傲慢与偏见赏析论文参考文献

First published in 1813, Pride and Prejudice has consistently been Jane Austen's most popular novel. It portrays life in the genteel rural society of the day, and tells of the initial misunderstandings and later mutual enlightenment between Elizabeth Bennet (whose liveliness and quick wit have often attracted readers) and the haughty Darcy. The title Pride and Prejudice refers (among other things) to the ways in which Elizabeth and Darcy first view each other. The original version of the novel was written in 1796-1797 under the title First Impressions, and was probably in the form of an exchange of Austen's own tongue-in-cheek opinion of her work, in a letter to her sister Cassandra immediately after its publication, was: "Upon the whole... I am well satisfied enough. The work is rather too light, and bright, and sparkling; it wants [. needs] shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story: an essay on writing, a critique on Walter Scott, or the history of Buonaparté, or anything that would form a contrast and bring the reader with increased delight to the playfulness and general epigrammatism of the general style".Jump to the Pride and Prejudice table of contents. Document structure:This Pride and Prejudice e-text is fairly thoroughly hypertexted, but there are no cross references from one part of the main body of the text to another part. Instead, links go into or out of the main text, either to or from one of five indexes: The list of characters, the list of events in chronological order, the comments on random topics, the index to the motifs of "pride" and "prejudice", or the list of important places (with a map).It has been pointed out that since Chapter 1 is marked up pretty much the same way as any other chapter, those who have never read Pride and Prejudice before may find a confusing plethora of links in the first few chapters -- don't feel you have to click on to use this DocumentIf you have a graphics browser, then you will see little mini-icons preceding links in some menus in the Pride and Prejudice hypertext (and elsewhere in the Jane Austen pages):A down-arrow indicates a link to the next subdocument in a series (or to a later point, often the end, in the current subdocument). An up-arrow indicates a link to the preceding subdocument in a series (or to an earlier point, often the beginning, in the current subdocument). A curvy back-arrow indicates a jump back to a superordinate document (often a higher-level table of contents). A rightwards-pointing arrow indicates all other links (. links to a subdocument subordinate to the current one, or random "sideways" links). One practical point is that when web browsers follow a link, they tend to put the text referenced by the link at the extreme top of the screen or window, which can be a little awkward for a document which includes many links which go to the middle of a paragraph, as this one does. When you have followed a link, and the promised topic of the link doesn't seem to immediately leap into prominence, look near or at the top of the window, and then scroll back a few lines if necessary to get the immediate context of the reference. On the other hand, when there is a reference to a location near the end of an HTML file, some browsers (including the most frequently used graphic browsers!) will put the end of the file at the bottom of the window, with no indication of where in the window the target location is. (Complain to the software companies about these annoying browser peculiarities.)

《傲慢与偏见》(Pride and prejudice)是简·奥斯汀最早完成的作品，她在1796年开始动笔，取名为《最初的印象》，1797年8月完成。她父亲看后很感动，特意拿给汤玛·卡士德尔，请他出版，但对方一口回绝，使得他们十分失望。后来，她重写了《最初的印象》 并改名为“傲慢与偏见”于1813年1月出版。你干吗不去百度一下该作者和这部书呢,这个是名著呢,很容易找到的

Austen，Jane．Jane Austen’s letters．ed．Deirdre Le Faye．Oxford and NewYork：Ox~rd UniversityPress．1995． [7]Austen，Jane．Pride andPrejudice．1813．Bantam Classic Edition． 1981 [8]Copeland，E．＆ Mcmaster，J．The CambridgeCompanion to Jane Austen．Cambridge：CambridgeUniversity Press．1998.[9]William J Fitzpatrick，Jane Austin’s PRIDE ANDPREJUDICE，Simon & Schuster，1964.[10]Nark Schorer. Pride and Prejudice，Riverside Edition—B1，Boston，1956. [11]R. W.. Chapman，Jane Austen:A CriticalBibliography，22nd Edition，London，Annotated，1955. [12]David Daiches，Introductionto Pride and Prejudice. Modern Library，New York，1950

