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了不起的盖茨比英文论文参考文献

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了不起的盖茨比英文论文参考文献

探讨盖茨比的成功与失败An Analysis of Gatsby’s Success and FailureAn Analysis of Gatsby’s Success and FailureSummary: Why Gatsby failed to achieve Daisy? To some extent, it may be a tragedy of society and Jay Gatsby’s fault. He was born and grew up in an era of decayed social and moral value. Further more, he can’t know himself and others distinctlyJay Gatsby was born in rural north Dakota and spent his childhood there. Because he grew up in the rural area,as usual he could bear trouble and difficulty in his life. But he was not of that kind of poor children. From his early youth, Gatsby despised poverty and longed for wealth and sophistication. He dropped out of College after two weeks, Because he couldn’t bear the tiring and difficult job with which he was paying his tuition. He was hunger for wealth ,but he just had the desire which didn’t year after he dropped out, he worked on Lake Superior fishing for salmon and digging for clams. One day, he saw a yacht owned by Dan Cody who was a wealthy copper mogul and rowed out to warn him about a coming storm. The grateful Cody took young Gtz, who gave his name as Jay Gatsby. On board, Gatsby worked as Cody’s personal assistant. Traveling with Cody to the Barbary Coast and the West. At that time ,Gatsby fell love with wealth and luxury. When Cody died, he left Gatsby $25,000. But Cody’s mistress prevented him from claiming his inheritance. Gatsby then dedicated himself to becoming a wealthy and successful man. At the same time ,he had gained the skills of making money which was vital to his success, However, his poor background and exorbitant desire for wealth and success were obstacles to World War I ,the generation of young Americans who had fought the war became intensely disillusioned, as the brutal carnage that had just faced made the Victorian social morality of early-twentieth-century America like stuffy. The dizzying rise of the social market in the aftermath of the war led to a sudden, sustained increase in the national wealth and a newfound materialism, as people began to spend and consume at unprecedented levels. A person from any social background could, Potentially, make a fortune, but the American aristocracy-families with old wealth-scorned the newly rich industrialists and speculators. Additionally, the passage of the Eighteenth Amendment in 1919,which banned the sale of alcohol, created a thriving underworld designed to satisfy the massive demand of bootleg liquor among rich and poor alike. The ban was both opportunity and challenge to Gatsby, He could make money through illegal way, Of course, he could make money through legal way with his intelligence. Unfortunately, he was influenced by the society, the way he chose was illegal which coursed his failure, because it was impossible for him to step on the ranking society which was what Daisy first, he couldn’t know himself completely. He lacked of self-confidence, he changed his name from James Gatz to Jay Gatsby. He held every Saturday night Party to show his wealth, he lied to Daisy about his own background. He didn’t believe in himself. However, he had enough faith in his beautiful dream, which made him seem confident. He was just like a religious man, he believed in future not now and himself. He could make so much money, which proved that he is a man of great ability and capacity, he could be an successful man and achieve Daisy’s love, because he is great. But he did realize this. He also didn’t know Daisy well, Daisy is a beautiful young woman from Louisville , Kentucky. Daisy promised to wait for Gatsby, but in 1919 she chose instead to marry Tom Buchanan ,a young man from a solid , aristocratic family who could promise her a wealthy lifestyle and who had the support of her parents, from the novel , Daisy was a woman who couldn’t bear lonesome and loneness. She betrayed Gatsby, the love between Gatsby and Daisy couldn’t be tested by Gatsby, Daisy represents the paragon of perfection –she has the aura of charm, wealth, so sophistication, grace, and aristocracy that he longed for as a child in North Dakota and that attracted him to her. In reality, She is beautiful and charming , but also fickle, shallow, bored, and sardonic. She was even indifferent to her own infant daughter. She said “I hope she’ll be a fool-that’s best thing a girl can be in this world, a beautiful little fool.” Daisy wasn’t worthwhile to love, Gatsby didn’t know what Daisy wanted most, Daisy wanted social position which wealthy Gatsby couldn’t up is a kind of beauty and happiness which Gatsby couldn’t understand, he just look at one goal firmly ignoring too many beauties, he didn’t know the value of life, What he wanted might destroy the family of Tom and Daisy, which is not fair to Daisy’s Gatsby’s experience, Gatsby is a successful man. In the end, he is a failure. We had some idea on how to achieve success. There is a Chinese motto that to know yourself and your enemy is the key success. Maybe this is the best conclusion and for Gatsby’s tragedy.

Written by American novelist F. Scott Fitzgerald and first published in 1925, the setting of The Great Gatsby is at both Long Island's North Shore and New York City, during the period immediately after the First World American economy soared during these "roaring" 1920s and society enjoyed the subsequent prosperity. This period was also the first to have Prohibition, which, by banning the sale and manufacture of alcohol, conversely made millionaires out of bootleggers. The Great Gatsby was republished in both 1945 and 1953 and increased its already-wide readership. Even to the present day, The Great Gatsby is deemed a literary classic and regarded as a quintessential Great American Novel. The Modern Library named it the second best novel of the 20th Century.[

