿着者的审美素质决定和发展着设计师的素质与服装市场中西的消费审美心理的发展方向。 （2） 销售过程中抓住消费真的心理 在企业对目标市场准确定位的基础上，虽然服装卖场、 商品的组合搭配与陈列所表现的情节性和艺术性能够使顾客产生兴趣与欲望，但现场销售人员的素质也不容忽视．一般情况下，当其与消费者初步接触、尚未进行语言交流及深人了解之前，往往凭着对方的穿着打扮估计对方的着装情况， 以判断顾客的着装风，从而做出相应的反应．由于服装在一定程度上扮演着彰显身份的面具角色， 因此销售人员还必须作好 引导工作，宣传企业服装的新概念及流行趋势，强行促成流行导向，并且通过强化对生活方式的介绍与倡导，为消费者争取到变脸的机会，实现其购物过程中与结束后的愉悦与满足感，从而使其对该品牌的信任感与忠诚度增强。 （3） 塑造品牌形象 由于消费者品牌意识的增强，越来越多的企业开始注重对企业及产品“品牌形象”的塑造，充分挖掘品牌文化内涵， 实现品牌经营，发展自身优势，提高知名度，形成极大的感召力， 希望以明确的定位和理念来培养忠诚的顾客群．品牌作为一种无形资产，通过市场成功运作，将会有无与伦比的优势及强大的生命力．统一价格、统一形象、统一管理、统一配送、 统一服务，为服装产品送上了品质保险单，解决消费者的后顾之忧，也赢得了稳定的客户群体，从而有利于品牌形象的树立．另外，在着力打造 自主品牌的同时， 提高质量增加品种、满足多样化需求、 扩大高端市场分额、 提高其技术含量都成为重中之重。 当企业成功地树立起 自己的品牌后，他们还可以尝试生产冠以这种品牌的其他产品以拓展市场，因为消费者对品牌的熟悉程度直接影响他们的购物行为。 三、总结 通过对服装市场中消费审美心理趋势的研究可知：随着社会生活水平和审美意识的不断提高，服装消费者的购买行为由盲目从众向理性消费转变，且越来越注重审美体验，消费心理趋于成熟． 基于这种变化给企业营销策略带来的影响，服装企业需深入了解 目标消费者的不同需求和购 买动机，掌握各种消费心理活动规律，从而有效预测服装消费趋向、制定合理的服装生产和经营策略．当然，随着人们对服装求新求异的消费心理及个性化、多元化的风格特征成为未来服装流行趋势的主流时， 企业也必须在自身产品风格定位的基础上加以创新以适应市场变化，以满足消费者自我实现的诉求。
下面学术堂来给大家讲述一下,关于服装的毕业论文怎么写: 题目,论文的选题是论文工作中最为重要的一个环节,论文的选题有很多的奥妙,比如说选择的论文查重的题目是从小处着手的为最好这样在论文查重的时候就不容易重复 毕业论文怎样写,从准备开始写论文到论文完成要有期限,有一个时间范围在这个时间范围内要合理安排论文的各个环节工作,比如说论文题目的准备,论题的评审在什么时间点做预答辩,关于时间节点的提交材料以外,还要自己提前做好功课清清楚楚知道什么时间点,应该提交哪些材料 在论文细节方面要按照学院要求的论文格式进行编写否则格式如果过于随意没有达到要求反倒舍本逐末这样查重的时候很可能会影响论文查重的最后的结果 但是在写论文的时候,千万要注意不能抄袭别人的论文,目前知网的查重能力想必大家都听过,如果重复率过高的话,对自己写论文的时间也有很大影响的 这些就是针对服装毕业论文怎样写的说明了
一是，要有自己设计的服装（服装设计样，设计图纸、制作工艺等）二是，阐明你设计的服装的创意。（这里面要有你的构思、观点、并对当下服装流行的分析）三是，说明你对自己设计的服装的前景预测和市场调查的综合分析（做到有理有据，有数据说话，最好还有市场的问卷调查数据）四是，综上所述，得出你的服装设计所按照的创意理念是正确的。总之，毕业论文是一个对你所学习的总鉴定，总评价。也是对你的综合素质的总考评，你应该尽自己最大的努力去认真做好资料的搜集和论文的撰写。很多东西只能靠自己了。同时这也是你展示自己才华的最佳时机。往往你这个专业的毕业生，靠自己的毕业论文一炮打响后，许多的服装公司都想把他挖走。最后就是要看你自己的实力了。祝你成功！
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100 求提供几篇全英文论文这个全部交给天成论文写出来就好了的
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