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毕业论文英语对话范文

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毕业论文英语对话范文

百度撒,谷歌撒,搜狗撒

整理了一些简单的英语口语对话范文如下:M:I have come here for the interview for Administrative assistant by appointment. Nice to meet you.我是应约来面试的,非常高兴见到你.I:Nice to meet you , Take a seat.我也是,请坐。M:Thank you!谢谢I:I:What is your name, please?请问,你叫什么名字?M:My name is Zhanghang.我叫张航I:what is your strongest trait(s)?你个性上最大的特点是什么?M:Well, I approach things very enthusiastically, I think, and I don't like to leave things 'm very organized and extremely capable.嗯,我做事非常热心,我不喜欢把事情做一半。我非常有组织能力,也很能干。想要了解更多关于英语口语的相关信息,推荐咨询美联英语。美联英语是美国TESOL教育学会认证的英语培训机构、英国剑桥大学等机构,具备TESOL/TEFL/TKT英语师资团队。美联英语严选英语授课老师,确保课堂的质量。中教具有英语教学经验,授课风格风趣幽默,善于调动课堂气氛。外教大部分来自英语母语国家,发音地道流利且具有TEFL/TESOL教学资质。辅导老师7*24小时解答学习疑问,跟进学习进度和学习轨迹。【免费领取英语试听课】

英语本科毕业论文范文摘要、关键词、目录、正文、参考文献、感谢词都有

关于这方面研究的最新进展和相关的论文题目可以看下品学论文网的,我的硕士小论文就是求助品学论文的老师搞定的,真的是非常效率加专业,很快就给我了,论文的修改过程也很顺利,投稿到录用来回只用了一个多月,比起同学发表的文章来说真的是超级速度了。

毕业论文英语对话

英语毕业论文答辩稿范文(精选8篇)

一段忙碌又充实的大学生活要即将结束,我们毕业前都要通过最后的`毕业论文,毕业论文是一种比较重要的检验学生学习成果的形式,快来参考毕业论文是怎么写的吧!下面是我帮大家整理的英语毕业论文答辩稿范文,希望对大家有所帮助。

Good morning, all appraises committee members. I am XXX and my supervisor is XXX.

With his constant encouragement and guidance, I have finished my paper.

Now it is the show time. I will present my efforts to you and welcome any correction.

The title of my paper is Comparative Study between English and Chinese idioms.

With the developing globalization, communication demand precise language.

Idioms are not a separate part of the language, we cannot omit. Studying the similarities and differences between English and Chinese idioms would be helpful to cross-cultural understanding and it’s also a good advance to our future if we can learn well.

For the above facts, I select the subject of “comparative study between English and Chinese idioms” as the title of my paper.

In the main part of this paper, I divide it four parts.

Part one presents general introduction to the basic concept and the studying purpose.

Part two presents overview of the Chinese and English idioms; it concludes similar origins and similar functions. Part three emphasize differences between English and Chinese idioms.

Through contrast analysis of well-known Chinese and English language, found the differences cultural discrepancy and the translation of animal words. Part four draws some conclusions that characteristics of English and Chinese idioms. And it is helpful to cross-culture .It’s necessary for a better understanding of international promotional communication. OK, that’s all. Thank you.

Good morning,Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense.

I am XX. First and foremost, I would like to express my sincere gratitude to my supervisor, professorXX, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this topic is On the tragedy figures at historical turning points(Comparison of KongYiji and Rip Van )The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic s significance in the real society. And the second part is going to analyze the figures background to show the historical necessity of the tragedies. In the third part, the tragic heroes failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.

Good afternoon, all appraiser committee members. I’m Zhang Da and my supervisor is Professor Zhang Jingcai. With her constant encouragement and guidance, I have finished my paper. Now, it is the show time. I will present my efforts to you and welcome any correction.

The title of my paper is On the Significance of Drama Method in the Improvement of English Learning in Chinese Rural Junior High School. I choose this as my topic due to the following reasons. First of all, I really want to be a teacher, so during the four years, I have read many books about how to become a good teacher. Secondly, when I was a freshman in the summer of 2008, I was chosen as a teaching assistant of the summer camp which was organized by the New Oriental English School in Shijiazhuang. In the summer camp, I rewrote a script of an English drama to be one of the programs of the open ceremony. It was very popular among those students. They thought it was very interesting. In 2010, I was practiced as an English teacher at Chenguantun Middle School in Qinhuangdao, I found that the students have little interest towards English learning, so I hoped I could help them. So I use the Drama Method as my teaching method. Almost all of the students were highly motivated by the interesting teaching method and they have made great progress in the exam one month later. So the research proved that the Drama Method can be used as an effective teaching method. For the above facts, I select the subject of On the Significance of Drama Method in the Improvement of English Learning in Chinese Rural Junior High School as the title of my paper. I hope by studying this topic we can find an effective teaching method to help all the students’ English learning in junior high school.

Next, it is an outline of my paper. In the main part of this paper, I divide it into five parts.

Part one presents an introduction to identify the major problem of junior high school students’ English learning problems

Part two overviews all relevant researches in drama application in teaching oral English.

Part three is the research design, the research hypothesis, the subjects of the research, the research methods and the research procedures are conducted.

Part four is the findings from research data. After analyzing the data with Excel 2007, pedagogical findings and implications are delivered before the conclusion of the thesis.

Part five draws some conclusions about the research. As what has been shown in the research, there are a lot of benefits from drama performance; the Drama Method can be used as an effective teaching method. In addition, there are some suggestions for forthcoming researches.

OK! That is all. Thank you! Please ask questions.

Good evening, all the appraiser committee members. I come from HUST, majoring in foreign linguistics and applied linguistics. With her sincere and intellectual guidance, for nearly one whole year's hard work, I have finished my paper. Finally, it is the show time. This evening I will present my efforts to you all and I gratefully welcome any correction.

The title of my paper is A Study of the Causes of the Gothic Style

in from a Feminist Perspective. I choose this as my topic due to the following reasons. Firstly, I am fond of literature works , especially gothic literature works. Secondly, I am quite familiar with this short story as this is one of the texts in our intensive teaching course and I have taught this text for more than 3 times . Last but not the least ,as a female , I am keen on the study of feminism. For the above facts, I select the subject of as the title of my paper.

I hope by studying this short story we can know more about American southern women in certain history and culture and more importantly help women in modern society get a deeper understanding about ourselves ,help us raise our independence and confidence and show more concern for our mental health.

Next , I will present it to you. Here is an outline of my presentation. They are literature review, gothic tradition , the gothic style in the story and the causes of the gothic style .

This paper consists of six parts. Part one presents an introduction to the author William Faulkner and by pointing out the purpose and significance of this study. Part two is literature review which introduces the relevant research about this novel at home and abroad and then points out the theoretical basis and methods. Part three gives a timeline of the gothic tradition in literature and explains the main characteristics of gothic works. Part four explains the three aspects of the gothic style in the novel,that is, the death theme, grotesque characters and mystic atmosphere. Part five then explains in detail the causes of the gothic style in this novel: patriarchal oppression, the myth of southern ladyhood and Emily’s attitude towards love. Finally, in the conclusion, the author summarizes the previous parts and emphasizes the significance of the argument of the thesis again.

Ok, that's all. Now you may raise your questions ! I am ready! Thank you !!!

I will present my efforts to you and welcome any title of my paper is on transformation of parts of speech in translation. i choose this as my topic due to the following reasons. different languages have different standards to distinguish parts of speech. each language has its own special structure. and there are no equivalent parts of speech between different languages. in order to make the target version more idiomatic and standard, the transformation of parts of speech is always used by translators. so the transformation of parts of speech is playing a more important role in english to chinese based on different characteristics of english and chinese. for the above facts, i select the subject of“on transformation of parts of speech”as the title of my hope by studying this topic we can know the importance of the transformation of parts of speech in english to chinese translation. through transformation, we can get the better version and improve the translation way of thinking and expressing is quite different between chinese and english. english is a kind of static languages which tends to use more nouns. while chinese is a dynamic one in which verbs are often when we make translation in english to chinese, we should know this point and shift the parts of , it is an outline of my paper. in the main part of this paper, i divide it into five one presents an introduction to the basic concepts of parts of speech and two discusses the definition of translation and emphasizes the importance of transformation of parts of speech in the course of three gives four basic ways of transformation of parts of speech through illustrative examples. there are transformed english words into chinese verbs, nouns, adjectives and four presents some problems about transformation and gives some advise to solve the five draws some conclusions that transformation between parts of speech is necessary for us to achieve good translation. it is demonstrated that we can have a good master of transformation and improve the translation. in addition, we must continuously study and explore in all kinds of translation ! that is all. thank you!

Good morning,Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense. (或Welcome to attend the oral defense.) :I am XX. First and foremost, I would like to express my sincere gratitude to my supervisor, professorXX, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this topic is On the tragedy figures at historical turning points(Comparison of KongYiji and Rip Van )The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic s significance in the real society. And the second part is going to analyze the figures background to show the historical necessity of the tragedies. In the third part, the tragic heroes failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.

stant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any topic of my thesis is 《Angela carter to mythology research - the female archetype in “new eve passion”, for example》。 I choose this as my topic due to the following Carter (1940-1992) is an outstanding feminist writer whose influence on Britishwomen's writing was “pivotal in this opening and transformation” [“23]. The year 2014 represents the 22”^ anniversary of Angela Carter's death. In those twenty-two years, her works have been widely taught internationally and brought about much critical debate. In a survey conducted by Cristina Bacchilega and Danielle M. Roemer [2],Carter is one of the most commonly taught women writers on North American programs. She has endowed us with an amazingly large number of legacies in her comparatively limited life, setting foot in various fields such as novels,short stories,children stories, dramas, non-fictions and so on. The acute observations with great insights,as well as the devastating wit and poignant mockery in Carter's works have made her stand out as an iconic figure in English literature. Many scholars and critics have devoted themselves to the research on Angela Carter from many perspectives,including gothic, magic realism, feminism,post-modernism and so on. As a prolific writer who is always ready to blur the boundaries between different genres, Carter has left us a wonderful world to delve the emergence of western women's movement as well as the development of feminist criticism in the 1960s,the feminist approach has become a potent weapon for those who are concerned with the emancipation and legal rights of women. Though women's social status has considerably improved due to the contribution made by countless predecessors,the fundamental problem still lingers on. Carter, with her versatile and avant-garde reputation, is best known as a feminist writer. Concerning the dilemmas and predicaments faced by women nowadays,it is very necessary for us to probe into her insightful and penetrating reflections on femininity as well as the relationship between two genders. The Passion of New Eve, as one of Carter's most representative works, is of great value in the research of her feminist thoughts and , is my paper outline. In the main part of this article, I put it into five one is an introduction to the thesis, covering the research background, theobjective and significance as well as the organization of the two presents a broad picture of Angela Carter's life and her works, as well as the background information about The Passion of New Eve. It also reviews previous studies on Angela Carter and her works at home and abroad, summarizing achievements in the past and pointing out new directions in the three conducts a retrospective study on feminism and archetypal criticism. The author attempts to work out the origin and development of feminism, demonstrating the important role feminism plays in Carter's life. Then is the history of archetypal criticism,as well as those classic female archetypes in mythology. Regarding those fossilized and monotonous images as impediments to women's freedom and liberation,Carter endeavors to shatter them in her demythologizing strategy and appeals for a rational attitude toward heterosexual four is the main body of the thesis. Through an in-depth analysis on The Passion of New Eve,it demonstrates Carter's demythologizing of “The Temptress,,,”Mother Goddess“and ”Eve“ respectively in the text. Leilah,the embodiment of Delilah,the famous temptress in the Bible,cannot escape the fate of being objectified by men and herself. By exposing”temptresses“ as mere victims rather than symbols of viciousness. Carter condemns the oppression and exploitation of women in a patriarchal society. ”Mother“ in Beulah serves as a severe satire on those mother goddesses in mythology. Carter smashes the legend by revealing the surgically-made essence of mother and the patriarchal values lurking behind her alleged matriarchal kingdom, warning against the peril and impracticality of extremist her most convincing example goes to Eve, the most important female character in the Bible, Her transformative journey from a chauvinist to a real woman in the story illustrates that gender, rather than a hereditary feature, is the result of social influence and unremitting imitations. Carter concludes the story with proposing ”androgyny“ as a solution to the current problems,implying that mutual respect and understanding is the only way to achieve the harmony between the two five comes to a general conclusion, summarizing the limitations of the theses as well as some suggestions for further ! That is all. Thank you!

Good morning, distinguished professors and teachers, thank you for attending the oral defense. I’m *** and come from class *. My supervisor is professor Li. I would like to express my deepest gratitude to Prof. his consistent guidance and valuable suggestions, I have finished my paper. Now I will present my efforts to you and gratefully welcome any suggestion.

