The Scarlet Letter, published in 1850, is an American novel written by Nathaniel Hawthorne and is generally considered to be his magnum opus. Set in 17th-century Puritan Boston, it tells the story of Hester Prynne, who gives birth after committing adultery, refuses to name the father, and struggles to create a new life of repentance and dignity. Throughout the novel, Hawthorne explores questions of grace, legalism, sin and guilt.
[edit] Plot summary
The Scarlet Letter. Painting by T. H. Matteson. This 1860 oil-on-canvas was made under Hawthorne's personal supervision.
The Scarlet Letter. Painting by T. H. Matteson. This 1860 oil-on-canvas was made under Hawthorne's personal supervision.[1]
The novel begins in 17th-century Boston, Massachusetts, then a Puritan settlement. A young woman, Hester Prynne, is led from the town prison with her infant daughter in her arms and the scarlet letter “A” on her bosom. The scarlet letter "A" represents the act of adultery that she has committed and it is to be a symbol of her sin – a badge of shame – for all to see. A man in the crowd tells an elderly onlooker that Hester is being punished for adultery. Hester's husband, who is much older than she is, sent her ahead to America while he settled some affairs in Europe. However, her husband never arrived in Boston. The consensus is that he has been lost at sea. While waiting for her husband, Hester has apparently had an affair, as she has given birth to a child. She will not reveal her lover’s identity, however, and the scarlet letter, along with her public shaming, is her punishment for her sin and her secrecy. On this day Hester is led to the town scaffold and harangued by the town fathers, but she again refuses to identify her child’s father.[1]
The elderly onlooker is Hester’s missing husband, who is now practicing medicine and calling himself Roger Chillingworth. He settles in Boston, intent on revenge. He reveals his true identity to no one but Hester, whom he has sworn to secrecy. Several years pass. Hester supports herself by working as a seamstress, and Pearl (her daughter) grows into a willful, impish child, who is more of a symbol than an actual character, said to be the scarlet letter come to life as both Hester's love and her punishment. Shunned by the community, they live in a small cottage on the outskirts of Boston. Community officials attempt to take Pearl away from Hester, but, with the help of Arthur Dimmesdale, an eloquent minister, the mother and daughter manage to stay together. Dimmesdale, however, appears to be wasting away and suffers from mysterious heart trouble, seemingly caused by psychological distress. Chillingworth attaches himself to the ailing minister and eventually moves in with him so that he can provide his patient with round-the-clock care. Chillingworth also suspects that there may be a connection between the minister’s torments and Hester’s secret, and he begins to test Dimmesdale to see what he can learn. One afternoon, while the minister sleeps, Chillingworth discovers something undescribed to the reader, supposedly an "A" burned into Dimmesdale's chest, which convinces him that his suspicions are correct.[1]
Dimmesdale’s psychological anguish deepens, and he invents new tortures for himself. In the meantime, Hester’s charitable deeds and quiet humility have earned her a reprieve from the scorn of the community. One night, when Pearl is about seven years old, she and her mother are returning home from a visit to the deathbed of John Winthrop when they encounter Dimmesdale atop the town scaffold, trying to punish himself for his sins. Hester and Pearl join him, and the three link hands. Dimmesdale refuses Pearl’s request that he acknowledge her publicly the next day, and a meteor marks a dull red “A” in the night sky. It is interpreted by the townsfolk to mean Angel, as a prominent figure in the community had died that night, but Dimmesdale sees it as meaning Adultery. Hester can see that the minister’s condition is worsening, and she resolves to intervene. She goes to Chillingworth and asks him to stop adding to Dimmesdale’s self-torment. Chillingworth refuses. She suggests that she may reveal his identity to Dimmesdale.[1]
Hester arranges an encounter with Dimmesdale in the forest because she is aware that Chillingworth knows that she plans to reveal his identity to Dimmesdale, and she wishes to protect him. While walking through the forest, the sun will not shine on Hester, though Pearl can bask in it. They then wait for Dimmesdale, and he arrives. The former lovers decide to flee to Europe, where they can live with Pearl as a family. They will take a ship sailing from Boston in four days. Both feel a sense of release, and Hester removes her scarlet letter and lets down her hair. The sun immediately breaks through the clouds and trees to illuminate her release and joy. Pearl, playing nearby, does not recognize her mother without the letter. She is unnerved and expels a shriek until her mother points out the letter on the ground. Hester beckons Pearl to come to her, but Pearl will not go to her mother until Hester buttons the letter back onto her dress. Pearl then goes to her mother. Dimmesdale gives Pearl a kiss on the forehead, which Pearl immediately tries to wash off in the brook, because he again refuses to make known publicly their relationship. However, he too clearly feels a release from the pretense of his former life, and the laws and sins he has lived with.
