织物设计英文论文文献

工业设计 Industrial Design designIndustrial design is an applied art whereby the aesthetics and usability of products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of engineering, usability, marketing, brand development and of industrial designGeneralIndustrial Designers are a cross between a mechanical engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and Depth"Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer." According to the IDSA (Industrial Design Society of America)Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state". This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. Industrial design is rapidly becoming an obsolete term as 'products' can now be industrially produced as 'one-offs' by the use of Rapid Prototyping Machines. In a post-industrial era and with the emergence of strategic design definitions such as this are incumbering designers and the advancement of design to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, Coke bottle, and VW Beetle are frequently-cited design has no focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the sexual or affectionate attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).Industrial design rightsIndustrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired.

Clothes Material Clothing Fabrics a wide range of the material science and fiber science aspects of the technology including: *electrically active polymeric materials and the applications of nonionic polymer gel and elastomers for artificial muscles *thermally sensitive fibres and fabrics *cross-linked polyol fibrous substrates stimuli-responsive interpenetrating polymer network hydrogel *permeation control through stimuli-responsive polymer membranes *optical fibre sensors, hollow fibre membranes for gas separation *integrating fibre-formed components into textile structures *wearable electronic and photonic technologies *adaptive and responsive textile structures (ARTS) *and biomedical applications including the applications of scaffolds in tissue engineering This book provides a guide to the fundamentals and latest developments in smart technology for textiles and clothing. The contributors represent a distinguished international panel of experts and the book covers many aspects of cutting edge research and development. It gives you insight into technological developments in the field valuable and FIBRES, FABRICS AND CLOTHING starts with a review of the background to smart technology and goes on to cover a wide range of the material science and fiber science aspects of the technology including: * electrically active polymeric materials and the applications of nonionic polymer gel and elastomers for artificial muscles * thermally sensitive fibres and fabrics * cross-linked polyol fibrous substrates stimuli-responsive interpenetrating polymer network hydrogel * permeation control through stimuli-responsive polymer membranes * optical fibre sensors, hollow fibre membranes for gas separation * integrating fibre-formed components into textile structures * wearable electronic and photonic technologies * adaptive and responsive textile structures (ARTS) * and biomedical applications including the applications of scaffolds in tissue engineering This book provides a guide to the fundamentals and latest developments in smart technology for textiles and clothing. The contributors represent a distinguished international panel of experts and the book covers many aspects of cutting edge research and development. It gives you insight into technological developments in the field valuable and Fibres, Fabrics and Clothingedited by Xiaoming TaoReviews background to smart technology and goes on to cover a wide range of the material science and fiber science aspects of the technology Provides insight into the latest technological developments such as thermally sensitive fibers and fabrics, wearable electronic and photonic technologies, adaptive and responsive textile structures, biomedical applications, and more Contains contributions from a distinguished international panel of experts Covers many aspects of cutting edge research and developmentSmart Fibres, Fabrics and Clothing starts with a review of the background to smart technology and goes on to cover a wide range of the material science and fiber science aspects of the technology including:Electrically active polymeric materials and the applications of nonionic polymer gel and elastomers for artificial muscles Thermally sensitive fibres and fabrics Cross-linked polyol fibrous substrates Stimuli-responsive interpenetrating polymer network hydrogel Permeation control through stimuli-responsive polymer membranes Optical fibre sensors, hollow fibre membranes for gas separation Integrating fibre-formed components into textile structures Wearable electronic and photonic technologies Adaptive and responsive textile structures (ARTS) And biomedical applications including the applications of scaffolds in tissue engineeringSmart Fibres, Fabrics and Clothing provides a guide to the fundamentals and latest developments in smart technology for textiles and clothing. The contributors represent a distinguished international panel of experts and the book covers many aspects of cutting edge research and development. It gives you insight into technological developments in the field valuable and technology for textiles and clothing - An overview and review Introduction Development of smart technology for textiles and clothing Outline of the book Electrically active polymer materials: application of non-ionic polymer gel and elastomers for artificial muscles Introduction Polymer materials as actuators or artificial muscle Peculiarity of polymer gel actuator Triggers for actuating polymer gels Electro-active polymer gels as artificial muscles From electro-active polymer gel to electro-active elastomer with large deformation Heat storage and thermo-regulated textiles and clothing Development introduction Basics of heat-storage materials Manufacture of heat-storage and thermo-regulated textiles and clothing Properties of heat-storage and thermo-regulated textiles and clothing application Development trends Thermally sensitive materials Introduction Thermal storage and thermal insulating fibres Thermal insulation through polymeric coatings Design of fabric assemblies Cross-linked polyol fibrous substrates as multifunctional and multi-use intelligent materials Introduction Fibrous intelligent materials Experimental Results and discussion Stimuli-responsive interpenetrating polymer network hydrogels composed of poly(vinyl alcohol) and poly(acrylic acid) Introduction Experimental Results and discussion Permeation control through stimuli-responsive polymer membrane prepared by plasma and radiation grafting techniques Introduction Experimental Results and discussion Mechanical properties of fibre Bragg gratings Introduction Fabric techniques Mechanisms of FBG sensor fabrication Mechanical properties Influence of the UV irradiation on mechanical properties Polymeric fibre Optical responses of FBG sensors under deformations Introduction Optical methodology for FBG sensors Optical responses under tension Optical responses under torsion Optical responses under lateral compression Optical responses under bending Smart textile composites integrated with fibre optic sensors Introduction Optical fibres and fibre optic sensors Principal analysis of embedded fibre Bragg grating sensors Simultaneous measurements of strain and temperature Measurement effectiveness Reliability of FBGs Error of strain measurement due to deviation of position and direction Distributed measurement systems Hollow fibre membranes for gas separation Historical overview of membranes for gas separation Developments of membranes for industrial gas separation Theories of permeation processes Phase inversion and hollow fibre membrane Future hollow fibre membranes and industrial gas separation Embroidery and smart textiles Introduction Basics of embroidery technology Embroidery for technical applications - tailored fibre placement Embroidery technology used for medical textiles Embroidered stamp - gag or innovation? Adaptive and responsive textile structures (ARTS) Introduction Textiles in computing: the symbiotic relationship The Georgia Tech Wearable MotherboardTM GTWM: contributions and potential applications Emergence of a new paradigm: harnessing the opportunity Wearable technology for snow clothing Introduction Key issues and performance requirements The prototype Bio-processing for smart textiles and clothing Introduction Treatment of wool with enzymes Treatment of of cotton with enzymes Enzymatic modification of synthetic fibres Spider silk 'Intelligent fibres' Tailor-made intelligent polymers for biomedical applications Introduction Fundamental aspects of shape memory materials Concept of biodegradable shape memory polymers Degradable thermoplastic elastomers having shape memory properties Degradable polymer networks having shape memory properties Textile scaffolds in tissue engineering Introduction Ideal scaffold system Scaffold materials Textile scaffolds

