中英文化差异毕业论文模板

Chinese and Western cultural differences in the performance of every aspect of daily life from the greeting 、 term diet and cultural differences in the way of thinking in the abstract, such as differences everywhere, from the West focus on the following colors to express the difference between Chinese and Western cultural differences in areas such as a wedding set. First, in the West to express the color difference Different colors in different languages is not expressed in the same way. The representative of China in a sense, the West has a meaning that even the "color" to understand the meaning of the contrary. (A) red (red) Whether in China or in the English-speaking countries, often in red and festive celebrations or day-related. Calendar, red font used these days, therefore, red letter day: refers to the "Day" or "happy occasion." It also refers to the red "liabilities" or "loss" because people are always negative in red to register. So there are these phrases: red figure deficit in the red loss In common with the Chinese "red" words, translated into English, may not necessarily use the "red" for example: brown sugar brown sugar red wine red wine (B) yellow Yellow in English and Chinese in the extended meaning of the differences are considerable. In English, yellow can be said that the "timid, cowardly, despicable," meaning, for example: a yellow dog despicable, cowardly people a yellow livered coward Chinese yellow symbol of the term is sometimes vulgar, vulgar and obscene, indecent indecency means, such as yellow film, erotica, yellow CD, and so on. These in the name of "yellow" in English and "yellow" has nothing to do. However, in another English word blue is the color used to indicate the kind of meaning in Chinese, such as the blue jokes (dirty joke), blue films (yellow film). Second, the cultural differences in Western wedding First of all, in Western wedding culture and the first in the West in thinking about the differences: the Chinese people more conservative, like excitement, more old-fashioned thinking, so in the history of China for thousands of years the entire wedding customs did not change much. The thinking in the West is more open to the requirements of the wedding will be lower, they will be the climax of the wedding in the church: the sacred as the "wedding march" into the red carpet, Jiao Mei's father, the bride linked hands Rose walked slowly to the groom, the bride's father, daughter to the groom's hand on hand, her daughter's life will be entrusted to the groom, all eyes followed the couple, filled with well-being in their face. Second, the result of cultural differences wedding in the West because the West in a different religion. China is mainly Buddhist, but the West is mainly Christian. Therefore, the Western wedding is to be held in the church and the priest is Zhuhun Ren. China's traditional customs of the most important part of the Bai Tiandi is, the worship heaven and earth even after the ceremony has become.