乱世佳人论文参考文献举例说明

摘要：《飘》是美国女作家玛格丽特•米切尔的不朽之作。她的成功在于对女主人公 斯嘉丽情感的 真实写照，塑造了一个独特人物形象。本文从战前、战中、战后三个阶段分析了 斯嘉丽 性格特征。战前的幼稚、任性的少女，战中的精明强悍、敢做敢为，同时又吝啬贪婪，战后的顽强奋斗。小说《飘》原名GONE WITH THE WIND,意为随风而去，是美国女作家玛格丽特•米切尔创作的描写美国南北战争的小说，1937年获诺贝尔文学奖。作品中的主人公 斯嘉丽既是一个平凡的女子，她拥有许多少女的共同特征：热情、开朗、纯真、浪漫，但她又是一个不平凡的女子，面对环境变化，更多表现出她的坚强、勇敢、拼搏、自强。 斯嘉丽生长在一个优越的家庭，本拥有美丽的容貌和智慧，因此她又拥有一般贵族小姐的缺点：骄傲、自大、虚荣、任性。 斯嘉丽是一个鲜明、生动、丰富、复杂的人物形象，这一形象的魅力之所以经久不衰，在于作家对人物性格的成功塑造。我们把 斯嘉丽的生活经历和复杂性格形成大致分为战前、战中和战后三个阶段。一、战前优越的生活造就 斯嘉丽骄傲、自大、虚荣、任性作为一个南方大种植园主的女儿 斯嘉丽，她身上有一种温和的、过分讲究教养的海滨贵族血统和精明而凡俗的爱尔兰贫民血统相混合的不和谐气质。她既沿袭了父亲豪爽、粗犷、不拘小节和脾气暴躁的性格，又从小受到母亲良好的道德观念的熏陶，她既想做个像母亲那样有着大家闺秀风范的淑女，骨子里又有背叛种种道德规范的意识。这使得她爱慕虚荣、单纯而又实际，却不乏狡黠，不擅长缜密地思考问题。这一 性格特征在战前表现得比较突出。战前，她作为拥有众多黑人奴隶的塔拉农场主的女儿，拥有着财富和地位，生活安逸、富有魅力的外貌赋予她很强的虚荣心，不喜欢读书。对于艾希礼及媚兰所谈及的音乐、诗歌、书本知识一概不感兴趣，她只热衷于舞会、引人注目的漂亮衣服，迷恋骑马及穿梭于众多男子之间，成为各种聚会的中心，时时关注如何引人注意,如何出风头本。“人家谈话要是不拿她当作主要的话题，她就不耐烦得很”。此时 斯嘉丽是一个如此单纯的小女孩，她的虚荣心与简单的个性使她相信以她的魅力和手段能够掌握世界上的一切，尤其是男人。在这里，一个坦白、单纯而极具虚荣心，时常无知，却并不以为然的女性形象应运而生。她“决不能容忍人家爱别的女孩子而不爱她”，当汤家兄弟告诉她卫希礼马上要跟媚兰结婚时，她在心里说:“啊，这不是真实的，是他哥儿俩弄错了，希礼是不能爱她的。像媚兰那样一个小耗子一般的小个儿是没有人会爱上她的。”她竟天真地相信卫希礼其实是喜欢她的，甚至跑去要求阿希礼同她私奔。看得出，由于天生的丽质， 斯嘉丽这时已养成了一种唯我独尊的优越感，而正是这种优越感和她的自信自负使她的爱情成为必然的悲剧。在遭到阿希礼的拒绝后，为了报复希礼，她居然赌气地答应跟自己一点也不爱的查尔斯结婚,而且说越快越好。这就足见 斯嘉丽小姐的幼稚和任性。但即使是结婚，也是为了气阿希礼。本在她内心深处，他从未放弃阿希礼，从未放弃自己的初恋，永不放弃！这就是一贯娇生惯养过着优雅生活却高傲自负固执虚荣的 斯嘉丽。她的这一举动反映出了她的不曾涉世、任性和天真幼稚，她就是一个被宠坏的小女孩，因得不到自己想要的水果糖或玩具而哭闹不休。越是得不到越是想要得到!也就哭闹得越凶。而这颗水果糖或者说这尊玩具就是她的初恋———阿希礼! 二、战中过多的磨难迫使 斯嘉丽坚强、勇敢、拼搏、自强在战争中的经历,同时也是这个女主角的转变过程。在这段时期 斯嘉丽从一个随心所欲、贪图享乐的少妇变成了一个精明强悍、敢做敢为，同时又吝啬贪婪、斤斤计较的当家人。她身上表现出一种不畏艰难、艰苦创业的惊人毅力。她在前一个阶段的自私、任性到这个时候已被她对命运的顽强抗争精神掩盖得不那么明显了。由于战争的爆发，不久 斯嘉丽旋即成了寡妇，因为她的丈夫病死沙场。对于丈夫的死，她没有多少痛苦，因为她不爱查尔斯，但她不得不面对这场战争。 斯嘉丽一方面由于受阿希礼的委托要照顾即将生产的媚兰；另一方面又受到母亲病危的精神折磨。她如普通人一样也想抛弃媚兰回到母亲身边，但她没有这样做。