《飘》(Gone With The Wind)是一部出版于1936年的美国小说,作者为玛格丽特·米契尔,在1937年获得普利兹奖。这本小说是其作者活着时出版的唯一一部作品,但它成了美国史上最为畅销的小说之一Margaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949) was an American author, who won the Pulitzer Prize in 1937 for her novel Gone with the Wind. The novel is one of the most popular books of all time, selling more than 30 million copies (see list of best-selling books). An American film adaptation, released in 1939, became the highest-grossing film in the history of Hollywood, and received a record-breaking ten Academy Awards. She has been honored by the United States Postal Service with a 1¢ Great Americans series postage stamp.Early lifeMargaret Mitchell was born in Atlanta, Georgia to Eugene Mitchell, a lawyer, and Mary Isabelle, much referred to as Maybell, a suffragist of Irish Catholic origin. Mitchell's brother, Stephens, was four years her senior. Her childhood was spent in the laps of Civil War veterans and of her maternal relatives, who had lived through the Civil War.[citation needed]After graduating from Washington Seminary (now The Westminster Schools), she attended Smith College, but withdrew during her freshman year in 1918. She returned to Atlanta to take over the household after her mother's death earlier that year from the great Spanish flu pandemic of 1918.Shortly afterward, she defied the conventions of her class and times by taking a job at the Atlanta Journal. Under the name Peggy Mitchell she wrote a weekly column for the newspaper's Sunday edition, thereby making her mark as one of the first female columnists at the South's largest newspaper. Mitchell's first professional writing assignment was an interview with an Atlanta socialite, whose couture-buying trip to Italy was interrupted by the Fascist takeover.[citation needed]Mitchell married Berrien “Red” Upshaw in 1922, but they were divorced after it was revealed that he was a bootlegger and an abusive alcoholic. She later married Upshaw's friend, John Marsh, on July 4, 1925; Marsh had been best man at her first wedding and legend has it that both men courted Mitchell in 1921 and 1922, but Upshaw proposed first.[citation needed]She is also the distant cousin to famous gunfighter/dentist, Doc Holliday, who participated in the Gunfight at the O.K. Corral. It is also thought that she modeled Ashley Wilkes, a main character in Gone with the Wind, after Holliday.OccupationUsing Mitchell's scrapbooks from the Hargrett Rare Book and Manuscript Library at the University of Georgia, editor Patrick Allen collected 64 of the columns Mitchell considered her best work. They were published in 2000 under the title Margaret Mitchell, Reporter.[1]Her portraits and personality sketches in particular show a promise of her skill to portray the kind of characters who made Gone With the Wind the second best-selling book, next to the Bible, at the time of publication.