太阳照常升起论文题目背景

Ernest Hemingway of the United States in the 20th century one of the most distinguished writers. His legendary life, the last shot in the head by the end of their lives. His life has created 17 works, received many literary awards. His works became the 1920s generation at a loss of representative works, the later generations have had a far-reaching consequences. Since the advent of his works from the date of his academic work has never been on the study. . scholars generally agreed that Hemingway's "The Sun Also Rises" in the United States in the history of modern fiction classic. From the 1926 novel come out so far, critics of the novel research continued to deepen. His literary creation in Europe and the United States have an enormous impact in the United States and even lead to a revolution in literature. Study abroad, "The Sun Also Rises" and comment on the initial study, by the time the information restrictions, the United States after the war, as well as a specific historical and cultural context of the impact, it is more focused on the novel "Lost Generation" The topic of the relationship, the novel with a self-imposed exile in Paris after the war to the young Hemingway and my life experience together, that is the author of "Lost Generation", the spokesman. In the 1930s, the economic impact of the Great Depression, "The Sun Also Rises" less concern. In the 1940s by the Second World War, critics of "The Sun Also Rises" comments appeared in two completely different views. Edmund Wilson in "The Sun Also Rises", Jack is the only one in pain in the conduct of individuals adhere to the guidelines. Wilson, who may disagree with the Milken Henglisaide al. He and the novels of the 19th century Anglo-American literary tradition of a comparative study concluded that the novels of the 19th century hero no matter the ultimate success or failure, will have a good character, "and" The Sun Also Rises "All of the characters is a lack of good moral character will not have any form of the will." "They do not have the moral sense of responsibility, this is a defeatist on the novel. Princeton University literature professor Carlos Baker's book, "The Artist as a writer Ernest Hemingway ---" is the first academic monographs Hemingway's writings. Baker for the first time, "The Sun Also Rises," the characters had a detailed psychological analysis. Max Bi Turka " love of death" in an article that, in the Hemingway novel reveals the concentration of the 1920s by the trauma of World War I brought about by the death of the universal love theme . Hemingway's works closely fit the flow of the pulse of the times in order to in-depth insight and sensibility, the performance of a particular era in human existence and the spiritual state of suffering and the pain sharpen the course. Hemingway home on "The Sun Also Rises" has never stopped the study. Gu Ling in 2003 by the publication of why they became a wandering soul --- "The Sun Also Rises," "Lost Generation" perspective. Her description of the specific papers, "The Sun Also Rises," "confused generation" features. 2002 Shiyan Vocational Technical College, LU Wei and Sun Yuan published a "how they become wandering soul - On" The Sun Also Rises "in a number of prominent figures in the spiritual world," the novels of a few The main character's spiritual world. Alvin Wang in 2002 published "From the images," The Sun Also Rises "to reveal the theme of" the four characters from the novel image to reveal the theme of the novel. 1996 Journal of Xuchang Teachers College at Choi Wan-sheng, Zhang Hui plant in bloom. "Published prosperity, war, confusion, to avoid -" The Sun Also Rises "Analysis of them from the four analytical point of view," The Sun Also Rises. "1994 Zhejiang University, in a newspaper published by the Health and bamboo, "the two sides were at a loss of life -" The Sun Also Rises, "" once again discussed at a loss of life status. Although Hemingway's novels and "The Sun Also Rises" study at home and abroad have made many achievements, but few three-dimensional, multi-angle analysis of "The Sun Also Rises". In fact, the analysis of Hemingway's novel "The Sun Also Rises" theme at the same time, the performance of his existential philosophy of life: the myth of the world, nothing in the environment, people should live actively in the process of discovery and To create meaning, the order of the United States.仅供参考，请自借鉴。希望对您有帮助。