即使自己对接生的事一窍不通又没有大夫时，听到媚兰痛苦的呻吟声，她感到仿佛有个牛轭沉重地落在她的头颈上，仿佛上面加了重负，这重负使她每跨一步就觉得十分吃力。在那个时代，一般的年轻妇女们可能早已晕倒在地上， 斯嘉丽却坚强挺了下来。这种骨子里的坚强让她保持了清醒的头脑和理智的判断。 斯嘉丽拖着刚生过孩子的奄奄一息的媚兰和已被炮火及北军吓坏的孩子逃离亚特兰大。途中她们遇到一头她们很怕的老母牛，可是她一下子就把自己本来的角色本转换过来，以前她是“连袜子也懒得捡”的庄园千金，可现在她们需要这头可怕的老母牛，媚兰的孩子需要喝奶，而且她们要吃。她怕牛，但最终她还是用自己唯一的一条完整的裙子撕成布条，一条条连结起来,直累得起泡的手指流出血来，颤抖不已才制服了这头牛。斯嘉丽一心想要回塔拉，因为母亲爱伦正在病危中。更重要的是她从小崇拜母亲，一有困难就寻求母亲的保护伞，当时她认为一回到家就可以卸下自己肩头的担子，天塌下来自有父亲母亲去顶，只要一回家她又可以无忧无虑地过回从前的生活了。殊不知，正当斯佳丽为塔拉没有被无情的战火摧毁感到庆幸时，一场更大的灾难正等着她。母亲已在前一天去世，父亲因母亲的辞世悲伤过度，神志不清。家里十来张嘴要吃饭，而塔拉种植园留给她的几乎一无所有了。面对这一切， 斯嘉丽也感到痛心，甚至是绝望，但她并非沉浸在悲痛之中。这时的她想起了她勇敢拓业的祖先本们，她需要的不是难过，难过解决不了问题。她需要的是把家支撑下去，她要像先辈们一样坚强地接受现实的挑战。她抛弃了贵族小姐的矜贵与骄傲，整日像一个黑奴一样劳作。饿过、痛过，受过屈辱和伤害，可 斯嘉丽还是坚持下来了。她指挥起一家人开始各得其所地工作，自己也事必亲躬，带头到田里去采熟了的棉花，在北方佬来临前带领大家将食品和牲口藏好。当一个北方佬骑兵威胁到她们的生活时，为了保护母亲的东西和辛苦得来的食物， 斯嘉丽这个手无缚鸡之力的女子居然冷静地开枪杀了人。斯嘉丽是勇敢的。可以想象在这时候的她，任何对她构成威胁的人或物，她都会冷静地将其消灭。她原本善良，连家禽都不曾伤害过，她本来可是连打猎时都不爱靠近被追杀的动物，连牲畜被宰杀时的哀号或罗网中野兔的尖叫声不忍听的姑娘。艰辛的生活已经让她完全明白了现实的残酷，也给予了她生活的勇气与魄力。谁又能够想象得到像公主一样的 斯嘉丽竟能在困境中勇敢坚强面对现实。同时，这个阶段的 斯嘉丽因为饱受了饥饿、贫穷的煎熬，受尽了生活的折磨,，完全失去了以前对生活的幻想和憧憬，变 得更加实际，充分认识到土地和金钱的无与伦比的作用。她丧失了道德和廉耻，变得虚伪、贪婪。当她处于无钱无权交不起税款的困境时。她并没有坐以待毙，而是顽强地站本起来做孤注一掷的挣扎，甚至不惜出卖自己的肉体和良心。她想到了白瑞德的钱，“我要跟他结婚”，她冷冰冰地想道，“那么我就不用再担心钱的事了。”于是她用母亲的窗帘改做成衣服，精心打扮一番，第二次到了饿狼陀三、战后残酷的现实促使 斯嘉丽贪婪、倔强、自私、卑鄙经历了一场残酷的战争后, 斯嘉丽对生活有了清醒而深刻的认识，对现实的态度也更理智了。她清楚地认识到只有理智地面对这个新兴的功利主义世界，才能保全她自己、她的家人和她的塔拉。在这种观念支配下，金钱对她来说显得越来越重要了。为了能赚取更多的钱，她毫不顾忌那种以为女人应该是无知、无识、不能有自己意见的上流社会的传统观念，自作主张买下锯木厂并抛头露面亲自经营。刚开始，别的生意人都嘲笑她，女流之辈哪会做生意呢。因此嘲笑中还带点和善的轻视。 斯嘉丽没有在风言风语中退缩或让步，她有自己的原则，她坚持做自己认为正确的事。这种倔强是生活压迫下的产物，更是 斯嘉丽内心坚强对生活的反抗，为了提高工作效率，获得更多的利益，本她又一次不顾众人的非议，排除种种阻碍，雇犯人到工厂来做工。她的这一系列行为已颇有一些离经叛道的意味,她自己坦然地走着这条路，而并非仅仅由于生活所需的不得已而为之，这表明她从思想到行动都已向着自己阶级的对立面迈进了一步。她以非凡的勇气面对来自保守势力的种种侮辱、胁迫和打击，以她特有的机敏和果断，以一个接一个骇世惊俗的行动，不断地去顺应自己的时代和社会。她做生意使用的残酷手段令人骇异，非法雇用囚犯，并和北方来的商人大做生意。