[dubious – discuss][2] Even as a supposedly neutral reporter, her irrepressible personality shines through. This collection of Mitchell's journalism transcends fact-gathering, showing Mitchell as a young woman and providing a compelling snapshot of life in the Jazz Age South.Writing Gone with the WindMitchell is reported to have begun writing bedridden with a broken ankle. The house where Mitchell lived while writing her manuscript is known today as The Margaret Mitchell House and located in Midtown Atlanta. A museum dedicated to Gone with the Wind lies a few miles north of Atlanta, in Marietta, Georgia. It is called "Scarlett On the Square", as it is located on the historic Marietta Square. It houses costumes from the film, screenplays, and many artifacts from Gone With the Wind including Mitchell's collection of foreign editions of her book. The house and the museum are major tourist destinationsPublicationMitchell lived as a modest Atlanta newspaperwoman until a visit from Macmillan editor Harold Latham, who visited Atlanta in 1935.[3] Latham was scouring the South for promising writers, and Mitchell agreed to escort him around Atlanta at the request of her friend, Lois Cole, who worked for Latham. Latham was enchanted with Mitchell, and asked her if she had ever written a book. Mitchell demurred. "Well, if you ever do write a book, please show it to me first!" Latham implored. Later that day, a friend of Mitchell, having heard this conversation, laughed. "Imagine, anyone as silly as Peggy writing a book!" she said. Mitchell stewed over this comment, went home, and found most of the old, crumbling envelopes containing her disjointed manuscript. She arrived at The Georgian Terrace Hotel, just as Latham prepared to depart Atlanta. "Here," she said, "take this before I change my mind!"[citation needed]Latham bought an extra suitcase to accommodate the giant manuscript. When Mitchell arrived home, she was horrified over her impetuous act, and sent a telegram to Latham: "Have changed my mind. Send manuscript back."[citation needed] But Latham had read enough of the manuscript to realize it would be a blockbuster. He wrote to her of his thoughts about its potential success. MacMillan soon sent her a check in advance to encourage her to complete the novel — she had not composed a first chapter. She completed her work in March 1936.Herschel Brickell, a famous literary critic for the New York Evening Post, reviewed Mitchell's book in an article titled " “Margaret Mitchell’s First Novel, ‘Gone With the Wind,’ a Fine Panorama of the Civil War Period.” His review helped launch Mitchell's career by calling attention to what would become one of the best novels of the Southern Renaissance. Over time, Brickell and Mitchell became extremely close; much of their correspondence has been published and is available in the archives at the University of Mississippi. Brickell was also a correspondent, friend, and adviser to other southern writers including Eudora Welty, Truman Capote, William Alexander Percy, Marjorie Kinnan Rawlings, Zora Neale Hurston, Stark Young and Allen Tate.[4]Gone With the Wind was published on June 30, 1936. The book was dramatized by David O. Selznick, and released three years later. The premiere of the film was held in Atlanta on December 15, 1939.Gone with the Wind was such an overnight success that its publisher George Platt Brett, President of Macmillan Publishing, gave all its employees an 18% bonus in 1936.DeathMitchell was struck by a speeding automobile as she crossed Peachtree Street at 13th Street with her husband, John Marsh, on her way to see the British film A Canterbury