The day before the ship is to sail, the townspeople gather for a holiday and Dimmesdale preaches his most eloquent sermon ever. Meanwhile, Hester has learned that Chillingworth knows of their plan and has booked passage on the same ship. Dimmesdale, leaving the church after his sermon, sees Hester and Pearl standing before the town scaffold. He impulsively mounts the scaffold with his lover and his daughter, and confesses publicly, exposing the mark supposedly seared into the flesh of his chest. He falls dead just after Pearl kisses him.[1]
Frustrated in his revenge, Chillingworth dies a year later. Hester and Pearl leave Boston, and no one knows what has happened to them. Many years later, Hester returns alone, still wearing the scarlet letter, to live in her old cottage and resume her charitable work. She receives occasional letters from Pearl, who was rumored to have married an European aristocrat and established a family of her own. Pearl also inherits all of Chillingworth's money even though he knows she is not his daughter. There is a sense of liberation in her and the townspeople, especially the women, who had finally begun to forgive Hester of her tragic indiscretion. When Hester dies, she is buried in "a new grave near an old and sunken one, in that burial ground beside which King's Chapel has since been built. It was near that old and sunken grave, yet with a space between, as if the dust of the two sleepers had no right to mingle. Yet one tombstone served for both." The tombstone was decorated with a letter "A", and it was used for Hester and Dimmesdale.
[edit] Major themes
Nathaniel Hawthorne
Nathaniel Hawthorne
[edit] Sin
Sin and knowledge are linked in the Judeo-Christian tradition. The Bible begins with the story of Adam and Eve, who were expelled from the Garden of Eden for eating from the Tree of Knowledge of Good and Evil. As a result of their knowledge, Adam and Eve are made aware of their disobedience, that which separates them from the divine and from other creatures. Once expelled from the Garden of Eden, they are forced to toil and to procreate – two “labors” that seem to define the human condition. The experience of Hester and Dimmesdale recalls the story of Adam and Eve because, in both cases, sin results in expulsion and suffering. But it also results in knowledge – specifically, in knowledge of what it means to be human. For Hester, the scarlet letter functions as “her passport into regions where other women dared not tread,” leading her to “speculate” about her society and herself more “boldly” than anyone else in New England.[2]
As for Dimmesdale, the “cheating minister” of his sin gives him “sympathies so intimate with the sinful brotherhood of mankind, so that his heart vibrate[s] in unison with theirs.” His eloquent and powerful sermons derive from this sense of empathy.[2] The narrative of the Reverend Arthur Dimmesdale is quite in keeping with the oldest and most fully authorized principles in Christian thought. His "Fall" is a descent from apparent grace to his own damnation; he appears to begin in purity. He ends in corruption. The subtlety is that the minister is his own deceiver, convincing himself at every stage of his spiritual pilgrimage that he is saved.[3]
The rosebush, its beauty a striking contrast to all that surrounds it – as later the beautifully embroidered scarlet A will be – is held out in part as an invitation to find “some sweet moral blossom” in the ensuing, tragic tale and in part as an image that “the deep heart of nature” (perhaps God) may look more kindly on the errant Hester and her child (the roses among the weeds) than do her Puritan neighbors. Throughout the work, the nature images contrast with the stark darkness of the Puritans and their systems.[4]
Chillingworth’s misshapen body reflects (or symbolizes) the evil in his soul, which builds as the novel progresses, similar to the way Dimmesdale's illness reveals his inner turmoil. The outward man reflects the condition of the heart.[4]
Although Pearl is a complex character, her primary function within the novel is as a symbol. Pearl herself is the embodiment of the scarlet letter, and Hester rightly clothes her in a beautiful dress of scarlet, embroidered with gold thread, just like the scarlet letter upon Hester's bosom. [2] Parallels can be drawn between Pearl and the character Beatrice in Rappaccini's Daughter. Both are studies in the same direction, though from different standpoints. Beatrice is nourished upon poisonous plants, until she herself becomes poisonous. Pearl, in the mysterious prenatal world, imbibes the poison of her parents' guilt.
