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Edward Rochester called Jane his "faerie," his "elf," and accused her of "waiting for her The men in green" the night she first encountered Indeed, in his adaptation of Jane Eyre he was not mistaken, for the entire production has a quality of magic about If any actor or actress could be said to be born to play a certain character, that adage must apply to Timothy Dalton and Zelah C The chemistry between them as the two stars of this lavish BBC production is nothing short of magical: their relationship is alive with passion and the fiery conflict of two tormented souls imprisoned by Fate and the morals of their The story is a classic one: Jane Eyre, an unloved orphan is sent to school, where she is educated in a strict, cruel manner, there growing to adulthood learning little of life in the When her only friend marries, Jane advertises, and is accepted as governess to the ward of rich, enigmatic Edward Fairfax R From their first meeting in Hay Lane, where Jane "bewitches" his horse, there is between them an unspoken bond of kinship that slowly blossoms into true love and After what appeared to be a brief engagement to the Honourable Miss Blanche Ingram, whom all the county expects him to marry, Rochester mysteriously calls off his marriage plans, and proposes to Jane, the only woman who is his equal - who could be his best earthly At the altar, however, it is tragically revealed that Rochester already has a wife, still living: he is forced by this revelation to lead Jane, and those who would judge him harshly, back to Thornfield Hall, where he unhesitatingly and bitterly shows them the lunatic his father, without Edward's prior knowledge, arranged for him to Realizing her position is now untenable, Jane flees, nearly dying of hunger and lack of shelter, before she is befriended by a clergyman and his two It is subsequently found that Jane is related to this family, as their mother was Jane's father's When their uncle dies, leaving Jane his entire fortune, she divides it equally among the four of them, and prepares to lead a close and affectionate life within the small family It is S John Rivers, the clergyman, who unsettles Jane, by offering her marriage, and requesting her to accompany him to India, where he has decided to make a new life for himself as a Believing M Rochester lost to her forever, Jane finally and reluctantly accepts his proposal, only to psychically hear Rochester's voice calling to Abandoning