<辛酸的浪漫,无法企及的永恒——试论盖茨比的悲剧性>【摘要】菲茨杰拉德的小说《了不起的盖茨比》是一部现代成长悲剧,描述了一个满怀憧憬的现代青年如何跨越到没有奇迹的成人世界的成长失败;同时也是一部浪漫主义的悲剧:浪漫的想象既不能创造真实,也无法代替价值,一切浪漫最终都将归于失败,富于想象的心灵也归于尘土,永远沉寂。文章通过对盖茨比的浪漫梦想和对现实的回避的分析揭示了其悲剧的根源。 【关键词】浪漫;永恒;盖茨比;悲剧一、《了不起的盖茨比》内容简介 故事借尼克的回忆讲述了主人公盖茨比(以下称盖)一生追求梦想的经历。穷小子盖爱上了富家女黛西(黛),但黛嫁给了一个名叫汤姆的富翁。盖不甘心自己的失败,并认定是金钱夺走了黛的爱情,决心赢回所爱。富有之后的盖在黛府邸对面建了一幢大厦,每个周末都在自己的豪宅里举办舞会,彻夜笙歌,挥金如土,对黛发出了无声的召唤。后来,他如愿以偿地见到了黛并企图与之再续前缘。紧接着黛在一次车祸中把汤姆的情妇茉特尔撞死,竟伙同汤姆将此嫁祸于盖,直接导致了盖的死亡。 二、辛酸的浪漫 畅通论文 盖的一生是追梦的一生。有人说黛是盖美国梦中的一个重要组成部分,其实她是他梦想的全部。为了积累财富,他放弃了少时的信念,甚至不择手段;有了钱以后他惊人地奢华糜费。这一切都是出于一个单纯的目的——赢回黛。所以,盖所追求的只是一个浪漫的爱情梦。他努力地坚持自己理想和真爱,他漠然地注视着舞会上的乌合之众,彻夜遥望着照亮其梦想的希望之灯,痛苦地、不可救药地爱着黛,尽管她拜金、浅薄、自私。自始至终他都在竭力编织着爱情美梦,陷入其中不能自拔。黛轻而易举地玩弄了他,嫁祸与他,撕扯着他的梦,撕碎了他的身心,而他到死都还沉浸在自己一厢情愿的的浪漫里。 盖茨比情愿把自己的全部身心奉献给对黛的爱,盖的爱是真实的,当他试图依靠高超的想象达到真与美的完美结合时,新的现实无情地将其挫败了。有人把菲茨杰拉德称为“最后一个浪漫主义战士”,那么他笔下的盖无疑便是最后一个浪漫主义者了。他守护着那朵月光下开放的的虚幻之花付出了年轻的生命,这种浪漫最终枯萎凋零于理想的废墟,耐人寻味的是其中无尽的辛酸。 三、无法企及的永恒 他把自己的爱情视为最高的价值,这就是他的永恒,同时也是他活着的全部价值和意义。对他来说,时间已经不再是标志和衡量现实和梦想的的标准。深受浪漫主义影响的菲茨杰拉德让盖茨比成了一个“出身于他自己的柏拉图式观念”的浪漫主义者。在盖眼里,时间只有一种样式,那就是永恒。对盖来说,他和黛的爱好像永远没有改变过,他忘记了区分过去、现在、未来,在他那里,过去、现在、未来融为一体,于是,他在不知不觉中超越了时间的界限。他一直在朝着接近黛的目标努力,他一步一步地做着,积累金钱、修建豪宅、举行宴会,他知道他和黛已经有5年没见面了,但5年对他而言只是一个过程,而不是将过去与现在分开的漫长的时间界限。当然,他始终沉醉在那样的眩晕状态之中,沉醉于与黛的爱情中,所以当尼克清醒地向他质疑道, “你不能重温旧梦的。 ” “不能重温旧梦?” 他大不以为然地喊道,“哪儿的话,我当然能够!” 他发狂地东张西望,仿佛他的旧梦就隐藏在这里,他的房子的阴影里,几乎一伸手就可以抓到的。 “旧梦”对尼克来说就是往事,是一个人经历过的过去,除了心里的回忆,它已经和现在无关。但盖并不这样看,“旧梦”只不过是不得不借用的一个词汇,它代表不了过去,它就是现在,和现在丝丝入扣,声息相通。盖专注于每一个现在,他当然在意识里无数遍重温过他与黛在一起的时光,但对他来而言,那不是感伤的回忆,而是他的现在,和他的现在在一起供他行动的心理动力。 盖执着于一个永远不变的目标,他超越了人为的时间界限。但是这种时间上的“非分割性”、“非断裂性”只存在于他自己。在黛那儿,过去就是过去,现在就是现在,将来就是将来。在这样的现实铺垫下,盖时间的超越就成了一个人的事,然而,爱情的梦想是需要两个人来完成的。如果盖要实现“重温旧梦”的爱情理想,他需要黛和他一起分享这没有时间界限的小快乐。可是黛像她所属的那个阶层所有的人一样最缺乏的就是现在和行动,他们生活在怠惰的回忆和期待中。他们对现在最无能为力,他们即使身在现在,都已经处于过去与未来之中了。因为从本质上讲,他们不具有真正意义上的现在。盖最擅长的就是把握现在,他要用现在来抓住过去,或者说他试图通过不对时间进行划分而抹去其间的5年。现在就意味着全心全意地沉醉在实践中,沉醉在每一个虚晃一招之中。与盖竭力超越相反,黛永远选择逃避。在等待盖的焦躁中,她躲进了汤姆给予的稳定而麻木的婚姻生活中;在芝加哥引起麻烦后,他们迁徙到纽约,他们不断的迁徙正是他们不断要的躲避的一个外在表现,这表明了他们的麻木不仁,“他们砸碎了东西,毁灭了人,然后就退缩到自己的金钱或者麻木不仁或者不管什么使他们留在一起的东西之中……”。 盖与黛5年后的第一次相聚就点明了他们之间的时间差异,预示了小说的一种悲剧结局。盖带黛参观他的房子,同时叫克利普斯普林格(寄居盖茨比家的一个食客)为他们弹奏钢琴,其歌词是这样的: “每天早上, 每天晚上, 玩得欢畅…… 在这同时, 在这期间……” “在这同时,在这期间”点明了全书的时间主题,即,小说有两个时间维度:“在这同时”,“在这期间”。一个是进行时,一个则标明过去与现在的界限。两个时间维度相碰撞时,“时间的空洞”就显现出来,可以把这个“空洞”视为盖在执着实践中匆匆溜过的5年时光。盖倾近于“在这同时”,希望能在这样的进行状态中将时间的界限抹去:可在黛那里,她更倾近于“在这期间”,在这期间发生的事已经不可更改,这个过去不在进行之中,它已经凝固,是一种近似于物的存在。这个夏天盖带给了黛一种令人昏眩的力量,使黛仿佛觉得她的感情是一直和盖在一起的,然而事实总是事实,在她和盖分手的5年里,盖不过是一个故人的名字而已,所以在汤姆的逼问下,黛崩溃了。她发现,尽管她和汤姆的婚姻充满种种失望,但她曾爱过汤姆却是不可否认的事实。 畅通论文 “啊,你要求的太过分了!”她对盖喊道,“我现在爱你难道这还不够吗?过去的事我没法挽回。”她无可奈何地抽抽噎噎哭了起来,“我一度爱过他……但是我也爱过你。” 盖想要回到绝对的过去,这个过去于他仅是一个5年的真空,5年的美梦。尽管他在这5年中从一个穷小子变成了大富翁,但他心灵的追求、他人生的意义却仍和5年前的岁月紧密相连,其间没有断裂。然而,黛在这5年里,却爱过了别人,结过了婚,养育了孩子,她的生活和5年前完全断裂。这5年来盖在做梦,但黛却身处现实。盖想要证明他和黛一直在相爱,黛却说,不,5年前我爱着你,这5年我爱着别人,现在我又开始爱你。“一直”被分割了。对盖而言,这是残酷的分割、滑稽的嘲讽,因为他的情感丧失了对象。他5年的精心努力,他5年艰苦卓越的浪漫爱情完全是自作多情,他的言谈、他的举止、他的一切都失去了根基。他彻底失败了。 四、结语 盖的一生是浪漫的一生,执着地追求着自己的梦想,所有的浪漫不过增添了悲剧的辛酸:盖和黛见面前的坐卧不安是悲声的序幕;见面后被黛迷得六神无主透射出爱的悲凉——她的不解,她的嗓音里金钱的响声分明是悲剧的预言;财富和身份被质疑时的窘迫是迷失自我的悲哀;彻夜守侯心上人却不知自己正要成为她的牺牲品——一厢情愿的心,无怨无悔的爱,总是透射出被践踏的悲哀和辛酸。 时间本应该带来意义,但在盖那里,它因染上永恒的浓重色彩,成为一个极其抽象的概念。这个概念由于缺少真实经验的支持,结果显得空洞。5年的分离,至少标明5年经验的缺乏。如果盖要让他的爱依然如旧,他惟一能做的便是固执地信奉永恒,视爱情为追求中的不变目标,而不是相爱双方的真实要求。这样,盖的爱就不是生命之中的合理爱情,他对爱的追求也不具有传统的爱恋欲求。对他说来,爱情是他的整个灵魂,他无限地醉心于这一灵魂。尽管普遍意义上的永恒己经丧失,但盖仍然可以为他自己找到一种。盖的永恒爱情揭示了一种现代性的狂醉:一个人义无返顾地选择自己的生活,即使这种生活缺乏实际内容,没有任何人的支持,他也该永远追求下去。这就是盖选择的永恒样式,也正是他悲剧的根源。 【参考文献】 [1]弗·司各特·菲茨杰拉德.了不起的盖茨比[M].上海:上海译文出版社,2006. [2]Fitzgerald,F. Scott. The Great Gatsby [M].Beijing: Foreign Language Teaching and Research Press,1992. 【作者简介】赵金凤(1974-),女(满族),辽宁抚顺人,河南科技大学外国语学院教师,研究方向:英语语言文学。