Firstly, I am very interested in the study of ambiguity. Ambiguity is a common phenomenon in all natural languages. As is known to all, in our daily conversations, ambiguity is often employed to achieve the effect of humor, thus creating a relaxing atmosphere and letting people feel at ease. Some jokes caused by ambiguity is very interesting.

Secondly, I have read several articles about ambiguity written by linguistics and scholars. I found my knowledge of ambiguity is very limited, superficial and nonsystematic. What I knew is just the tip of the iceberg. So I plan to learn more about ambiguity by this research.

Thirdly, I found many scholars have carried out numerous studies of ambiguity, but a majority of these studies are focused on single language separately. Articles about comparison between English ambiguity and Chinese ambiguity are not sufficient. So it is necessary to make further study.

For the above facts, I select this title.

Next, I will present the outline of my thesis. It consists of 7 parts.

The first part gives a brief introduction to the ambiguity and structure of the thesis.

The second part is literature review, briefly introducing the development of study of ambiguity and some scholars’s main views.

The third to fifth parts focus on three types of ambiguity in English and Chinese: phonological ambiguity, lexical ambiguity, syntactic ambiguity. In every broad type, I respectively list some detailed branches and cite some vivid English and Chinese examples to explain these ambiguity phenomena. But I put more focus on the third part and point out two differences of ambiguity between English ambiguity and Chinese ambiguity.

The part six will point out positive results by using ambiguity deliberately in daily conversations, advertisements and literary works.

The last part is the conclusion.

I hope by this contrastive research, we will have a better understanding of ambiguity in English and Chinese and apply it to our life and study.

When reading the final draft, I still find my argument is not so comprehensive and improvements are needed. So welcome your precious suggestion.

That’s all. Thank you.

自我设置语言环境学习一种语言,需要在自己大脑里建立这种语言的意识,用这种语言思考和表达,而不是用中文思考,再转换成外文。自我设置一种语言环境,就是自我充当由自己设定的语言环境中的某一角色,有声地完成其语言任务。 比如,假定要召开一个英语演讲会,自己是演讲会的主持人,那么就应该设想如何约稿、如何布置会尝大会主席该如何致词等,让自己进入这一角色,有声地完成整个过程。每个人可以根据自己的需要有目的地选择“环境主题和角色”。在这样一种口语环境下使用外语,有如音乐家在演奏时见到音符就出声,拳击手见对方的破绽就出击,反应必须及时到位,要求的是一种“技能”,而不仅是“知识”,要求一定程度的“熟练”,而不仅是“知道”。这就需要我们在日常生活中经常地、有针对性地对自己进行这样的思维和训练。要在自己的大脑中建立起外语语境,需要一个阶段用一定的强度、用相当的数量对自己的大脑施以相当的“强制”来进行。过了这个阶段,才是对新建立的语言体系进行补充,使其日臻完整。单靠平平常常的积累很难达到这个境界。 过好口语三关发音关: 发音的正确清晰,是口语的第一关。生活在中文环境里的人,要准确掌握一门外语的发音,需要经过一个刻意追求的过程。学发音要有一个阶段狠劲地注意口形和部位。不妨“勉强”一些,“夸大”一些,像京剧道白那样“过分”地咬准。正确的发音习惯之后,会逐渐变得自然。我们听外国人说中国话,只会对他们的发音准确而惊叹,而不会对他们不像中国人那样省力而认为不好。没有经过刻意准确的阶段就追求“自然”,这样发出的音只是一种不三不四,大体上有点像,却谈不上正确的声音。 有的音发得不准确,主要是口形和部位不到位。如th〔�〕〔δ〕是英语的一个特殊发音,许多人把它读作〔s〕,自认为比较接近了,其实是错了。甚至有的中国老师这样教:“读这个音本应该将舌头伸出来,但不伸出来也可以,外国人也能听懂。”这不是在教学生“中国式英语吗?”如果自己发音不准,就很难分辨别人发音的正确与否。过发音关必须严格要求,一丝不苟地去练,只想顺顺当当听其自然,常常最后学到的只是模棱两可的声音,谈不上正确。 句型关: 句型是在自己脑海中建立外语语境的重要一环。掌握句型的要求是不但在大脑“贮存”足够的句型,而且要在使用时灵活“调取”。英语中有许多与特定场景、气氛等相应的特定句型。用这些句型可以表达建议、请求、命令、安慰、指责、兴奋、愤怒等不同要求和情感。这类句型一般都很短,大都是简单句,却能表达出各种情形下的各种说法。要做到口语流利,就必须熟悉并掌握各种特定条件下的特定句型,形成对特定场景作出快速的语言反应能力。 掌握句型的方法是背诵和即席发言。学习外语的人一定要背诵好文章、好句子,一条好句子可以创造出许多好句子。背诵五十条句子,你的口语会好起来;再背五十条句子,你的口语会上一个台阶;如果再继续背诵五十条句子,你的口语会进入一个新的境界。不是要求学生细微地捉摸、详尽地分析每一课每一句,而是要求背诵到滚瓜烂熟的程度。其实并不是完全背诵,常常背到了一定的课数就在脑海中形成了外语的语境,建立了语感。熟读是说的前题,只要读得通畅,才会说得流利。古话说,“熟读唐诗三百首,不会作诗也会吟”,就是这个道理。 熟练句型的第二个方法是即席讲话。讲话的题目应稍为广一点,不要老是“Myfamily”“Myschool”。比如谈论北京的话题,有的同学只说一句“北京是中国的首都”,下面就不知要谈些什么。实际上,有许多话题可以谈论。例如:北京的历史、气候、大学、公园、交通、街道、建筑以及现代化建设等方面,还可以将话题引入自己感兴趣的体育比赛、电视剧、文艺或小说中去谈论一番。有的学生自尊心较强,害怕出错,不敢张嘴。即席讲话就是要求学生克服自卑与羞怯,大胆张口,在轻松愉快的气氛中用英语进行交谈,将所学句型用于谈话当中,将话题引入自己所熟悉的话题和表达法中。 词汇关: 提高口语能力的第三关是“词汇”。词汇量是解决表达“好不好”的关键。在掌握句型的基础上扩大词汇才有意义。在扩大词汇方面,需要记一些常用词、急用词。按使用频率、使用范围,大约5000左右的词汇就足以进行日常口语交流了。口语体不同于书面体,口语体中所常用的词汇,大都拼写简单,发音流畅,多是小词、简单词、常用词。有一些“万能词”,像go,make,do等,这些词在口语中的用法非常活跃,表达生动活泼,简明扼要,内涵异常丰富。掌握十来个这类词,就能套用各种句型,轻松自如地进行口语交流了。因此,教师要尽量用一些小词、短句和教过的英语教英语、解释难句和课文意思。学生用学过的英语学英语,听得清楚,理解得准确,这样学生运用英语的实际能力必将有所提高。 其它途径提高学生的口语能力除以上谈到的几点外,还有许多颇见成效的方法。例如:组织课外英语演讲会、英语歌曲比赛、英语故事会、英语角、英语诗歌朗诵会等各种形式的活动。这些活动大大刺激了学生的求知欲,提高了学生学习英语的兴趣,拓展了英语视野。聘用外籍教师来校讲学、授课,更是提高学生口语能力的大好时机。外国人讲英语语音、语调比较地道,谈话轻松、自然。经常与外国人一起聊天,口语能力将会有很大提高。希望对你有用!

嗨~~我也在准备答辩的开场白和称述,烦心~~我们一起加油!!

well, i haven't gone into this issue thoroughly. i'd appreciate it very much if you could give me some instructions.

英语毕业论文对话语料格式

英语专业论文格式规范

A Contrastive Study between English and Chinese Idioms

(题目:二号,黑体,加粗,居中,除了英语小词外,其他单词首字母都要大写;另外:除了题目外,论文中所有英文的字体均采用“Times New Roman”)

(学院、专业、学号、作者姓名、指导教师姓名(小四号宋体字,加粗),依次排印在论文题目下,上空二行,居中)

【Abstract】 This paper centers on the different expressions of …… (英文摘要:上空二行;题目采用五号“Times New

Roman”字体,加粗,置于粗体方括号【】内,顶格放置;随后的内容与前面的粗体方括号【】之间空一格,不用其他任何标点符号;采用五号“Times

New Roman”字体,不加粗;单倍行距。)

【Key Words】 idiom; comparison; English; Chinese

(英文关键词:题目采用五号“Times New

Roman”字体,加粗,两个单词的首字母要大写,置于粗体方括号【】内,顶格放置;随后的内容与前面的粗体方括号【】之间空一格,不用任何其他标点符号,采用五号“Times New Roman”字体,不加粗,除了专有名词外,其他单词的首字母不大写,各单词之间用分号“;”隔开,分号之后空一格;最后一个关键词之后不用任何标点符号;单倍行距。)

1. Introduction

(顶格,除了第一个单词及专有名词外,其他单词首字母都不要大写;标题最后不用任何标点符号,上空两行)

In both English and Chinese, …. So, this essay is trying to

focus on the differences between Chinese and English idoms in terms

of their essential meaning, customary usage and typical expression

(Chang Liang, 1993:44; Li Guangling, 1999).

(段落第一行缩进4个英文字符;夹注的标注法:出现在夹注中的作者必须与文后的参考文献形成一一对应关系;注意一个或多个作者间的标点符号,时间、页码等的标注法;另外,汉语参考文献的作者要以拼音形式出现,不能出现汉语姓氏;夹注出现在标点符号之前)

2. The similarities between English idioms and Chinese idioms

In English, …. And it can be clearly seen in the below examples:

(1) I don’t know。我不知道。 (2) I am not a poet. 我不是诗人。 (正文中的例子以(1),(2)…为序号排列,直至最后一个例子;而①, ②…则为脚注或尾注的上标序号)

3. The differences between English idioms and Chinese idioms

The characteristics of English idioms

(正文章节序号编制:章的编号:1. ,2., 3.,…;节的编号:…,…;小节的编号为:,

…。小节以下层次,采用希腊数字加括号为序,如(i),(ii)…;之后再采用字母加括号,如(a),

(b),…;每章题目左顶格,小四号字,加粗;每节(及小节以下)题目左顶格,小四号字,不加粗但要斜体;所有章节的题目都单独一行,最后不加任何标点符号)

英语(English)是印欧语系-日耳曼语族下的语言,由26个字母组合而成,英文字母渊源于拉丁字母,拉丁字母渊源于希腊字母,而希腊字母则是由腓尼基字母演变而来的。英语是国际指定的官方语言(作为母语),也是世界上最广泛的第一语言,英语包含约49万词,外加技术名词约30万个,是词汇最多的语言,也是欧盟以及许多国际组织以及英联邦国家的官方语言,拥有世界第三位的母语使用者人数,仅次于汉语和西班牙语母语使用者人数。

英语由古代从丹麦等斯堪的纳维亚半岛以及德国、荷兰及周边移民至不列颠群岛的盎格鲁、撒克逊以及朱特部落的白人所说的语言演变而来,并通过英国的殖民活动传播到了世界各地。由于在历史上曾和多种民族语言接触,它的词汇从一元变为多元,语法从“多屈折”变为“少屈折”,语音也发生了规律性的变化。在19至20世纪,英国以及美国在文化、经济、军事、政治和科学在世界上的领先地位使得英语成为一种国际语言。如今,许多国际场合都使用英语做为沟通媒介。

英语也是与电脑联系最密切的语言,大多数编程语言都与英语有联系,而且随着网络的使用,英文的使用更普及。英语是联合国的工作语言之一。 苏格兰语、低地撒克逊语、丹麦语、德语、荷兰语、南非荷兰语和英语也很接近。拥有法国血统的诺曼人于11世纪征服英格兰王国,带来数万法语词汇和拉丁语词汇,很大程度地丰富了英语词汇外,相对也驱使不少原生的语汇作废。