你好， foreknown下文从工业设计属性出发，讲到发展进程，立法权益保护还有产品设计的相关内容，字数有限，希望能多给你参考，期望能帮得上你。Industrial design is an applied art whereby the aesthetics and usability of mass-produced products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of form, usability, user ergonomics, engineering, marketing, brand development and term "industrial design" is often attributed to the designer Joseph Claude Sinel in 1919 (although he himself denied it in later interviews) but the discipline predates that by at least a decade. Its origins lay in the industrialization of consumer products. For instance the Deutscher Werkbund, founded in 1907 and a precursor to the Bauhaus, was a state-sponsored effort to integrate traditional crafts and industrial mass-production techniques, to put Germany on a competitive footing with England and the United of industrial design Water kettle designed by Peter Behrens in 1909 A Braun stereo Vox Phantom guitar, 1962General Industrial Designers are a cross between an engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement, but they can affect technical aspects through usability design and form relationships. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and Depth "Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer" according to the IDSA (Industrial Designers Society of America).Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state." This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic exchange."Process of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, the Jeep, the Fender Stratocaster, the Coke bottle, and the VW Beetle are frequently-cited design also has a focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the emotional attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior design, to schools where aesthetic design is almost completely subordinated to concerns of function and ergonomics of use (the so-called functionalist school）。Industrial design rightsIndustrial design rights are intellectual property rights that protect the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired. Design rights started in the United Kingdom in 1787 with the Designing and Printing of Linen Act and have expanded from 's Design Act, 2000 was enacted to consolidate and amend the law relating to protection of design and to comply with the articles 25 and 26 of TRIPS agreement. The new act, (earlier Patent and Design Act, 1911 was repealed by this act) now defines "design" to mean only the features of shape, configuration, pattern, ornament, or composition of lines or colours applied to any articlewhether in two or three dimensional, or in both forms, by any industrial process or means, whether manualal or mechanical or chemical, separate or combimed, which in the finished article appeal to and are judged solely bt the eye; but does not include any mode or principle of 's industrial design act affords ten years of protection to industrial designs that are registered; there is no protection if the design is not registered. The Industrial Design Act (., c. I-8) defines "design" or "industrial design" to mean features of shape, configuration, pattern or ornament and any combination of those features that, in a finished article, appeal to and are judged solely by the the existence of an exclusive right, no person can "make, import for the purpose of trade or business, or sell, rent, or offer or expose for sale or rent, any article in respect of which the design is registered." The rule also applies to kits and substantial differences are in reference to previously published KingdomIn addition to the design protection available under Community designs, UK law provides its own national registered design right and an unregistered design right. The unregistered right, which exists automatically if the requirements are met can last for up to 15 years. The registered design right can last up to 25 years subject to the payment of maintenance fees。United . design patents last fourteen years from the date of grant and cover the ornamental aspects of utilitarian objects. Objects that lack a use beyond that conferred by their appearance or the information they convey, may be covered by copyright -- a form of intellectual property of much longer duration that exists as soon as a qualifying work is created. In some circumstances, rights may also be acquired in trade dress, but trade dress protection is akin to trademark rights and requires that the design have source significance or "secondary meaning." It is useful only to prevent source misrepresentations; trade dress protection cannot be used to prevent others from competing on the designProduct design can be defined as the idea generation, concept development, testing and manufacturing or implementation of a physical object or service. Product Designers conceptualize and evaluate ideas, making them tangible through products in a more systematic approach. The role of a product designer encompasses many characteristics of the marketing manager, product manager, industrial designer and design term is sometimes confused with industrial design, which defines the field of a broader spectrum of design activities, such as service design, systems design, interaction design as well as product design.[citation needed] The role of the product designer combines art, science and technology to create tangible three-dimensional goods. This evolving role has been facilitated by digital tools that allow designers to communicate, visualize and analyze ideas in a way that would have taken greater manpower in the neededProduct designers are equipped with the skills needed to bring products from conception to market. They should have the ability to manage design projects, and subcontract areas to other sectors of the design industry. Aesthetics is considered important in Product Design but designers also deal with important aspects including technology, ergonomics, usability, stress analysis and materials with most of the design fields the idea for the design of a product arises from a need and has a use. It follows a certain method and can sometimes be attributed to more complex factors such as association and telesis. Also used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).ApplicationSome companies or individuals have particularly strong feel for developing new products than others. In the modern world these include especially technological companies like iRobot, Google or Nokia. Many product designers are strategic assets to companies that need to maintain a competitive edge in innovation.