1.引言 《了不起的盖茨比》(The Great Gatsby)是美国二十年代著名小说家司各特·菲茨杰拉德(Scott Fitzgerald,1896-1940)的杰作,它以完美的艺术形式向读者诉说了一场美国梦的破灭。这篇小说从内容来说不过讲述了一个“负心女子痴心汉”的故事,但是它给读者造成的感染力决不止爱情的失落。从小说的字里行间中,读者能感受到一种“距离感”,那就是:一切美好的事物都是海市蜃楼,美国梦仅仅是个虚无飘渺的空中楼阁。本文依据文体学的有关理论,从小说的语言特征出发,试图发掘《了不起的盖茨比》怎样达到这种优美而悲伤的文体效果。 2.功能语言学在小说中的应用 利奇(Leech, Geoffrey)和肖特(Short, Michael)在他们的著作《小说的文体》(Style in Fiction, 1981:174)中根据功能语言学的理论从三方面对小说文体进行分析:描写角度(point of view),叙述顺序(fictional sequencing)和描写焦点(descriptive focus)。这三方面分别与韩礼德所提出的语言的三个“元功能”——人际功能,语篇功能和概念功能相对应。 描写角度是指一篇文学作品中叙述者对叙述事件的态度或意见。作者可以第一人称“我”的角度进行叙述,也可从小说中某一人物的角度入手,或者以一个第三者的身份来叙述。在《了不起的盖茨比》这部作品中,作者创造了一个名叫尼克·卡罗威(Nick Carraway)的人物,把他作为整个故事的叙述者,同时他又参与和目睹了故事的发生、过程和结束。这一双重的描写角度拉大了读者与盖茨比这个故事的距离,无形中给整篇小说造成了一种深沉幽怨的氛围。以下两段分别取自不同的描写角度: (1) When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby, who represented every thing for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. … ( P2-3, The Great Gatsby, 上海译文出版社, 1994 ) (2) I decided to call to him. Miss Baker had mentioned him at dinner and that would do for an introduction. But I didn’t call to him, for he gave a sudden intimation that he was content to be alone—he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. …( P34, 同上)

了不起的盖茨比论文

其实你可以从美国梦的追求与幻灭这个角度去写 这还涉及到了美国的文化背景 相关资料应该还挺多的

不行。这本书中已经完全断定钱不能买到爱情——这个题目无题可写。建议写写:眼下社会里的“盖茨比”、盖茨比的迷惘、城市和梦想——这类稍微宽泛一点有可发挥的题目。

Great Gatsby was published in 1922 by F. Scott Fitzgerald. At first glance, the novel appears to be a simple love story, but further examination reveals Fitzgerald's masterful scrutiny of American society during the 1920s and the corruption of the American dream. F. Scott Fitzgerald's The Great Gatsby (1926) is, at first sight, a novel about love, idealism and disillusionment. However, it soon reveals its hidden depths and enigmas. What is the significance of the strange "waste land" between West Egg and New York, where Myrtle Wilson meets her death, an alien landscape presided over by the eyes of T J Eckleburg whose eyes, like God's, "see everything"? And what are we to make of the novel's unobtrusive symbolism (the green light, the colour of American dollar bills, which burns at the end of Daisy's dock, the references to the elements - land, sea and earth - over which Gatby claims mastery, the contrast between "East" and "West"), or its subtle use of the personalised first narrator, the unassuming Nick Carraway? It is a novel which has intrigued and fascinated readers. Clearly, as a self-proclaimed "tale of the West", it is exploring questions about America and what it means to be American. In this sense Gatsby is perhaps that legendary opus, the "Great American Novel", following in the footsteps of works such as Moby Dick and Huckleberry Finn. We will return to this aspect of the novel in more detail later on. However, we also need to be aware that it is a novel which has much to be say about more abstract questions to do with faith, belief and illusion. Although rooted in the "Jazz Age" which Fitzgerald is so often credited with naming, it is also a novel which should be considered alongside works like The Waste Land, exploring that "hollowness at the heart of things" which lies just below the surface of modern life. Eliot himself remarked that the novel "interested and excited me more than any new novel I have seen, either English or American, for a number of years". Viewed from more distant perspectives it is possible to see Gatsby as an archetypally tragic figure, the epitome of idealism and innocence which strives for order, purpose and meaning in a chaotic and hostile world. In this sense Gatsby contains religious and metaphysical dimensions: the young man who shapes a "Platonic vision of himself" and who endows the worthless figure of Daisy with religious essence, eventually passes away into nothingness, with few at the funeral to lament the passing of his romantic dream.参考资料: Great Gatsby

第一,可以体现作者的总体思路。提纲是由序码和文字组成的一种逻辑图表,是帮助作者考虑文章全篇逻辑构成的写作设计图。其优点在于,使作者易于掌握论文结构的全局,层次清楚,重点明确,简明扼要,一目了然。[2]第二,有利于论文前后呼应。有一个提纲,可以帮助我们树立全局观念,从整体出发,在检验每一个部分所占的地位、所起的作用,相互间是否有逻辑联系,每部分所占的篇幅与其在全局中的地位和作用是否相称,各个部分之间的比例是否恰当和谐,每一字、每一句、每一段、每一部分是否都为全局所需要,是否都丝丝入扣、相互配合,成为整体的有机组成部分,都能为展开论题服务。经过这样的考虑和编写,论文的结构才能统一而完整,很好地为表达论文的内容服务。第三,有利于及时调整,避免大返工。在毕业论文的研究和写作过程中,作者的思维活动是非常活跃的,一些不起眼的材料,从表面看来不相关的材料,经过熟悉和深思,常常会产生新的联想或新的观点,如果不认真编写提纲,动起笔来就会被这种现象所干扰,不得不停下笔来重新思考,甚至推翻已写的从头来过;这样,不仅增加了工作量,也会极大地影响写作情绪。毕业论文提纲犹如工程的蓝图,只要动笔前把提纲考虑得周到严谨,多花点时间和力气,搞得扎实一些,就能形成一个层次清楚、逻辑严密的论文框架,从而避免许多不必要的返工。另外,初写论文的学生,如果把自己的思路先写成提纲,再去请教他人,人家一看能懂,较易提出一些修改补充的意见,便于自己得到有效的指导。

英语毕业论文了不起的盖茨比

It's a story said about a man named lost his heart to a grirl wealthy women named Daisy when he was he lost her at that time because he was poor and he forced to the he come back from the do business in a illegal way,and became a man with a lot it's 10 years he do everything just for he come back,wanting married with at last he was dead for noboby come to his funeral except his father and his friend the story was said from Nick'angle of the view.