中西方文化差异表现在方方面面，从日常生活的打招呼用语、饮食文化等差异到思维方式等抽象方面的差异无所不在，下面着重从中西方颜色表达的差异，中西方婚礼文化差异等方面阐述。 一、中西方颜色表达的差异 不同颜色在不同语言中表达的方式并不一样。在中国代表一种意义，在西方又表示一种涵义，甚至对“颜色”的涵义理解恰恰相反。（一）red（红色）无论是在英语国家还是在中国，红色往往与庆祝活动或喜庆日子有关。日历中，这些日子常用红色字体，因此，red letter day：指的是“纪念日”或“喜庆的日子”。红色还指“负债”或“亏损”，因为人们总是用红笔登记负数。于是就有了这些词组：red figure赤字 in the red亏损汉语中常用的带“红”字的词语，翻译成英语，可不一定用“red”例如：红糖brown sugar 红酒red wine （二） yellow黄色在英语和汉语中的引申含义差别比较大。英语中，yellow可以表示“胆小、卑怯、卑鄙”的意思，例如：a yellow dog 可鄙的人，卑鄙的人a yellow livered 胆小鬼汉语中黄色一词有时象征低级趣味、色情庸俗、下流猥亵的意思，如黄色电影、黄色书刊、黄色光碟等等。这些名称中的“黄”与英语中的“yellow”无关。然而，英语中另一个颜色词blue却常用来表示汉语中这类意思，如blue jokes（下流的玩笑）， blue films（黄色电影）等。 二、中西方婚礼文化差异 首先，中西方婚礼文化差异首先和中西方人在思维方面的差异有关：中国人比较保守，喜欢热闹，思维较古板，所以在中国历史几千年的时间里整个婚礼的习俗并没有多大的变化。而西方人的思想则比较开放，对于婚礼的要求也比较低，他们婚礼的高潮则是在教堂中：随着神圣的《婚礼进行曲》步入鲜红的地毯，娇美的新娘挽着父亲手捧玫瑰慢慢向新郎走去，新娘的父亲将女儿的手放在新郎的手上，将女儿的一生托付给新郎，所有人的目光注视着这对新人，幸福洋溢在他们的脸上。其次，造成中西方婚礼文化差异的原因是中西方不同的宗教。中国是以佛教为主，而西方则是基督教为主的。所以西方的婚礼是在教堂中举行而主婚人则是神甫。中方的传统婚俗中的最重要环节就是拜天地，拜了天地以后就算是礼成了。

Western novels in comparison First, Western novels in the history of the development of Western novels are based on myths and legends of its origin. In ancient times, science developed, out of fear of nature, the working people out of the imagination is the key to many of the world "God", describing the personification of God is a myth; who will describe the deified, that is legend. China opened the world's Pan story, the story of San Juan Five Emperors, the West Greek mythology, Roman mythology, Norse mythology, and so on are all typical works. East and West, the original novel, is closely linked with the history, as historical records complement the event. China Pre-Qin prose in the fable, the Han dynasty in the history books, biographies, the Wei and Jin Zhi, Zhi-person novel; the West of ancient Babylon, "the United States and Ji Jia disabilities epic", in ancient Greece, "Homer's epic," "Aesop's Fables "And so on, fall into this category, fiction, novels such novels have been about the characteristics of fiction, it is still not the literary creation, directly from the private collection record, so this type of fiction plot is relatively simple, writing rough comparison. Ban Gu said, "On the Street Lane words, hearsay are made of" is a novel kind of accurate assessment of the image. China's Tang Dynasty, the novel is only from history and literature become a creativity. Tang Dynasty culture has developed, the author's ideas are more open, the legend came into being at this time, Li Zhaowei "Liu Yi Chuan", Po Chu's "Everlasting Regret," Wolf's "Everlasting Regret Chuan" And so on, are made in accordance with the creation of the legend. For the fictional story of the Tang Dynasty more emphasis on imagination and literary talent, not just the history of the nature of things, but as the history of Zhi Zhi who is also the novel did not stop. The Legend of