S John, Jane rushes back to Thornfield Hall, where she discovers, to her great horror, it had burned nearly to the The innkeeper, a former butler at the house, informs her that Rochester was nearly killed in the fire while unsuccessfully attempting to save the life of his lunatic wife, who, it was later learned, had set the While he did not die, Rochester lost his left hand and eye, the right eye being so badly inflamed as to render him almost totally Jane hurries to Rochester, at a remote piece of property, where she discovers him broken down and dispirited, believing Jane to be forever lost to him, and suffering from the physical punishments God has inflicted upon him for trying to fly in the face of They are reunited, and after he proposes again - now a man free to do so - they are This 239-minute production is incredibly faithful to the novel, differing in but few, minor points: it is practically stated in the movie that Rochester is the father of Adele, whom he refers to as his ward, while in the text, the question of fatherhood is left open; Adele's mother, a French opera dancer, is alluded to be his only mistress, while Bronte lists three; the passage in the Bible S John reads before Jane tentatively accepts his proposal of marriage is different (and quite improved); then, most significantly, is Jane's end Here she states, "Edward regained the sight of one eye just before our first child was " In Charlotte Bronte's novel, the line is, "just before our first son was " This sensitive change from "son" to "child" completes the love story, becoming the finishing touch which makes this production truly immortal, and all- The supporting cast is excellent: the locations capture the feel of the early 1800's, drawing the viewer into the bleak, grim world of Lowood Institution, then into the splendor of Thornfield H But the uniqueness of this Jane Eyre, that which sets it apart from any adaptation that went before or came after, are the performances of Dalton and C Despite the fact that she is not "plain," and he is handsome, the two actors lend their bodies and voices to the characters, making them real beyond a shadow of a Every moment they are on screen together is arresting, from their initial contact, to the end Several scenes that stand out come to mind: Jane has just saved Rochester from being badly burned, most likely fatally, and tells him she must return to her He holds onto her hands; every time she attempts to pull away, he makes as though to let