太阳照常升起讲述的是，青年巴恩斯的妻子，为了追求刺激，和别人开展了两段恋爱之后，最终回到了巴恩斯身边的故事。

上面都是复制的！晕死！ 已发给你，我自己写的哦！！独一无二

以下内容仅供参考：Ernest Hemingway of the United States in the 20th century one of the most distinguished writers. His legendary life, the last shot in the head by the end of their lives. His life has created 17 works, received many literary awards. His works became the 1920s generation at a loss of representative works, the later generations have had a far-reaching consequences. Since the advent of his works from the date of his academic work has never been on the study. . scholars generally agreed that Hemingway's "The Sun Also Rises" in the United States in the history of modern fiction classic. From the 1926 novel come out so far, critics of the novel research continued to deepen. His literary creation in Europe and the United States have an enormous impact in the United States and even lead to a revolution in literature. Study abroad, "The Sun Also Rises" and comment on the initial study, by the time the information restrictions, the United States after the war, as well as a specific historical and cultural context of the impact, it is more focused on the novel "Lost Generation" The topic of the relationship, the novel with a self-imposed exile in Paris after the war to the young Hemingway and my life experience together, that is the author of "Lost Generation", the spokesman. In the 1930s, the economic impact of the Great Depression, "The Sun Also Rises" less concern. In the 1940s by the Second World War, critics of "The Sun Also Rises" comments appeared in two completely different views. Edmund Wilson in "The Sun Also Rises", Jack is the only one in pain in the conduct of individuals adhere to the guidelines. Wilson, who may disagree with the Milken Henglisaide al. He and the novels of the 19th century Anglo-American literary tradition of a comparative study concluded that the novels of the 19th century hero no matter the ultimate success or failure, will have a good character, "and" The Sun Also Rises "All of the characters is a lack of good moral character will not have any form of the will." "They do not have the moral sense of responsibility, this is a defeatist on the novel. Princeton University literature professor Carlos Baker's book, "The Artist as a writer Ernest Hemingway ---" is the first academic monographs Hemingway's writings. Baker for the first time, "The Sun Also Rises," the characters had a detailed psychological analysis. Max Bi Turka " love of death" in an article that, in the Hemingway novel reveals the concentration of the 1920s by the trauma of World War I brought about by the death of the universal love theme . Hemingway's works closely fit the flow of the pulse of the times in order to in-depth insight and sensibility, the performance of a particular era in human existence and the spiritual state of suffering and the pain sharpen the course. Hemingway home on "The Sun Also Rises" has never stopped the study. Gu Ling in 2003 by the publication of why they became a wandering soul --- "The Sun Also Rises," "Lost Generation" perspective. Her description of the specific papers, "The Sun Also Rises," "confused generation" features. 2002 Shiyan Vocational Technical College, LU Wei and Sun Yuan published a "how they become wandering soul - On" The Sun Also Rises "in a number of prominent figures in the spiritual world," the novels of a few The main character's spiritual world. Alvin Wang in 2002 published "From the images," The Sun Also Rises "to reveal the theme of" the four characters from the novel image to reveal the theme of the novel. 1996 Journal of Xuchang Teachers College at Choi Wan-sheng, Zhang Hui plant in bloom. "Published prosperity, war, confusion, to avoid -" The Sun Also Rises "Analysis of them from the four analytical point of view," The Sun Also Rises. "1994 Zhejiang University, in a newspaper published by the Health and bamboo, "the two sides were at a loss of life -" The Sun Also Rises, "" once again discussed at a loss of life status. Although Hemingway's novels and "The Sun Also Rises" study at home and abroad have made many achievements, but few three-dimensional, multi-angle analysis of "The Sun Also Rises". In fact, the analysis of Hemingway's novel "The Sun Also Rises" theme at the same time, the performance of his existential philosophy of life: the myth of the world, nothing in the environment, people should live actively in the process of discovery and To create meaning, the order of the United States.