她可以为了赚钱，丢开妇女足不出户的规矩，抛头露面地经营木材厂。为了更多的利益，采用“上等人”所瞧不起的“卑鄙”方法。还可以和一个被所有人责骂为无耻、下流的人结婚……但是 斯嘉丽已经根本不在乎别人对她的看法了，她想的只是能让自己过得更好一些，不再贫穷挨饿。这些举动在当时来说都是疯狂的，就连身边的亲朋好友都感到震惊， 斯嘉丽坚信这种冒险是值得的，而她一旦决定了的事就会全力以赴地按照自己的意愿行事。生活就是生活，不能逃避，更不能后退，要想在生活中占据主导地位就必须积极面对生活，想尽办法战胜困难。然而就是这个幸运儿，在爱情上却是一个极不幸的人，在人生的舞台上演了一曲彻头彻尾的爱情悲剧。 斯嘉丽在生活上是个实实在在的现实主义者，而在爱情上她却是一个地地道道的浪漫主义者、理想主义者。她爱阿希礼，爱得发了疯，几乎所有的追求、挣本扎、奋斗都是为了他。但那是她想象中的阿希礼，现实中的阿希礼是个脆弱、畏缩、虚伪的懦夫，他根本就适应不了战后的新时代。这一点 斯嘉丽与他是完全对立的他们根本就不属于同一类人。直到媚兰死后， 斯嘉丽才发现自己上了当，这时的她想到了白瑞德。只有这个人可以给她所需要的两样东西———爱和金钱。然而，此时的白瑞德也抛弃了她。最后 斯嘉丽被所有的人抛弃了，从物质到精神都被彻底地打垮了，她成了复辟逆流的牺牲品，不论在爱情上还是在事业上，她都成了一个悲剧人物，她创造了生活而最后又被无情的现实生活所抛弃。《飘》向我们展示了一个全新的女性形象。 斯嘉丽并不是一个完美的女人，但其坚强面对生活的性格永远激励人心尽管她的一些做法显得有些偏激，但她面对本现实，积极主动解决问题的思想仍是我们学习的榜样。她浑身散发出来的张扬不羁，她的自信、主动，为了家庭一次又一次地牺牲自己与生活不断抗争，勇敢而直接地面对现实的精神和勇气正是小说历久而魅力不衰的原因所在。生活对每个时代每个人来说都是不容易的，活着需要勇气，谁在困难面前低头谁就是生活的弱者。只有不畏困难，勇敢地面对现实才能积极地解决问题，才能主宰自己的命运。参考文献：[1]MargaretMitchell.Gone With the Wind〔M〕.World B-ook Publish-ing,2001. [2]谢景芝.《飘》中郝思嘉形象魅力解读〔J〕.河南大学学报,2005,(2)。[3](美)玛格丽特•米切尔.《乱世佳人》（全译本）[M].上海上海译文出版社,1990。[4]喻继红、李艳荣.《水火交融的“乱世佳人”》,襄樊职业技术学院学报，2005。

Part of Scarlett's enduring charm for women is her feminism, though recent critics have pointed out that many events in the novel are degrading to women. There is Rhett's ravishing of Scarlett (after which Scarlett is shown to have enjoyed herself immensely), Scarlett's apparent need of a man to be happy (whether it's Ashley Wilkes or Rhett Butler), and Melanie's sweet but submissive character (who is much adored by everyone).On the other hand, there have been many defenses for this. First of all, Melanie is not offensive to women, she is simply a more traditional character. Many believe the 'rape scene' quickly becomes consensual (this theory is backed by