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The innovative application of Miao embroidery in modern clothing design in Guizhou Province Summary:Guizhou Miao embroidery is one of the intangible cultural heritage in the world. It is a wonderful flower in the history of Chinese embroidery and has a unique artistic charm. Miao embroidery is a cultural product created by the people of Miao nationality who exert their wisdom and diligence in the life of nature. It is the carrier of Miao culture. The application of Miao embroidery innovation in Guizhou in modern clothing design is beneficial to the establishment of unique artistic style of modern clothing, the integration of traditional technology and modern design, and the inheritance and development of traditional words:Guizhou Miao Embroidery; modern clothing design; innovative application IntroductionMiao embroidery in Guizhou Province is wonderful, but with the development of the times, Miao embroidery skills gradually decline, is facing the challenge of metamorphosis and regeneration. Designers in the new era should shoulder the responsibility of inheriting and developing the Miao embroidery techniques. The Miao embroidery is a source of inspiration for modern fashion design because of its rich and varied shapes, colors and techniques[1].In the new era, how to apply the innovation of Guizhou Miao embroidery to modern clothing design, how to inherit and innovate, how to collide traditional techniques with modern design to create new sparks, and how to make Miao embroidery glow with new vitality, etc. , it is worthy of our deep thought and study. 1. Main characteristics and distribution of Miao embroidery in GuizhouMiao embroidery in Guizhou is very particular. Different needlework methods should be considered according to the expression of different objects and artistic effects. Some needlework, some needlework, some needlework, and some needlework involve thread winding, weaving and knotting each other. Guizhou Miao embroidery mainly flat embroidery, lock embroidery, braids embroidery, seed embroidery, plate embroidery, broken thread embroidery, tin embroidery and so on, embroidery design texture rich three-dimensional sense. There are many branches of Miao ethnic group in Guizhou, and different regions have different representative types of embroidery: the most common flat embroidery, mainly distributed in southeast Guizhou Taijiang, Shidong, Rongjiang and Danzhai County. Flat embroidery single needle single thread, pay attention to even and even stitch. CREPE and braid embroidery are mainly distributed in Xi River and Leishan. It is one of the most unique traditional embroideries. The craft is complicated, first the silk thread weaves the small plait, with the traditional pattern pastes the cloth as the bottom, the small plait sews on the pattern, each sews a stitch to fold, causes the small plait drape three-dimensional, like the relief. Dazi embroidery is mainly distributed in Taijiang, Dazi is to wire around a few times and then insert the base cloth to play a knot in one heart, a Zhang Sengyou effect. Broken thread embroidery, mainly distributed in Taijiang, is a very special embroidery method in flat embroidery. Broken thread embroidery divides ordinary silk thread into 8 to 12 strands of fine thread, and then uses fine threads to make flat embroidery. It is exquisite, exquisite and luxurious. It is a fine work in Miao embroidery. Tin Embroidery is distributed in Jianhe. The Intelligent Miao people cut tin foil into thread and embroider it on cloth. The geometric pattern is the most fashionable style of embroidery[2].Miao embroidery in Guizhou Province is rich and colorful, with distinctive features, which congeals the national spirit and historical and cultural connotation of Guizhou. 