文学院的毕业论文，如果想要稳，就是拿个差不多的分，一般还是写比较的论文，就是几个有一定联系的作者或者作品或者意识流派等等的比较分析。这样的文章必定稳，至少过线是可以保证的，至于分数有多高就要看个人的角度还有文采了，这个可以向你导师好好请教。如果是想要出彩的话，还是专门研究一种事物的好，不过这个比较难。因为一般的专业领域都有人在研究，大学四年很难把某个领域的东西吃透，别的不说，就是这个作者的相关作品还有关于他的各种研究观点，你就很难完全领会掌握，更不要说在自己的论文中灵活运用了。所以这种题目一般来说做起来会很费功夫，然后还出不了彩，因为基本上你的观点都是别人研究过的了。不过呢，这种题目还可以走一种偏一点的路子，就是把另一学科的知识或另一种流派的观点拿来分析你定下来的那个作者或作品，就是剑走偏锋啦，这样的文章一般容易出彩，但是也容易出问题，就看你个人的驾驭了。下面以过来人的经验谈谈答辩哈，希望对你有用啊。一定要注意和指导老师保持良好的联系，指导老师一般只要你表现出认真诚恳，乖乖听话，就没问题的。如果答辩的时候遇到自己的指导老师那真是几辈子修的福分啊，因为即使有其他答辩老师故意刁难，你的指导老师都会帮你解围的，谁也不想自己指导的学生在别人面前丢人对吧，而且最后的分数还会超常的高噢。就算答辩时没遇到指导老师，也会出现答辩老师看在你指导老师的面子上放你一马的现象，所以那些分配到在院系位置威望高的指导老师的同学有福了。在写论文的过程中如果可以向你们指导老师求救的话最好，就是你感觉这个是和作弊等火线没有关系的，就像他求救。越是严格的导师一般越是喜欢一个劲请教自己的学生。如果在答辩前，你的导师都不熟悉你，叫不出你的名字，你就惨了。告诉你，你的导师和你的关系简单来说就是同伙。他是你老大，你跟着他走，事事顺她的心，那么关键时刻你老大也不会丢下你不管的 。还有，你的东西做好以后，要仔细询问她，哪些地方是答辩老师会询问的，老师们询问的角度会是什么。他带过那么多届学生，如果你想答辩有一个不错的分数的话就好好向她请教吧。 我们那时写论文，在动笔之前，我们就每一个都是拼命问该怎么做，几乎把每一段的段落分布都问出来了，然后再一稿二稿三稿的让导师过。所以最后我们写的东西都完全是按照老师的思路来的哈哈哈……答辩就是这么回事╮(╯▽╰)╭