the Song Dynasty to the novel on a gradual decline, which followed the rise of this so that after processing will become a scholar so many novel and Romance novels such as "Romance of the Three Kingdoms", "Outlaws of the Marsh", "Journey to the West." The author of such novels is the use of private creative and re-created to describe the circumstances of the touching scenes of brilliant and vivid active in shaping the character known, there are obvious story-telling style of language. Here by the redevelopment, it will become an independent literary creation rather than things to come together with the civil process, the representative of this type is the "Golden Lotus", it was an open and ordinary life on the road, the reality is that literature has come a long way The development of the latter's "A Dream of Red Mansions" in ancient China Geng Shiba realism to the novels of the summit. "54" after the novelist began to learn from China's western fiction writing practices, and gradually out a new path. Western novels, is the "Renaissance" after the rapid development of mature. The development of the Middle Ages novel near-stagnation in the West, 14, the end of the century "Renaissance" to overthrow the literature of the Church of control, 15, appeared in the western end of the century to promote freedom of thought and the liberation of personality in order to describe the reality of life and portray characters from all walks of life for the content of the Humanist novels, is to tie in with this type of novel anti-feudal Europe at the time of arising at the same time it also set the novel in the West to human describing the tone of the main things. Jiaqiu Italy's "Decameron", Spain's Cervantes "Don Quixote" is the kind of representative works of fiction. The resulting novel is a classical, elegant favor of its national language to standardize the writing of this novel in 17th century France's most well-developed. As a note on behalf of Corneille's "Cid" neoclassical story of the rise of Western novels have been a language substantially improved. The beginning of the 18th century to promote popular science knowledge, enlightenment of the public consciousness for the purpose of the Enlightenment novels, of which there are relatively well-known German Goethe's "Faust", the United Kingdom Defoe's "Robinson Crusoe" and the Swift "Gulliver's Travels" and so on, this type of novel to the emergence of the bourgeois revolution at the time to mold public opinion. In the 19th century, romantic fiction, realistic novels and critical realism novel turn to occupy the leading position in the field of fiction. Romantic novels, such as France Victor Hugo's "Notre Dame de Paris", Goethe's "juvenile Witt of trouble" and so on, imaginative, unusual ideas, language and imaginative, strong feelings. Efforts to reflect the reality of the novel is the essence of life, and depict typical life of a