2. Development Status of Miao embroidery in Guizhou ProvinceWith the development of social economy, there are fewer and fewer young people learning embroidery skills[3].Miao embroidery process innovation and age is proportional to the younger generation of the Miao is the carrier of process inheritance, lack of innovation will lead to Miao embroidery culture and environmental adaptability[4].The lack of innovation ability has become a big problem in the development of Miao embroidery Guizhou has unique tourism resources. In recent years, the rapid development of Guizhou tourism industry has led to the development of tourism products, and the design of tourism products with Guizhou characteristics has become a hot spot, including the development of Guizhou Miao embroidery tourism products with Guizhou characteristics, for example has the Miao nationality embroidery clothing, the bag, the small ornament and so on. Since 2015, the international ethnic and folk cultural tourism products fair of Guizhou has been held, fully displaying the colorful and varied forms of Guizhou, displaying ingenious ethnic cultural products and unique ethnic cultures, to promote the protection, inheritance and scientific and reasonable industrial transformation of national folk arts and crafts, so as to promote Guizhou mass entrepreneurship and innovation, further enhance cultural self-confidence, and enhance the soft power of culture. The opening of the fair has brought a new opportunity for the innovation and development of Miao embroidery in Guizhou. 3. The application of Miao embroidery in costume design in Guizhou application of Miao embroidery in traditional dress in Guizhou ProvinceMiao embroidery is not bound by natural form, pay attention to emotional expression screen, rich in strong artistic appeal. Abstract methods are widely used in the modeling of Traditional Miao costumes. The image of virtual animals and plants of the Miao people in Guizhou Province means that in the long course of history, the Miao people have naturally transcended the process of imitating reality in the face of various external circumstances, the abstract form of the object in the Miao embroidery to provide a broad space for its the traditional costumes, the Miao people in Guizhou have rich and colorful embroidery colors and techniques, which are full of the unique artistic language of the Miao Culture. In traditional costumes, Miao embroidery uses unique embroidery techniques to decorate costumes, which are often decorated on the body, placket, collar, cuffs and Hem of traditional costumes, the texture effect in the decoration increases the layering, massiness and artistic sense of the dress. Women dress up, complex exquisite needle will focus on the collar, cuffs and other parts, highlighting the focus of clothing, and ensure the harmony and unity of clothing and accessories[5]. application of Miao embroidery in modern clothing designThe modern clothing design uses the Miao nationality traditional color matching method for reference, the decorative color mainly gives priority to the bright color, forms the intense contrast color. Highlight the decorative patterns of clothing, traditional Miao costumes into modern clothing. In the modern clothing design, the traditional national cultural elements are increasing, the unique style of Guizhou Miao embroidery has created the traditional significance modern fashion works in the international modern clothing design application[6].In 2009, the famous domestic designer Lin Xuefei designed the evening dress with the Miao nationality characteristic by the tin embroidery element, and displayed it at the European wedding dress conference, which caused a great sensation overseas. Miaos'clothing elements are widely used in modern fashion design in European and American fashion shows. Modern women underwear design is often used embroidery techniques, highlighting the Miao embroidery close to the heart, showing the feminine soft and sexy[7].

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1.非物质文化遗产在旅游业中的有形化利用研究 【英文题名】 The Study of Tangiblized Use of Intangible Cultural Heritage in Tourism 【作者中文名】 罗春培; 【导师】 崔凤军; 【学位授予单位】 浙江工商大学; 【学科专业名称】 旅游管理 【学位年度】 2007 【论文级别】 硕士 【网络出版投稿人】 浙江工商大学 【网络出版投稿时间】 2007-10-30 【关键词】 非物质文化遗产; 旅游业; 有形化利用; 模式; 【英文关键词】 intangible cultural heritage; tourism industry; tangiblized use; method; 【中文摘要】 随着联合国教科文组织致力于构筑世界遗产的完整体系，将非物质文化遗产纳入世界遗产的范畴，非物质文化遗产越来越成为实践中的一个热点问题。非物质文化遗产具有重要的旅游利用价值，而旅游业对非物质文化遗产的贡献也是有目共睹的。鉴于非物质文化遗产的无形性和非物质性，其保护和利用要比物质文化遗产更为困难，然而一旦被利用得好将会更加出彩。旅游业中非物质文化和物质文化的结合利用是一大亮点，无论缺少哪一方面都会使人觉得很单薄。如何利用好非物质文化遗产是一个重要的课题。 本文以非物质文化遗产在旅游业中的有形化利用为对象展开系统研究。虽然学界已有非物质文化遗产有形化的提法，但在此方面的系统... 2.浙江非物质文化遗产保护与旅游开发刍议 【作者中文名】 伍鹏; 【作者单位】 宁波大学文学院 浙江宁波; 【文献出处】 时代经贸(下旬刊), Economic & Trade Update, 编辑部邮箱 2008年 02期 期刊荣誉：ASPT来源刊 CJFD收录刊 【关键词】 浙江; 非物质文化遗产; 保护; 旅游开发; 互动; 【摘要】 如能正确处理好旅游开发和文化保护之间的关系,非物质文化遗产保护与旅游业发展可以实现良性互动。浙江非物质文化遗产丰富,将口头传统、民间艺术、民俗和餐饮老字号等非物质文化遗产丰富保护和发展与旅游开发互动,是提升浙江旅游业的核心竞争力的有效途径。 下载下来了，但是没法传到这。你hi百度我吧。我传你。