湖北师范学院外国语学院英语专业本科毕业论文撰写基本要求及格式规范本格式规范在参照《湖北师范学院本科毕业论文(设计)工作实施办法》的基础上、结合英语研究论文撰写的特点而制定,适用于湖北师范学院外国语学院英语专业全日制本科毕业论文的撰写。一、 毕业论文(设计)打印页面设置1、页面设置:16开版面,单页打印。2、页边距及行间距:上厘米,左厘米,下2厘米,右2厘米,左侧装订,页眉,页脚。除一二级标题及特别注明外,行间距统一为。3、页眉:目录、摘要、正文、参考文献每页页眉居中标注“湖北师范学院外国语学院**届英语系毕业论文(设计)”字样,五号宋体居中打印。4、字体和字号:按相应部分的要求分别设置。5.页码编号:从正文起每页页脚加注页码(宋体五号居中),封面页、目录页、英、汉摘要页不编页码。二、毕业论文(设计)构件及格式要求外国语学院本科生毕业论文应由以下几个部分构成:1、封面页:独立一页(具体格式见附件1)(1)学号:按学生成绩册的学号填写。(2)编号:按毕业年份+外国语学院编号+班级编号+学号的最后两位共十位填写。如:2008040122。(3)研究类型:按基础研究、应用研究、综合研究等类型填写。(4)分类号:按中国图书分类号填写。(5)封面中论文标题栏部分为Times New Roman三号。封面顶部项目为中文宋体小四号,其余部分用中文宋体三号填写。2、毕业论文诚信承诺书:本科毕业论文诚信承诺书见外国语学院网页提供的附件,按照要求格式填写,该页独立成一页,附于封面页后的第一页。3、目录页(英文):独立一页,(具体格式见附件2)。(1) 除“Contents”一词用Times New Roman三号加粗外,其他统一用Times New Roman小四号。(2)本页内的论文目录及页码部分由正文标题内容自动生成。请使用word的目录生成功能,具体操作为:分别选择正文中标题文字,用主菜单“格式”中的“样式与格式”功能定义正文中的标题级别,定义完毕后,再点击主菜单中“插入”→“引用”→“索引和目录”即可自动生成目录。(3)目录页只生成至二级标题。4、英文摘要页:独立一页(具体格式见附件3),本页主要由以下内容构成:(1)英文标题:英文标题一般不宜超过10个单词,可加副标题,Times New Roman三号加粗居中。该项与下项内容之间空一行。(2)作者及导师姓名的汉语拼音:例如:WANG Hui (Tutor:ZHANG Yanghong) ,Times New Roman小四号居中。(3)作者个人信息:用圆括号圈起,例如 (Class 0403, College of Foreign Studies, Hubei Normal University, Huangshi 435002, Hubei),Times New Roman五号居中。该项与下项内容之间空一行。(4)摘要(Abstract):一般150-200个单词,Times New Roman五号左对齐,abstract一词加粗后用冒号,第一个字母大写。(5)关键词(Key words): 3~5个英文单词,Times New Roman五号左对齐,key words两词加粗后用冒号,第一个单词首字母大写,每个关键词之间以分号和空格分隔。5、中文摘要页:独立一页,但如果篇幅较少,可以与英文摘要页合并成一页(具体格式见附件4)。本页主要由以下内容构成:(1)中文标题:中文标题不得超过30个字,可加副标题,黑体三号加粗居中。该项与下项内容之间空一行。(2)作者及导师姓名:例如:王慧(指导教师:张阳红)。宋体小四号居中。(3)作者个人信息:用圆括号圈起,例如(湖北师范学院外国语学院 0203班, 湖北 黄石 435002)。宋体五号居中。该项与下项内容之间空一行。(4)中文摘要:论文内容不加评论的简短陈述,中文摘要200-300字。宋体五号左对齐。(5)关键词: 3~5个中文词组,每个关键词之间以分号和空格分隔。宋体五号左对齐。(6)分类号:填写中国图书分类号(见附件5)。6、正文部分:多页(格式见附件6)(1)标题与正文:论文题目不定义为标题级别,统一为Times New Roman三号加粗居中。正文内每部分均用一级编码加标题标识,各部分内可再设二级编码和三级编码表示文章层次(思路发展方向),即全文采用三级编码制,按如下格式定义:标题级别 格式要求1.标题1 标题1:Times New Roman四号加粗,关键词首字母大写,段前行 左对齐标题2 标题2:Times New Roman四号加粗,关键词首字母大写,段前行 左对齐标题3 标题3:Times New Roman小四号加粗,第一个单词首字母大写 左对齐正文 正文: Times New Roman小四号 段首行按Tab键自动缩进(2)表格:尽可能采用三线表,表中段落行距为单倍行距。(3)图形:直接插入的插图应有图标图号,不能直接插入的图应留出插图空位。插图宽度一般不超过10cm, 用绘图纸绘制的,线条要均匀,主线与辅线粗细比例为2∶1。图中文字、符号书写要清楚,并与正文一致,尽可能采用电脑绘图。(4)文字表述:论文要求层次清楚,语言流畅,语句通顺,无语法和逻辑错误,无错字、别字、漏字。论文的表述应当以科学语言描述研究过程和研究结果,不要以口语化的方式表达,论文中科技术语和名词应符合规定的通用词语,并使用法定计量单位和标准符号。文字、图表、公式清晰准确。(5)论文注释(Notes):论文可以有适量、适当的论文注释,用以注明所引资料的来源,或表达作者对文中某观点、某概念等的补充说明。正文内的直接引文和间接引文都采用夹注形式,放在括弧内,例如:(桂诗春,1985:25)或者(Selinger,1998: 29),其中,“桂诗春”和“Selinger”分别为中文学者姓名或英语作者的姓,“1985”和“1998”为著作出版年代,“25”和“29”为观点所在的页码。如果要对文中生僻术语进行说明或有其它说明,则采用附注形式,即在正文需注释处的右上方加注数码,然后在正文之后写明“注释”字样,最后依次写出对应数码和注文,回文时与上一行注文对齐;“Notes”一词居中。7、致谢(Acknowledgements):(可选项)用于表达作者的写作心得及对有关人员的感谢,表述要求真实自然。致谢在正文结束后隔行排版;“Acknowledgement”一词居中。8、参考文献(Bibliography):独立一页(具体格式见附件7)(1)数量要求:参考文献只选择最主要的列入,应不低于8种,其中,英文原文文献应不少于4种。(2)编排顺序:英文文献条目在前,中文文献条目在后;英文文献条目按学者姓氏的字母排列,中文文献按学者的姓氏音序排列。每个文献前用编号[1][2][3][4] 等等标出。(3)种类和标识符:参考文献的引用,可以是著作、论文、专利文献、会议论文等,不得引用未公开发表的资料和网络来源的资料。文献标识符号为:专著为[M]、期刊论文为[J]、论文集为[C]、论文集内的文章为[A]、未经出版的会议论文为[P]、博士论文为[D]、硕士论文为[MA]。(4)排版格式:Bibliography一词用Times New Roman 四号加粗居中,英文参考文献用Times New Roman 五号,中文文献用宋体五号;每条文献顶格写,回行缩进4个字符。(5)文献著录格式及示例:[1] 作者.书名[M].出版地:出版者, 出版年:起止页码. (著作图书文献)英语作者标注方法:作者姓,作者名首字母(大写).(& 作者姓,作者名首字母(大写)。如果三人或以上作者共著,其方法是:作者姓,作者名首字母(大写). et al. 例如:[1] Lakoff, G. & Mark, J. Metaphors We Live By [M]. Chicago and London: The University of Chicago Press, 1980: 24-47.[2] 作者.文章名[A].论文集名[C].出版地:出版者, 出版年:起止页码. (论文集内文献)[3] 作者.文章名[J].学术刊物名, 年, 卷(期): 起止页码. (学术刊物文献)英文著作、期刊名用斜体。9、附件或附录:(可选项)重要的测试结果、图表、设计图纸、源程序代码、大量的公式、符号、照片等不宜放入正文中的可以附录形式出现。三.篇幅要求英语专业毕业论文正文部分3000-5000单词。四.毕业论文装订要求本专业毕业论文按照下列顺序装订:1.封面2.承诺书3.目录页4.英文摘要页5.中文摘要页 (如果篇幅不长,可以与“英文摘要”合并为一页)6.正文部分7.致谢 (可选项)8.参考文献9.附录或附件 (可选项)10.毕业论文(设计)评审表