her, then reneges, finally compelling her to use the ploy of saying she hears the housekeeper One can readily imagine the resolve of Zelah Clarke's Jane melting, and Rochester never letting her There is a beautiful, poignant moment when Rochester first proposes to Jane by baring his soul to her, allowing her to look, not into his eyes, but into his soul, where he reveals not the worldly exterior and the miseries with which life has saddled him, but the true, pure being When she accepts him, they embrace: their magic and love are Here, indeed, are two kindred souls It is a moment of beauty rarely captured by any two actors, and causes the events that follow almost too tragic to There is the delightful scene after Jane must ask for a leave of absence, and Dalton "gets the giggles" twice, the second time after accusing Jane of being "" It is a professional and magical moment, watching Clarke struggle to maintain a straight face as they continue, with Dalton grinning mischievously for most of the remainder of the Again, when Rochester must confront Jane after his previous marriage has been exposed, the deep, abiding sadness of his youth, the moral depths to which he has fallen are heart- Jane's refusal to go away with him (specifically chronicled in the book to emphasize the correctness of this decision) just barely holds up here, for you cannot believe Dalton's Rochester would eventually fall out of love with Jane for becoming his mistress, rather than his Throughout the entire production, the viewer identifies with both the main characters, feeling their hopes, aspirations, confusion, jealousy, and eventually, their Had the movie not provided us with a happy ending (despite the Gothic penalty Rochester is forced to pay for attempting to break the rules of morality), viewers would be compelled to demand Dalton and Clarke reprise their roles for a re- Never were two characters meant more for each other; never have two actors captured these sentiments so beautifully and so Thus, Jane Eyre is a classic story, enduring both as a novel, and as a film adaptation (or, in this case, video), presenting a rare instance of allowing the reader to lay down the novel and move from the printed word to vivid, arresting performances, or, in reverse, to go from this exquisite production to the book with no disappointments in either interpretation or If anything, the novel becomes more "visible," moving and unique, for now the reader will irrevocably see and hear Zelah Clarke and Timothy Dalton in their masterful and passionate living and breathing characters of Jane Eyre and Edward R 读过＜简爱＞的人都知道，简其实是一个自卑感非常强的女子。