the novel Scarlett, although it was not written by Mitchell). And again, Scarlett is an individual character, and her need for a man should not be interpreted as universal.Scarlett is by far the most developed character in Gone with the Wind. She stands out because she is strong and saves her family but is incredibly selfish and petty at the same time. She challenges nineteenth-century society's gender roles repeatedly, running a store and two lumber mills at one point. Scarlett is in some ways the least stereotypically feminine of women (in other ways the most), and the more traditional Melanie Wilkes is in many ways her foil. But Scarlett survives the war, several marriages, the birth of children, and even a miscarriage. Melanie, on the other hand, struggles with fragile health and a shy nature. Without Melanie Wilkes, Scarlett might simply be seen as harsh and "over the top," but beside Melanie, Scarlett presents a fresher, deeper female characterization; she lives a complicated life during a difficult period of history.Some of Scarlett's lines from Gone with the Wind, like "Fiddle-dee-dee!," "Tomorrow is another day," "Great balls of fire!" and "I'll never be hungry again!", have become modern catchphrases.Similarities between Scarlett and the actress who played her (Vivien Leigh) are striking:Both had strong career ambitions, and wanted little to do with motherhood. Both swore they would never again have a child.Scarlett's father was Irish, and her mother was French. Leigh's mother was Irish and father was French.Both Scarlett and Leigh were famed for their appearance, their heart-shaped faces, their unusual eyes, and petite body proportions.Both were reputed to be "difficult" in relationships.