英语专业论文格式规范 A Contrastive Study between English and Chinese Idioms (题目:二号,黑体,加粗,居中,除了英语小词外,其他单词首字母都要大写;另外:除了题目外,论文中所有英文的字体均采用“Times New Roman”) (学院、专业、学号、作者姓名、指导教师姓名(小四号宋体字,加粗),依次排印在论文题目下,上空二行,居中) 【Abstract】 This paper centers on the different expressions of …… (英文摘要:上空二行;题目采用五号“Times New Roman”字体,加粗,置于粗体方括号【】内,顶格放置;随后的内容与前面的粗体方括号【】之间空一格,不用其他任何标点符号;采用五号“Times New Roman”字体,不加粗;单倍行距。) 【Key Words】 idiom; comparison; English; Chinese (英文关键词:题目采用五号“Times New Roman”字体,加粗,两个单词的首字母要大写,置于粗体方括号【】内,顶格放置;随后的内容与前面的粗体方括号【】之间空一格,不用任何其他标点符号,采用五号“Times New Roman”字体,不加粗,除了专有名词外,其他单词的首字母不大写,各单词之间用分号“;”隔开,分号之后空一格;最后一个关键词之后不用任何标点符号;单倍行距。) 1. Introduction (顶格,除了第一个单词及专有名词外,其他单词首字母都不要大写;标题最后不用任何标点符号,上空两行) In both English and Chinese, …. So, this essay is trying to focus on the differences between Chinese and English idoms in terms of their essential meaning, customary usage and typical expression (Chang Liang, 1993:44; Li Guangling, 1999). (段落第一行缩进4个英文字符;夹注的标注法:出现在夹注中的作者必须与文后的参考文献形成一一对应关系;注意一个或多个作者间的标点符号,时间、页码等的标注法;另外,汉语参考文献的作者要以拼音形式出现,不能出现汉语姓氏;夹注出现在标点符号之前) 2. The similarities between English idioms and Chinese idioms In English, …. And it can be clearly seen in the below examples: (1) I don’t know。我不知道。 (2) I am not a poet. 我不是诗人。 (正文中的例子以(1),(2)…为序号排列,直至最后一个例子;而①, ②…则为脚注或尾注的上标序号) 3. The differences between English idioms and Chinese idioms The characteristics of English idioms (正文章节序号编制:章的编号:1. ,2., 3.,…;节的编号:…,…;小节的编号为:, …。小节以下层次,采用希腊数字加括号为序,如(i),(ii)…;之后再采用字母加括号,如(a), (b),…;每章题目左顶格,小四号字,加粗;每节(及小节以下)题目左顶格,小四号字,不加粗但要斜体;所有章节的题目都单独一行,最后不加任何标点符号) …. In conclusion, …. The characteristics of Chinese idioms …. Feng (1998) found some problems as shown in the following examples (注意此句中夹注的另一种写法): (9) We never know the worth of water till the well is dry. (10) People take no thought of the value of time until they lose it. …. The analysis of the differences between English and Chinese idioms … (i) …. …. (ii) …. …. 4. Conclusion …. Bibliography (References) (小四号,加粗,后面不加任何标点符号) Sanved, ed. The Oxford book of American literary anecdotes[C]. New York: OUP, 1981. 一、英语论文的标题 一篇较长的英语论文(如英语毕业论文)一般都需要标题页,其书写格式如下:第一行标题与打印纸顶端的距离约为打印纸全长的三分之一,与下行(通常为by,居中)的距离则为5cm,第三、第四行分别为作者姓名及日期(均居中)。如果该篇英语论文是学生针对某门课程而写,则在作者姓名与日期之间还需分别打上教师学衔及其姓名(如:Dr./)及本门课程的编号或名称(如:English 734或British Novel)。打印时,如无特殊要求,每一行均需double space,即隔行打印,行距约为(论文其他部分行距同此)。 就学生而言,如果英语论文篇幅较短,亦可不做标题页(及提纲页),而将标题页的内容打在正文第一页的左上方。第一行为作者姓名,与打印纸顶端距离约为,以下各行依次为教师学衔和姓、课程编号(或名称)及日期;各行左边上下对齐,并留出左右的页边空白(下同)。接下来便是论文标题及正文(日期与标题之间及标题与正文第一行之间只需隔行打印,不必留出更多空白)。 二、英语论文提纲 英语论文提纲页包括论题句及提纲本身,其规范格式如下:先在第一行(与打印纸顶端的距离仍为左右)的始端打上 Thesis 一词及冒号,空一格后再打论题句,回行时左边须与论题句的第一个字母上下对齐。主要纲目以大写罗马数字标出,次要纲目则依次用大写英文字母、阿拉伯数字和小写英文字母标出。各数字或字母后均为一句点,空出一格后再打该项内容的第一个字母;处于同一等级的纲目,其上下行左边必须对齐。需要注意的是,同等重要的纲目必须是两个以上,即:有Ⅰ应有Ⅱ,有A应有B,以此类推。如果英文论文提纲较长,需两页纸,则第二页须在右上角用小写罗马数字标出页码,即ii(第一页无需标页码)。 三、英语论文正文 有标题页和提纲页的英语论文,其正文第一页的规范格式为:论文标题居中,其位置距打印纸顶端约5cm,距正文第一行约。段首字母须缩进五格,即从第六格打起。正文第一页不必标页码(但应计算其页数),自第二页起,必须在每页的右上角(即空出第一行,在其后部)打上论文作者的姓,空一格后再用阿拉伯数字标出页码;阿拉伯数字(或其最后一位)应为该行的最后一个空格。在打印正文时尚需注意标点符号的打印格式,即:句末号(句号、问号及感叹号)后应空两格,其他标点符号后则空一格。 四、英语论文的文中引述 正确引用作品原文或专家、学者的论述是写好英语论文的重要环节;既要注意引述与论文的有机统一,即其逻辑性,又要注意引述格式 (即英语论文参考文献)的规范性。引述别人的观点,可以直接引用,也可以间接引用。无论采用何种方式,论文作者必须注明所引文字的作者和出处。目前美国学术界通行的做法是在引文后以圆括弧形式注明引文作者及出处。现针对文中引述的不同情况,将部分规范格式分述如下。 1.若引文不足三行,则可将引文有机地融合在论文中。如: The divorce of Arnold's personal desire from his inheritance results in “the familiar picture of Victorian man alone in an alien universe”(Roper9). 这里,圆括弧中的Roper为引文作者的姓(不必注出全名);阿拉伯数字为引文出处的页码(不要写成);作者姓与页码之间需空一格,但不需任何标点符号;句号应置于第二个圆括弧后。 2.被引述的文字如果超过三行,则应将引文与论文文字分开,如下例所示: Whitman has proved himself an eminent democratic representative and precursor, and his “Democratic Vistas” is an admirable and characteristic diatribe. And if one is sorry that in it Whitman is unable to conceive the extreme crises of society, one is certain that no society would be tolerable whoses citizens could not find refreshment in its buoyant democratic idealism.(Chase 165) 这里的格式有两点要加以注意。一是引文各行距英语论文的左边第一个字母十个空格,即应从第十一格打起;二是引文不需加引号,末尾的句号应标在最后一个词后。 3.如需在引文中插注,对某些词语加以解释,则要使用方括号(不可用圆括弧)。如: points out that“he [Charles Darw in] has been an important factor in the debate between evolutionary theory and biblical creationism”(9). 值得注意的是,本例中引文作者的姓已出现在引导句中,故圆括弧中只需注明引文出处的页码即可。 4.如果拟引用的文字中有与论文无关的词语需要删除,则需用省略号。如果省略号出现在引文中则用三个点,如出现在引文末,则用四个点,最后一点表示句号,置于第二个圆括弧后(一般说来,应避免在引文开头使用省略号);点与字母之间,或点与点之间都需空一格。如: Mary Shelley hated tyranny and“looked upon the poor as pathetic victims of the social system and upon the rich and highborn...with undisguised scorn and contempt...(Nitchie 43). 5.若引文出自一部多卷书,除注明作者姓和页码外,还需注明卷号。如: Professor Chen Jia's A History of English Literature aimed to give Chinese readers“a historical survey of English literature from its earliest beginnings down to the 20thcentury”(Chen,1:i). 圆括弧里的1为卷号,小写罗马数字i为页码,说明引文出自第1卷序言(引言、序言、导言等多使用小写的罗马数字标明页码)。此外,书名 A History of English Literature 下划了线;规范的格式是:书名,包括以成书形式出版的作品名(如《失乐园》)均需划线,或用斜体字;其他作品,如诗歌、散文、短篇小说等的标题则以双引号标出,如“To Autumn”及前面出现的“Democratic Vistas”等。 6.如果英语论文中引用了同一作者的两篇或两篇以上的作品,除注明引文作者及页码外,还要注明作品名。如: Bacon condemned Platoas“an obstacle to science”(Farrington, Philosophy 35). Farrington points out that Aristotle's father Nicomachus, a physician, probably trained his son in medicine(Aristotle 15). 这两个例子分别引用了Farrington的两部著作,故在各自的圆括弧中分别注出所引用的书名,以免混淆。两部作品名均为缩写形式(如书名太长,在圆括弧中加以注明时均需使用缩写形式),其全名分别为 Founder of Scientific Philosophy 及 The Philosophy of Francis Baconand Aristotle。 7.评析诗歌常需引用原诗句,其引用格式如下例所示。 When Beowulf dives upwards through the water and reaches the surface,“The surging waves, great tracts of water, / were all cleansed...”(). 这里,被引用的诗句以斜线号隔开,斜线号与前后字母及标点符号间均需空一格;圆括弧中小写的1是line的缩写;21不必写成1621。如果引用的诗句超过三行,仍需将引用的诗句与论文文字分开(参见第四项第2点内容)。 五、英语论文的文献目录 论文作者在正文之后必须提供论文中全部引文的详细出版情况,即文献目录页。美国高校一般称此页为 Works Cited, 其格式须注意下列几点: 1.目录页应与正文分开,另页打印,置于正文之后。 2.目录页应视为英语论文的一页,按论文页码的顺序在其右上角标明论文作者的姓和页码;如果条目较多,不止一页,则第一页不必标出作者姓和页码(但必须计算页数),其余各页仍按顺序标明作者姓和页码。标题Works Cited与打印纸顶端的距离约为,与第一条目中第一行的距离仍为;各条目之间及各行之间的距离亦为,不必留出更多空白。 3.各条目内容顺序分别为作者姓、名、作品名、出版社名称、出版地、出版年份及起止页码等;各条目应严格按各作者姓的首字母顺序排列,但不要给各条目编码,也不必将书条与杂志、期刊等条目分列。 4.各条目第一行需顶格打印,回行时均需缩进五格,以将该条目与其他条目区分开来。 现将部分较为特殊的条目分列如下,并略加说明,供读者参考。 Two or More Books by the Same Author Brooks, Cleanth. Fundamentals of Good Writing: A Handbook of Modern Rhetoric. NewYork: Harcourt, 1950. ---The Hidden God: Studies in Hemingway, Faulkner, Yeats, Eliot, and Warren. New Haven: Yale UP,1963. 引用同一作者的多部著作,只需在第一条目中注明该作者姓名,余下各条目则以三条连字符及一句点代替该作者姓名;各条目须按书名的第一个词(冠词除外)的字母顺序排列。 An Author with an Editor Shake speare, William. The Tragedy of Macbeth. Ed. Louis B. Wright. New York: Washington Square, 1959. 本条目将作者 Shakespeare 的姓名排在前面,而将编者姓名(不颠倒)放在后面,表明引文出自 The Tragedy of Macbeth;如果引文出自编者写的序言、导言等,则需将编者姓名置前,如: Blackmur, Richard . The Art of the Novel: Critical Prefaces. By Henry James. New York: Scribner's, . 如果引言与著作为同一人所写,则其格式如下例所示(By后只需注明作者姓即可): Emery, Donald. Preface. English Fundamentals. By Emery. London: Macmillan, . A Multivolume Work Browne, Thomas. The Works of Sir Thomas Browne. Ed. Geoffrey Keynes. 4 vols. London: Faber, 1928. Browne, Thomas. The Works of Sir Thomas Browne. Ed. Geoffrey Keynes. . London: Faber, 1928. 4 vols. 第一条目表明该著作共4卷,而论文作者使用了各卷内容;第二条目则表明论文作者只使用了第2卷中的内容。 A Selection from an Anthology Abram, M. H.“English Romanticism: The Spirit of the Age.” Romanticism Reconsidered. Ed. Northrop Frye. New York: Columbia UP,. 被引用的英语论文名须用引号标出,并注意将英语论文名后的句点置于引号内。条目末尾必须注明该文在选集中的起止页码。 Articles in Journals, Magazines, and Newspapers Otto, Mary L.“Child Abuse: Group Treatment for Parents.” Personnel and Guidance Journal 62(1984): 336-48

英语毕业论文写作及排版格式要求

第一部分:封面

1、 需填写的项目由本人用碳素墨水手写或打印。

2、 封面上的毕业论文(设计)编号填写统一编排的'12位学号。

3、 届、班级均采用阿拉伯数字,班级应标明某级某班。

4、 用纸要求(以下所有用纸按此要求)

·纸型:A4纸,单面打印;

·页边距:上,下,左,右;

·页眉:,页脚:,左侧装订。

第二部分:目录 (单独用一页 对齐方式:两端对齐、倍行距)

目 录(标题三号,Times New Roman,加粗,居中;)

摘要(关键词)(小四号,Times New Roman)……………………………………(页码)

英文摘要(关键词)(小四号,Times New Roman)………………………………………(页码)

致谢(小四号,Times New Roman)……………………………………………………………(页码)

………(小四号,Times New Roman)……………………………………………… (页码)

(一级标题)(小四号,Times New Roman)………………………………… (页码)

XXXXXX(二级标题)(小四号,Times New Roman)………………………………… (页码)

(三级标题) (小四号,Times New Roman)…………………………………… (页码)

(注:此处目录中的标题层次根据正文标题层次来确定)

参考文献(小四号,Times New Roman)………………………………………………………(页码)

第三部分:文章标题、摘要与关键词

1. 文章标题:二号、Times New Roman、加粗、居中

题目:应在20个单词以内,能简明、具体、确切地表达论文的特定内容。必要时可使用副标题;

2.中文摘要、关键词(中英文关键词、摘要段落:左右缩进2 个字符)

摘要:(小三号,黑体,加粗,居中)

摘要正文(小四号,宋体,双倍行距)

关键词:标题(小四号,黑体,顶格,加粗)

关键词正文(小四号,宋体,词间逗号隔开)

3.英文摘要、英文关键词

英文摘要标题Abstract:(小三号,Times New Roman,加粗,居中)

英文摘要正文(小四号,Times New Roman,双倍行距)

英文关键词标题Key words:(小四号,Times New Roman,加粗,顶格)

英文关键词正文(小四号,Times New Roman,词间用逗号隔开)

第四部分: 主体部分

正文:论文正文都必须包括引言(introduction),正体、结束语 (conclusion)论点正确、逻辑性强、文理通顺、层次分明、表达确切。把实践结果上升到理论认识或应用理论的高度,最终解决实际问题,并提出自己的见解和观点;

1. 前言标题(三号字,Times New Roman,加粗,顶格)

前言内容(小四号字,Times New Roman,行间距采用倍行距)

2.各级标题与正文

论文的标题层次按以下两种格式编排

第一种:

1 XXXX(一级标题)

XXXX(二级标题)

XXXXXXX(三级标题)

一级标题(三号字,Times New Roman,加粗,顶格)

二级标题(四号字,Times New Roman,加粗,顶格)

三级标题(小四号字,Times New Roman,加粗,顶格)

四级标题格式同三级标题

正文用小四号字,Times New Roman,行间距采用倍行距

3.正文中的图表

正文中图、表均需编排序号,有图、表题目及说明(五号、Times New Roman),如table 。

4.每页页脚居中注明页码, 页码起始 从Introduction 部分开始第1页。页眉设置要求:居中,以小5号字宋体键入“辽宁对外经贸学院毕业论文”。页眉从正文页开始设置,到参考文献部分结束,包括参考文献部分。封底不加页眉。

第五部分: 参考文献(三号、宋体、加粗、顶格)

参考文献:参考文献按作者姓名的首字母顺序排列。中文文献在英文文献之后。参考文献应另起一页,总数不少于15篇。原则上,参考文献为期刊时,出版时间应在近五年之内;参考文献为图书时,出版时间应在近10年之内。参考文献要求采用MLA格式。

第六部分: 致 谢(三号、Times New Roman、居中、单独一页)

致谢内容(小四号、Times New Roman)

装订要求:

1,本科毕业论文(设计)分两部分按以下顺序进行装订:

第一部分(纸质版):

封面-- ---毕业论文(设计)任务书-----毕业论文(设计)指导记录---毕业论文(设计)指导教师评分表- --毕业论文(设计)评阅教师评分表- --毕业论文(设计)答辩组评分表----毕业论文(设计)答辩记录-----毕业论文(设计)考核表

毕业论文英语对话怎么写

英语毕业论文答辩稿范文(精选8篇)

一段忙碌又充实的大学生活要即将结束,我们毕业前都要通过最后的`毕业论文,毕业论文是一种比较重要的检验学生学习成果的形式,快来参考毕业论文是怎么写的吧!下面是我帮大家整理的英语毕业论文答辩稿范文,希望对大家有所帮助。

Good morning, all appraises committee members. I am XXX and my supervisor is XXX.

With his constant encouragement and guidance, I have finished my paper.

Now it is the show time. I will present my efforts to you and welcome any correction.

The title of my paper is Comparative Study between English and Chinese idioms.

With the developing globalization, communication demand precise language.

Idioms are not a separate part of the language, we cannot omit. Studying the similarities and differences between English and Chinese idioms would be helpful to cross-cultural understanding and it’s also a good advance to our future if we can learn well.

For the above facts, I select the subject of “comparative study between English and Chinese idioms” as the title of my paper.

In the main part of this paper, I divide it four parts.

Part one presents general introduction to the basic concept and the studying purpose.

Part two presents overview of the Chinese and English idioms; it concludes similar origins and similar functions. Part three emphasize differences between English and Chinese idioms.

Through contrast analysis of well-known Chinese and English language, found the differences cultural discrepancy and the translation of animal words. Part four draws some conclusions that characteristics of English and Chinese idioms. And it is helpful to cross-culture .It’s necessary for a better understanding of international promotional communication. OK, that’s all. Thank you.