她既无财又无色，从小还在一个缺乏爱的环境中孤独地长大。立身于那样势力的社会环境中，渺小如草芥。唯一属于简的是知识和独立的个性。但知识只不过为她换来糊口的面包，能让她最后摆脱心理困境的仍是她得到的那份遗产。当她终于用自已的倔强．骄傲和残忍把爱情逼入绝境，当罗彻斯特先生终于变得面目伤残，一贫如洗，她才能够用一种正常的心态来爱他。 男人最大的财富是金钱，女人最大的财富是容貌，因此，自古以来，款哥泡小蜜，靓妞傍大款乃天经地义、顺理成章、门当户对、顺天而行，但是如果哪个武大郎偏要不自量力非要吃天鹅肉，那轻则家庭不和，重则真向武大郎一样被老婆和第三者合谋送上极乐世界，也是活该；同理，哪个丑女以为自己真的是灰姑娘，而要非王子不嫁，那么等待她的也多半是老姑娘的命运。因此，水晶鞋的故事只是个童话，谁都不会当真，但是，另一个灰姑娘的故事却不但被人当了真，甚至还成了妇女解放的典型，这个灰姑娘就是简爱。 一个最没有财富的女人要找一个最有财富的男人，其困难可想而知，于是，为了达到自己伟大的爱情目标，简爱很聪明地在自己的上帝――夏洛特小姐的帮助下，对自己和自己的目标进行了一番改造，其内容基本如下： 一， 首先，要征服男人的心。罗老板也许是山珍海味吃多了，简爱干脆以另一种面目出现，也许她并不是故意的：“我要让你离不开我，就象我离不开你”，这话攻守兼备，柔中带刚，这番铿锵有力的爱情宣言不仅打动了罗老板，甚至还打动了以后无数的小资女人，成为女性解放的传统表演项目， 二， 其次，搞掉他的财产。你那么NB，不是就有点钱吗？很好，一场天知道怎么回事的大火，烧掉你几乎所有的财产，弄得你比我也强不了多少，至少你再不能凭你的几个臭钱在我面前摆谱，好了，现在比较平衡（注意：不是平等）了； 三， 弄光你的钱还不够，你不是嫌俺丑吗？于是罗老板在大火中很不幸地加入了残联，成功地成为二等公民。弄瞎眼睛真的是个最好的结果，反正未来老婆长得不怎么漂亮，少看几眼也没什么损失，而且从此爱情还平添了几分浪漫，至少比断腿少胳膊要好得多。 四， 你没几个钱了，可俺却有钱了。“三十年河东，三十年河西”，夏小姐让简爱突然钻出来一有钱的亲戚，留给她一笔不大不小的遗产，现在俺也是属于资产阶级了，简爱小姐在金钱的武装下底气足了不少，于是可以光明正大地衣锦荣归了。 五， 你不要俺，有的是好男人要俺。夏小姐聪明地给简爱安排了一个立志献身上帝的表哥――圣约翰。维多利亚时代的英国人经常分不清爱情与宗教的区别，就象几十年前的中国人分不清爱情与政治的区别，连情书里都必以语录开头一样，这个选择在当时人的眼里比你那NB的罗老板好多了，你要不识货，自然有竞争者排着队在后面等着，看你着急不着急！ 六， 俺可不想回来，这都是上帝叫俺回来的。简爱离开罗老板一段时间后，她听到了来自远方深情的呼唤：“简、简、简！”据说同时罗老板也听到了回应：“俺来也、俺来也、俺来也！”这可是给足了简小姐面子：神灵在上，天作之合，违天不祥，机不可失，时不再来，简爱小姐于是顺理成章地荣归故里，得到爱情。 其实我并没有调侃或者讥讽简爱或者夏洛特的意思，我只是觉得，简爱有限的挣扎实际上并不能是所谓的妇女解放，如果真是这样的话，女同胞早就解放了。简爱与罗切斯特最后的结合，实际上是建立在双方地位的改变（一方上升，一方下降）而带来的平衡上。所谓人格的平等，在人类社会永远是一个可望而不可及的梦。 原来，在爱情上，平等是那么难
吉尔伯特＆古芭的《阁楼上的疯女人》是研究《简爱〉《呼啸山庄〉等作篇比较新颖有创意的专著，找来看看可以，可以结合“穿裙子的英雄”论述，如果你在大学里，或着能去比较大型的图书馆，可以用中文期刊网搜索相关论文
记得我刚入学写第一篇综述的时候连什么是综述都不清楚，so先跟你介绍一下。文献综述，是指就某一时间内，作者针对某一专题，对大量原始研究论文中的数据、资料和主要观点进行归纳整理、分析提炼而写成的论文。综述属三次文献，专题性强，涉及范围较小，具有一定的深度和时间性，能反映出这一专题的历史背景、研究现状和发展趋势，具有较高的情报学价值。所以写综述的基本步骤包括：选择主题、文献搜索、展开论证、文献研究、文献批评和综述撰写具体就是：1、先要确定你想写什么方面的，也就是主题2、检索和阅读文献，这也是撰写综述的重要前提工作，一定要对所属领域多了解，知道大概的研究趋势和方向及研究成果3、开始撰写综述，其实我个人觉得你可以边看文献边开始攥写，因为是第一次写所以速度不会很快，读了一部分后就可以开始写了，后面觉得不满意可以再改嘛文献综述的格式相对多样，但总的来说，一般都包含以下四部分：即前言、主题、总结和参考文献。撰写文献综述时可按这四部分拟写提纲，再根据提纲进行撰写工作。插入参考文献时建议你用endnote软件，以后再写就更方便了，我有安装包哦
文献综述是对论文选题研究现状的梳理，但并不仅仅是把文献进行简单的堆砌与罗列，而是需要在总结梳理别人研究的同时，对已有的研究做出评价，也就是说有述有评，这也是为什么文献综述也叫做文献述评的原因。
论文文献综述怎么写
论文文献综述怎么写
论文文献综述怎么写