外国文学和外国文学评论有着密切的关系，没有，何来评论？是评论的依据。没有评论，便难于健康地发展，可能会长期存在"泥沙俱下，鱼龙混杂"的不良局面，因此，评论对外国文学起着一种净化和提高的作用。我国老一辈作家、家，尤其是作家兼家，不仅给我们留下宝贵的文学遗产，而已在外国文学评论面，也为我们树立了永远值得学习的光辉榜样。首先让我们来看一着郑振铎是怎样实事求是客观公允地评论中国第一个外国文学大师林纾（琴南）的功过：我们看了这个统计（指林纾所外国文学作品的统计），一面自然是非常的感谢林琴南凭外，因为他介绍了这许多重要的世界名著给我们，但一面却不免可惜他的劳力之大半归于虚耗，因为在他所的一百五十六种作品中，仅有这六七十种是著名的（其中尚杂有哈葛德及科南道尔二人的第二等的小说二十匕种，所以在一百五十六种中，重要的作品尚占不到三分之一），其他的书却都是第二、三流的作品，可以不必的，这大概不能十分归咎于林先生，因为他是个懂得任何外国文字的，选择原本之权全操了与他合作的口者之身上。还有一件事，也是林先生为他的口者所误的：小说与戏剧，性质本大不同，但林先生却把许多极好的剧本、成了小说--添进了许多叙事，删减了许多对话，简直变成与原本完全不同的一部书了。如莎士比亚的剧本《亨利第四》、《雷差得纪》、《亨利第六》、《凯撒遗事》以及易卜生的《群鬼》（梅孽）都是被他得变成了另外一部书了--原文的美与风格及重要的对话完全消灭不见，这简直是在步武却尔斯·兰在做莎士乐府本事，又何必写上了"原著者莎士比亚"及"原著者易卜生"呢？林先生的，还有一点不见得好，便是任意删节原文。如法 国雨果的《九三年》，林先生之为《双雄义死录》，拿原文来一对不知减少了多少。我们很惊异，为什么原文是很厚的一本，成了中文却变了一本薄薄的了。然而无论如何，我们统计林先生的，其可以称得较完善者已有四十余种。在中国，恐怕了四十余种名著的，除了林先生外，到现在还不曾有过一个人呀。所以我们对于林先生这种劳苦的工作是应该十二分的感谢的。在那些可以称得较完善的四十余种中，如西万提司的《魔侠传》，狄更司的《贼史》，《孝女耐儿传》等，史各德之《撒克奄后英雄略》等，都可以算得很好的本。沈雁冰先生曾对我说，《撒克奄后英雄略》，除了几个小错处外，颇能保存原文的情调，文中的人物也描写得与原文中的人物一模一样，并无什么变更。离开他的的本身的价值不谈，林先生的工作在当时也有很大的影响与功绩，其最大的是：中国近二十年作小说者之多，差不多可以说大都受林先生的感化与影响的。即创作小说者也十分的受林先生的影响。小说的旧体裁，由林先生而打破，欧洲作家史各德、狄更司、华盛顿·欧文、大仲马、小仲马诸人的姓名也因林先生而始为中国人所认识。①其次，再让我们来看一看茅盾又是多么细致地分析、比较、评论《简爱》的两种本的。一本是伍光建的《孤女飘零记》，一本是李霁野的《简爱》。茅盾一开始便摘引了原文第一章的头两段来评比：There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner（Mrs. Reed，when there was no company, dined early)the cold winter wind had brought with it clouds so sombre，and rain so penetrating，that further outdoor exercise was out of the question。（伍）那一天是不能出门散步的了。当天的早上，我们在那已经落叶的小丛树堆里溜过有一点钟了；不料饭后（李特太太，没得客人来，吃饭是早的，）刮起各大的寒风，满天都是乌云。又落雨，是绝不能出门运动的了。（李）那一大是没有散步的可能了。不错，早晨我们已经在无叶的丛林中漫游过一点钟了，但是午饭之后--在没有客人的时候，里德夫人是早早吃饭的--寒冷的冬风刮来这样阴沉的云，和这样侵人的雨，再做户外运动是不可能的了。茅盾指出，这两段文都是直，但有一同中之异，即李是尽可能地移了原文的句法的。如果细较量起来，我们应当说李更为"字对字"；第二句中间的"indeed"一字，两个助词"so"以及"penetrating"一字，在伍是省过了。然而这是小节。如果我们将这两段文读着读着，回过去再读原文，我们就不能不承认李泽更近于原文那种柔美的情调。伍的第二句后半，"刮起冬天的寒风，满天都是乌云，又落雨，是绝不能出门运动了，"诚然明快，可是我们总觉得缺少了委婉。而所以然之故，我以为是和依照原文的句法与否有关。又原文中之"the cold winter wind had brought With it… "一段，李亦比伍更为"字对字"，而且更为妥贴。除了'这样阴沉的云，和这样侵人的雨"在字面上也比"满天都是乌云，又落雨"更为切合原文而外，"寒冷的冬风刮来……"云云也比"刮起冬天的寒风"更合原文的意思；而这，也足因为伍要避去欧化句法，所以这半句就不能"组织"的恰好。否则，这半句并不怎样难，以伍先生的才一定能得很妥贴的。②再来比较原书第一章的第二段：I was glad of it: I never liked long walks, especially on chilly afternoons，dreadful to me was the coming home In the raw twilight，with nipped fingers and toes，and a heart saddened by the chidings of Bessie, the nurse, and humbled by consciousness of my physical inferiority to liza, John, and Georgiana Reed.（伍）这我却很欢喜：我不愿意走远路，尤其是遇着跟冷的下午，薄暮寒光中，散步归来，手脚的冰冷，奶奶贝西的臭骂，已经够我害怕，而我的身体的孱弱，比不上伊里西，左珍纳，约翰他们三个，更使我自惭形秽了。