油画专业毕业论文译文翻译

In traditional Chinese painting, the artistic conception belongs to aesthetic category, it is both the sentiments and expressions of painter's own feelings to the objective existence of things, and a true reflection, intertwined to form between the fusion bring the viewer into the imagination fully. Landscape painting as a kind of smuggled in from the west culture, has been faced with how to China's rich traditional culture and aesthetic organic problem. Artistic conception is the painter's subjective emotion and objective things reappear blend mutually to form a artistic state, is the materialization of mind, is the feeling of things at the same time, the content and context interweave, heart, so, the success of artistic expression, is an important factor of success of a painting. Artistic conception is the soul of art, it is depicted in the works of objective image and the painter's thought a natural blend of emotion, is the artist's mind, culture, temperament and feelings a natural outpouring of the world, is the result of mood and condition. "Poetry is recorded in the painting, painting is silent poetry", Chinese oil painting landscape painter after several generations of artists of hard exploration, the deep research in western classical landscape painting and modern thinking also for reviewing China's traditional culture, the shimmering in to find their own value, from form to content in subjective dynamic, anew know natural focus on painting, bluntly, pay attention to the artistic conceptions of images, finally achieve the fusion of Chinese and western art realm -- the Chinese oil painting landscape painter's ultimate goal in one hundred.

In traditional Chinese painting, the artistic conception belongs toaesthetic category, it is both the sentiments and expressions of painter's ownfeelings to the objective existence of things, and a true reflection,intertwined to form between the fusion bring the viewer into the imaginationfully. Landscape painting as a kind of smuggled in from the west culture, hasbeen faced with how to China's rich traditional culture and aesthetic organicproblem. Artistic conception is the painter's subjective emotion and objectivethings reappear blend mutually to form a artistic state, is the materializationof mind, is the feeling of things at the same time, the content and contextinterweave, heart, so, the success of artistic expression, is an importantfactor of success of a painting. Artistic conception is the soul of art, it is depicted in the worksof objective image and the painter's thought a natural blend of emotion, is theartist's mind, culture, temperament and feelings a natural outpouring of theworld, is the result of mood and condition. "Poetry is recorded in the painting,painting is silent poetry", Chinese oil painting landscape painter after severalgenerations of artists of hard exploration, the deep research in westernclassical landscape painting and modern thinking also for reviewing China'straditional culture, the shimmering in to find their own value, from form tocontent in subjective dynamic, anew know natural focus on painting, bluntly, payattention to the artistic conceptions of images, finally achieve the fusion ofChinese and western art realm -- the Chinese oil painting landscape painter's ultimate goal in one the traditional Chinese painting, artistic conception belongs to aesthetic category, it is the artist's own emotional expression and expression is the reproduction of the existence and reflect, mutually intertwined and fusion of the viewer into full of imagination. Landscape painting as a kind of from the western culture, has been faced with how will China's rich traditional culture and aesthetic taste into the organic. Artistic conception is the painter's subjective emotion and the objective things and the formation of the reproduction of blending art realm, materialization is the soul, is also the feeling of things, so the context interleaving, unity of mind and matter, artistic expression, and the success, is an important factor to influence the success or failure of a painting. Artistic conception is the soul of art, is a natural blend of objective things and the artist depicted the thoughts and feelings, is the artist's mind, self-cultivation, temperament and inner emotional world of a natural revelation, is the crystallization of affection and condition. "Poetry is a speaking picture, painting is silent poetry", Chinese landscape painters through hard exploration of several generations of artists, the western classical landscape and modernist painting in-depth research on traditional Chinese culture is to re-examine, find their love in value from it, from form to content in the subjective initiative, from new understanding of natural focus on painting, straight from the heart, to create the artistic conception, finally achieve the fusion of Chinese and Western art realm -- this is the ultimate goal of hundred years Chinese landscape painters.