[edit] Past and present
The clashing of past and present is explored in various ways. For example, the character of the old General, whose heroic qualities include a distinguished name, perseverance, integrity, compassion, and moral inner strength, is said to be “the soul and spirit of New England hardihood.” Now put out to pasture, he sometimes presides over the Custom House run by corrupt public servants, who skip work to sleep, allow or overlook smuggling, and are supervised by an inspector with “no power of thought, nor depth of feeling, no troublesome sensibilities,” who is honest enough but without a spiritual compass.[4]
Hawthorne himself had ambivalent feelings about the role of his ancestors in his life. In his autobiographical sketch, Hawthorne described his ancestors as “dim and dusky,” “grave, bearded, sable-cloaked, and steel crowned,” “bitter persecutors” whose “better deeds” would be diminished by their bad ones. There can be little doubt of Hawthorne’s disdain for the stern morality and rigidity of the Puritans, and he imagined his predecessors’ disdainful view of him: unsuccessful in their eyes, worthless and disgraceful. “A writer of story books!” But even as he disagrees with his ancestor’s viewpoint, he also feels an instinctual connection to them and, more importantly, a “sense of place” in Salem. Their blood remains in his veins, but their intolerance and lack of humanity becomes the subject of his novel.[4]
[edit] Public response
The Scarlet Letter was published in the spring of 1850 by Ticknor & Fields, beginning Hawthorne's most lucrative period.[5] When he delivered the final pages to James Thomas Fields in February 1850, Hawthorne said that "some portions of the book are powerfully written" but doubted it would be popular.[6] In fact, the book was an instant best-seller[7] though, over fourteen years, it brought its author only $1,500.[5] Its initial publication brought wide protest from natives of Salem, who did not approve of how Hawthorne had depicted them in his introduction "The Custom-House". A 2,500-copy second edition of The Scarlet Letter included a preface by Hawthorne dated March 30, 1850, that he had decided to reprint his introduction "without the change of a word... The only remarkable features of the sketch are its frank and genuine good-humor... As to enmity, or ill-feeling of any kind, personal or political, he utterly disclaims such motives".[8]
The book's immediate and lasting success are due to the way it addresses spiritual and moral issues from a uniquely American standpoint. In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said that this work represents the height of Hawthorne's literary genius; dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.[9]
The Scarlet Letter was also one of the first mass-produced books in America. Into the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of The Scarlet Letter, 2,500 volumes, sold out within ten days,[5] and was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $6,000 USD.
On its publication, critic Evert Augustus Duyckinck, a friend of Hawthorne, said he preferred the author's Washington Irving-like tales. Another friend, critic Edwin Percy Whipple, objected to the novel's "morbid intensity" with dense psychological details, writing that the book "is therefore apt to become, like Hawthorne, too painfully anatomical in his exhibition of them".[10] 20th century writer D. H. Lawrence said that there could be no more perfect work of the American imagination than The Scarlet Letter.[11]
[edit] Allusions
* Anne Hutchinson, mentioned in Chapter 1, The Prison Door, was a religious dissenter (1591-1643). In the 1630s she was excommunicated by the Puritans and exiled from Boston and moved to Rhode Island.[4]
* Martin Luther (1483-1546) was a leader of the Protestant Reformation in Germany.