性格分析:女主人公伊丽莎白聪敏机智，有胆识，有远见，有很强的自尊心，并善于思考问题。就当时一个待字闺中的小姐来讲，这是难能可贵的。正是由于这种品质，才使她在爱情问题上有独立的主见，并导致她与达西组成美满的家庭赏析篇：奥斯丁在这部小说中通过班纳特五个女儿对待终身大事的不同处理，表现出乡镇中产阶级家庭出身的少女对婚姻爱情问题的不同态度，从而反映了作者本人的婚姻观：为了财产、金钱和地位而结婚是错误的；而结婚不考虑上述因素也是愚蠢的。因此，她既反对为金钱而结婚，也反对把婚姻当儿戏。她强调理想婚姻的重要性，并把男女双方感情作为缔结理想婚姻的基石。书中的女主人公伊丽莎白出身于小地主家庭，为富豪子弟达西所热爱。达西不顾门第和财富的差距，向她求婚，却遭到拒绝。伊丽莎白对他的误会和偏见是一个原因，但主要的是她讨厌他的傲慢。因为达西的这种傲慢实际上是地位差异的反映，只要存在这种傲慢，他与伊丽莎白之间就不可能有共同的思想感情，也不可能有理想的婚姻。以后伊丽莎白亲眼观察了达西的为人处世和一系列所作所为，特别是看到他改变了过去那种骄傲自负的神态，消除了对他的误会和偏见，从而与他缔结了美满姻缘。伊丽莎白对达西先后几次求婚的不同态度，实际上反映了女性对人格独立和平等权利的追求。这是伊丽莎白这一人物形象的进步意义。从小说看，伊丽莎白聪敏机智，有胆识，有远见，有很强的自尊心，并善于思考问题。就当时一个待字闺中的小姐来讲，这是难能可贵的。正是由于这种品质，才使她在爱情问题上有独立的主见，并导致她与达西组成美满的家庭。在《傲慢与偏见》中，奥斯丁还写了伊丽莎白的几个姐妹和女友的婚事，这些都是陪衬，用来与女主人公理想的婚姻相对照。如夏绿蒂和柯林斯尽管婚后过着舒适的物质生活，但他们之间没有爱情，这种婚姻实际上是掩盖在华丽外衣下的社会悲剧。奥斯丁的小说尽管题材比较狭窄，故事相当平淡，但是她善于在日常平凡事物中塑造鲜明的人物形象，不论是伊丽莎白、达西那种作者认为值得肯定的人物，还是魏克翰、柯林斯这类遭到讽刺挖苦的对象，都写得真实动人。同时，奥斯丁的语言是经过锤炼的，她在对话艺术上讲究幽默、讽刺，常以风趣诙谐的语言来烘托人物的性格特征。这种艺术创新使她的作品具有自己的特色。内容篇：全书的主要情节是围绕在拥有五个千金女儿的班耐特一家人，虽然他们一家人家境并不是非常富有，也无任何显赫的社会地位，但班耐特太太却处心积虑想替五个女儿寻找到和上流社会的贵族联婚的机会，而美丽而善良的大女儿琴恩，和机智勇敢的二女儿莉琪，她们置身在整个附庸风雅、贵气逼人的上流生活圈中，仍执著面对自我，并勇於维护自尊，却也因而丧失了对真爱的判断和实情的追求，以致忽视了优柔温文的宾格利和恃才傲物的达希，在扑朔迷离的形势中所表现出的难得挚情。然而就在重重误解、心机、成见与持续华丽表面生活的遮掩下，挡不住的爱情仍如结晶的璞玉一般，终究不能不脱颖而出，傲慢与偏见的人性两貌，在种种环环相扣的冲突中清晰的突出，作者以她圆润、敏锐、幽默而细致的笔触，十足荡气回肠的描绘这一群人的恩怨爱恨。此书另一特色就是所有主人翁活动性，以达希为例，他是个不受人喜爱的傲慢男人，他向来亦不屑周围肤浅的人际关系，此种僵化的对立就在他终於为莉琪动心的那一刻起了剧变，他在压抑多时之后决定勇敢示爱，不意却遭受毫无情面可言的拒绝，对他来说，傲慢也许有理，偏见却是无情，此两者交之而产生的冲击在所难免，这种「冲击」可称为The Shock Of Recognition（认知之冲击），达希与莉琪形同水火的命运，挣扎在其他事件接连的失序演出，达希痛定思痛，而有了剧力万均峰回路转，这种「认知」的功夫，往往就是小说人物中主角人物的再生，一个人物之所以能够生动，在性格上必有无法测度的地方（Incalculability）。所谓无法测度，就是小说人物的「认知」、「权变」和成熟的过程中所产生的推动力，大多数生动的小说人物都是经由这种「长大」（Growth）过程的，莉琪饱尝自己对人偏见所产生下的苦果便是一例，当然，爱情能使人盲目，也能使人清醒而重新出发，达希和莉琪当属幸运的后者了。「傲慢与偏见」虽是一出闪烁著斗智意味的爱情轻喜剧，实则说明了人必须行动和自省才有希望，人的尊严绝不是与生俱来的，而是从行动和自省中淬炼获得，透过理性的行动，把人类的王国建立得具有一个心灵价值的模式，以与物质俗世有别。大体上，人的生存没有意义，但从小体上看，人本身的行动却深具意义，即使只是儿女私情的往来。

按照当时的社会背景和社会文化作者的婚姻观还真没什么好反的不过，我可以说一下，写《简爱》的作者是很反我亲爱的Jane Austen的婚姻关的，你可以去找有关她们的传记，稍稍负责的人都应该提到过她们对立的婚姻观随便说一下，楼上的答案么强，想也轮不到我