Good morning,Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense.

I am XX. First and foremost, I would like to express my sincere gratitude to my supervisor, professorXX, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this topic is On the tragedy figures at historical turning points(Comparison of KongYiji and Rip Van )The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic s significance in the real society. And the second part is going to analyze the figures background to show the historical necessity of the tragedies. In the third part, the tragic heroes failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.

Good afternoon, all appraiser committee members. I’m Zhang Da and my supervisor is Professor Zhang Jingcai. With her constant encouragement and guidance, I have finished my paper. Now, it is the show time. I will present my efforts to you and welcome any correction.

The title of my paper is On the Significance of Drama Method in the Improvement of English Learning in Chinese Rural Junior High School. I choose this as my topic due to the following reasons. First of all, I really want to be a teacher, so during the four years, I have read many books about how to become a good teacher. Secondly, when I was a freshman in the summer of 2008, I was chosen as a teaching assistant of the summer camp which was organized by the New Oriental English School in Shijiazhuang. In the summer camp, I rewrote a script of an English drama to be one of the programs of the open ceremony. It was very popular among those students. They thought it was very interesting. In 2010, I was practiced as an English teacher at Chenguantun Middle School in Qinhuangdao, I found that the students have little interest towards English learning, so I hoped I could help them. So I use the Drama Method as my teaching method. Almost all of the students were highly motivated by the interesting teaching method and they have made great progress in the exam one month later. So the research proved that the Drama Method can be used as an effective teaching method. For the above facts, I select the subject of On the Significance of Drama Method in the Improvement of English Learning in Chinese Rural Junior High School as the title of my paper. I hope by studying this topic we can find an effective teaching method to help all the students’ English learning in junior high school.

Next, it is an outline of my paper. In the main part of this paper, I divide it into five parts.

Part one presents an introduction to identify the major problem of junior high school students’ English learning problems

Part two overviews all relevant researches in drama application in teaching oral English.

Part three is the research design, the research hypothesis, the subjects of the research, the research methods and the research procedures are conducted.

Part four is the findings from research data. After analyzing the data with Excel 2007, pedagogical findings and implications are delivered before the conclusion of the thesis.

Part five draws some conclusions about the research. As what has been shown in the research, there are a lot of benefits from drama performance; the Drama Method can be used as an effective teaching method. In addition, there are some suggestions for forthcoming researches.

OK! That is all. Thank you! Please ask questions.

Good evening, all the appraiser committee members. I come from HUST, majoring in foreign linguistics and applied linguistics. With her sincere and intellectual guidance, for nearly one whole year's hard work, I have finished my paper. Finally, it is the show time. This evening I will present my efforts to you all and I gratefully welcome any correction.

The title of my paper is A Study of the Causes of the Gothic Style

in from a Feminist Perspective. I choose this as my topic due to the following reasons. Firstly, I am fond of literature works , especially gothic literature works. Secondly, I am quite familiar with this short story as this is one of the texts in our intensive teaching course and I have taught this text for more than 3 times . Last but not the least ,as a female , I am keen on the study of feminism. For the above facts, I select the subject of as the title of my paper.

I hope by studying this short story we can know more about American southern women in certain history and culture and more importantly help women in modern society get a deeper understanding about ourselves ,help us raise our independence and confidence and show more concern for our mental health.

Next , I will present it to you. Here is an outline of my presentation. They are literature review, gothic tradition , the gothic style in the story and the causes of the gothic style .

This paper consists of six parts. Part one presents an introduction to the author William Faulkner and by pointing out the purpose and significance of this study. Part two is literature review which introduces the relevant research about this novel at home and abroad and then points out the theoretical basis and methods. Part three gives a timeline of the gothic tradition in literature and explains the main characteristics of gothic works. Part four explains the three aspects of the gothic style in the novel,that is, the death theme, grotesque characters and mystic atmosphere. Part five then explains in detail the causes of the gothic style in this novel: patriarchal oppression, the myth of southern ladyhood and Emily’s attitude towards love. Finally, in the conclusion, the author summarizes the previous parts and emphasizes the significance of the argument of the thesis again.

Ok, that's all. Now you may raise your questions ! I am ready! Thank you !!!

I will present my efforts to you and welcome any title of my paper is on transformation of parts of speech in translation. i choose this as my topic due to the following reasons. different languages have different standards to distinguish parts of speech. each language has its own special structure. and there are no equivalent parts of speech between different languages. in order to make the target version more idiomatic and standard, the transformation of parts of speech is always used by translators. so the transformation of parts of speech is playing a more important role in english to chinese based on different characteristics of english and chinese. for the above facts, i select the subject of“on transformation of parts of speech”as the title of my hope by studying this topic we can know the importance of the transformation of parts of speech in english to chinese translation. through transformation, we can get the better version and improve the translation way of thinking and expressing is quite different between chinese and english. english is a kind of static languages which tends to use more nouns. while chinese is a dynamic one in which verbs are often when we make translation in english to chinese, we should know this point and shift the parts of , it is an outline of my paper. in the main part of this paper, i divide it into five one presents an introduction to the basic concepts of parts of speech and two discusses the definition of translation and emphasizes the importance of transformation of parts of speech in the course of three gives four basic ways of transformation of parts of speech through illustrative examples. there are transformed english words into chinese verbs, nouns, adjectives and four presents some problems about transformation and gives some advise to solve the five draws some conclusions that transformation between parts of speech is necessary for us to achieve good translation. it is demonstrated that we can have a good master of transformation and improve the translation. in addition, we must continuously study and explore in all kinds of translation ! that is all. thank you!

Good morning,Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense. (或Welcome to attend the oral defense.) :I am XX. First and foremost, I would like to express my sincere gratitude to my supervisor, professorXX, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this topic is On the tragedy figures at historical turning points(Comparison of KongYiji and Rip Van )The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic s significance in the real society. And the second part is going to analyze the figures background to show the historical necessity of the tragedies. In the third part, the tragic heroes failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.

stant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any topic of my thesis is 《Angela carter to mythology research - the female archetype in “new eve passion”, for example》。 I choose this as my topic due to the following Carter (1940-1992) is an outstanding feminist writer whose influence on Britishwomen's writing was “pivotal in this opening and transformation” [“23]. The year 2014 represents the 22”^ anniversary of Angela Carter's death. In those twenty-two years, her works have been widely taught internationally and brought about much critical debate. In a survey conducted by Cristina Bacchilega and Danielle M. Roemer [2],Carter is one of the most commonly taught women writers on North American programs. She has endowed us with an amazingly large number of legacies in her comparatively limited life, setting foot in various fields such as novels,short stories,children stories, dramas, non-fictions and so on. The acute observations with great insights,as well as the devastating wit and poignant mockery in Carter's works have made her stand out as an iconic figure in English literature. Many scholars and critics have devoted themselves to the research on Angela Carter from many perspectives,including gothic, magic realism, feminism,post-modernism and so on. As a prolific writer who is always ready to blur the boundaries between different genres, Carter has left us a wonderful world to delve the emergence of western women's movement as well as the development of feminist criticism in the 1960s,the feminist approach has become a potent weapon for those who are concerned with the emancipation and legal rights of women. Though women's social status has considerably improved due to the contribution made by countless predecessors,the fundamental problem still lingers on. Carter, with her versatile and avant-garde reputation, is best known as a feminist writer. Concerning the dilemmas and predicaments faced by women nowadays,it is very necessary for us to probe into her insightful and penetrating reflections on femininity as well as the relationship between two genders. The Passion of New Eve, as one of Carter's most representative works, is of great value in the research of her feminist thoughts and , is my paper outline. In the main part of this article, I put it into five one is an introduction to the thesis, covering the research background, theobjective and significance as well as the organization of the two presents a broad picture of Angela Carter's life and her works, as well as the background information about The Passion of New Eve. It also reviews previous studies on Angela Carter and her works at home and abroad, summarizing achievements in the past and pointing out new directions in the three conducts a retrospective study on feminism and archetypal criticism. The author attempts to work out the origin and development of feminism, demonstrating the important role feminism plays in Carter's life. Then is the history of archetypal criticism,as well as those classic female archetypes in mythology. Regarding those fossilized and monotonous images as impediments to women's freedom and liberation,Carter endeavors to shatter them in her demythologizing strategy and appeals for a rational attitude toward heterosexual four is the main body of the thesis. Through an in-depth analysis on The Passion of New Eve,it demonstrates Carter's demythologizing of “The Temptress,,,”Mother Goddess“and ”Eve“ respectively in the text. Leilah,the embodiment of Delilah,the famous temptress in the Bible,cannot escape the fate of being objectified by men and herself. By exposing”temptresses“ as mere victims rather than symbols of viciousness. Carter condemns the oppression and exploitation of women in a patriarchal society. ”Mother“ in Beulah serves as a severe satire on those mother goddesses in mythology. Carter smashes the legend by revealing the surgically-made essence of mother and the patriarchal values lurking behind her alleged matriarchal kingdom, warning against the peril and impracticality of extremist her most convincing example goes to Eve, the most important female character in the Bible, Her transformative journey from a chauvinist to a real woman in the story illustrates that gender, rather than a hereditary feature, is the result of social influence and unremitting imitations. Carter concludes the story with proposing ”androgyny“ as a solution to the current problems,implying that mutual respect and understanding is the only way to achieve the harmony between the two five comes to a general conclusion, summarizing the limitations of the theses as well as some suggestions for further ! That is all. Thank you!

Good morning, distinguished professors and teachers, thank you for attending the oral defense. I’m *** and come from class *. My supervisor is professor Li. I would like to express my deepest gratitude to Prof. his consistent guidance and valuable suggestions, I have finished my paper. Now I will present my efforts to you and gratefully welcome any suggestion.

Firstly, I am very interested in the study of ambiguity. Ambiguity is a common phenomenon in all natural languages. As is known to all, in our daily conversations, ambiguity is often employed to achieve the effect of humor, thus creating a relaxing atmosphere and letting people feel at ease. Some jokes caused by ambiguity is very interesting.

Secondly, I have read several articles about ambiguity written by linguistics and scholars. I found my knowledge of ambiguity is very limited, superficial and nonsystematic. What I knew is just the tip of the iceberg. So I plan to learn more about ambiguity by this research.

Thirdly, I found many scholars have carried out numerous studies of ambiguity, but a majority of these studies are focused on single language separately. Articles about comparison between English ambiguity and Chinese ambiguity are not sufficient. So it is necessary to make further study.

For the above facts, I select this title.

Next, I will present the outline of my thesis. It consists of 7 parts.

The first part gives a brief introduction to the ambiguity and structure of the thesis.

The second part is literature review, briefly introducing the development of study of ambiguity and some scholars’s main views.

The third to fifth parts focus on three types of ambiguity in English and Chinese: phonological ambiguity, lexical ambiguity, syntactic ambiguity. In every broad type, I respectively list some detailed branches and cite some vivid English and Chinese examples to explain these ambiguity phenomena. But I put more focus on the third part and point out two differences of ambiguity between English ambiguity and Chinese ambiguity.

The part six will point out positive results by using ambiguity deliberately in daily conversations, advertisements and literary works.

The last part is the conclusion.

I hope by this contrastive research, we will have a better understanding of ambiguity in English and Chinese and apply it to our life and study.

When reading the final draft, I still find my argument is not so comprehensive and improvements are needed. So welcome your precious suggestion.

That’s all. Thank you.