typical phenomenon in the United Kingdom Dickens, France and Germany are of such novels as a representative of the writer. Critical realism novels exposed the efforts of the decadent feudal system and capitalist society, the dark, in-depth criticism of the reality of evil, France Balzac and Maupassant, the United Kingdom of Charlotte, Bronte,. Russia's Tolstoy, Dostoevsky, the United States of a large number of writers such as Mark Twain's works belong to this category. Value today, the three novels in the West is still the most important of the three types of literary fiction. East-West novel on the history of the development of more or less the case. Second, the characteristics of the novel in the West In addition to the basic characteristics of the novel, the story of the West also have their own characteristics are as follows: 1, the traditional Chinese novel attention to the characters, language and the details of the description, in contradiction to the conflict to display the images, but the character of a single, small changes in the absence of the main flu. Western novels are more people pay attention to the psychological description, stressed that mining figure in the subconscious mind, good at writing full, the changes in the strong sense of the main characters. Again, "coach Lin Feng Snow Mountain Temple" in the figure is only through dialogue and action leads to contradictions and conflicts, but Anna Karenina Wogui before a series of conflicts only with his description of the psychological will be able to express their clear; for poetry in Lin In the performance of her literary talent, and Paul with his inner monologue of the ideal; Zhang Zhong-Yong has only the character, but Jane Eyre's character is the brave, strong, warm, kind-hearted, and so many of the character and rubbing and Cheng's. In short, people in the area described in the West has its own unique features. 2, China compared with Western fiction novel plot twists and turns more and more complete story. Plot twists and turns, the story is complete fiction China's unique traditional arts. The Wei and Jin Zhi Zhi people on the novel twists and turns with vivid characteristics. Tang legend in the layout of many of the famous, magnificent anomaly, rigorous and clever, dramatic plot development. The contents of the Ming and Qing Dynasties novels scattered irregular, undulating waves, Cuoluoyouzhi, careful structure, an integral whole. "A Dream of Red Mansions", everywhere She Fu, Hui turning point, the story of Jia's best writing. Western plot in respect of the outstanding works, although there are many, but it can not be compared with the Chinese novel. 