* Sir Thomas Overbury and Dr. Forman were the subjects of an adultery scandal in 1615 in England. Dr. Forman was charged with trying to poison his adulterous wife and her lover. Overbury was a friend of the lover and was perhaps poisoned.
* John Winthrop (1588-1649), first governor of the Massachusetts Bay Colony.
* Richard Dawkins' Out Campaign is represented with the Scarlet Letter A emblem.
[edit] Film, TV and theatrical adaptations
Main article: Film Adaptations of the Scarlet Letter
1995 film poster
1995 film poster
* 1917: A black-and-white silent film directed by Carl Harbaugh with Mary G. Martin as Hester Prynne
* 1926: A silent movie directed by Victor Sjostrom and starring Lillian Gish and Lars Hanson.
* 1934: film directed by Robert G. Vignola and starring Colleen Moore
* 1973: Der Scharlachrote Buchstabe a film directed by Wim Wenders in German
* 1979: PBS version starring Meg Foster and John Heard
* 1994: A rock musical, "The Scarlet Letter" written by Mark Governor is produced in Los Angeles.
* 1995: The Scarlet Letter, a film directed by Roland Joffé and starring Demi Moore as Hester and Gary Oldman as Arthur Dimmesdale. This version is "freely adapted" from Hawthorne according to the opening credits and takes liberties with the original story.
* 1996: The film Primal Fear references The Scarlet Letter.
* 1996: The Marilyn Manson promotional video for the song 'Man That You Fear' obliquely references the novel.
* The Red Letter Plays (In The Blood produced in 1999, and F--ing A, produced in 2000) by playwright Suzan-Lori Parks, rewrote the story placing it in contemporary New York and Houston.
* 2001: A musical stage adaptation which premiered at the Fringe Festival in Edinburgh, Scotland, by Stacey Mancine, Daniel Koloski, and Simon Gray.
* 2004: The Scarlet Letter is a Korean noir-thriller featuring an adulteress' monologue, that mentions a plan to raise her unborn child as Pearl in America, in a desperate plea to exit her obsessive affair.
* 2008: "shAme"[1], a rock opera by Mark Governor based on "The Scarlet Letter" premieres in Los Angeles. It is a major reworking of his 1994 stage musical that was also produced in Boston in 2000 and as a radio production in Berlin in 2005. The 2000 version was endorsed and presented by the Nathaniel Hawthorne Society.
[edit] References to the novel
Lists of miscellaneous information should be avoided. Please relocate any relevant information into appropriate sections or articles. (September 2008)
[edit] Literature
* The 1993 novel The Holder of the World by Bharati Mukherjee re-wrote the story, placing it in present-day Boston, Colonial America, and seventeenth-century India during the spread of the British East India Company.
* Deborah Noyes wrote a companion to this novel entitled Angel and Apostle with Pearl as the main character.
* Postmodern writer Kathy Acker borrows from The Scarlet Letter in her novel Blood and Guts in High School. Janie, the main character, identifies with Hester Prynne and intertwines their stories in a vulgar manner.
* In the novel Speak, Hairwoman, the English teacher, refers to The Scarlet Letter in her lesson. The novel's protagonist, Melinda Sordino, is a freshman in high school who is ostracized from her fellow schoolmates during the school year, much as Hester Prynne was ostracized by the Puritans in Boston.
* Maryse Condé's novel I, Tituba, Black Witch of Salem, although set at the time of the Salem witch trials, also features the character Hester Prynne.