该论文主要是对《飘》一书中的女主角郝思嘉的性格进行了分析，她的性格可以分成优点和缺点两个方面。优点包含：坚强勇敢，诚实守信等。性格缺点表现为：自私冷漠，不择手段等。为了更好地支撑该主题，该论文分为五大部分：第一部分地对作者和作品的简介；第二部分集中分析郝思嘉的性格优点；第三部分是对郝思嘉的性格缺点加以分析；第四部分着力分析郝思嘉性格形成的原因；第五部分为结论，重申主题。  关键词：郝思嘉；性格优点；性格缺点；性格形成 AbstractThis present paper concentrates on an analysis of the characters of the heroine: Scarlett in the novel .Her characters can be analyzed by two aspects: the positive characters such as strong will and courage, honesty and keeping promise ; and the demerits in her characters, such as selfishness and coldness, abjection etc. To support the thesis, the paper is divided into five parts. The first part gives a brief introduction to both the author and the novel. The second part makes an analysis of the positive characters of Scarlett. The third part makes an analysis of the demerits in Scarlett’s characters. The fourth part gives the reasons for the formation of Scarlett’s characters. The fifth part is the conclusion, restating the thesis of the paper.Key Words: Scarlett; Weakness of characteristic; Strength of characteristic; Personality formation   I. Introduction1.1 A brief Introduction to the authorMargaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949), popularly known as Margaret Mitchell was an American author. She was born in a prominent Atlanta lawyer’s family in Atlanta. The time Mitchell grew up was under the environment of Civil War, she heard a lot of burning of the city, the use of the family house as an army hospital, and the sufferings of the family and their friends during the post-war reconstruction period. Margaret started writing Gone with the Wind in 1926, which is the next year she married John Marsh. The aim of her writing is to write a defensive, chauvinistic account of the South’s war. The whole process of writing lasted almost 10 years. The novel Gone with the Wind was published in 1936, and won the Pulitzer Prize in 1937. The novel is one of the most popular books of all time, selling more than 28 million copies. An American film based on this novel was released in 1939, which is one of the highest-grossing film in the history of Hollywood, and received a record-breaking number of Academy Awards.[Note1] Mitchell drew upon her encyclopedic knowledge of the Civil War and dramatic moments from her own life, and typed her epic novel on an old Remington typewriter. She originally named the heroine "Pansy O'Hara", and Tara was "Fontenoy Hall". She initially considered naming the novel Tote The Weary Load or Tomorrow Is Another Day .[Note 2]  Mitchell wrote for her own enjoyment and with solid support from her husband. In 1949, crossing a street to go to a theater, Margaret Mitchell was killed by a drunken driver.1.2 A brief Introduction to the novelThe story of Gone with the Wind revolves around Scarlett O’Hara, who is daughter of Irish landowner Gerald, and who has made the plantation Tara into one of Georgia’s finest. In this novel, Scarlett is in love with Ashley Wilkes, who marries his cousin Melanie. As the civil war begins, Scarlett bears the responsibility to protect her family and the pregnant Melanie. During the time she stays in Atlanta with relatives, she faces Sherman’s army and delivers Melanie’s baby as the city was in danger. During the after-war reconstruction period, Scarlett practically does business with the Yankees and so prospers and restores the fortunes of Tara. In this novel, she marries 3 times with purposes —firstly she married with Charles Hamilton to spite Ashley, a second time to pay off Tara’s postwar taxes, and the third time for fun. Her third husband, Rhett Butler, engages in lucrative deals with the Federal Army from the start of the conflict and right through Reconstruction. He was angry