Tale at The Peachtree Art Theatre in August 1949. She died at Grady Hospital five days later without regaining consciousness. The driver, Hugh Gravitt, was an off-duty taxi driver. He was driving his personal vehicle at the time, but his occupation led to many erroneous references over the years to Mitchell’s having been struck by a taxi. After the accident, Gravitt was arrested for drunken driving and released on a $5,450 bond until Mitchell's death several days later. Georgia Gov. Herman Talmadge announced that the state would tighten regulations for licensing taxi drivers.Gravitt was later convicted of involuntary manslaughter and served 11 months in prison. His conviction was controversial because witnesses said Mitchell stepped into the street without looking, and her friends claimed she often did this.She was buried in Oakland Cemetery in Atlanta. 1936 original cover of Gone with the WindAuthor Margaret MitchellCountry United StatesLanguage EnglishGenre(s) Historical fiction, Romance, Drama, NovelPublisher Macmillan PublishersPublication date May 1936Media type Print (hardcover and paperback)Pages 1037 (first edition)1024 (Warner Books paperback)ISBN ISBN 0-446-36538-6 (Warner)OCLC Number 28491920Followed by Scarlett作者 玛格丽特·米契尔出版地 美国语言 英文类型 历史小说出版者 Macmillan 出版商出版日期 1936年6月30日媒介 图书页数 1037页(首版)1024页(平装版,华纳出版社)ISBN ISBN 0446365386 (华纳出版社)
该论文主要是对《飘》一书中的女主角郝思嘉的性格进行了分析,她的性格可以分成优点和缺点两个方面。优点包含:坚强勇敢,诚实守信等。性格缺点表现为:自私冷漠,不择手段等。为了更好地支撑该主题,该论文分为五大部分:第一部分地对作者和作品的简介;第二部分集中分析郝思嘉的性格优点;第三部分是对郝思嘉的性格缺点加以分析;第四部分着力分析郝思嘉性格形成的原因;第五部分为结论,重申主题。 关键词:郝思嘉;性格优点;性格缺点;性格形成 AbstractThis present paper concentrates on an analysis of the characters of the heroine: Scarlett in the novel
Part of Scarlett's enduring charm for women is her feminism, though recent critics have pointed out that many events in the novel are degrading to women. There is Rhett's ravishing of Scarlett (after which Scarlett is shown to have enjoyed herself immensely), Scarlett's apparent need of a man to be happy (whether it's Ashley Wilkes or Rhett Butler), and Melanie's sweet but submissive character (who is much adored by everyone).On the other hand, there have been many defenses for this. First of all, Melanie is not offensive to women, she is simply a more traditional character. Many believe the 'rape scene' quickly becomes consensual (this theory is backed by the novel Scarlett, although it was not written by Mitchell). And again, Scarlett is an individual character, and her need for a man should not be interpreted as universal.Scarlett is by far the most developed character in Gone with the Wind. She stands out because she is strong and saves her family but is incredibly selfish and petty at the same time. She challenges nineteenth-century society's gender roles repeatedly, running a store and two lumber mills at one point. Scarlett is in some ways the least stereotypically feminine of women (in other ways the most), and the more traditional Melanie Wilkes is in many ways her foil. But Scarlett survives the war, several marriages, the birth of children, and even a miscarriage. Melanie, on the other hand, struggles with fragile health and a shy nature. Without Melanie Wilkes, Scarlett might simply be seen as harsh and "over the top," but beside Melanie, Scarlett