（李）这是我高兴的：我从来不喜欢长的散步，尤其在冷的下午：手指和足趾都冻坏，怀着被保姆毕西骂得忧伤的心，觉得身体不如以利沙，约翰，和乔治安那里德而受着委曲，在湿冷的黄昏回家，在我看来是可怕的。这一段一长句，因为原文的句法的关系，颇难得好。原文的"dreadful to me"直贯句尾，李移装在句本，好是好的，但文字稍觉累赘。伍移在句中（"已经够我害怕"），我以为比较明快。自然，倘使我们逐字对照起来，伍是省去了若干字的；"我不愿意走远路"中间略去了"从来"（never），"手指和足趾"简略为"手脚"，"被保姆毕西骂得忧伤的心"简略为"奶妈贝西的臭骂"，--这都是。但是通读全句，我还是喜欢伍。我以为伍此句的神韵很好。"薄暮寒光中散步归来"似乎比"在湿冷的黄昏回家"多些韵味，而"humbled by the consciousness of my physical inferiority to…"伍的比较自由的成语（把humbled by the consciousness of为“自惭形秽”，我亦觉得比李的"觉得身体不如……而受着委曲"似乎更见熨贴。比较这一段的两种文，颇有意思。第一，此句的伍实在比第一段更为切近直，这证明了直法的不容怀疑；第二，这又证明了直法如果太拘泥于"字对字"，便容易流为死板，使文缺少了神韵；太拘泥于"字对字"，往往会变成死，--这跟直有相当的距离。久历此句加添了些意义。"已经够我害怕"的一个"够"字，和"更使我自惭形秽"的"更"字，--这两字在文中是互相呼应的，然而把原文的语气太加重了；我以为"更"字可以换为"也"字。看，茅盾对两种本的评论是多么公．毫无成见，是则是之，非则非之，动机是与人为善，措词是委婉中肯，绝无哗众取宠之意，更无损人利己之心。评论的目的，乃是总结的宝贵经验，从而促进我国事业的个断发展。前辈在外国文学评论面，早已给我们树立了光辉的榜样。接受批评，毫无疑问，是更加困难的一个面，前辈中也不难找到永久值得效法的楷模。他就足中国现代文学史上伟人旗手鲁迅，他虚心接受批评意见的事实，大量存在于他同翟秋白关于问题的通讯中。例如鲁秋白先生对于地重的法捷耶夫《毁灭》，根据俄文提出九点商榷，他都欣然同意，回信说："如来信所举的例，我都可以承认比我得更'达'，也可以推定并且更'信'，对于读者和者，都有很大的益处"。③在外国文学评论面，甚至在接受批评面，都有前辈树立了卓越的榜样和楷模。但统观半个世纪以上的外国文学评论，似乎还同外国文学的发展不相适应，没有做到相辅相成，同步前进。不仅没有形成一个健康发展的为文学事业服务的面军，而且还出现或"左'或右的现象。所谓"左"，典型的表现见五十年代出版的《通报》。北京《通报》编辑委员会..一..出版了《通报》第一卷～期；.．--．．出版了第二卷～期；..--.．出版了～期（期为特大号）；．．出版了一月号；二月号因故休刊。直到此刻为止，《通报吨理论研究和外国文学介绍与评论面做出了自己应有的贡献。经过年月的作刊整顿，三月号便以配合三反运动的严峻面目出现，例如三月号首篇文章，便是题为《展开界的三反运动》的动员报告．紧接着就是检举和斗争，并在批评栏中开始点名批判已经相当有名气的一些家。到了四月号，旗帜就更加鲜明了，大字通栏标题则三反运动中界的批评与自我批评特辑》，接着分《自我批评之部》和《批评之部》。一些名家在《自我》部和《批》部相继被点名批判和作检查。五、六两月号仍为特辑，检讨和批判仍在继续进行，不过其火药味已开始有所减弱，好端端的《通报》他就跟着三反运动的结束而停刊。不容讳言，当时界少数人确实存在着抢、滥、剽窃，甚至作"中间把头"等等恶劣现象，严重的可作三反对象清查处理。但绝大多数家，虽然工作中存在着这样那样的缺点，仍然见有所不为的，在专辑中所发表的"批判"和"检讨"，究竟有多少符合真学术意义上的"批评"与"自我批评"，自己信服也让人信服，恐怕需做进一步的研讨和商榷，很难盖棺论定。所谓"右"，表现在前几年对于黄色或接近黄色的书刊的放之任之，无人过问、那几年，学术著作和严肃的文学市场，已被蚕食殆尽，但外国文学批评界则然若寒蝉，无敢挺身而出者，致使黄色泛滥，臭气熏天。如何健康地开展常的外国文学的评论工作呢？我认为，第一，评论有两个任务：一是奖善，一是罚恶，而前者应为其主要任务。所谓奖善，是向读者介绍推荐善佳，使他们有所欣赏和借鉴。所谓罚恶，是分析批判那些诲淫诲盗或错误百出的品，使读者知所警惕，免得继续受害。第二，评论法应当是宏观和微观的结合。如是善佳，首先应从宏观的即文学的观点评论～下者是否重现或者切合或者接近了原文的风格，其次应从微观即语言学的观点，研究文是怎样利用语言特点来体现原文的风格的。为了使读者容易理解，自然免不掉要举些实例、同例、句例以及段例，如是劣、坏，亦应宏微结合，首先评论一本原著本身的文学价值如何，社会效益如何，其次应毫不留情地指出者的粗制滥造错误百出的实例。第三，要想常地开展评论工作，还必须有个调节机构。建议由《中国》编辑部和人民文学出版社编辑部为"外国文学评论联合调节部"，一则两部都有强大的编辑力量，二是舆论反应出版信息比较灵通，除掉本身有力量及时撰写发表有分量的评论，还可组约与自己有联系的者动笔撰写。此外，文学出版社还有能力肩负以优代劣的任务，那就是，一发现一部值得的作品被得不堪入目，除及时撰文予以严厉批评外，文学社有义务也有能力马上组织胜任者重出版。只有采取这种双管齐下的补求办法，才能使坏劣逐步退出市场。第四、批评者应有象郑振铎、茅盾前辈等那种实事求是的科学态度，切忌意气用事，攻其一点，不及其余；而受批评者应有鲁迅那样的虚怀若谷的精神，对的就应该接受，不断地提高自己。如果自以为了不起，"老子天下第一"，老虎屁股摸不得，其结果只能是自己受害。①参着郑振铎《林琴南先生》，《中国文学研究》下册，作家出版社，年版。②参看茅盾《简爱的两个本》，《文》年新卷第期。③李季《鲁迅对于工作的贡献人《通报｝年月。