<辛酸的浪漫,无法企及的永恒——试论盖茨比的悲剧性>【摘要】菲茨杰拉德的小说《了不起的盖茨比》是一部现代成长悲剧,描述了一个满怀憧憬的现代青年如何跨越到没有奇迹的成人世界的成长失败;同时也是一部浪漫主义的悲剧:浪漫的想象既不能创造真实,也无法代替价值,一切浪漫最终都将归于失败,富于想象的心灵也归于尘土,永远沉寂。文章通过对盖茨比的浪漫梦想和对现实的回避的分析揭示了其悲剧的根源。 【关键词】浪漫;永恒;盖茨比;悲剧一、《了不起的盖茨比》内容简介 故事借尼克的回忆讲述了主人公盖茨比(以下称盖)一生追求梦想的经历。穷小子盖爱上了富家女黛西(黛),但黛嫁给了一个名叫汤姆的富翁。盖不甘心自己的失败,并认定是金钱夺走了黛的爱情,决心赢回所爱。富有之后的盖在黛府邸对面建了一幢大厦,每个周末都在自己的豪宅里举办舞会,彻夜笙歌,挥金如土,对黛发出了无声的召唤。后来,他如愿以偿地见到了黛并企图与之再续前缘。紧接着黛在一次车祸中把汤姆的情妇茉特尔撞死,竟伙同汤姆将此嫁祸于盖,直接导致了盖的死亡。 二、辛酸的浪漫 畅通论文 盖的一生是追梦的一生。有人说黛是盖美国梦中的一个重要组成部分,其实她是他梦想的全部。为了积累财富,他放弃了少时的信念,甚至不择手段;有了钱以后他惊人地奢华糜费。这一切都是出于一个单纯的目的——赢回黛。所以,盖所追求的只是一个浪漫的爱情梦。他努力地坚持自己理想和真爱,他漠然地注视着舞会上的乌合之众,彻夜遥望着照亮其梦想的希望之灯,痛苦地、不可救药地爱着黛,尽管她拜金、浅薄、自私。自始至终他都在竭力编织着爱情美梦,陷入其中不能自拔。黛轻而易举地玩弄了他,嫁祸与他,撕扯着他的梦,撕碎了他的身心,而他到死都还沉浸在自己一厢情愿的的浪漫里。 盖茨比情愿把自己的全部身心奉献给对黛的爱,盖的爱是真实的,当他试图依靠高超的想象达到真与美的完美结合时,新的现实无情地将其挫败了。有人把菲茨杰拉德称为“最后一个浪漫主义战士”,那么他笔下的盖无疑便是最后一个浪漫主义者了。他守护着那朵月光下开放的的虚幻之花付出了年轻的生命,这种浪漫最终枯萎凋零于理想的废墟,耐人寻味的是其中无尽的辛酸。 三、无法企及的永恒 他把自己的爱情视为最高的价值,这就是他的永恒,同时也是他活着的全部价值和意义。对他来说,时间已经不再是标志和衡量现实和梦想的的标准。深受浪漫主义影响的菲茨杰拉德让盖茨比成了一个“出身于他自己的柏拉图式观念”的浪漫主义者。在盖眼里,时间只有一种样式,那就是永恒。对盖来说,他和黛的爱好像永远没有改变过,他忘记了区分过去、现在、未来,在他那里,过去、现在、未来融为一体,于是,他在不知不觉中超越了时间的界限。他一直在朝着接近黛的目标努力,他一步一步地做着,积累金钱、修建豪宅、举行宴会,他知道他和黛已经有5年没见面了,但5年对他而言只是一个过程,而不是将过去与现在分开的漫长的时间界限。当然,他始终沉醉在那样的眩晕状态之中,沉醉于与黛的爱情中,所以当尼克清醒地向他质疑道, “你不能重温旧梦的。 ” “不能重温旧梦?” 他大不以为然地喊道,“哪儿的话,我当然能够!” 他发狂地东张西望,仿佛他的旧梦就隐藏在这里,他的房子的阴影里,几乎一伸手就可以抓到的。 “旧梦”对尼克来说就是往事,是一个人经历过的过去,除了心里的回忆,它已经和现在无关。但盖并不这样看,“旧梦”只不过是不得不借用的一个词汇,它代表不了过去,它就是现在,和现在丝丝入扣,声息相通。盖专注于每一个现在,他当然在意识里无数遍重温过他与黛在一起的时光,但对他来而言,那不是感伤的回忆,而是他的现在,和他的现在在一起供他行动的心理动力。 盖执着于一个永远不变的目标,他超越了人为的时间界限。但是这种时间上的“非分割性”、“非断裂性”只存在于他自己。在黛那儿,过去就是过去,现在就是现在,将来就是将来。在这样的现实铺垫下,盖时间的超越就成了一个人的事,然而,爱情的梦想是需要两个人来完成的。如果盖要实现“重温旧梦”的爱情理想,他需要黛和他一起分享这没有时间界限的小快乐。可是黛像她所属的那个阶层所有的人一样最缺乏的就是现在和行动,他们生活在怠惰的回忆和期待中。他们对现在最无能为力,他们即使身在现在,都已经处于过去与未来之中了。因为从本质上讲,他们不具有真正意义上的现在。盖最擅长的就是把握现在,他要用现在来抓住过去,或者说他试图通过不对时间进行划分而抹去其间的5年。现在就意味着全心全意地沉醉在实践中,沉醉在每一个虚晃一招之中。与盖竭力超越相反,黛永远选择逃避。在等待盖的焦躁中,她躲进了汤姆给予的稳定而麻木的婚姻生活中;在芝加哥引起麻烦后,他们迁徙到纽约,他们不断的迁徙正是他们不断要的躲避的一个外在表现,这表明了他们的麻木不仁,“他们砸碎了东西,毁灭了人,然后就退缩到自己的金钱或者麻木不仁或者不管什么使他们留在一起的东西之中……”。 盖与黛5年后的第一次相聚就点明了他们之间的时间差异,预示了小说的一种悲剧结局。盖带黛参观他的房子,同时叫克利普斯普林格(寄居盖茨比家的一个食客)为他们弹奏钢琴,其歌词是这样的: “每天早上, 每天晚上, 玩得欢畅…… 在这同时, 在这期间……” “在这同时,在这期间”点明了全书的时间主题,即,小说有两个时间维度:“在这同时”,“在这期间”。一个是进行时,一个则标明过去与现在的界限。两个时间维度相碰撞时,“时间的空洞”就显现出来,可以把这个“空洞”视为盖在执着实践中匆匆溜过的5年时光。盖倾近于“在这同时”,希望能在这样的进行状态中将时间的界限抹去:可在黛那里,她更倾近于“在这期间”,在这期间发生的事已经不可更改,这个过去不在进行之中,它已经凝固,是一种近似于物的存在。这个夏天盖带给了黛一种令人昏眩的力量,使黛仿佛觉得她的感情是一直和盖在一起的,然而事实总是事实,在她和盖分手的5年里,盖不过是一个故人的名字而已,所以在汤姆的逼问下,黛崩溃了。她发现,尽管她和汤姆的婚姻充满种种失望,但她曾爱过汤姆却是不可否认的事实。 畅通论文 “啊,你要求的太过分了!”她对盖喊道,“我现在爱你难道这还不够吗?过去的事我没法挽回。”她无可奈何地抽抽噎噎哭了起来,“我一度爱过他……但是我也爱过你。” 盖想要回到绝对的过去,这个过去于他仅是一个5年的真空,5年的美梦。尽管他在这5年中从一个穷小子变成了大富翁,但他心灵的追求、他人生的意义却仍和5年前的岁月紧密相连,其间没有断裂。然而,黛在这5年里,却爱过了别人,结过了婚,养育了孩子,她的生活和5年前完全断裂。这5年来盖在做梦,但黛却身处现实。盖想要证明他和黛一直在相爱,黛却说,不,5年前我爱着你,这5年我爱着别人,现在我又开始爱你。“一直”被分割了。对盖而言,这是残酷的分割、滑稽的嘲讽,因为他的情感丧失了对象。他5年的精心努力,他5年艰苦卓越的浪漫爱情完全是自作多情,他的言谈、他的举止、他的一切都失去了根基。他彻底失败了。 四、结语 盖的一生是浪漫的一生,执着地追求着自己的梦想,所有的浪漫不过增添了悲剧的辛酸:盖和黛见面前的坐卧不安是悲声的序幕;见面后被黛迷得六神无主透射出爱的悲凉——她的不解,她的嗓音里金钱的响声分明是悲剧的预言;财富和身份被质疑时的窘迫是迷失自我的悲哀;彻夜守侯心上人却不知自己正要成为她的牺牲品——一厢情愿的心,无怨无悔的爱,总是透射出被践踏的悲哀和辛酸。 时间本应该带来意义,但在盖那里,它因染上永恒的浓重色彩,成为一个极其抽象的概念。这个概念由于缺少真实经验的支持,结果显得空洞。5年的分离,至少标明5年经验的缺乏。如果盖要让他的爱依然如旧,他惟一能做的便是固执地信奉永恒,视爱情为追求中的不变目标,而不是相爱双方的真实要求。这样,盖的爱就不是生命之中的合理爱情,他对爱的追求也不具有传统的爱恋欲求。对他说来,爱情是他的整个灵魂,他无限地醉心于这一灵魂。尽管普遍意义上的永恒己经丧失,但盖仍然可以为他自己找到一种。盖的永恒爱情揭示了一种现代性的狂醉:一个人义无返顾地选择自己的生活,即使这种生活缺乏实际内容,没有任何人的支持,他也该永远追求下去。这就是盖选择的永恒样式,也正是他悲剧的根源。 【参考文献】 [1]弗·司各特·菲茨杰拉德.了不起的盖茨比[M].上海:上海译文出版社,2006. [2]Fitzgerald,F. Scott. The Great Gatsby [M].Beijing: Foreign Language Teaching and Research Press,1992. 【作者简介】赵金凤(1974-),女(满族),辽宁抚顺人,河南科技大学外国语学院教师,研究方向:英语语言文学。