3, concise and lively Chinese language novel, rich in content and rich Western novels. Chinese folk artists absorbed the novel language, at the same time inherited the fine traditions of ancient prose, often a few words will be able to outline the incident or the people. Western novels in the author includes a broad range of knowledge, involve the community in many ways, so rich in content and rich people can gain knowledge in many areas. Engels said he was in Balzac's novel about 19th century France's domestic situation than he received any reports are more. Western novels have different characteristics, and also in the West different aesthetic concepts to a certain extent related. 4, Western novels have been the rule of the feudal culture of oppression destroyed. Chinese feudal culture makes the development of the novel is extremely difficult, Ming and Qing Dynasties more people to write stories for shame, so many great writers living, creating the conditions are not covered, many of the great works of authors who do not know. Western novels in the feudal culture makes almost the whole of the Middle Ages in the development of extremely slow, and many talented writers were forced to church services, wrote some of the religious nature of the article dry hole. Third, Western novels in the future prospects for the development of End of the Qing Dynasty, China and the West have begun to understand the other side of the system, the advantages of the novel in the West have been constantly learn from each other. Of course, due to historical reasons, the Chinese side of the draw a little more. To this day, the novelist in the West efforts are still two researchers in the novel's artistic charm, although the different languages of each other's appreciation of the arts to a certain extent, but the United States are interlinked. We have every reason to believe that in the near future, the novel art in the West will ultimately learn from each other and integrate, develop and reach new artistic heights. References: "Foreign Literature" Shanghai Translation Publishing House Zhou Xu Liang "Contemporary Literature election," Zhang Zhong, such as Beijing University Publishing House "Chinese literature history of the development of" Shanghai Ancient Books Publishing House Liu Jie "Literary History of Europe" People's Literature Publishing House Yangzhou Han Wu Da-yuan Zhao Rui radish "Three high school language textbook used by the five dates of the" People's Education Press仅供参考，请自借鉴。希望对您有帮助。

汉语言文化差异的对比一、 英汉语句差异 (一 )英汉词汇现象对比 1 .意义差异“ 英语是综合型语言 ,词化程度相当高 ,即在英语词汇中存在大量分析型语言 (如汉语要用一个短语甚至一个句子才能表达单个词 )。 ” [ 2 ]译者熟练掌握英语的这种特点 ,就可以使译文简洁。英语中有不少单个动词隐含着“make +宾语 +补语 ” 的意思 ,“v . + adv” ,“v . + like” “v .+with” 这些复杂的意思。英语一个动词 ,汉语要用一个短语词组来表达。如果在汉译英中正确运用这种动词 ,就简洁多了。由于名词尤其是抽象名词大都是从动词或形容词派生来的 ,而很多动词或形容词都有自己习惯的主语或并与之搭配 , 因此单个抽象名词隐含一个主谓或动宾结构的内容。 2 .词类差异 “ 英汉语言的最大差异之一便是体现在动词的运用上 ” [ 3 ]。汉语动词灵活多变 ,表现力极强。沈家煊认为 ,汉语在句法上遵循时间顺序的相似原则 ,这是因为汉语缺乏形态变化而采用直接映照的方法。 [ 4 ]汉语句序体现认知次序 ,多述谓成分线性排列。因此“ 汉语中动词使用频率远比英语为高。 ” [ 5 ] 在表达一些复杂的思想时 ,汉语往往借助动词 ,按时间顺序逐步交待、 层层铺开 ,给人以舒缓明快的感觉。从使用方法上来看 ,汉语动词的连用和叠用非常普遍 ,而在英语中习惯用非谓语动词形式。例如:他出去迎接妈妈。He went out t o meet hismother . (汉语后一个动词在英语中变成不定式 )英语句子中 ,主要采用主谓结构。