好小伙布朗论文范文

布朗红的象征意义摘要:《好小伙布朗》是美国19世纪伟大的浪漫主义小说家纳撒尼尔·霍桑短篇小说的代表作之一。其作品的名称、主人公的名称以及小说中反复出现的“粉色”、“黑色”、“红色”等几种色彩都具有丰富的象征寓意,体现了他一贯的创作思想,即对人类灵魂中隐匿的‘恶’的挖掘和对构成真与美的基础的‘善’的向往。本文针对《好小伙布朗》相关特定的事物,分析其象征意义。关键字:《好小伙布朗》霍桑象征心理描写色彩霍桑,是19世纪前半期美国最伟大的小说家和心理学家。他认为与文明而古老的欧洲相比,美国“没有阴影,没有古风,没有秘传,没有绚丽而又昏默的冤孽,只有光天之下的枯燥乏味的繁荣”,给作家提供的素材极少。因此,霍桑转向注意力,力图借助想象去挖掘历史上对创作有益的素材,以便“把过去了的时代与我们面前一瞬即逝的现在联系起来”。这也暗示了他以古喻今的创作意图。 因此,“贯穿于他全部作品中的创作思想在于对人类灵魂中隐匿的‘恶’的挖掘和对代表真和美的‘善’的向往。”[M].北京:外文出版社,《小伙子古德曼-布朗》是一篇具有典型霍桑写作风格的佳作。文中大量运用了象征比喻的手法,旨在揭示深刻的道德主题。故事的情节结构大致如下:单纯善良的青年布朗,怀着志愿的心情去森林赴一个巫师的约会。傍晚,他告别新婚三月的娇妻费丝,踏上通往黑森林之途。他深信自己能够在这次放纵之后抵制所有将来的诱惑。但是,随着他越深地走进丛林,他的信仰变得越来越弱:一路上,他陆续发现那些平素道貌岸然、心怀虔诚的居民也在匆匆赶往魔鬼的聚会。当他拿着从空中飘落的“粉丝带”,妻子费丝的物品时,他的信仰已发生了根本的动摇,因为妻子费斯是他一直怀揣的信仰。在最终的集会地点,眼前的景象更是令他瞠目结舌:善和恶混聚一堂,甚至他那纯洁清白的妻子也置身其中。他彻底丧失了对上帝和人类的信仰。回来之后,他郁郁寡欢、愤世嫉俗,直到死去。前面提到,霍桑常使用象征手法来阐释主题,其中在《》中,象征手法的运用,渗入了人、物、场景等方面。“费丝”。两个角色的名字都有其深刻的寓意。从主人公的名字——(Goodman)很容易看出他是一个普普通通、敬畏上帝的好心人。而费丝(Faith)——他的妻子则象征着他对宗教坚定不移的虔诚和心中怀揣的爱。在他离开妻子费丝去参加巫师的聚会时,他下定决心:“过了今晚,我将拉着她的衣角步入天国”。妻子成了他对上帝的信仰。赴会途中,在他发现了镇上人的伪善时,他仍坚持:“上有天国下有费丝,我要站稳脚跟,抵挡魔鬼!”费丝此时代表了他对人类的信任。直到魔会行将结束,他仍对妻子大叫:“费丝!费丝!你抬头看着天,拒绝邪恶吧!”。文章到了这里,其实他在作最后的努力挽住希望,。费丝头上的粉丝带也具有象征意义。威廉姆-戴维斯认为粉色包含“既非完全堕落也非清白无辜”之意,因为粉色介于红白之间。而在霍桑的小说中,红色常象征罪恶,白色则象征纯洁。

《好小伙布朗》(Young Goodman Brown)里,作者霍桑写了早年的新英格兰,故事主人公去出席在半夜举行的魔鬼聚会,发现在座的不仅有镇上所有德高望重的人,甚至还有他的妻子费思... 书的主题包括人性的好与坏. 正如霍桑的大部分小说一样,《好小伙布朗》这部小说自始至终充满了晦暗、神秘的意象.本文对这种神秘、晦暗的意象进行了双重解读：一方面,这体现了霍桑深受清教思想和超验主义哲学影响的矛盾思想；另一方面,这也反映了霍桑的创作倾向与写作特色. 英文故事简介： The story begins late one evening in 17th century Salem, Massachusetts, with young Goodman Brown leaving his home and Faith, his wife of three months, to meet with a mysterious figure deep in the forest. As they meet and proceed further into the dark forest, and it is broadly hinted that Goodman Brown's traveling companion is, in fact, the Devil, and that the purpose of their journey is to join in an unspecified but obviously unholy ritual. Goodman Brown is wavering and expresses reluctance, yet they continue on. As they journey Brown discovers others also proceeding to the meeting, many of them his townsfolk whom he had considered good Christians including his minister and deacon and the woman who taught him his catechism. He is astonished and disheartened and determines, once again, to turn back. But now he hears his wife's voice and realizes that she is one of those to be initiated at the meeting. Recognizing that he has lost his Faith (in both senses), he now resolves to carry out his original intention and enthusiastically joins the procession. At the ceremony, carried out at a flame-lit, crude rocky altar in a clearing deep in the forest, the new converts are called to come forth. He and Faith approach the altar and, as they are about to be anointed in blood to seal their alliance with wickedness, he cries out to Faith to look to heaven and resist. In the next instant he finds himself standing alone in the forest, next to the cold, wet rock. The narrator suggests that the experience might have been a dream, but Goodman Brown is deeply shaken. He lives out his days an embittered and suspicious cynic, wary of everyone around him, especially his wife Faith. The story concludes with this dismal statement: "And when he had lived long, and was borne to his grave...they carved no hopeful verse upon his tombstone, for his dying hour was gloom."