The Great GatsbyThe Great Gatsby was published in 1922 by F. Scott Fitzgerald. At first glance, the novel appears to be a simple love story, but further examination reveals Fitzgerald's masterful scrutiny of American society during the 1920s and the corruption of the American dream. F. Scott Fitzgerald's The Great Gatsby (1926) is, at first sight, a novel about love, idealism and disillusionment. However, it soon reveals its hidden depths and enigmas. What is the significance of the strange "waste land" between West Egg and New York, where Myrtle Wilson meets her death, an alien landscape presided over by the eyes of T J Eckleburg whose eyes, like God's, "see everything"? And what are we to make of the novel's unobtrusive symbolism (the green light, the colour of American dollar bills, which burns at the end of Daisy's dock, the references to the elements - land, sea and earth - over which Gatby claims mastery, the contrast between "East" and "West"), or its subtle use of the personalised first narrator, the unassuming Nick Carraway? It is a novel which has intrigued and fascinated readers. Clearly, as a self-proclaimed "tale of the West", it is exploring questions about America and what it means to be American. In this sense Gatsby is perhaps that legendary opus, the "Great American Novel", following in the footsteps of works such as Moby Dick and Huckleberry Finn. We will return to this aspect of the novel in more detail later on. However, we also need to be aware that it is a novel which has much to be say about more abstract questions to do with faith, belief and illusion. Although rooted in the "Jazz Age" which Fitzgerald is so often credited with naming, it is also a novel which should be considered alongside works like The Waste Land, exploring that "hollowness at the heart of things" which lies just below the surface of modern life. Eliot himself remarked that the novel "interested and excited me more than any new novel I have seen, either English or American, for a number of years". Viewed from more distant perspectives it is possible to see Gatsby as an archetypally tragic figure, the epitome of idealism and innocence which strives for order, purpose and meaning in a chaotic and hostile world. In this sense Gatsby contains religious and metaphysical dimensions: the young man who shapes a "Platonic vision of himself" and who endows the worthless figure of Daisy with religious essence, eventually passes away into nothingness, with few at the funeral to lament the passing of his romantic dream. This article is about the novel. For the film, TV and opera adaptations, see The Great Gatsby (disambiguation).The Great Gatsby Cover of the first edition, 1925. Author F. Scott Fitzgerald Country United States Language English Genre(s) Novel Publisher Charles Scribner's Sons Publication date April 10, 1925 Media type print (hardback & paperback) ISBN NA & reissue ISBN 0-7432-7356-7 (2004 paperback edition) The Great Gatsby is a novel by the American author F. Scott Fitzgerald. First published on April 10, 1925, it is set in Long Island's North Shore and New York City during the summer of novel chronicles an era that Fitzgerald himself dubbed the "Jazz Age." Following the shock and chaos of World War I, American society enjoyed unprecedented levels of prosperity during the "roaring" 1920s as the economy soared. At the same time, Prohibition, the ban on the sale and manufacture of alcohol as mandated by the Eighteenth Amendment, made millionaires out of bootleggers and led to an increase in organized crime. Although Fitzgerald, like Nick Carraway in his novel, idolized the riches and glamor of the age, he was uncomfortable with the unrestrained materialism and the lack of morality that went with it.来自Wikipedia百科的介绍(书籍简介):Although it was adapted into both a Broadway play and a Hollywood film within a year of publication, it was not popular upon initial printing, selling fewer than 25,000 copies during the remaining fifteen years of Fitzgerald's life. It was largely forgotten during the Great Depression and World War II. After its republishing in 1945 and 1953, it quickly found a wide readership and is today widely regarded as a paragon of the Great American Novel. The Great Gatsby has become a standard text in high school and university courses on American literature in countries around the world, and is ranked second in the Modern Library's list of the 100 Best Novels of the 20th Century. Time included the novel in its TIME 100 Best English-language Novels from 1923 to 2005The Great Gatsby的情节总结(Wikipedia):The story is presented as a recollection of Nick Carraway, a young man from a patrician Midwestern family. Nick graduated from Yale in 1915; after fighting in World War I and an unsatisfactory postwar return to the Midwest, he moved to New York City to "learn the bond business" in "the spring of twenty-two." Nick declares that, following his father's advice, he avoids judging people: a habit that has caused trouble, exemplified by events concerning a man named explains that in 1922 he was renting an inexpensive bungalow sandwiched between two mansions in West Egg, a seaside community of wealthy parvenus on Long Island Sound. Directly across the bay was East Egg, inhabited by members of the "old aristocracy", including Tom and Daisy Buchanan. Daisy is Nick's second cousin once removed; Nick knew of her husband Tom, a celebrated polo player at Yale. Nick describes the Buchanans through a visit to their opulent East Egg mansion: although phenomenally wealthy, Tom's glory days are behind him; he is a brutish, overbearing dilettante and Daisy, although engaging, cheerful, and attractive, is pampered and superficial with a largely ignored three-year-old daughter. Nick detects a strain in the relationship and Daisy's friend Jordan Baker, a well-known lady golfer, tells him that Tom has a mistress in New York offers Nick a lift to the city and on the way they stop at a shabby garage owned by George Wilson, where Nick is introduced to the owner's brassy wife, Myrtle Wilson. Her colorless husband George has no suspicion that she is Tom's mistress. Nick passively accompanies the couple to their urban love-nest, where Myrtle presides over a pretentious party that includes her sister Catherine. Catherine approves of the extramarital affair and informs Nick that both lovers cannot stand the people they married and would marry each other if Tom's wife was not a Catholic who "doesn't believe in divorce", something Nick knows to be untrue. Nick finds the evening increasingly unbearable but is unable to leave until Tom breaks Myrtle's nose in a spat. Nick, drunk, leaves with Chester McKee, a would-be artistic photographer. After a very strange night of drunkenness, Nick wakens to blearily go off to his job as a bond 's next-door neighbor is the wealthy and mysterious Jay Gatsby, who every other weekend throws lavish parties hosting hundreds of people. Nick receives a formal invitation from Gatsby's chauffer and attends. The party is wild and fun, but he finds that none of the guests know much about Gatsby and rumors about the man are contradictory. Many have never even met their host, as the parties are open and guests often attend uninvited. Nick runs into Jordan Baker, but they are separated while searching for Gatsby. A man strikes up a conversation with Nick, claiming to recognise him from the US Army's First Division during the Great War. Nick mentions his difficulty in finding their host and the man reveals himself to be Gatsby himself, surprising Nick, who had expected him to be older and not as personable. Gatsby invites Nick to more get-togethers, and an odd 'friendship' day Gatsby appears in a magnificent yellow roadster and drives Nick to New York City, irritating him with the odd statement that Jordan will be asking Nick for a favor on Gatsby's behalf. Gatsby then presents a clichéd description of his life as a wealthy dilettante and war hero to an incredulous Nick, but the latter is convinced when Gatsby displays a Montenegrin war decoration. Gatsby then introduces a bemused Nick to underworld figure Meyer Wolfsheim. Nick then sees Tom and tries to introduce Gatsby, but Gatsby reveals to Nick that Gatsby fell in love with Daisy before the war and hosts parties in the hope that she will visit. Gatsby has asked Jordan to ask Nick to get him a meeting with Daisy. Nick agrees: the reunion is initially awkward, but Gatsby and Daisy begin a love affair. An affair also begins for Nick and Jordan, but Nick knows of Jordan's shortcomings and predicts that their relationship will be , Daisy invites Gatsby and Nick over to her mansion and the three, accompanied by Tom and Jordan Baker, depart for a hotel in the city at Tom's suggestion. Tom also insists that he and Gatsby switch cars; he takes advantage of Gatsby's compliance by flaunting Gatsby's roadster to George Wilson. At the hotel, Tom eventually notices Gatsby's love for Daisy and, in front of Gatsby, Daisy, Nick, and Jordan, confronts Gatsby about his affair with Daisy. Gatsby urges Daisy to say that she never loved Tom; Daisy says that although she did love him, she still loved Gatsby as well. Tom mockingly tells Gatsby that nothing can happen between him and Daisy. Gatsby retorts that the only reason Daisy married Tom was because he (Gatsby) was too poor to afford to marry Daisy at the time. Tom is angered and for the second time in the novel he visibly loses his composure. Tom then alleges that Gatsby is a bootlegger and expresses his loathing of him. Gatsby tries to defend himself to Daisy, but Nick and Tom observe that he fails and that Daisy is now beyond his reach. Confident that he has bested Gatsby, Tom tells Daisy to drive off with Gatsby in Gatsby's car, while Tom takes his time getting home in the company of Nick and suspicions of George Wilson, husband of Tom's mistress Myrtle, have also been aroused and he too has been arguing with his wife. Myrtle runs outside only to be struck and killed by Gatsby's car, which is driven by Daisy. Daisy and Gatsby speed away. Later, Tom, Jordan, and Nick notice a commotion by the garage on their way to East Egg and stop. George Wilson, half-crazy with shock, rants about having seen a yellow car and Tom tells Wilson privately that the yellow car was not his (as he said earlier) but was Gatsby's, but Wilson does not seem to listen and Tom, Jordan, and Nick leave. The half-crazed Wilson, however, later makes a mental connection between the driver of the car and Myrtle's lover and resolves to pursue following day Nick learns the truth about the accident while breakfasting with Gatsby by his pool. Gatsby is depressed, unsure of whether Daisy still loves him and hoping for a call from her. Seeing himself as Gatsby's closest friend, Nick advises Gatsby to leave for a week. "They're [Daisy, Tom, Jordan] a rotten crowd," Nick says, "You're worth the whole damn bunch put together." Gatsby smiles the irresistible smile that Nick describes as having "faced—or seemed to face—the whole world, then concentrated on you with an irresistible prejudice in your favor".Wilson appears at the Buchanan mansion with a gun, finding Tom packing to escape with Daisy. Tom, unaware of Daisy's culpability, names Gatsby as the driver of the car that killed Myrtle. Wilson finds Gatsby floating in his pool and kills him before committing suicide 's funeral devolves upon Nick, whose attempt to find other mourners is virtually fruitless; not even Gatsby's shady business associates will attend. Apart from Gatsby's servants and Nick, the only other mourners are "Owl Eyes" (a Gatsby party guest) and Gatsby's father, Mr. Gatz. Left in the past by his son, he shows Nick a well-worn photograph Gatsby sent him of his mansion and a notebook from Gatsby's youth that he feels illustrates his son's drive and severs connections with Jordan (who claims to be engaged to another man), and, after a brief run-in with Tom, Nick returns permanently to the Midwest, reflecting on Gatsby's dreams and the sad and cyclical nature of the past.