《太阳照常升起》的真正内涵是：只要如果我们还记得这样的开始，太阳就会照常升起。该剧具有革命浪漫主义色彩、粗犷的男人气，镜头指向激情岁月的记挂。是对过往岁月的回忆，镜头的运用和表达都相当优秀，抛弃传统模式，采用魔幻的表现形式，使得本片“故事”有多种解读的可能。

太阳照常升起的剧情简介 · · · · · ·

姜文蛰伏七年之后的又一力作，由四个充满魔幻现实主义风格的小故事组成。1976年，南部一个边远的小山村，李东方（房祖名 饰）的母亲因为一双鞋子疯掉，成为疯妈（周韵 饰），终日疯疯癫癫，一天，李东方无意发现疯妈发疯的真相……1976年，一所大学里，晚上在操场放电影，有五个女人声称被人“摸屁股”，梁老师（黄秋生 饰）阴差阳错成为嫌疑犯，有人开始在暗中帮他洗脱嫌疑……1976年，老唐（姜文 饰）和唐妻（孔镱珊 饰）下放到李东方所在的小山村。老唐天天和村里的孩子们一起上山打猎，逍遥自在，唐妻备受冷落之下，准备寻找自己新的生活……1958年，新疆，两个骑骆驼的女人，唐妻和身怀六甲的疯妈，并肩而行，迎接她们的，是两段截然不同的命运……若干年后的纠葛，从茫茫戈壁上的相遇开始，早已冥冥注定。

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一、研究的目的和意义《太阳照常升起》向人们展示了一幅战后荒原的画卷,生活在其中的荒原人不仅身体千疮百孔,精神也失去了家园.他们迷惘的,痛苦的,如行尸走肉般的生活着.研究《太阳照常升起》的目的是为了分析美国迷惘一代对于战争和生活的态度：他们之所以对生活失去信念是由于战争的创伤,但他们并未因此失去对人性的渴望.在当今世界,和平和发展成为两大主题的背景下,研究迷惘一代的悲剧生活,意义在于揭示战争的残酷性,发扬中华民族以和为贵精神,指导我们的生活.二、国内外研究现状和发展趋势美国青年巴恩斯在第一次世界大战中脊椎受伤,失去性能力,战后在巴黎任记者时与英国人阿施利夫人相爱,夫人一味追求享乐,而他只能借酒浇愁.两人和一帮男

主要讲述了一些青年的情感纠葛的故事，这个作品是非常精彩的，而且粉笔也特别好。