由于句中的谓语动词受动词形态变化的约束 ,句子中一般只能有一个谓语 ,它是句子的轴心。然后借用名词来表达 ,而名词之间则使用介词加以串通。所以英语中名词与介词等词类占优势。下例中英语中的名词、 介词等只能译成相应的汉语动词:He cried at the news . 听到这个消息他哭了。此外还有搭配方面的差异等。 (二 ) 英汉句法现象对比 1 .句型差异 英语表达常呈“ 浓缩性现象 ” ,汉语表达常呈“ 展开性现象 ” 。 “ 由于英民族常取‘浓缩型 ’ 的思维方式 ,喜欢将众多的信息靠多种手段集中于一个单位加以思考 ,因而表达时往往倾向于取较低的句法单位。 ” “ 而汉民族往往更趋向于把问题层层铺开 ,用节节短句逐点交代。 ” [ 6 ]因此 ,英语多用长句 ,而汉语中短句占优势。例如:We have achieved an extraordinary technol ogical capabil2ity which enables us t o seek out uni maginably distant civiliza2ti on even if they are no more advanced than me . (我们已经具备了一种非凡的技术能力 ,这种技术能力使我们搜索到无比遥远的文明世界 ,即使他们和我们一样不先进。 )英语表达复杂的意思时 ,偏爱借助连接词 (如上句中的 which、 even if )用长句连贯地加以表达。而汉语言则相反 ,侧重于用短句。如上例中 ,把一个长句分解成三个短句 ,使整个句子节奏分明 ,脉络清楚 ,正所谓“ 大珠小珠落玉盘 ” 。因此长句和短句的习惯差异在我们平时的翻译中要加以注意。 2 . 英汉句序差异 英语和汉语复合句中主句和从句之间的时间顺序和逻辑顺序不完全相同。彭宣维统计表明 ,在主从关系上 ,英语中的因果、 条件、 假设以及时间状语从句的位置比较灵活 ,“ 在这一点上比汉语的表达手段多出近一倍。 ” [ 7 ]但是 ,“ 复合结构中从句在前 ,主句在后仍是汉语复合句的典型顺序。 ” [ 8 ]为此 ,彭宣维对汉语的主从复合句 (包括时间、 方式、 条件、 原因等 )的分布进行了统计 ,结果表明 , 汉语基本上是按“ 从句 -主句 ” 的方式组织。如:Please tellme when you have a p r oblem. 如有问题 ,请给我打电话。 二、 英汉语言思维差异 归根到底 ,上述词句间的差异源于语言主体间的思维差异。 “ 思维方式的差异 ,正是造成语言差异的一个重要原因。 ” [ 9 ]翻译的过程 ,不仅是语言形式的转换 ,更是思维方式的变换。 (一 ) 形合思维与意合思维 “ 英语句子结构比较紧凑 ,句子内部连接之处 , 一般都要用具体的词语来体现 ,也就是王力先生所说的‘形和 ’ 。 ” “ 汉语句子结构比较松散 , 连词用得不多 ,但意思是连贯的 ,这就是王力先生所说的‘意和 ’ 。 ” [ 10 ]形合和意合是分析思维和综合思维的各自具体表现。“ 形合 ” 就是主要靠语言本身的结构手段来表达意思;“意合 ” 主要靠句子内部逻辑关系来表情达意。英汉两种语言形合、 意合思维的差异对翻译有着深远的影响。 (二 ) 抽象思维与形象思维的差异 中运用抽象词的频率大大高于汉语。汉语用具体词表达的事情 , 英语中往往用抽象词:戴安娜代表了热情 ,责任 ,风度和美丽。Diana was theessence of compassi on, of duty, of style, of beauty .现代汉语中抽象词的使用也大增 ,如以“ 性 ” 、 “观 ” 、“ 化 ” 等结尾的词 ,例如:科学性、 荣辱观、 园林化等。 (三 )被动思维与主体思维的差异英语中凡是不必说出主动者 ,或者为了使方便、 叙述客观、 语气委婉等往往都是用被动语态 ,所以被动语态极其常见。相比之下 ,汉语的被动语态使用范围窄得多 ,而主动语态用得多。 三、 英汉文化差异 沃尔夫的语言相对论认为语言类型的不同影响人们认识世界的方式。 [ 11 ]反过来说 ,一种语言的词语数量的多寡和语义所指往往因文化不同而异。在语言的形成发展过程中 ,由于语言客体的区别和语言主体心理思维的不同 ,表现在语言中必然出现某种差异甚至冲突对立 ,这种语言体现在心理上的差异即是文化差异。文化差异渗透在两个语言形式的各个方面 ,在语音、 词汇、 语句、 篇章等方面都各有表现。 (一 )英汉文化有部分重叠 “ 语言的不同层次和相当层次的语言单位具有不同的文化蕴含内容 ,其中词是文化蕴含内容的核心。 ” [ 12 ]这种情况首先体现在概念词语上。英语在概念上加以明确区分的实体 ,在汉语文化可能不加区分 ,反之亦然。英汉两种语言概念划分很少有完全一致的 , 这就给翻译带来了很大困难。亲属称谓是一个典型的例子。英语的 uncle就可以指汉语的伯、 叔、 舅、 姑父、 姨父任何人。汉语的区分较英语细致得多。 (二 )英汉文化空缺“ 以别的语言为参照 , 任何一种自然语言的词汇场中都可能有‘ 词汇空缺 ’ 。 ” [ 13 ]所谓空缺 (文化上的 ) ,是指有些表达方式是一国所独有而别国没有。这种空缺在词语的使用上显得尤为突出。英语和汉语的俗语、 谚语、 成语、 禁忌语、 委婉语所呈现出来的文化差异就更大了。 (三 ) 中英文化冲突 所谓文化冲突 ,有两种情况: (1)有些表达方式 ,一种语言有另一语言也有 ,但涵义刚好相反。 (2)含义相同的内容在两种语言表达方式上截然相反。正如柯平所说:“ 翻译理解中最大的危险在于原语和译语里有一些貌合神离的假朋友 ,它们的指称意义相同 ,但语用意义 (主要是喻义 )完全不同 ,甚至正好相反。 ” 众所周知的一个例子就是 pull one’ s leg (开玩笑 ) ,它的含义并不是“ 拉某人的腿 ”或“ 拖后腿 ” 。“ 观察事物的视点不同是造成英汉文化冲突的另一个原因 ” 。 [ 14 ] 如英语说 beat the enemy,汉语是战胜 (或战败 )敌人;英语 fight fires在汉语变成了“ 救火 ” 。由此可以看出 ,在互译中英文作品时一定要把握词语的文化内涵 ,出现文化冲突时切忌直译 ,否则 ,将严重损害原作的内容和精神。 两种语言之间的文化差异影响翻译的准确与否 ,因此 ,在翻译中必须深度挖掘词句所要表达的真实意思 ,高度重视语言差异 ,包括语句差异、 思维差异以及不同方面不同层次间的文化差异。