范文:It's a story said about a man named lost his heart to a grirl wealthy women named Daisy when he was he lost her at that time because he was poor and he forced to the he come back from the war.

He do business in a illegal way,and became a man with a lot it's 10 years he do everything just for he come back,wanting married with at last he was dead for noboby come to his funeral except his father and his friend the story was said from Nick'angle of the view.

这是一个关于一个叫盖茨比的男人的故事。他年轻时,他对一个叫黛西的富有女人失去了心。但当时他失去了她,因为他很穷,他被迫参战。当他从战争中回来时,他以非法的方式做生意,他成了一个有钱人。但那是10年前的事了。他做一切都是为了黛西。

他回来了,想和黛西结婚。但最后他为黛西而死。但除了他的父亲和朋友尼克,没有人来参加他的葬礼。故事是从尼克的角度讲得。

英语翻译技巧:

第一、省略翻译法

这与最开始提到的增译法相反,就是要求你把不符合汉语,或者英语的表达的方式、思维的习惯或者语言的习惯的部分删去,以免使所翻译出的句子沉杂累赘。

第二、合并法

合并翻译法就是把多个短句子或者简单句合并到一起,形成一个复合句或者说复杂句,多出现在汉译英的题目里出现,比如最后会翻译成定语从句、状语从句、宾语从句等等。

这是因为汉语句子里面喜欢所谓的“形散神不散”,即句子结构松散,但其中的语意又是紧密相连的,所以为了表达出这种感觉,汉语多用简单句进行写作。而英语则不同,它比较强调形式,结构严谨,所以会多用复杂句、长句。因此,汉译英时还需要注意介词、连词、分词的使用。

了不起的盖茨比论文主题

研究内容为起到了暗示人物的本性、反映时代的特征、深化和丰富小说的主题意义的重要作用。

《了不起的盖茨比》中的讲述人尼克是相对于作家菲茨杰拉德所塑造的读者喜欢的那种叙述人,也是一个“个人化的”,“自叙述的”叙述人,因为他不仅在故事之内,而且还担任主要角色。不仅如此,这个个性化的叙述人是作家本人的声音,同时也是叙述人尼克向读者讲述的声音。

小说文笔优美,得益于比喻、拟人化等修辞手法的运用,而且不落俗套。尼克还同时身兼“局外异叙述的”题述人,因为在某种程度上他不在自己叙述的故事之中。小说中象征意象种类繁多,最为突出的当为色彩以及与特定色彩相关的器物和自然事物所形成的象征意象,起到了暗示人物的本性、反映时代的特征、深化和丰富小说的主题意义的重要作用。

扩展资料:

了不起的盖茨比的相关内容:

1、在美国梦的物质梦想实现以后,究竟应该如想的精神梦想,其内涵究竟应该包含一些什么样的原则。没有一个社会能够仅仅依靠高水平的物质生活去长期维持人们的生活意义和兴趣,人究竟要过的是精神生活,只有精神生活才是具有无限丰富发展的空间。

2、盖茨比编造自己的过去就体现了这种自卑感,这使得他们只能在上流社会中寻找自己心理上的归属。而这种自卑感令他们永远难以摆脱从祖辈继承下来的肤色、方言、口音、习惯、风俗、生活方式和行为举止,给他们带来种种的不适。