* The title of Jhumpa Lahiri's 2008 novel Unaccustomed Earth comes from a passage from the introduction to The Scarlet Letter: "Human nature will not flourish, any more than a potato, if it be planted and replanted, for too long a series of generations, in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within my control, shall strike their roots into unaccustomed earth."
[edit] Culture
Richard Dawkins's Out Campaign for atheism uses a red scarlet "A" on webpages and clothing as an emblem of atheist identification. [12]
Tennessee has drivers convicted of DUI wear vests advertising this fact while on roadside litter pick-up duty. This is a badge of shame similar to the original scarlet letter.
我毕业论文里的两段，希望有用
The character of Hester Prynne changed significantly throughout the novel The Scarlet Letter by Nathaniel Hawthorne. Hester Prynne, through the eyes of the Puritans, is an extreme sinner. She has gone against the Puritan ways, committing adultery. For this harsh sin, she must wear a symbol of shame for the rest of her natural life. Hester "was tall, with a figure of perfect elegance... she had dark and abundant hair, so glossy that it threw off sunshine with a gleam" . Her face was "beautiful from regularity of feature and richness of complexion" . She is a beautiful, young woman who has sinned, but is forgiven.
Hawthorne makes Hester a heroin and survives to a tranquil old age just by expiating her offence. She wore the scarlet letter A, somewhat willingly, for the purpose of confessing her sin, of meditating and of reforming herself. On this point, Mark Van Doren’s comments about Hester, in my interpretation, agree with Hawthorne’s original intention. Doren said that she is “heroic in size and strength…Although she came to be Puritanism’s victim, she never surrendered the integrity of her soul. Neither did she complain of her fate. Her fate was to waste her life, yet we do not feel in the end that her life was wasted. Rather it is known, she is immortal.”⒄ Each Character has a secret sin that he or she wishes to confess and each of those sins affects the character that committed that sin as well as other characters in the story.
父亲的肩膀
爸的体形有些胖，也可称得上魁梧。偎依在他宽阔的怀中，心里暖暖的，很舒服。曾经幻想着永远躺在他的怀抱中，然而“逝者如斯夫，不舍昼夜”，随着年龄的增长，渐渐告别了他的怀抱。却不知靠在他的肩膀上同样舒服，同样温暖。
一个冬日的早晨，因有事耽搁，爸怕我上学迟到，决定用摩托车送我上学。因走得急，忘了带头盔，爸骑的速度有些慢。“冷吗?”他问。“不冷。”“不冷的话，我再骑的快点儿，万一迟到了不好。趴在我肩上，坐稳了。”当我俯下去那一刻，心里一阵暖流，好长时间没有让爸背过了，曾经，那肩膀是多么熟悉：儿时做游戏，那是我的“战场”；上学时，那是我的“交通工具”；伤心时，那是我的“依靠”；快乐时，那是我的“天堂”。曾无数次地趴在那肩膀上，在爸的耳边私语；无数次地猛扑上去，跟爸搞恶作剧；无数次……儿时的快乐记忆一下子涌上心头，我觉得好激动，好幸福。�
时光如梭，无论何时俯在爸的肩上，那种感觉都是最舒服的。再次趴在他肩上，无意间，我的手触到了爸的脸，天啊，好凉!我的鼻子一阵酸楚，“爸，我爱你!”一句话就像火山喷发那样毫无准备、毫不犹豫地脱口而出。“嗯?你说什么?”“噢!没……什么。”我不知道是否有必要再重复一遍，我想，对于父亲的爱，还是别用语言，而是用心灵来传递吧!�
校门已映入眼帘，车停了，望着爸那冻得通红通红的脸，我……“总算到了，骑快了点儿，没冻着你吧!好了，快进去吧!我回去了。”我机械般 地转身踏进了校门，直到在拐角处，我才偷窃父亲，他还在向这边张望，见我走远了，才转身。看到他蹒跚的背影，不觉想起朱自清先生写的《背影》。爸老了，但从他那双满怀深情的眼中看到的却是无限的爱。