about his wife’s love for Ashley and selfish disengagement from him and their daughter, Bonnie Blue, who dies in a riding accident. The novel ends with Scarlett realizing how much she loves Rhett and resolving to get him back—by returning to her beloved hometown Tara to plan her strategy.II. An analysis of the positive characters of Scarlett2.1. Scarlett’s integrity to promise Scarlett’s integrity to promise is evidenced by what she does during the war; she tries her best to look after Ashley’s wife and son, only because she loves Ashley and has promised him to take care of Melanie. Before Ashley leaves to fight for the South, he asked Scarlett to take care of his wife-Melanie. Scarlett agreed and carried her promise till the end of this story. Even though she is in love with Ashley, and jealous on Melanie, she always looks after her and her baby.  After Ashley left, the Yankees finally begin their siege of Atlanta, the city evacuates. Melanie and Scarlett remain behind to leave the dangerous place as Melanie is pregnant and about to give birth. After attempts to get help, Scarlett delivers Melanie's baby herself. When they return back to Tara, Scarlett still constantly offers help to Melanie and her child. Even after Ashley returned back to Tara, Scarlett still offers help to his and her family. It is not only because she loves Ashley, but also because she wants to keep her promise, which she made long time ago. 2.2. Scarlett’s loyalty to loveScarlett’s loyalty to love is evidencedattractive to Scarlett, because he is a mystery to Scarlett; she is always trying to get to know Ashley’s real feelings. The things about Ashley, which she could not understand, make her love him more. They know each other since their childhood, Scarlett and Ashley always play together. She has seen him come and go and never gives him a thought, and Ashley has never seemed so very attractive to her at the early stage. Scarlett fell in love with Ashley since “that day two years ago when Ashley, newly home from his three years’ Grand Tour in Europe, hand called to pay his respects, she had loved him.” That year she is only 16, she is so attracted and falls in love with him until she is 28. She turns to see Ashley to be that authority figure, which she always respects and loves, but he is not able to be one for her. Her so-called love for Ashley is a kind of child’s love, because he is someone that denied her, so that makes her want it more. “Even now, she could recall each detail of his dress, how brightly his boots shone, the head of a Medusa in cameo on his cravat pin, the wide Panama hat that was instantly in his hand when he saw her.” However, Ashley does never show love to her, even though he knows clearly that she loves him, “And yet- and yet – she knew he loved her. She could not be mistaken about it. Instinct stronger than reason and knowledge born of experience told her that he loved her. Too often she had surprised him when his eyes were neither drowsy nor remote, when he looked at her with a yearning and a sadness, which puzzled her. She knew he loved her.” In fact, Ashley does not love her, but he chooses to keep a vague relationship with her. Although Scarlett knows Ashley does not love her, still wants Ashley to marry her at that time and wishful thinking to be his wife. She even encourages him to run away with her, which is always a nice dream to Scarlett. 