我国有管理的浮动汇率制下外汇储备存量问题研究 一、引言 东南亚金融危机以来，亚洲诸国痛定思痛，纷纷上调外汇储备额以应对国际游资的再次冲击，捍卫本国货币，我国也不例外。截止2003年末，我国外汇储备额已达创记录的4033亿美元，比10年前增长了近20倍，总量跃居世界第二位，举国上下无不为之欢欣鼓舞。然而，高额外汇储备是否真能在稳定一国汇率中起到"定海神针"的 作用，它在我国有管理的浮动汇率制下是否真有存在的必要，真的有利无弊呢？对此，许多经济学家和金融领域的专家学者纷纷提出了自己的独到见解，既有支持保 持现有储备存量观点的，又有认为应当降低储备数量的。因此本文献综述尝试对各种不同的观点进行归纳和整理，以利于在比较中分析利弊，抓住问题的实质。 本文基本上按照对外汇储备存量问题讨论的先后顺序展开。第二部分介绍刘力臻等人强调实行高额外汇储备的观点。这一观点的提出主要是通过分析东南亚金融危机得 出的，支持这一观点的学者们都认为在东南亚金融危机中亚洲诸国纷纷失守固定汇率的根源就在于没有强大的外汇储备作保证，使得国际投机游资在交战中占了上 风。第三部分介绍围绕刘力臻等人实行高额外汇储备的观点反对派学者（余永定等）所提出的种种反驳和理由，他们认为在有管理的浮动汇率制度下，有一定量的外 汇储备是维持汇率稳定所必需的，但通过维持大量外汇储备来抗御货币危机则是无效、危险和代价高昂的。第四部分则是关于一些经济学家提出的消化过量外汇储备 的建议。 二、赞成实行高额储备的观点及理由 许多专家学者都认为外汇储备快速增长对于我国经济的正面影响是非常明显的，归纳起来主要有以下几点理由： 东北师范大学刘力臻教授认为实行高额储备有利于防范国际金融风险和政治风险，保证国家在发展对外经济关系的过程中具有一定的流动性（刘力臻：《国际金融危机 四重分析》）。外汇储备可以用于干预外汇市场，以维持汇率稳定（在实行浮动汇率制度的国家，理论上是不需要为干预外汇市场而储备外汇的），夯实我国加快改 革开放和抵御外部冲击的物质基础，这在亚洲金融危机后变得更为明显。同时，入世后，我国持有的大量外汇储备明显提高了我国对世界经济的适应能力。 尹艳林在她所著的《从治理通货膨胀到防止通货紧缩》中提到外汇储备快速增长极大改善甚至是扭转了我国外汇资源短缺的局面，提高了我国的综合国力和宏观调控能 力，增强了海内外对中国经济和货币的信心，吸引了更多的外商来华投资。而且外汇储备多使得中央银行有能力通过收购外汇，投放基础货币，增加了货币供应，支 持了稳健的货币政策实施，抑制了国内通货紧缩的趋势（尹艳林：《从治理通货膨胀到防止通货紧缩》）。 外汇储备快速增长还有利于实施"走出去战略"。外汇储备大量增加反映了我国的资金过剩，有利于国内企业对外投资的扩大，特别是像家电、服装等优势产业，通过对外直接投资，将生产能力向其他发展中国家转移（于润/张岭松：《国际金融管理》）。 三、反对实行高额储备的观点及理由 中国人民银行货币委员会委员、中国社科院金融研究中心主任李扬在《中国的外汇储备观已经过时》一文中认为动用外汇储备进行干预以维持汇率稳定是一件十分冒险 的事情。在把辛苦赚来的大量外汇储备赌光之后，最终还是不得不使货币贬值。比如泰国、韩国等，货币当局都想通过抛售外汇来维持本国货币的稳定，而结果都是 宝贵的外汇被花光了，本币却依然下跌不止。外汇储备的职能已不在于实实在在地用真金白银去满足进口和支付债务的需要。在IMF对外汇储备功能的新表述中，“增强对本币的信心”被放在核心地位上。简单地说，外汇储备过去是准备“用”的，而现在，则主要是给人“看”的。因此，从这种意义上来说，过多的外汇储备已经没有什么必要。 社科院世界经济与政治研究所所长余永定认为外汇储备过多，目前已经造成我国极为短缺的外汇资本资源的浪费，出现穷国反而向富国输出资本，支援美国等发达国家 人民的高消费。同时，维持高额外汇储备的难度和成本加大，央行在保持巨额外币资产的同时，为防止货币供给量增长过快，又不得不通过出售国债的方法对迅速增 长的基础货币进行对冲操作，央行会因此承受很大损失，而且我国储备结构较为单一，其中的70%以美元的形式存在，外汇储备过多，必然会增大外汇储备的风险（余永定："消除人民币升值恐惧症"）。 央行分析，外汇储备增加过快的负面影响表现在三个方面，首先是给货币政策的独立性造成压力。其次是可能延缓结构调整和综合国际竞争力。第三针对我国贸易和国际压力逐渐加大。 另外，外汇储备过快增长可能刺激短期资本流入，加大人民币升值的国际压力（王雅范/管涛/温建东：《走向人民币可兑换：中国渐进主义的实践》）。 四、消化过量外汇储备的途径 一些学者提出多余外汇储备的出路可以考虑用这些储备引进国外先进技术和设备以及保证国家安全的战略物资，这样在支援我国经济建设的同时又加强了国防实力。另 一些学者在思考这个问题的同时也为今年初央行宣布使用部分外汇储备对国有银行进行资本金补充找到了理论依据，但提出在注资的同时要注意新的不良资产的产生。
论文文献综述怎么写
论文文献综述怎么写
论文文献综述怎么写
文献综述是对某一方面的专题搜集大量情报资料后经综合分析而写成的一种学术论文，它是科学文献的一种。格式与写法文献综述的格式与一般研究性论文的格式有所不同。这是因为研究性的论文注重研究的方法和结果，特别是阳性结果，而文献综述要求向读者介绍与主题有关的详细资料、动态、进展、展望以及对以上方面的评述。因此文献综述的格式相对多样，但总的来说，一般都包含以下四部分：即前言、主题、总结和参考文献。撰写文献综述时可按这四部分拟写提纲，在根据提纲进行撰写工。前言部分，主要是说明写作的目的，介绍有关的概念及定义以及综述的范围，扼要说明有关主题的现状或争论焦点，使读者对全文要叙述的问题有一个初步的轮廓。主题部分，是综述的主体，其写法多样，没有固定的格式。可按年代顺序综述，也可按不同的问题进行综述，还可按不同的观点进行比较综述，不管用那一种格式综述，都要将所搜集到的文献资料归纳、整理及分析比较，阐明有关主题的历史背景、现状和发展方向，以及对这些问题的评述，主题部分应特别注意代表性强、具有科学性和创造性的文献引用和评述。总结部分，与研究性论文的小结有些类似，将全文主题进行扼要总结，对所综述的主题有研究的作者，最好能提出自己的见解。参考文献虽然放在文末，但却是文献综述的重要组成部分。因为它不仅表示对被引用文献作者的尊重及引用文献的依据，而且为读者深入探讨有关问题提供了文献查找线索。因此，应认真对待。参考文献的编排应条目清楚，查找方便，内容准确无误。关于参考文献的使用方法，录著项目及格式与研究论文相同，不再重复。