presents a fresher, deeper female characterization; she lives a complicated life during a difficult period of history.Some of Scarlett's lines from Gone with the Wind, like "Fiddle-dee-dee!," "Tomorrow is another day," "Great balls of fire!" and "I'll never be hungry again!", have become modern catchphrases.Similarities between Scarlett and the actress who played her (Vivien Leigh) are striking:Both had strong career ambitions, and wanted little to do with motherhood. Both swore they would never again have a child.Scarlett's father was Irish, and her mother was French. Leigh's mother was Irish and father was French.Both Scarlett and Leigh were famed for their appearance, their heart-shaped faces, their unusual eyes, and petite body proportions.Both were reputed to be "difficult" in relationships.
优雅,雍容华贵,倾倒众生,魅力四射,就是她,斯嘉丽·奥哈拉,塔拉农场的大小姐。 ——题记 刚刚拜读了美国著名作家米切尔的《飘》,被斯嘉丽传奇的经历所折服,被她的爱情故事所吸引,不过,我只能这样说,这个女人无可救药。她结过三次婚,一次为了气他心爱的人维希礼,和维希礼的妻子媚兰的哥哥,查尔斯结婚。在短暂的两个星期内,斯嘉丽从小姐,便成了别人的妻子;又过了两个星期后,就从别人的妻子,变成了寡妇。 在当时的社会里,寡妇相当于过着与世隔绝的生活,斯嘉丽不可以参加舞会,只能穿没有任何装饰的黑色衣服,而且不许笑……这些近乎苛刻的要求对斯嘉丽,这个生性爱娱乐的人来说,简直是折磨。。。 终于,她忍不住了,在瑞德·巴特勒船长的邀请下,她在众目睽睽下,又成了舞会的中心。当然,她为此也付出了代价,全城的人都在谴责她。这次,我有些同情斯嘉丽了。寡妇,不是罪过。凭什么不让人家跳舞,每个人都有自己的权利,只要觉得对得起自己的良心,我认为,一切都可以。或许吧,这就是社会背景。 南北战争,在历史课本中提到的并不多,我对这段历史也不甚了解。只知道,那次战争为美国的资本主义发展扫清了第二个障碍。读过《飘》之后,我对这段历史有了更深的了解。本书,通过对斯嘉丽的一生的叙述,向读者展示了一幅时代画卷,不,不仅是单纯的历史,更多的是这段历史对人的心灵上的影响。 因为战争的残酷性吧,斯嘉丽渐渐的被生活的棱角磨平了,她变了,变成了塔拉农场的女主人,变成了一个像她父亲一样的粗俗的人。但是,我感觉,她这时才成长了起来。她变得有责任心了。因为这个原因吧,她第二次结婚了,嫁给了她并不喜欢的弗兰克——她的准妹夫。或许吧,有些自私,有些恶魔,但是,一切都是为了塔拉农场。 巴特勒船长,这或许是斯嘉丽的最终的归宿吧,一个爱她的人。从一开始就出现的男人,了解斯嘉丽的秘密。。。 我还想说说斯佳丽的最爱——维希礼。维希礼也爱斯嘉丽,却最终没有在一起。这让我想到了泰戈尔的“世界上最遥远的距离是明明相爱却不能在一起”。为了家族的传统,这是懦弱还是什么,我不知道。。。 媚兰,我喜欢她。她拥有斯嘉丽没有的宽容,大度,善良,可爱。女人因可爱而美丽,我想,这句话是对的。。。 好像本来有好多话想说,可是,似乎又是那种只可意会不可言传的东西,推荐大家去看。 刚开始看的时候并不喜欢思嘉这个人物 觉得 她有点不太好,好像就是一直在耍心眼,勾心斗角的 但后来 随着情节的深入 我渐渐的喜欢上了思嘉——这位个性鲜明的女主角 她强烈的自尊,不肯服输的个性,倔拗的执着追求着自己的幸福。她美丽、坚强、乐观向上,对生活顽强抗争,从不屈服。对于她,我是不得不佩服的,佩服她的坚强,佩服她对土地的执着,佩服她能在那中环境下放下以前所受的教育下田干活,佩服她能不顾社会上的言论而开创自己的事业。 我希望我能像思嘉一样成为自尊自立的女性。 最令我记忆深刻的是:当亚特兰大被北方镇权占领的时候,思嘉没有抛下即将生产的媚兰,始终无微不至的照顾着她。尽管内心十分恐惧,但始终表现出沉静与勇敢。在半路上,瑞德抛弃了她,但思嘉并没有被严峻的现实吓倒,她带着媚兰、韦德、艾希礼的儿子以及小女佣上了路。思嘉在一路上都渴望着回到母亲的怀抱,而当她真正回到了家,面临的现实是:塔拉的荒凉,母亲的离去,父亲的心灵伤痕以及一大家子的生计。思嘉鼓起勇气,俨然以一位女主任的身份开始管理这个大家庭。她美丽、坚强、乐观向上,对生活顽强抗争,从不屈服。对于她,我是不得不佩服的,佩服她的坚强,佩服她对土地的执着,佩服她能在那中环境下放下以前所受的教育下田干活,佩服她能不顾社会上的言论而开创自己的事业。 就是她的这种不服输的勇气深深地感染了我,使我认识到:当一个人面临困难的时候,不能轻言放弃,应鼓足勇气去克服。同时我们应尊重自己的内心,努力追求自己的幸福,并为了自己的幸福付出努力。 这就是《飘》给我的人生启示。从下面一些故事中的情节可以清晰的看到Scarlett 的成长历程: _Scarlett认为自己爱Ashley,想得到他; _为了让Ashley妒忌,Scarlett与其他男人调情甚至随便嫁给了一个男人; _憎恶与Ashley结婚的表妹Melanie; _战争岁月与Melanie一起盼望Ashley平......2007-11-30 从下面一些故事中的情节可以清晰的看到Scarlett 的成长历程: _Scarlett认为自己爱Ashley,想得到他; _为了让Ashley妒忌,Scarlett与其他男人调情甚至随便嫁给了一个男人; _憎恶与Ashley结婚的表妹Melanie; _战争岁月与Melanie一起盼望Ashley平安归来; _处心积虑的想要帮助Ashley,小心翼翼的维护着这个男人的尊严,甚至嫁给一个糟老头为得到足够的金钱; _明白了Melanie的善良、宽厚与坚强,为她的离去而悲痛至极; _终于看清了Melanie与Ashley的感情,也看清了她对他的“爱”,并安慰丧妻的Ashley——她的朋友。 一个憧憬并执着追求爱情的女人—— 但虚荣与轻浮又一次次的让她被叛自己的内心。 一个固执的、简直是执拗的女人—— 也因此而没有意识到自己的真爱。 一个被物质的困乏吓坏的女人—— 拿自己的婚姻做物质交易,却从不自责。 当战争将一切浮华洗净,她也终于成熟起来。 从结局来看,Scarlett 意识到自己的所为只是一个可笑的执著与错误,但清醒的同时她也该为此付出代价 —— 她的真爱,Rhett Butler 在一次次被伤害后只身离去。 这个已经学会在困难面前从不放弃的女人想起了父亲的一句话,又给了自己新的希望 —— “Tomorrow is another day ” 。 但我不希望她还能得到幸福的结果 —— 我希望她是完整的。
这个东西我不怎么清楚啊 你可真能正
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