Teachers, good afternoon! My name is Chen Jing, the students of class * * * *, my thesis topic is《 the power of the giver and the victim, foucault power interpretation theory perspective, the heroine in “the golden notebook, Anna》,thesis is completed under Wang Zhiqin teacher of meticulous guidance, here, I express my deep appreciation to my supervisor, to the teachers to take part in my thesis express our heartfelt thanks to you for, and for the past three years I have a chance to listen to the teachings, teachers say heartfelt I will this paper design the research background, significance and main content of the teacher made a report, please the teacher criticism of all, I want to talk about the research background and significance of the graduation thesis the Golden Notebook involves comprehensive themes such as colonialism,feminism,racism,communism etc. and due to its severely fragmented writing forms,it has intrigued groups of both domestic and overseas critics. The research abroad could be roughly divided into three stages. The first comes about the biography of the author”],the general introduction and reading background of this novel,then a number of explorations over the themes of this book have been conducted, from the most popular one feminism,psychological featuresto the philosophical elements^. Finally, critics shifted their concentration to the unique form or style applied by Lessing,for instance they analyzed the varied narrative techniques employed within ,the aesthetic value it displayed ,as well as its artistic nature generated by its messy it is worth mentioning that in 2006 Tapan has composed a specific collection of reviews on the Golden the study over this novel in foreign country has been quite fruitful and mature, the research in China is far lagging behind, most of them just emphasized the novel's multiplethemes such as feminism,eco-economic,psychology and modemism Thus more angels should be discovered by scholars at home, such as colonialism, religious and psychological exploration, and their research method should be more diversified,for instance,the potential inter-disciplinary study of this novel are waiting to be excavated, and seldomhave critics compared this masterpiece with other similar on Foucault's power theory, this thesis is going to explore how the female protagonist Anna in Doris Lessing's the Golden Notebook, the producer and victim of power,fought against her catastrophic life. Through a close reading of the text, this thesis aims at making a Foucanldian interpretation on Lessing's motivation behind portraying such a schizophrenic female personality, convincing the reader that power permeates every capillary of the society mainly by exerting influence on power relations between individual. Sinceeverything concerns with the functioning of power, be it tragedy or comedy, Anna's destiny cannot be an exception, instead of restraining from the one-way suppress from men,Foucault's power theory enables us to put the heroine into a larger, more diverse cultural or social background where individual's identity could be perceived with much more plurality or heterogeneity. Ultimately, given Anna's gender attributes, the application of Foucault's power theory to the analysis of heroine can shed light on how women could wittedly deal with their counterpart, strike a balance between freedom and restriction, and thus heading feminism into a more reasonable and rational , I want to talk about the structure and main contents of this author is going to divide this thesis into five chapters. The first chapter is a briefing about the research background of the Golden Notebook, which provides an overview on the fragmented content and complicated structure of this masterpiece. The second chapter is an introduction of the research status of this novel at home and abroad, at the same time,Foucault's power theory will be elaborated here as the theoretical framework. Chapter three concentrates on the text analysis of the female protagonist Anna's pursuit of the free woman identity, which will be conducted mainly from three perspectives, namely her political faith,marriage and love, as well we psychological status. Through asserting Foucault's power theory into the text analysis, we could get a clear view on how the heroine became the victim of the omnipresent power in contemporary social organizations, and also how individual resisted power via making explorations on the genealogy of the self. Chapter four gives two different interpretations of Anna's destiny, with each representing the common feminists'view and Foucault's version respectively. Via such comparison, the author attempts to find a correlation between Foucault's power theory and feminism, to tell in what ways Foucault'spower theory have modified parts of problems in current feminism, and how the formal convergent with the latter. The last chapter serves as a concluding part in which a summary of this thesis will be reached, and limitations as well as further implications will be point , I want to talk about the deficiency existing in this limitations of this thesis cannot be regarded as the challenge to the relevance of Foucaxxlt's theory to feminism; on the contrary, it tells that the value of applying Foucault'spower theory lies precisely in his invitation to feminists to remain highly critical about their previous prejudices as well as their future trends. In order to make full use of Foucault's power theory in modifying feminism, we have to dig out more convergences they share with each other. With the idea that knowledge and truth are partial ones serving as a start,Genealogy is then an excellent perspective for farther explorations on the Foucauldian and feminist you very much!

嗨~~我也在准备答辩的开场白和称述,烦心~~我们一起加油!!