参考资料来源:百度百科-了不起的盖茨比

【摘要】 弗·司各特·菲茨杰拉德(1986-1940)是二十世纪二十年代美国杰出的小说家之一,也是爵士乐时代重要的代表人物。兼为爵士乐时代的局内人和局外人,菲茨杰拉德尽情享受了这一时代的物质财富、放荡生活和各色诱惑,同时又洞察到这个社会的腐朽本质,冷眼旁观其同时代人的生活。《了不起的盖茨比》虽然被认为是二十世纪英语名著之一,但是它起初并不引人注目。出版初期的销售量和报刊评论都不是很理想。直到三十年代,尤其是菲茨杰拉德死后,其销售量才开始稳步上升。如今,它每年的销售量都有近百万册,同时也激发了大量的关于菲茨杰拉德和《了不起的盖茨比》这部小说的理论研究和讨论,甚至连续有三个不同的《了不起的盖茨比》电影版本出现。说到这部小说的强烈而持久的吸引力,一些评论家认为是来自菲茨杰拉德超群的小说描写技艺使然,而另一些评论家则从历史文化角度探讨其长久不衰的魅力。本论文试图从一个更新的文学理论和历史文化研究角度——新历史主义角度来研究《了不起的盖茨比》这部美国文学著作。本论文写作分为如下几个部分:首先在引言部分,论文简要介绍了作家菲茨杰拉德和作品《了不起的盖茨比》,并探讨了这部小说的国内外研究趋势和基本状况。在第一章至第三章的论文主体部分,论文按照“理论-文本分析”的结构,从新历史主义理论出发,根据新历史主义的两大核心概念——历史的文本性和文本的历史性,对《了不起的盖茨比》作了详细的解读。第一章首先简述了新历史主义这一理论框架及其背景,为接下来的文本分析做理论准备。本章还就这一理论的发展背景,以及新旧历史主义中“历史”的不同内涵进行了比较研究。本章最后讨论了新历史主义的两位主要代表:一位是该文学理论的创始人史蒂芬·格林布拉特,另一位是提出新历史主义核心概念(历史的文本性和文本的历史性)的路易丝·阿德安·蒙特罗斯。第二章在历史的文本性这一理论概念引导下,探索这部小说中的真实历史事件,并阐释了这些历史事件背后的深层含义。新历史主义理论认为文本记录了历史,并成为我们了解过去的一个窗口,但是由于每个历史记录者兴趣、意识形态和认知力不同,文学文本又不可避免的掺杂了主观性。本章写作选取了其中两件历史事件,并根据新历史主义理论解读这背后的意义:一是富勒-麦吉案件,它揭露了神秘财富的来源,并牵扯出了一个涉及多领域的庞大腐败网络;二是菲茨杰拉德与金妮维亚之见的爱情故事,展现了那个时代的人们是如何以追求金钱及物质享受作为人生目标而导致的悲剧结局的。论文第三章从文本的历史性这一角度出发,探究了《了不起的盖茨比》这部作品的外部因素,以及它对社会和历史的发展所产生的影响。新历史主义认为,文学文本会受到社会历史背景以及作者性格、意识形态和道德规范的影响,同时文本也有塑造历史的力量。论文指出,二十世纪二十年代,社会经历了迅速的变化,菲茨杰拉德的特殊家庭背景也在他身上留下的印记,在文学创作方面,他受到了艾略特、斯宾格勒等作家的影响。这些特点在《了不起的盖茨比》中有所体现,作为二十世纪二十年代的一部伟大作品,《了不起的盖茨比》对社会发展也产生了深刻的影响。论文的最后结论部分整体回顾了这篇论文,并重点介绍了论文的现实意义和写作价值。根据新历史主义理论,文学研究和批评不仅会受到文本创作的社会历史背景的影响,还会受到文学研究评论的社会历史背景的影响。因此,新历史主义鼓励不同时代背景下的持续性文学研究。当今中国社会在某些方面与爵士乐时代十分相似。作为一种理论研究方法,新历史主义提供了一个独特的研究历史与文本关系的视角。因此,本论文试图从新历史主义角度分析《了不起的盖茨比》,旨在以作品主人翁错误的人生追求导致的人生悲剧的教训警示世人,帮助人们树立正确的人生观价值观。

【关键词】 菲茨杰拉德; 新历史主义; 《了不起的盖茨比》; 爵士乐时代

选择一个恰当的题目,是一个非常关键的问题,那我们要怎么选择美国文学的题目呢?下面是我带来的关于2017年美国文学论文题目的内容,欢迎阅读参考!2017年美国文学论文题目(一) 1. 简论Jane Austin 的爱情婚姻观 2. 从《简爱 》看早期女权主义的理想和追求 3. 十九世 纪英国小说家笔下的真、善、美 4. 英国十八世纪浪漫主义诗人的自然观 5. Romanticism in Mark Twin's works 6. 批评方法之我见 段燕 7. 浅谈泰戈尔的生命 段燕 8. 浅谈《红字》中珠儿形象的作用 9. 论《 红字》中的道德主题 10. 论海丝特·白兰的性 格发展 11. 《红字》中象征手法的运用 12. 论霍桑《红字》中“A”的象征意义 13. 象征意向在《了不起的盖茨比》中的运用 14. 论《了不起的盖茨比》的艺术特点 15. 伍尔夫创作中的女权主义立场 16. 弗吉尼亚·伍尔夫的女权思想 17. 伍尔夫女 性视角中的女性形象分析 2017年美国文学论文题目(二) 1、 透过《傲慢与偏见》看现代社会爱情观 2、生与死的抗争--《厄舍古厦的倒塌》主题解读 3、浅谈“欧·亨利式结尾”及其文学影响 4、从宗教角度解读简爱的多重性格 5、从女权主义角度剖析《小妇人》中的乔 6、 “英雄”的陨落--悲剧美学角度分析《老人与海》 7、 从《菊花》中看女主人公Elisa实现自我价值的障碍 8、奉献与宽容---浅析《双城记》中的仁爱精神 9、 《格列佛游记》中对理性的反思与批判 10、浅析《警察和赞美诗》的戏剧化特色 11、一场失败革命的反思---论《动物庄园》中所表现的象征意义 12、论詹姆斯·乔伊斯《阿拉比》的精神顿悟 13、从后印象主义角度解读《到灯塔去》中的双性同体观 14、 从中西方道德观差异谈《伊利亚特》与《封神演义》人物品德 15、 韦伯《猫》中的女性主义 16、 浅析《儿子与情人》中的心理冲突 17、浅析中西方喜剧文化---以《武林外传》和《老友记》为例 18、从女性主义看《傲慢与偏见》中的女性形象 19、《瓦尔登湖》中自然主义的现实意义 20、 从男性角色解读《简爱》中的女性反抗意识 2017年美国文学论文题目(三) 1. 论劳伦斯《虹》中的异化 2. 《罗密欧与朱丽叶》与《梁祝》悲剧结局所体现的中西文化差异 3. 从《在路上》看五六十年代美国社会价值观 4. 评希思克利夫被扭曲的心路历程 5. 试论马克·吐温短篇小说的幽默特色 6. 惠特曼的死亡哲学 7. 论《呼啸山庄》--原始古朴与文明理性的交错色彩 8. 论《了不起的盖茨比》中“二元主角”手法的运用 9. 透过小说《威廉·威尔逊》和《黑猫》看艾伦·坡的善恶观 10. 从《飘》看内战对美国文学的影响 11. 论《美国丽人》一片中人物的两面性 12. 论海明威小说中的死亡主题 13. 浅析艾丽丝·沃克的《紫颜色》 14. 女性作家的共性 15. 《倾城之恋》与《飘》的女权意识比较研究 16. 《失乐园》 与《圣经》中撒旦形象的对比 17. 《老人与海》与《鲁宾逊漂流记》的比较研究 18. 哥特式风格在《弗兰克斯坦》中的体现 19. 浅议反讽手法在《蝇王》中的运用 20. 分析麦尔维尔《白鲸》中的象征主义 21. 艾略特早期诗歌中的人物形象分析 22. 《丧钟为谁而鸣》中的女性形象分析 23. On tragic Beauty 24. An Analysis of the Social Impact on the Character -- Sister Carrie 25. Exploration of the Common Features of American Writers During World War II 26. Jane Eyre's Linguistic Features 27. 论Virginia Woolf 的意识流创作方法在某一作品中的体现 猜你喜欢: 1. 英美文学类论文范文 2. 美国文化学术论文格式要求 3. 美国文化学术论文格式 4. 关于文化的政治论文题目 5. 关于英国文化的论文