2.3. Scarlett’s courageScarlett’s courage can be seen from what she does to protect her family and her second marriage to Frank. When Scarlett return Tara, the Tara's former overseer, Yankee Jonas Wilkerson, newly a Scallywag, raises the taxes on Tara to force the O'Haras out so that he and his wife can live there. In order to save Tara, Scarlett goes to Atlanta and gets Rhett to give her the money to pay the taxes. She soon finds out Rhett is in jail and unable to help her. She then runs into Frank Kennedy, who is a successful storeowner. Frank, is unable to resist Scarlett's charms, marries her and gives her the tax money. In all, her courage makes her to marry her second husband, Frank, in order to protect Tara, where her family is. 2. 4. Scarlett’s strong willScarlett’s strong will is reflected when she return back to Tara. At that time, Scarlett finds the house in Tara in ruins, the crops burned, most of the slaves run off, her mother dead, her father demented, and her two sisters sick with typhoid. Some of her npillaging of the Yankees and they share with her all that is possible. Therefore, Scarlett forces her family and the slaves to tend fields and pick cotton. During that reconstruction period, a lone Yankee soldier arrives looking to loot and assault Scarlett, she shoots him. In all, the Scarlett’s strong will makes her to do anything to protect Tara and herself. Scarlett has a practical nature and willingness to step on anyone who doesn't have her family's best interests at heart, including her own sister. For example, in her mind, and the circumstances appear to support her thinking, there simply was no choice if they were to keep Tara. Encouraged by her strong willingness to protect Tara, she had to steal and marry Frank Kennedy herself. In fact, what people hate most about her literally enabled her to save the family.2. 5. Scarlett’s strong sense of responsibilityScarlett has a strong sense of responsibility. During the war, she volunteers to take care of the wounded in Atlanta. She has a strong sense of social responsibility, similar as many white women; she takes an active and educated part in the movement to separate the South from the North. To Scarlett, protecting south means to protect her family and the plantation. Atlanta is completely lost from South after Sherman’s campaign. Many people in Atlanta desert their lands and families and escape to other places. Scarlett’s sense of responsibility could be seen from her loves to family and the whole of Tara. Tara is her land and her backbone; she stays and tries her best to preserve Tara no matter what it costs. Moreover, her responsibility can be seen from how she keeps with her promises. Although she agrees to take care of Melanie because she is in love with Ashley and she does not want to upset him, but she eventually does all her best to keep this promise.  2.6. Scarlett’s pursuit of independenceScarlett is an independent woman to some extent. It can be shown when she returns Tara. She starts her business and practice usury, run timber mill, and illegally employ Negroes. Even though she is abused by the southern royalty to be greedy, selfish, shameless, cruel and cold, she is an adventure, an upstart and a great heroine who has survived in the war. In fact, all the people in Tara including the Ashleys are living on Scarlett’s shoulders. Without her help, Melanie and her child would be dead in the war. Without Scarlett to be an evil, Melanie could not be respected as an angel. Therefore, Scarlett is the real respectable person because of her independence and strong characteristic. It might be arguable that Scarlett is not a fully independent woman at first, because she is a spoiled girl at first, and then she relied on men to get through the challenges in her life. However, eventually after she goes back to Tara, she becomes an independent woman, she owns her business and she looks after her family and other people in Tara with h III. An analysis of Scarlett’s demerits in her characters3.1. Scarlett’s