好不容易上完四年大学，最后写论文了还得让别人写！~唉......自己反省吧

在中国传统绘画中，意境属于美学范畴，它既是画家自身情感的抒发和表达 又是对客观存在事物的再现和真实反映，两者之间相互交织形成的融合物把欣赏者带入充分想象的空间。风景油画作为一种从西方舶来的文化，一直面临着怎样将中国丰厚的传统文化与审美情趣有机融入的问题。意境是画家主观情感和客观事物再现相互交融而形成的艺术境界，既是心灵的物化，同时又是事物的情化，情境交织、心物合一，所以，意境表现的成功与否，是关系到一幅油画成败的重要因素。In Chinese traditional painting, artistic conception belong to the category of aesthetics. It is the showing and expression of an artist's own emotions. Also the true reflections and re-productions to the objective existence of all matters and things. The fusion of interconnected creation between the two that brings the viewers into the space full of imagination. As one of the cultures copied from the West, landscape oil painting has since always facing with a question of how to integrate our Chinese rich traditional culture with the organic aesthetics. Artistic conception is the subjective sentiment of an artist, which integrate with the re-productions of the objective matters and things leading to the creation of the state of arts. They are the materialized spirits and at the same time, also the emotion of matters and things, a combination of emotion and boundary, a unity of mind and things. Therefore, whether the expression of artistic conception is a success or not, it would affect the important key factors of an oil painting's success or failure. 意境是艺术的灵魂，是将作品中所描绘的客观物象与画家的思想情感的一种天然的交融，是画家的胸怀、修养、气质及内心情感世界的一种自然的流露，是情与境的结晶。“诗是有声的画，画是无声的诗”，中国油画风景画家经历几代艺术家的艰苦探索，对西方古典风景和现代派绘画深入研究思考亦对于中国传统文化重新审视，从中找回自身的灿在价值，从形式到内容处于主观能动之中，从新认识自然注重写生，直抒胸臆，注重画面意境的营造，最终达到中西融合的艺术境界——这是中国油画风景画家的百年终极目标。因为 太晚了，只能翻译一半，下一半要明早再继续，请耐心稍等吧。楼主可否给我一个评价，对上半部我翻译满意不满意，若到时你亲并不满意或没有你的回馈，则我就没有继续的必要了。另外，因为我居於英国，有很大的时差，这里的上午即是中国的下午2时後，谢谢你。