浅谈中英文化差异新教学大纲规定，九年义务教育初中英语教学的目的是培养学生运用英语进行交际的初步能力。英语考试也逐渐向这个方向靠拢。每种语言都背负着其民族的历史、文化。要谈到英语教学就不能回避中英文化的差异问题。（一）中英文化存在的一些差异一、从词汇的文化负载中看差异词汇中往往负载着许多文化内涵。如在中国虎代表的是百兽之王，词汇中常常出现将门虎子、虎踞龙蟠、虎虎生威等词语。但在英语中虎的地位被狮子所代替。如英国的别称以及前段时间播映的动画片《狮子王》。又如狗在中文中多含贬义：狗腿子、狗奴才等；而在英国文化中狗是人类最忠实的朋友。再如力大如牛（译成：as strong as horse）、a busybody并非大忙人而是“好管闲事的人”、black tea并非黑茶而是红茶、黄色书刊不是yellow book而是dirty book……；因而如果根据字面直译就会闹出大笑话。二、从姓名及称谓中看差异1、结构形式上的差异我们知道，姓名由姓（Family name）与名（Given name）组成。英国人的排列方式是名（Given name）＋姓（Family name）而中国人的却与之相反是姓（Family name）＋名（Given name）。为什么会存在着这种差异呢？这与两个国家人民的价值观念有关。由于相较而言英国封建制度存在的时间较短，资本主义发展得较早，尤其是文艺复兴时期宣扬个人主义至上的思想，崇尚以个人为中心深深地影响了英国人。因此这个国家的国民具有强烈的个体本位主义，反映在名字上就出现了名在前的形式。而我们中国具有漫长的封建历史，儒家思想根深蒂固。强调中庸之道，反对个人主义。最重视的是家族的传承，体现的是一种群体本位主义。由此出现了将家族标识－姓放在前面而代表个人的名放在后的形式。2、姓氏使用的差异由于我国早在远古姓氏出于图腾，进入封建社会后常以出生地、封地、官职、封号等作为姓氏的来源，将姓作为一种荣誉。因此在姓氏的选择和使用上显得极为谨慎和谦恭。而英国人却在姓名的使用上充分显示了其自我、自由的特征。有人以职业为名，如：Cook库克（厨师）；有人以家庭关系为名，如：Johnson约翰逊Jackson杰克逊；有人以天气、季节为名：Snow斯诺（雪）Frost梅弗罗斯特（霜）、Summer萨默（夏天）；有人以圣经人物为名：Bible拜布尔（圣经）；以长相为名：Strong斯特朗（强壮的）、Longfellow朗费罗（大个子）；以神话人物为名：Apllo阿波罗（太阳神）、Hymen海门（婚姻之神）、Mars马尔斯（战神）；以动、植物名称为名：Bull布尔（公牛）、Wolf沃尔夫（狼）Rose罗斯（玫瑰花）；有的以日期为名：May梅（五月）、Sunday森迪（星期日）；以物体名称为名：Stone斯通（石头）、House豪斯（房屋）等林林总总，形形色色，不论美丑。有姓驼背的、有姓坏蛋的、有姓胖、姓瘦的、有叫教堂，有叫灌木（Bush）的……因而我们在翻译英国人姓名时往往用音译而不用直译法。而在取名时又存在着一个更大的差异，那就是在中国社会中子孙及其他位卑者要避尊者讳，不能直呼长辈及位尊者的名讳。例如：唐太宗名李世民，结果观世音菩萨也被改名为观音菩萨；唐朝诗人白居易一生不咏海棠只是因为他的母亲名为海棠。而在英语国家长辈则以子孙使用自己的名字为荣，于是出现了类似查理一世、查理二世的称谓，以及爷孙同名的事来。3、称呼上的差异在非正式场合、平辈人中英两国人都喜欢相互以名字来称呼以示亲密。但在上下辈中的称呼上，就存在着较大的差异。在中国人中需要严守上下辈分的差别，对长辈要用尊称不能直呼其名；在英语国家中则不一定严格照此实行，在非正式场合中或双方关系较为密切的情况下，则常以名字来相互称呼，对父母、师长、领导、长辈等均是如此。常常出现对父母直呼其名的情况。在对亲戚的称呼中，中国人分得很细而英语国家则是较为粗略。例如：uncle一词的中文含义就有伯伯、叔叔、舅舅既有有血缘关系的也有无血缘关系的，是个统称。这与两个国家人民的家族观念有着很深的关系。此外，中国人喜欢以职务和身份来称呼，如王老师、老王等；而英语国家则不会如此，如王老师－Mr./Miss/Mrs Wang 而不叫Teacher Wang（但在我们初中人教版教材中就曾出现这种错误）。语言是一种工具，由于社会的发展必然出现一些新的词汇，而留心身边日常生活中出现的英语词汇是十分必要的。如：E-mail(电子邮件) teletext(图文电视)homepage(主页) mobile telephone(移动电话)……三、日常交谈规则习惯由于我们日常对语言的听说能力注重得还是不够，尤其是对某些词句在具体语境中如何运用仍没有引起足够的重视。故而在实际运用中常常出现使用了一些句子无论是从语法角度来说还是从语言角度来说并没什么问题的句子但却与英语国家的风俗习惯不相符或是想当然地套用一些母语的语言形式即通常所说的Chinese English，犯一些令人啼笑皆非的错误来。举几个例子来说明。例如：1、对赞扬和感谢的反应就存在着有趣的差异。中国人将自谦当作一种美德，因而在遇到外国人的赞扬与感谢时，外国人说：You did so well. 中国人的第一反应就是：Oh,no.或是Well,just so so.而这一反应将引来赞美者的不快。正确的回答应是：Thank 、电话的开场白上的差异Hello, this is May speaking. Is that Mary?这是英语中一个简单的电话开场白。中文意义为：您好，我是梅。你是玛丽吗？这里就不能简单地运用中文想当然地用上I am和Are you的句式。3、其他差异对于中国人来说纯粹属于自己的隐私似乎没有，而英国人却极为重视个人隐私。中国人见面喜欢问的年龄、收入、婚姻家庭状况等问题在英国人看来是让人极其恼火的事情。对于这种问题的答案往往是：It’s none of your business.(这不关你的事。)还有一些习惯用法。如：圣诞快乐应为Merry Christmas而不是Happy Christmas同样是快乐不能通用仅仅是因为习惯而已（初中英语沿海版教材中就曾出现这一错误）。当然，作为分析性语言的中文与作为综合性语言的英语在语法上还存在着相当大的差别。在这里就不详细说明了。（二）如何在教学中解决这些问题浅谈中英文化的差异的意义在于：由于存在差异，我们的母语－中文势必对我们学习英语产生一些负迁移作用，如何通过了解差异，在教学中 避免母语产生的负面影响提高学习效率？主要做好以下两点工作：首先，在搞好英语日常教学的基础上，有目的地在教学中渗透一些交际文化背景。可以让学生进行一些辅助性的课外阅读，或组织英语原声电影、录像、VCD的观看，运用网络，通过一些有声的无声的，有形的无形的，字面的形象的社会文化内涵渗透到学生心中，让学生尽可能地触摸到最原汁原味的英语世界。其次，为学生提供尽可能多的练习机会。在课堂上用纯英语教学，创造一些英语听说氛围。通过创造模拟情景，鼓励学生大胆开口实践，使学生身临其境反复练习，形成良好的英语语感，增强学生在实践中的应对能力。总之，在英语教学中忽视中英文化差异的教学将会直接影响到教学质量，影响学生交际应用能力的提高。唯有注重提高学生对语言背后所蕴含的文化背景、社会知识的了解，才能真正让学生在语言学习运用中立于不败之地。最终达到学习的目的。

去百度搜索一下看看,我记得有的