selfishness and coldnessScarlett’s selfishness and coldness could be reflected from her attempts to get Ashley in any mean. Against the background of war, Scarlett stays in Atlanta and enjoys the company of Rhett; on the other hand, she continues to carry a torch for Ashley. She does not really care about how Melanie feels about her relationship with Ashley, and she is willing to destroy Melanie’s marriage. The day Ashley leaves, Scarlett once again reveals her feelings to him, hoping Ashley will also break down and allow he to tell Scarlett that he loves her too. Ashley makes Scarlett promise that she will look after Melanie and see his family through the upcoming crisis in his absence. Scarlett blindly agrees to his promise. As Ashley intends to leave, Scarlett clings to him desperately and they share a passionate, forbidden embrace. From an ethical point of view, it is not right to destroy anybody else’s family, particularly Melanie is her relative. However, she still does it because she is selfish, she does not care the consequence, she just want to get love from Ashley

里面的人物性格特征很明显 像思嘉 在那个年代她作为一个女性能为自己的土地争取到最大的利益 我很佩服她 瑞德的个性是个不适合在那个年代的 不过他可以为了自己的女儿和那些表面上虚伪的人称兄道弟斯佳丽除了有智慧外还有责任心 负担着四五口人 她本质上是个小女孩即使在战后历经磨难瑞特把注意力转移到邦尼身上 她后来对钱十分渴求 心理学上称为追求安全感 战争之苦让她没有安全感 所以她总会做身处迷雾的梦 而最后她才发现瑞特是她梦中的谜底失去了才懂得珍惜,我很可怜这个女人,却不能对他的一些做法苟同.在那个时代,他能够坚强的活下来 确实不易,然而爱情决不是一个人可以任意挥霍的资本! 当爱情就在你身边的时候,记得要认清 要珍惜 要呵护!最后的结局让我很失望也感到失落,当失去的时候才知道谁才是自已真正爱的人,真爱往往就在身边,却失之交臂in her eyes,nothing is more important than him .She could run through the war,but she hasn't grown up by this.she didn't know what she want,and always run after the thing she couldn't get,and was never satisfied with her condition.the result is terrible ,she lost what she had !after all tomorrow is another day !中文名：飘英语名：Gone with the wind法语名：Autant en emporte le vent导演：Victor Fleming原著：《飘》（玛格丽特·米切尔著）出品：米高梅公司主演：Vivien Leigh, Clark Gable, Leslie Howard, Olivia de Havilland, Hattie McDaniel等1936年，美国女作家玛格丽特·米切尔的畅销小说《飘》问世了。好莱坞制片人大卫·O·谢尔兹尼克出五万美元买下了拍摄权，并先后动用十八位编剧将这部三卷集的小说改写成电影剧本。《乱世佳人》（GONE WITH THE WIND）是好莱坞影史上最值得骄傲的一部旷世巨片，影片放映时间长达4小时，观者如潮。其魅力贯穿整个20世纪，因此有好莱坞“第一巨片”之称。影片当年耗资400多万美元，历时三年半完成，其间数换导演，银幕上出现了60多位主要演员和9000多名配角演员。在1939年的第12届奥斯卡奖中一举夺得八项金像奖，轰动美国影坛。这部耗资巨大，场景豪华，战争场面宏大逼真的历史巨片，以它令人称道的艺术成就成为美国电影史上一部经典作品，令人百看不厌。1861年南北战争爆发的前夕，塔拉庄园的千金小姐郝思嘉爱上了另一庄园主的儿子艾希利，但艾希利却选择了表妹——温柔善良的韩媚兰为终身伴侣。郝思嘉出于妒恨，抢先嫁给了韩媚 兰的弟弟查尔斯。不久，美国南北战争爆发了。艾希利和查尔斯作 为征兵上了前线。查尔斯很快就在战争中死去了。郝思嘉成了寡妇， 但她内心却一直热恋着艾希利。一天，在一次举行义卖的舞会上，郝思嘉和风度翩翩的商人白瑞德相识。白瑞德开始追求郝思嘉，但遭到她的拒绝。郝思嘉一心只想着去追求艾希利，结果也遭到拒绝。在战争中，美国南方军遭到失败，亚特兰大城里挤满了伤兵。 郝思嘉和表妹韩媚兰自愿加入护士行列照顾伤兵。目睹战乱带来的惨状，任性的郝思嘉成熟了不少。这时，从前线传来消息，北方军快打过来了，不少人家惊惶地开始逃离家园。不巧韩媚兰要生孩子了，郝思嘉只好留下来照顾她。在北方军大军压境之日，郝思嘉哀求白瑞德帮忙护送她和刚生 下孩子的韩媚兰回塔拉庄园。白瑞德告诉郝思嘉他不能目睹南方军 溃败而不去助一臂之力，他要参加南方军作战，他留下一把手枪并 和郝思嘉拥吻告别。郝思嘉只好独自勇敢地驾驶马车回到塔拉庄园， 这时家里已被北方军士兵抢先洗动一空，母亲在惊吓中死去。不久，战争结束了。生活依然困苦。北方来的统治者要庄园主 缴纳重税，郝思嘉在绝望中去亚特兰大城找白瑞德借钱，但得知他 已被关进监狱。归来的途中，郝思嘉遇上了本来要迎娶她妹妹的暴 发户弗兰克，为了要重振破产的家业，她取弗兰克和自己结了婚。郝思嘉在弗兰克经营的木材厂非法雇用囚犯，并和北方来的商人大做生意。此时，白瑞德因用钱贿赂而恢复了自由。两人偶然碰面，再次展开爱恨交织的关系。弗兰克和艾希利因加入了反政府的秘密组织，在一次集会时遭 北方军包围，弗兰克中弹死亡，艾希利负伤逃亡，在白瑞德帮助下 回到韩媚兰身边。郝思嘉再次成为寡妇。此时，白瑞德前来向她求 婚，她终于与一直爱她的搞私运军火和粮食致富的白瑞德结了婚。 婚后，夫妻二人住在亚特兰大的豪华大宅。一年后，女儿邦妮出生， 白瑞德把全部感情投注到邦妮身上。郝思嘉偶然翻阅艾希利的照片 被白瑞德发现，终于导致了二人感情的破裂。其后，在艾希利的生日会前夕，郝思嘉与艾希利相见时热情的拥抱引起旁人非议，但韩媚兰不相信他们之间有暧昧关系。白瑞德可不这样想。当郝思嘉告诉白瑞德她已经再次怀孕时，白瑞德怀疑地问那是谁的孩子？郝思嘉在羞怒之下欲打白瑞德，却不慎滚下楼梯引起流产。白瑞德感到内疚，决心同郝思嘉言归于好，不料就在他俩谈话时，小女儿邦妮意外坠马摔死了。与此同时不幸的事也在另一个家庭里发生，韩媚兰终因操劳过度卧病不起。临终前，她把自已的丈夫艾希利和儿子托付给郝思嘉，但要求她保守这个秘密，郝思嘉不顾一切扑向艾希利的怀中，紧紧拥抱住他，站在一旁的白瑞德无法再忍受下去，而转身离去。面对伤心欲绝毫无反应的艾希利，郝思嘉终于明白，她爱的艾希利其实是不存在的，她真正需要的是白瑞德。当郝思嘉赶回家里告诉白瑞德，她是真正爱他的时候，白瑞德已不再相信她。他决心离开郝思嘉，返回老家去寻找美好的事物， 被遗弃的郝思嘉站在浓雾迷漫的院中，想起了父亲曾经对她说过的 一句话：“世界上唯有土地与明天同在。”她决定守在她的土地上 重新创造新的生活，她期盼着美好的明天的到来。本片在第十二届奥斯卡金像奖中荣获八项大奖：最佳影片奖、最佳艺术指导奖、最佳编剧奖、最佳导演奖、最佳摄影奖、最佳女主角奖、最佳女配角奖和最佳剪辑奖。永恒的战争与爱情的主题，永远的《乱世佳人》。