哎 ··论文···

毕业论文对话范文

在全球化时代,随着国际交流日益增多,中国对高质量英语人才的要求也达到了前所未有的高度。英语教学在中国高等 教育 体系中占据着举足轻重的地位,也肩负着社会培养高质量人才的重任。下文是我为大家搜集整理的关于 毕业 英语论文 范文 大全的内容,欢迎大家阅读参考!毕业英语论文范文大全篇1 浅谈老水手的心理历程——《苦舟子咏》 读后感 [摘要]:《苦舟子咏》是英国19世纪湖畔派诗人柯勒律治的一首长诗。全诗是一个充满了奇幻之美的的航海 故事 。全诗探索人生的罪与罚问题,诗人把热爱宇宙的万物泛神论思想和____思想结合起来,宣传仁爱和基督____罪思想。诗中的水手的心理活动刻画得细致入微,水手杀掉信天翁表示他拒绝社会给他的礼物,他除掉了深爱自己并代表超自然的事物,也就除掉了对这个世界的感情,最后水手内心发生转变,以新的态度对待自然,为此他才得以解脱出来。 [关键词]:老水手;道德;内疚;痛苦;赎罪 Abstract: “The Rime of the Ancient Mariner” is one of Samuel Taylor Coleridge’s masterpieces. It is a long poem, telling a story in the form of ballads .The poem can be approached as a dream voyage to another realm, as a story of sin and expatiation, or as the quiet essential representation of the alienated isolated modern individual. 一、作者简介 塞缪尔·泰勒·柯尔律治(Samuel Taylor Coleridge)1772年10月21日生于英格兰西南部德文郡一个乡镇牧师的家庭。9岁丧父,被送往伦敦基督慈幼学校上学,熟读希腊、罗马文学。19岁入剑桥大学,与骚塞相识。当时两人都同情法国革命,但又都害怕革命暴力,于是设想去美洲建立乌托邦社会。计划失败后柯尔律治移居英格兰部西部湖区,致力于写诗,并与华兹华斯结成密友。他憎恶资本主义城市文明和冷酷的金钱关系,于是远离城市,隐居于昆布兰湖区,寄情山水或缅怀中世纪的宗法社会。他们创作出歌颂大自然的或美化宗法制农村生活方式的诗篇,以抵制丑恶的资本主义现实。因此被称为“湖畔派诗人”。1798年,两人合作出版著名的《抒情歌谣集》。同年他与华兹华斯兄妹到德国 留学 ,被康德的哲学和耶拿派的诗歌理论和创作所吸引。回国后继续居住于湖区,与华兹华斯保持往来。柯尔律治年青时代即患有风湿痛等多种疾病。为求镇痛他长期服食鸦片竟至上瘾,故健康大受损害。晚年他贫病交加,1834年7月25日逝世于海格特。柯尔律治的作品以真的细节描绘超自然的神秘事物,令人甘愿暂时不去考虑普通情理而信以为真,并在领略到一种怪异的美的同时获得教益或良知的觉醒。柯尔律治的创作实践和理论建设,不仅影响过他的同时代人,也影响了包括和他政治态度相左的拜伦、雪莱和济慈,而且,对于时至今日的诗歌艺术探索者,仍具有重要的借鉴价值。他在英国文学史上有重要地位,是浪漫主义思潮的重要代表。 二、《苦舟子咏》简介 《苦舟子咏》是柯尔律治唯一一部完整的长诗。这部长625行的叙事谣曲是一个神秘恐怖的浪漫故事:一名老水手对一个赴结婚宴的客人讲述了他自己的可怕的故事。客人想走开,赶快去赴宴,却为老水手眼中的特殊表情所吸引住,不得不站在那里把这个故事听完了。老水手和同伴们坐了一艘船出海去。一路上很平安。然后遇到了一阵暴风,暴风过后,这位水手却无端地射杀一只了航海者认为好运象征的信天翁。因此,厄运又降临了。船驶进静海中,那里没有风也没有浪;太阳如火如荼地照耀着。海水绿绿地满载着腐物。船停在那里不动,老水手被视为这次厄运的造因者。水手们都渴得要死去,仿佛有一只船要驶进救他们却又消失不见了。那是一只幻船,水手们一个个都死在甲板上,每个死者的眼光都注定在这位杀死信天翁的水手身上。全船的人,只有他没有死。后来,他对于自所做的恶罪觉得悔恨。于是天使们可怜他的悲苦,使死尸们站了起来,仍去做水手们的职务。他们开上了帆。虽然没有风,船却渐渐地移动。于是,这船一直驶到了老水手的故乡。一个领航者离了海岸,出来迎接。但在他到这船之前,它却突然地沉下了,留下了这位老水手在海波中与死神挣扎着。他被领航者所救。后来,他一想起那时受的言之不尽的痛苦,便不能忍。他的心在体内烧着,一直到了把这可怕的故事说了出来,方才觉得舒服。 三、分析老水手的心理历程 “自由、平等、博爱”是资产阶级道德重要规范。“自由、平等、博爱”的 口号 是资产阶级革命时期提出来的。它既是资产阶级的政治主张,又是资产阶级道德的重要内容。这一口号的提出不仅在政治上曾经起过推动历史进步的作用,而且在人类道德发展史上也是一个巨大的进步,因为它否定了人身依附关系,肯定了人身自由;否定了等级特权,肯定了人的平等;否定了把人不当人的非人道主义的博爱思想。一句话,肯定了人的尊严、价值以及个人对幸福的追求。所以,它对个性的张扬和自我意识的发展,对人们挣脱禁欲主义、蒙昧主义、等级主义的枷锁都起到了巨大的革命作用。 西方____的万物泛神论主张神无处不在,万物都是神的表象。这种主张认为:上帝就等于万事万物;任何个别事物就是上帝;世上的事物实际上都是虚无的。 在这两种思想的支配下,作者把信天翁认为是基督____徒。老水手无端地射死了信天翁,表示他拒绝社会给他的礼物,他除掉了深爱自己并代表超自然的事物,也就除掉了对这个世界的感情。老水手违反上天的指意,违反自然规律,射死了无辜的信天翁,必然要受到惩罚。于是,灾难来了:风停了,船无法前进,阳光酷热,水手们口干舌燥。这时候,有人指责老水手——“你怎敢放肆,将神鸟射死!是它引来了南风。”此时,老水手开始意识到自己行为的错误。于是,他开始不断地感到内疚。心理学认为,在道德情感系统中,羞耻感是其中的一个元素。毕达哥拉斯要求人们对自己言行进行反省以后,就应该在内心里对卑劣的行为感到羞耻、悲哀和恐惧;对善良行为感到欣喜。沙莆慈伯利认为,道德上的善恶主要取决于感情系统中的羞耻感。他说:“凡出自不公正的情感所作的,就是不义恶行和过失;如果情感公正、健全、良好,并且情感的内容有益于社会,而且还是以有益于社会方式施行,或有所感动,这就必定在任何行动中构成我们所说的公平和正直。”不义、恶行和过失将引起人们的羞耻感。羞耻感是个人的自我道德意识的一种表现,表示一个人对自己的行为、动机和道德品质的谴责时的内心体验。良心是羞耻感的的主要作用机制,常表现出焦虑、羞愧和内疚等情绪。道德焦虑是一种复合情绪。其中,痛苦和畏惧是主要构成“因子”。但它仅以避免外在处罚为目的,是低级形式的羞耻感,可又是羞耻感发生的基础。那么,羞耻感的真正作用是什么?是内疚,只有内疚才是高度的主体意识的产物,它激活潜在的思维和力量,专注与对过失的懊悔和追悔的行为,促进个体的心理成熟。如果个体内疚匮乏,那他将对道德不屑一顾,达不到“有羞知格”的认识。同时,羞耻感要以自尊为前提,一个没有自尊的人是不会知耻的,更不会自责。自尊体现了对自我社会话的切近,没有自尊的防卫,就不可能有自责的意识和行为的发生。老水手对自己的不道德行为知耻,惭愧和悔恨。老水手真是由于良心发现才深感自己行为的错误,于是惶惶终日,不断自责自己。 事态进一步发展,在他忏悔和祈祷下挂在脖子下的鸟掉下来了,但是同行的水手都因为缺水而一个个地死去,只有老水手一个人活着。这似乎是上帝对他的又一个惩罚。他一方面觉得自己的罪行深重,导致了其他水手的死亡——痛苦;另一方面在茫茫大海中,一条船上就他孤零零的一个人——恐惧。于是他的内心又经历了一场痛苦与恐惧的考验。良心是每个人自身内部的道德评析,是自己对自己行为道德价值的认识、认知、判断、态度、感情、体验、意向、意志、动机等一切心理反应活动。老水手不断对自己惊醒良心谴责。良心的基本因素是感情,感情是对需要的体验,是心理的动力因素。它一方面产生良心的认知因素,推动自己去判断自己行为的道德价值;另一方面则产生良心意志因素,推动自己做出改过迁善的选择。在行为过后,良心对行为的后果有影响和评价作用。对于履行了道德义务并产生了好后果的影响和行为,它便于进行自我谴责,使人感到内疚、惭愧和悔恨。这种自我谴责,往往能形成一种力量,促使人们改正自己的行为。 后来,老水手虔诚地祈求海蛇破开魔法,他才获救得以回家。人非圣贤,孰能无过?人生在生活中不免发生道德过失。道德反省就是通过对道德过失的追悔,从而激励人们采用新的道德行为去补救已经酿成的道德不幸,并且通过对道德过失的觉醒为将要开始的道德行为提供罗盘。道德反省的实质在于主体对自己已作的道德选择进行批判性的分析,是在主体已经体验到自己的道德行为存在着过失的情况下,从而进行的对自己内心的深刻 反思 。通过反思,要为今后的行为提供新的路线和方案,明白来者可追,逝者可补。在今后的行动过程中,要用千倍的补偿替代原有的损失;通过反思,主体对自我发展和自我需要与社会道德的系统会领悟得更加深刻。 故事的最后,老水手回到了家。于是出现了开篇的那一幕:他极力拉住去赴婚宴的人,让他们听他讲这个离奇的故事——他想寻找听众,承认自己的错误,说出自己的故事,解除内心的痛苦——赎罪。尽管老水手已经虔诚忏悔,但还是有种负罪感难以释怀,于是他渴望被人理解,宣泄出来以排除内心的痛苦。生活也是这样,当我们遇到困难、痛苦的时候,不要封闭自己,找一个忠实的听众,把自己的苦恼说给他听。这是一种释放压力的好 方法 。 总之,柯尔律治的这首诗歌以神秘、怪诞著称,其中的心理描写可谓是典范!诗歌探讨了罪与罚、善与恶,生与死等哲学问题,宣传了一切生物皆上帝听造的教义。但诗歌的真正价值并不在故事本身或它所包含的哲理上,而在以造型艺术的精确性和音乐的流动感为读者创造了一幅幅神奇的海洋画面:时而风平浪静,沉寂安宁;时而风暴骤起,一片喧嚣。在写作此诗时,柯尔律治并不熟悉大海,但他能凭借想象,使真实的情形与幻想的景象互相交织,把平凡的细节与诗意的象征融为一体,充分显示了瑰丽奇特的想象能力。在诗艺上,长诗将英国民歌的自由与古典文人诗的谨严冶于一炉,炼就出适合表达浪漫主义情绪的活泼自然的诗体,而长诗的音韵与节奏之美,也表现了诗人能让文字进行歌唱的本领。 [参考文献]: 《英美文学选读》 天津大学出版社出版 《英国文学简史》 河南人民出版社出版 《道德心理学》 中南大学出版社出版 毕业英语论文范文大全篇2 浅谈东西方数字九的 文化 对比分析与翻译 一、前言 "数是人类思维发展到一定阶段,为适应社会生产活动的需要,在符号的帮 助下产生的。"(苏金智,19 91)"数字是语言学中的一个特殊的领域。在科 学的数字世界里,它的功能是计算,秩序严谨,职司分明,是 实数;而在人类 心灵的数字世界中,它的功能是表义,许多数字经过“神化”后成为“玄数”、 “虚数”、“ 天数"。它们有着极其丰富的外延和内涵。"(王秉钦,1998) 由于受东西方文化传统、宗教信仰、语言崇拜、地理环境等方面的影响,数 字的神化存在着东西方的差异 ,但也存在着共性,有着共同的规律。在"数的 灵物崇拜"上各民族都有普通性。东方人有自己心目中的"天 数",而西方人 也有自己心目中的"神数"。神秘数字的演化规律一般经过"神化—泛化—虚 化"的过程。( 王秉钦,1998) 东西方已有不少有关数字科学的专著和论文, 如毕达哥拉斯(phythagoras) 学派的T·丹齐克的《数 科学语言》(商务印书馆,1998),英国人伦拉德·法 拉的《七的探源》;国内也有不少学者就数字写过著作 和论文,并开展过学术探 讨。如,王秉钦教授在其《语言与翻译新论》的中篇第六章就以"数的语义范围 比较 与翻译"为专题;苏金智曾写过《数的灵物崇拜》(载〈语言、社会、文化》 440页, 语文出版社,1991,1) 等。在1998 年南昌大学主办的"中国英汉语 比较研究会第二届年会暨第三次学术研讨会"上,英汉文化对比专 业委员会会 员曾就中南工业大学外语学院吴玲英老师的《中西文学中"以三为法”的文化模 式》展开了激烈的 讨论。本人认为东方人,尤其是中国人,自己心目中的天数 是"九"而不是"三",也并非完全是因为"九" 是"三"的倍数。 二、东西方数字"九"的文化对比分析 在我国,人们之所以把"九"看成是自己心目中的"天数"和最富有神奇色 彩的数字, 是因为"九" 这个数字的象征意义(symbolicmeaning),在我国可 以说历时最久,涉及面也最广。 "九"作为数不同于一 般数字,在中国古代被 认为是一种神秘的数字,它起初是龙形(或蛇形)图腾化之文字,继而演化出"神 圣" 之意,于是中国古代历代帝王为了表示自己神圣的权力为天赐神赋,便竭 力把自己同“九”联系在一起。如天 分九层,极言其高,天证/诞日为正月初 九,天子祭天一年九次。更有趣的是连皇宫建筑都与"九"有关。例 如,北京 城有九门,天安门城楼面阔九问,门上饰有九路钉(即每扇门的门钉纵横各九排)。 汉语词汇中也常 用"九"来形容帝王将相的称谓,如"九五之尊"(imperial throne);称官位仅次于皇帝的王爷为"九千岁 "等。 根据阴阳五行与数的关系,万物之根均为数,宇宙也是数。数始于1而终于 10,五行也是数,按传统的五行 理论来划分,则1、2为木:1为阳木,2为阴 木。以3、4为火:3为阳火,4为阴火。以5、6为土:5为阳土,6为 阴土。 以7、8为金:7为阳金,8为阴金。以9、10为水:9 为阳水,10为阴水。这 就是将"象"、"数"与五行 结合起来推演变化,用以显示事物发展变化的内 在联系。由此看来,"九"是最大的阳数,象征着天。 传说 古 代中国人把天分 为九层,九层天是天的最高处,汉语中有关词汇有"九重霄"(指极高的天空, "九霄云外" ,"九天揽月","九天九地"等。另外,天坛,这个明清两代 祭天的场所,其建筑无处不体现着“九”的象 征意义。 民间传说中还有"九头 鸟"(nine-headed bird: a fabulous bird whose appearance was f ormerlyregarded as a bad omcn)的故事。 中国人以"九"为大数,刘师培在《古书疑义举例补》一书中写道:"凡数 指其极者,皆得称之为'九' ;"《素问》中说:"天地之数,始于一,终于 九。"因此,汉语中有"九九归一"或"九九归原"之说。因 从"九"为数之 极而引出人生之限,故"明九"或"暗九"均为人生之"坎",避讳有“九”之 岁。例如:“ 老太太因明年八十一岁,是个暗九。"(《红楼梦》)。日本人一般 认为"九"是"苦命和痛苦"的象征,因 为"九"与"苦"同音,因此忌讳 "九"。然而,《外语与外语教学》曾报道过国内一位学者曾为考证这一点 ,采 用"全选法"将日本某地电话号码其中的几千个姓和名分别进行统计,结果发现 将"九"作为姓的只占极 少数(约占),而将"九"作为名的却不少(约 占35%)。看来,日本人忌讳"九"也并非绝对。 此外,《词源》中说:"九:虚指多数。""九"作虚数解时,是数的一种 语义模糊现象。《现代汉语词 典》中,"九"的意思有三个:(1)数目,八加一 后所得;(2)从 冬至 起每九天是一个"九",从一"九" 数起,二"九"、三 "九",一直数到九"九"为止。冬练三九,夏练三伏;(3)表示多数或多次: 九泉,三 弯九转等。因此, 汉语中有不少和"九"有关的 成语 。如:"九牛一 毛"、"九死一生"、"九牛二虎之力" 、"九流宾客"等等。 在我国,数字"九"涉及面在所有数字中最广。含有数字"九"的词汇也十 分丰富。如,"九州"是指传 说中的我国上古行政区划,后用作"中国"的代 称。因此,有的全国性的电视节目就取名为“九州方圆”;“ 九族"(the nine degrees of kindred: either thenine generations from one's great-great-gr andfather down toone's great-great-grandson;or four generations of one'spatemal relations, three generations of one's matemalrelations, and two generations of noe's wife's relatio ns),古代有一种残酷的刑法叫"诛灭九族";古代传说 "龙生九子,各有所好"。因此,《红楼梦》第九回 中用"一龙生九种,种种各 别"来比喻贾氏家族族大人多,龙蛇混杂,好坏不一,各种各样的人都有。还有 " 九龙杯"等。此外,在文娱、体育等词汇中,数字"九"也比比皆是。如, 许多歌名都以"九"开头:"九妹 "、"九九艳阳天"、"九百九十九朵玫瑰" 等;乐器中也有"九音锣";在体育活动中,"九柱戏"(nine pins),兵器中 有"九节鞭"[但这与西方文化中的"九尾鞭”(cat-o '-nine- tails: an instrurnent of punishment so calledfrom the nine pieces of leather or cord which compose it)意义不大一样]。 地名中也有一些以"九"开头的,如"九 寨沟"、"九华山"、"九江"和"九龙"等。此外,中国人常把" 九"看成 为吉祥数字之一。在申请电话号码时,人们宁愿多出 钱去买一个尾数为"8"或 "9"的吉祥号码。比 如,湖南有线电视台的"欢乐热线"号码为"16899919"。 在西方,数字"九"也是人们心目中的"神数"之一。对西方人来说, "九"的象征意义是"神性"、 "神圣之至"。 英语权威字典Webster's Ninth New Collegiate Dictionary and Webster's ThirdIntema tional Dictionary 中 对"九"所解释的意义比《现代汉语词典》所解释的意义还多,分别有: 1)one more than eight, three threes, the square of three;2) nine units of objects (a tota l of nine) ; 3) a: thenumerable quantity symbolized by the arabic numeral 9; b: thefigure 9 ; 4) nine o'clock——compared Bell table, timeillustration; 5) the ninth size in a set series: as a; aplaying team of nine members, baseball team; b:the firstor last 9 hol es of an 18-hole golf course…。 其中收入与"九"有关词语和成语多达近二十条。常用的有: a nine-day's wonder (an object or event that creates ashort-lived sensation) ____Those political expositions…that make a nine day'snine wonder till something fresh c omes alone——Mary Deasy. nine times out of ten(very often) be dressed up to the nines(elaborately dressed, as for aformal occasion) ____She dressed herself up to the nines and went to theparty. in the nineholes:in the difficult situation nine-men's morris: morris played with nine counters A cat has nine lives: A cat can move so fast and jump sowell that he seems to escape being killed many times. 从以上的解释还可以发现一个规律:数字"九"及其倍数在西方也被广泛运 用于文娱和体育活动中。如, 保龄球(bowling )中的瓶状木柱数(ninepins) 为"九"; 高尔夫球 球场有一十八个洞:跳子棋的棋板上各 方均为九个孔; 古 时英国还有一种九个男人一起跳的舞蹈(morrisdance)等。由此看来,数字"九" 也倍 受西方人的青睐。 总之,在东西方文化中,数字"九"含有以下主要共性: 1)东西方大多数人把数字"九"看成神秘的数字, 其象征意义均有"神 圣"之意。 2)在东西方文化中,数字"九"均可虚指多数。 3)数字"九"被广泛运用于文体项目中。 数字“九”在东西方文化中的个性恐怕主要在于:对中国人来说,其神奇色 彩要比西方人更浓;其象征意 义的历史在东方文化中比西方文化中更悠久;其 涉及面在东方文化中比西方文化中更广泛。 三、数字"九"的翻译问题 罗马西塞罗说过:"翻译不是字当句对,而是保留语言的总风格和力 量。""按分量而不是按数量译词" 。此处所说的数字是指经过神化、泛化、 虚化了的"虚数","实数"的翻译不在此例。根据这一理论,结合 东西方文 化的共性与个性,可采用如下的翻译方法,并遵循以下的翻译原则。 可采取的翻译方法主要有: (一)保留原数字 . We thought our cat would be killed when he fell fromthe roof of the house. He was not, he used up one of his ninelives. 我们以为我们的猫从屋顶掉下来会死了,它并没死,只失掉九条命中的一条。 这样翻译过来,人们很容易接受,因为人们已熟悉"猫有九命"这个成语, 并能够促进东西方文化的融合 。 (二)转换成各民族喜爱的数字 out of ten——十之八九 nine days' wonder———可翻译为"昙花一现", 这样翻译可以加深对奈 达的"对等"和纽马克的"转 换"翻译理论的理解。 (三)增舍数字 比如,"九死一生"可翻译成"a narrow escape from death;survival after many hazards";又如 ,"九九归一,还是他说的话对。"可翻译成"All things considered,what he says is right."其译文均 舍弃了数字,转译其 形象意义。 应遵循的原则主要有: (一)民族性原则 比如,汉语中的"费了九牛二虎之力",《汉英词典》(外研社,1996)的译 文有三个:"strain onese lf to the limit; use everyounce of one's strength; make herculean efforts"。笔者认为第二种译文 "use every ounce of one's strength "更符合"民族性原则”,成功地将东方文化中该成语的比喻意义转 化成了西方文化语言中的形象意义。 (二)习语性原则 比如:"匡超人此时恍若亲见瑶宫仙子,月下嫦娥,那魂灵都飘到九霄云外 去了。"(《儒林外史》), 其译文为"Kuang felt that he was gazing at a goddess and his spirit had flown to heaven."这种译 文因遵循了"习语性原则", 充分地体现了人类交际行为的一个最根本原则——语言——符号的经济原则。 (三)形象性原则 数字用于模糊意义时,一般都失去了其数量意义而具有形象意义。翻译时, 必须越出其理性意义而捕捉其 与 其它 的词结合后所产生的形象意义。 比如:"飞流直下三千尽,疑是银河落九天(李白)。"此句诗中的"九天" 的形象意义为"极高的天空 ",因此,可翻译成"Down itcascades a sheer three thousand feet—As if the Silver River [. the Milky. Way]were falling from heaven!"猜你喜欢: 1. 毕业英语论文范文 2. 英美文学毕业论文优秀范文 3. 商务英语专业毕业论文范文 4. 大学英语毕业论文范文 5. 英语专业论文范文 6. 本科英语专业论文范文