论文了不起的盖茨比题目

选择一个恰当的题目,是一个非常关键的问题,那我们要怎么选择美国文学的题目呢?下面是我带来的关于2017年美国文学论文题目的内容,欢迎阅读参考!2017年美国文学论文题目(一) 1. 简论Jane Austin 的爱情婚姻观 2. 从《简爱 》看早期女权主义的理想和追求 3. 十九世 纪英国小说家笔下的真、善、美 4. 英国十八世纪浪漫主义诗人的自然观 5. Romanticism in Mark Twin's works 6. 批评方法之我见 段燕 7. 浅谈泰戈尔的生命 段燕 8. 浅谈《红字》中珠儿形象的作用 9. 论《 红字》中的道德主题 10. 论海丝特·白兰的性 格发展 11. 《红字》中象征手法的运用 12. 论霍桑《红字》中“A”的象征意义 13. 象征意向在《了不起的盖茨比》中的运用 14. 论《了不起的盖茨比》的艺术特点 15. 伍尔夫创作中的女权主义立场 16. 弗吉尼亚·伍尔夫的女权思想 17. 伍尔夫女 性视角中的女性形象分析 2017年美国文学论文题目(二) 1、 透过《傲慢与偏见》看现代社会爱情观 2、生与死的抗争--《厄舍古厦的倒塌》主题解读 3、浅谈“欧·亨利式结尾”及其文学影响 4、从宗教角度解读简爱的多重性格 5、从女权主义角度剖析《小妇人》中的乔 6、 “英雄”的陨落--悲剧美学角度分析《老人与海》 7、 从《菊花》中看女主人公Elisa实现自我价值的障碍 8、奉献与宽容---浅析《双城记》中的仁爱精神 9、 《格列佛游记》中对理性的反思与批判 10、浅析《警察和赞美诗》的戏剧化特色 11、一场失败革命的反思---论《动物庄园》中所表现的象征意义 12、论詹姆斯·乔伊斯《阿拉比》的精神顿悟 13、从后印象主义角度解读《到灯塔去》中的双性同体观 14、 从中西方道德观差异谈《伊利亚特》与《封神演义》人物品德 15、 韦伯《猫》中的女性主义 16、 浅析《儿子与情人》中的心理冲突 17、浅析中西方喜剧文化---以《武林外传》和《老友记》为例 18、从女性主义看《傲慢与偏见》中的女性形象 19、《瓦尔登湖》中自然主义的现实意义 20、 从男性角色解读《简爱》中的女性反抗意识 2017年美国文学论文题目(三) 1. 论劳伦斯《虹》中的异化 2. 《罗密欧与朱丽叶》与《梁祝》悲剧结局所体现的中西文化差异 3. 从《在路上》看五六十年代美国社会价值观 4. 评希思克利夫被扭曲的心路历程 5. 试论马克·吐温短篇小说的幽默特色 6. 惠特曼的死亡哲学 7. 论《呼啸山庄》--原始古朴与文明理性的交错色彩 8. 论《了不起的盖茨比》中“二元主角”手法的运用 9. 透过小说《威廉·威尔逊》和《黑猫》看艾伦·坡的善恶观 10. 从《飘》看内战对美国文学的影响 11. 论《美国丽人》一片中人物的两面性 12. 论海明威小说中的死亡主题 13. 浅析艾丽丝·沃克的《紫颜色》 14. 女性作家的共性 15. 《倾城之恋》与《飘》的女权意识比较研究 16. 《失乐园》 与《圣经》中撒旦形象的对比 17. 《老人与海》与《鲁宾逊漂流记》的比较研究 18. 哥特式风格在《弗兰克斯坦》中的体现 19. 浅议反讽手法在《蝇王》中的运用 20. 分析麦尔维尔《白鲸》中的象征主义 21. 艾略特早期诗歌中的人物形象分析 22. 《丧钟为谁而鸣》中的女性形象分析 23. On tragic Beauty 24. An Analysis of the Social Impact on the Character -- Sister Carrie 25. Exploration of the Common Features of American Writers During World War II 26. Jane Eyre's Linguistic Features 27. 论Virginia Woolf 的意识流创作方法在某一作品中的体现 猜你喜欢: 1. 英美文学类论文范文 2. 美国文化学术论文格式要求 3. 美国文化学术论文格式 4. 关于文化的政治论文题目 5. 关于英国文化的论文

不行。这本书中已经完全断定钱不能买到爱情——这个题目无题可写。建议写写:眼下社会里的“盖茨比”、盖茨比的迷惘、城市和梦想——这类稍微宽泛一点有可发挥的题目。

【摘要】 弗·司各特·菲茨杰拉德(1986-1940)是二十世纪二十年代美国杰出的小说家之一,也是爵士乐时代重要的代表人物。兼为爵士乐时代的局内人和局外人,菲茨杰拉德尽情享受了这一时代的物质财富、放荡生活和各色诱惑,同时又洞察到这个社会的腐朽本质,冷眼旁观其同时代人的生活。《了不起的盖茨比》虽然被认为是二十世纪英语名著之一,但是它起初并不引人注目。出版初期的销售量和报刊评论都不是很理想。直到三十年代,尤其是菲茨杰拉德死后,其销售量才开始稳步上升。如今,它每年的销售量都有近百万册,同时也激发了大量的关于菲茨杰拉德和《了不起的盖茨比》这部小说的理论研究和讨论,甚至连续有三个不同的《了不起的盖茨比》电影版本出现。说到这部小说的强烈而持久的吸引力,一些评论家认为是来自菲茨杰拉德超群的小说描写技艺使然,而另一些评论家则从历史文化角度探讨其长久不衰的魅力。本论文试图从一个更新的文学理论和历史文化研究角度——新历史主义角度来研究《了不起的盖茨比》这部美国文学著作。本论文写作分为如下几个部分:首先在引言部分,论文简要介绍了作家菲茨杰拉德和作品《了不起的盖茨比》,并探讨了这部小说的国内外研究趋势和基本状况。在第一章至第三章的论文主体部分,论文按照“理论-文本分析”的结构,从新历史主义理论出发,根据新历史主义的两大核心概念——历史的文本性和文本的历史性,对《了不起的盖茨比》作了详细的解读。第一章首先简述了新历史主义这一理论框架及其背景,为接下来的文本分析做理论准备。本章还就这一理论的发展背景,以及新旧历史主义中“历史”的不同内涵进行了比较研究。本章最后讨论了新历史主义的两位主要代表:一位是该文学理论的创始人史蒂芬·格林布拉特,另一位是提出新历史主义核心概念(历史的文本性和文本的历史性)的路易丝·阿德安·蒙特罗斯。第二章在历史的文本性这一理论概念引导下,探索这部小说中的真实历史事件,并阐释了这些历史事件背后的深层含义。新历史主义理论认为文本记录了历史,并成为我们了解过去的一个窗口,但是由于每个历史记录者兴趣、意识形态和认知力不同,文学文本又不可避免的掺杂了主观性。本章写作选取了其中两件历史事件,并根据新历史主义理论解读这背后的意义:一是富勒-麦吉案件,它揭露了神秘财富的来源,并牵扯出了一个涉及多领域的庞大腐败网络;二是菲茨杰拉德与金妮维亚之见的爱情故事,展现了那个时代的人们是如何以追求金钱及物质享受作为人生目标而导致的悲剧结局的。论文第三章从文本的历史性这一角度出发,探究了《了不起的盖茨比》这部作品的外部因素,以及它对社会和历史的发展所产生的影响。新历史主义认为,文学文本会受到社会历史背景以及作者性格、意识形态和道德规范的影响,同时文本也有塑造历史的力量。论文指出,二十世纪二十年代,社会经历了迅速的变化,菲茨杰拉德的特殊家庭背景也在他身上留下的印记,在文学创作方面,他受到了艾略特、斯宾格勒等作家的影响。这些特点在《了不起的盖茨比》中有所体现,作为二十世纪二十年代的一部伟大作品,《了不起的盖茨比》对社会发展也产生了深刻的影响。论文的最后结论部分整体回顾了这篇论文,并重点介绍了论文的现实意义和写作价值。根据新历史主义理论,文学研究和批评不仅会受到文本创作的社会历史背景的影响,还会受到文学研究评论的社会历史背景的影响。因此,新历史主义鼓励不同时代背景下的持续性文学研究。当今中国社会在某些方面与爵士乐时代十分相似。作为一种理论研究方法,新历史主义提供了一个独特的研究历史与文本关系的视角。因此,本论文试图从新历史主义角度分析《了不起的盖茨比》,旨在以作品主人翁错误的人生追求导致的人生悲剧的教训警示世人,帮助人们树立正确的人生观价值观。

【关键词】 菲茨杰拉德; 新历史主义; 《了不起的盖茨比》; 爵士乐时代

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