绘画与设计关系的几点思考 内容摘要:文章通过分析绘画与设计的使命、特点、异同与发展等,客观、深刻、科学地阐述了两者的关系。 关 键 词:绘画 设计 使命 关系 画家与设计师有时会引发一些争议。有的认为,绘画与设计同属美术,只要有绘画功夫,搞设计是不成问题的;而另一种观点是:仅仅靠绘画的功底去从事设计是远远不够的。因此,有必要认真思考绘画与设计两者的使命,理清它们之间的种种关系,这对艺术设计教育与实践等具有建设性意义。 一、 绘画与设计的特点、使命、区分 绘画与设计虽然同属创造性活动,但具有各自的特点和使命。 具体说来,绘画具有被观赏的特征,反映的是思想意识、精神生活、情感宣泄和美感体现等,因此,绘画是非物质、非功利、非实用主义的。创新是绘画的生命,并且通过个性化体现来实现,古今中外每一位杰出的绘画大师都创作过极为个性化的作品,展现了自己的典型风格和特征。画家们(尤其是现代派画家),为了表现出作品的生命力,根据自己的愿望,在技能、材质与工具的应用上随心所欲,可以完全不考虑其作品被不被人理解、欣赏、接纳或认可。在这方面,凡·高是一位典型的大师,他创造了大量极作,但在当时未能被人们广泛接受。 而设计具有鲜明的实用价值,设计的产生、发展是与商业行为结伴而来的,是随着商品经济的激烈竞争而出现的。设计体现的是多层次的理性思考,是在设计理念和功能体现的前题下,通过科学技术、材料、工艺、机械加工等工业化的生产综合水平,生产出各类产品,最终满足全社会消费者生存所必不可少的物质需求与精神需求。因此,设计是物质性、功利性和实用性的,是不能完全凭感觉去完成的,而更需要接受和服从广大的消费者的消费需求、文化品位与生活习惯。例如,各类电器从设计到生产,再从市场到消费者的使用,整个过程体现了设计需要考虑各种因素如设计、策划、市场、消费、生产、成本、企业文化、品牌、设计思潮、设计风格和流行趋势等问题,寻找最佳的表达方法,把设计师的构想变成消费者能够接受和采纳的现实。 二、绘画与设计的异同 绘画与设计属于美术两大分支,它们之间有着相同之处,都是属于创造性活动,但也有本质的区别,二者之间的关系属于两个不同性质行业之间的关系,具体体现在以下几个方面。 首先,绘画与设计在工艺制作和实现方式上存在着区别。绘画虽然是一门艺术,但整个绘画作品的产生和制作过程是属于纯手工艺的,观者看到画面上的点、线、面、体和真实的肌理或质感,都是画家手工制作的,因此,绘画中手工操作的技术含量占重要比例。完成一幅绘画作品实际上是完成一种思维过程,即通过某种技法去实现某种意念,那么,怎样才能使这种思维的实现成为可能?在这里技术所包含的材料、技巧等起到了决定性的作用。例如,油画是通过以油为结合剂的油性颜料,用特定的技法,将构想画在布面或其他材料上;国画是用毛笔蘸上墨等水溶性颜料,以特有的笔法,将构想画在宣纸、帛以及其他材料上。但对设计产品来说,在实现方式上是通过脑力劳动的创造与大工业机器生产相结合来完成的,如今科技的进步和电脑的产生,给设计业带来了划时代的变化,设计作品的产生方式更加体现了机器的智能化、系列化,机器的重要性越来越明显。 其次,绘画与设计在商品经济中的地位是不同的。 对于绘画而言,是非商品化的(商业绘画除外),画家们强调的是自身的感受、意念、风格和精神内涵,如现代绘画更是创新观念独特,其个性表露和情感发泄更加强烈,使人惊讶不已,画家不会考虑其绘画能否让观者接受,更不去考虑绘画在商品经济中的地位。但设计是一项为他人服务的活动,具有物质性、功利性和实用性,并与商界有密切联系。如果说消费者和顾客是上帝的话,那么设计师就得屈服于他们的“上帝”,这是应该遵循的原则。设计者必须使他的产品具备使用价值与审美价值,去满足消费者的种种需求,赢得他们的信任与满意,最后通过市场竞争,使之实现畅销。因此,设计在商品经济中的地位是举足轻重的。 三、绘画与设计的联系 虽然绘画与设计之间存在着各种差异,但不能否认绘画与设计这两个同属于一根藤的瓜,有着千丝万缕的联系。如:早期绘画与设计的起源在艺术规律和基本特征上有着很大的相似性。又如,具备必要的绘画知识及审美能力,对于设计教学和设计实践尤为重要。在设计教学中,学生应具备必要的绘画知识,才能表达各类形态的造型,并能提高形象思维能力、抽象思维能力、抽象表现能力、对形态的审美能力等。这就意味着素描教学有很重要的地位,学生的绘画是从基础素描开始的,随后再通过设计素描、设计草图、设计效果图等课程的学习进行绘画的进一步训练。这些课程在培养学生从设计基础向设计专业过渡和衔接上起到关键性作用,是培养学生的设计意识及设计表达能力不可缺少的重要环节。在设计实践中,更是离不开绘画,如果一个从事设计的人不懂得绘画,那是寸步难行。这是因为:第一,在设计前期,也就是在想象和构思阶段,绘画(绘制草图)可以帮助捕捉灵感;第二,成熟的设计意念需要通过绘画得到具体表达,传达给他人。 绘画与设计也将随着时代的前进而发展。我国的绘画将继续在国际性的巨大风格差异中摸索和试验,探索新的道路,将绘画的时代性、民族性、当代性放在第一位,开创中国绘画的国际地位与影响,这对设计领域也是一个很好的促进;在设计教育方面,我国将实行素质教育,它是一种综合教育方式,涉及到社会、人文、科技,具有跨学科意义,使学生得到设计方向、设计商务、设计策划等多途径的教育,这对绘画观念的更新有着巨大影响。 结语 绘画与设计,就好比是“一根藤上的两个瓜”,是不可分割的。只有正确理解绘画与设计的起源与奥秘、特点与使命、异同与对比、整合与发展等,才能对两者的关系有客观的、深刻的、科学的认识,这对提高教学的质量、打造时代所需要的设计人才,弘扬中国元素与民族精神,摘掉中国设计师只会拷贝的帽子,具有建设性意义。

Oil painting is fast dry vegetable oil mixed pigment, in linen qualitative canvas, cardboard or on a board of making a painting type. When the paint use thinner is volatile turpentine and dry and maren oil etc. The attached picture of pigment strong hardness, when graphics dry hind, can keep for a long time luster. Oil colors with strong hiding power and transparent performance, and therefore, can more fully shows describe object, colour is rich, stereo sense is strong. The creation of oil painting is using this way, a kind of complex mental activity and production activities, is through real life in all the product of mind reflect, a kind of visual art expression. Oil painting is a strong individual character and emotional colors spirit labor, is the painter in the life and soul of the stir up after the collision with emotion. Oil painting is drawn through the image and convey feelings thought the technique means and aesthetic ideal creation based on that of oil painting and the understanding of the oil painting, this paper discusses how to complete the graduation work of this lyric the centre of our oil works. The creation inspiration of this creation on the artistic style of work, the expression of emotion and thoughts, and summary to describe the creative process, finally to work "centre" of creation feelings for a more systematic conclusion.