致谢类言语交际是在一定的条件下,致谢者选择特定的话语形式实现“表达感谢”的过程。下文是我为大家整理的 毕业 论文中的致谢 范文 ,仅供参考。

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毕业论文中的致谢范文一:

通过这三个月来的忙碌和学习,本次毕业论文设计已接近尾声,作为一个大专生的毕业设计,由于 经验 的匮乏,难免有许多考虑不周全的地方,在这里衷心感谢指导老师的督促指导,以及一起学习的同学们的支持,让我按时完成了这次毕业设计。

在毕业论文设计过程中,我遇到了许许多多的困难。在此我要感谢我的指导老师___老师给我悉心的帮助和对我耐心而细致的指导,我的毕业论文较为复杂烦琐,但是___老师仍然细心地纠正图中的错误。

除了敬佩___老师的专业水平以外,他的治学严谨和科学研究的精神也是我永远学习的榜样,并将积极影响我今后的学习和工作,我才得以解决毕业设计中遇到的种.种问题。

同时感谢我院、系领导对我们的教导和关注;感谢大学三年传授我们专业知识的所有老师。他们是___、___、___、___、___……谢谢你们呕心沥血的教导。还有谢谢我周围的同窗朋友,他们给了我无数的关心和鼓励,也让我的大学生活充满了温暖和欢乐。如果没有他们的帮助,此次毕业论文的完成将变得困难。他们在我设计中给了我许多宝贵的意见和建议。

同时也要感谢自己遇到困难的时候没有一蹶不振,取而代之的是找到了最好的 方法 来解决问题。最后,感谢生我养我的父母。谢谢他们给了我无私的爱,为我求学所付出的巨大牺牲和努力。

毕业论文中的致谢范文二:

感谢我的导师___ 教授,他们严谨细致、一丝不苟的作风一直是我工作、学习中的榜样;他们循循善诱的教导和不拘一格的思路给予我无尽的启迪。

感谢我的小白老师,这片论文的每个实验细节和每个数据,都离不开你的细心指导。而你开朗的个性和宽容的态度,帮助我能够很快的融入我们这个新的实验室

感谢我的室友们,从遥远的家来到这个陌生的城市里,是你们和我共同维系着彼此之间兄弟般的感情,维系着寝室那份家的融洽。四年了,仿佛就在昨天。四年里,我们没有红过脸,没有吵过嘴,没有发生上大学前所担心的任何不开心的事情。只是今后大家就难得再聚在一起吃每年 元旦 那顿饭了吧,没关系,各奔前程,大家珍重。但愿远赴米国的C平平安安,留守复旦的D,E&F快快乐乐,挥师北上的G顺顺利利,也愿离开我们寝室的H&I开开心心。我们在一起的日子,我会记一辈子的。

感谢我的爸爸妈妈,焉得谖草,言树之背,养育之恩,无以回报,你们永远健康快乐是我最大的心愿。

在论文即将完成之际,我的心情无法平静,从开始进入课题到论文的顺利完成,有多少可敬的师长、同学、朋友给了我无言的帮助,在这里请接受我诚挚的谢意!

毕业论文中的致谢范文三:

本研究及学位论文是在我的导师郑建立副教授的亲切关怀和悉心指导下完成的。他严肃的科学态度,严谨的治学精神,精益求精的工作作风,深深地感染和激励着我。从课题的选择到项目的最终完成,郑老师都始终给予我细心的指导和不懈的支持。两年多来,郑教授不仅在学业上给我以精心指导,同时还在思想、生活上给我以无微不至的关怀,在此谨向郑老师致以诚挚的谢意和崇高的敬意。

在此,我还要感谢在一起愉快的度过研究生生活的电工楼105各位同门,正是由于你们的帮助和支持,我才能克服一个一个的困难和疑惑,直至本文的顺利完成。特别感谢我的师妹叶秋香同学,她对本课题做了不少工作,给予我不少的帮助。

在论文即将完成之际,我的心情无法平静,从开始进入课题到论文的顺利完成,有多少可敬的师长、同学、朋友给了我无言的帮助,在这里请接受我诚挚的谢意!最后我还要感谢培养我长大含辛茹苦的父母,谢谢你们!

毕业论文中的致谢范文四

值此本科学位论文完成之际,首先要感谢我的导师___老师。_老师从一开始的论文方向的选定,到最后的整篇文论的完成,都非常耐心的对我进行指导。给我提供了大量数据资料和建议,告诉我应该注意的细节问题,细心的给我指出错误。他对分时电价领域的专业研究和对该课题深刻的见解,使我受益匪浅。_老师诲人不倦的工作作风,一丝不苟的工作态度,严肃认真的治学风格给我留下深刻的影响,值得我永远学习。在此,谨向导师___老师致以崇高的敬意和衷心的感谢!

毕业论文中的致谢范文五

在本论文的写作过程中,我的导师___老师倾注了大量的心血,从选题到开题 报告 ,从写作提纲,到一遍又一遍地指出每稿中的具体问题,严格把关,循循善诱,在此我表示衷心感谢。同时我还要感谢在我学习期间给我极大关心和支持的各位老师以及关心我的同学和朋友。

写作毕业论文是一次再系统学习的过程,毕业论文的完成,同样也意味着新的学习生活的开始。

从论文选题到搜集资料,从写稿到反复修改,期间经历了喜悦、聒噪、痛苦和彷徨,在写作论文的过程中心情是如此复杂。如今,伴随着这篇毕业论文的最终成稿,复杂的心情烟消云散,自己甚至还有一点成就感。那种感觉就宛如在一场盛大的颁奖晚会上,我在晚会现场看着其他人一个接着一个上台领奖,自己却始终未能被念到名字,经过了很长很长的时间后,终于有位嘉宾高喊我的大名,这时我忘记了先前漫长的无聊的等待时间,欣喜万分地走向舞台,然后迫不及待地开始抒发自己的心情,发表自己的感想。这篇毕业论文的就是我的舞台,以下的言语便是有点成就感后在舞台上发表的发自肺腑的诚挚谢意与感想:

毕业论文中的致谢范文六

我要感谢,非常感谢我的导师许静老师。她为人随和热情,治学严谨细心。在闲聊中她总是能像知心朋友一样鼓励你,在论文的写作和措辞等方面她也总会以“专业标准”严格要求你,从选题、定题开始,一直到最后论文的反复修改、润色,许老师始终认真负责地给予我深刻而细致地指导,帮助我开拓研究思路,精心点拨、热忱鼓励。正是许老师的无私帮助与热忱鼓励,我的毕业论文才能够得以顺利完成,谢谢许老师。

我要感谢,非常感谢邱铮学长。正在撰写硕士研究生毕业论文的他,在百忙之中抽出时间帮助我搜集文献资料,帮助我理清论文写作思路,对我的论文提出了诸多宝贵的意见和建议。对学长的帮助表示真挚的感谢。

我要感谢,非常感谢__学弟们。他们为我提供了写作论文的重要工具——电脑。甚至为了让我方便进出他们的寝室专门为我配备了一把钥匙,而且四台电脑的密码也都一一告知于我,任我选用,让很非常感动。对学弟们的支持和帮助表示万分感谢。

毕业论文中的致谢范文七

大学生活一晃而过,回首走过的岁月,心中倍感充实,当我写完这篇毕业论文的时候,有一种如释重负的感觉,感慨良多。

首先诚挚的感谢我的论文指导老师__老师。她在忙碌的教学工作中挤出时间来审查、修改我的论文。还有教过我的所有老师们,你们严谨细致、一丝不苟的作风一直是我工作、学习中的榜样;他们循循善诱的教导和不拘一格的思路给予我无尽的启迪。

感谢四年中陪伴在我身边的同学、朋友,感谢他们为我提出的有益的建议和意见,有了他们的支持、鼓励和帮助,我才能充实的度过了四年的学习生活。

本论文是在导师__教授和__研究员的悉心指导下完成的。导师渊博的专业知识,严谨的治学态度,精益求精的工作作风,诲人不倦的高尚师德,严以律己、宽以待人的崇高风范,朴实无华、平易近人的人格魅力对我影响深远。

不仅使我树立了远大的学术目标、掌握了基本的研究方法,还使我明白了许多待人接物与为人处世的道理。本论文从选题到完成,每一步都是在导师的指导下完成的,倾注了导师大量的心血。在此,谨向导师表示崇高的敬意和衷心的感谢!

本论文的顺利完成,离不开各位老师、同学和朋友的关心和帮助。在此感谢岳保珍高工、张曾教授、李兵云老师、何婉芬老师的指导和帮助;感谢重点实验室的等老师的指导和帮助;感谢福建农林大学谢拥群教授、陈礼辉教授、黄六莲高工的关心、支持和帮助,在此表示深深的感谢。没有他们的帮助和支持是没有办法完成我的博士学位论文的,同窗之间的友谊永远长存。

毕业论文中的致谢范文八

金陵的夏总是聒噪的,无论粗壮的法国梧桐上早起的鸣蝉,抑或宿舍区楼下卖炒饭摊子常年旺着的的灶火,更不必提及一张嘴就仿佛已然在吵架的热闹的南京腔。这座城,从未给过我任何江南女子娇小温婉的感觉。可这终究是收获的日子,在感伤毕业离别的同时,必须要留下时间,让心灵沉静下来,回味和 总结 我的四年,我们的四年。

我素来承认自己是一个笨瓜,至少在做学问这件事上,是的。从结构力学到工程结构设计原理,从建筑结构设计到土 木工 程施工,从建筑规范到标准图集,我大学四年的学习,用“举步维艰,如履薄冰”来形容,真的再恰当不过了。也正是如此,考验综合知识运用的完整的毕业设计,着实让我付出了很多心血,也给我的导师李金根先生和身边各位同学带来了许多的麻烦和问题。因此,我首先要表达对我尊重的导师李金根先生和所有我身边帮助过我的老师、学长、同学们的感激。谢谢你们总是很耐心的解答我大大小小的众多问题。对于李金根老师的感激,更因为他一年来对我学习能力的培养、对我严谨 思维方式 的引导,李老师对完美的孜孜不倦追求的态度,感动了我,也感染了我。追求的态度,学术,亦生活。若我经过四年的沉淀,仍如freshmen样,仅仅将大学的收获定义为知识的吸纳,那我就真成了一个彻头彻尾的笨瓜。象牙塔是这样一个地方,它可能没有教会我所有的知识,却教会了我如何用工学特有的严谨思考问题,教会我工程人豁达的生活哲学,教会了我追求自己的追求,教会了我宽容和尊重。所谓人才,即“人”与“才”的集大成者,无“人”,亦无“才”可谈。因此在这里,我要表达一份对最初天性的感激——感激我的父亲___先生,母亲___女士,谢谢你们赐予我最宝贵的四份礼物:珍贵的生命、接受早期 教育 的机会、从小教育我如何做一个正直热血之人,并且一直支持我的学业和生活;我还要感谢我的干爸___先生、___先生,干妈___女士、___女士,谢谢你们四年来对我视如己出的关心、照料、帮助和教导,谢谢你们教会了我更为乐观、豁达的面对生活,谢谢你们教会了我怀揣感激;我更要感谢另一位我最喜欢的老师——单建先生和夫人黄女士,能与单建老师和黄阿姨坐在一起探讨诗歌、分享人生的阅历,是我大学生活重要的组成部分。

当然,我还要感激生命。汶川地震的发生,让我更加珍视我的生命,和我拥有的一切。在慨叹“活着真好”的同时,我无法回避的开始重新思考生活的意义、求知的意义,和作为一名土建工程师的责任。希望我的学识和努力,可以在未来的日子中带给社会一些有益的贡献,可以让我的祖国更加强大更加美好。

闭上眼,我感觉自己仿若置身百年东大蓝汪汪的喷水池前,在树荫的遮蔽下,一步步的向校门迈进。脑中的校门胜似天安门广场的雄伟、庄严,脑中的自己如即将踏上征途的战士般沉重、不舍。转过身,回望远处蓝穹顶的大礼堂,东南大学的浑然气魄尽收眼底。这回眸,宛若我的毕业设计,我的思考,和我的致辞。

故此,我称这份毕业设计为,一次深刻的转身,一次华丽的工程思考。

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