老人与海翻译毕业论文

老人与海》是海明威于1951年在古巴写的一篇中篇小说，于1952年出版。是海明威最著名的作品之一。它围绕一位老年古巴渔夫，与一条巨大的马林鱼在离岸很远的湾流中搏斗而展开故事的讲述。它奠定了海明威在世界文学中的突出地位，这篇小说相继获得了1953年美国普利策奖和1954年诺贝尔文学奖。 《老人与海》写的是老渔夫桑地亚哥在海上的捕鱼经历，描写老人制服大鱼后，在返航途中又同鲨鱼进行惊险的搏斗，然而作品中的形象却具有很强的象征意蕴。他用大马哈鱼象征人生的理想和人类作为生命本身所不可避免的所具有的欲望，用鲨鱼象征无法摆脱的悲剧命运，用大海象征变化无常的人类社会，而狮子则为勇武健壮，仇视邪恶，能创造奇迹的象征，桑地亚哥则是人类中的勇于与强大势力搏斗的“硬汉子”代表，他那捕鱼的不幸遭遇象征人类总是与厄运不断抗争却无论如何都无法试图去改变命运。

He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy's parents had told him that the old man was now definitely and finally salao , which is the worst form of unlucky, and the boy had gone at their orders in another boat which caught three good fish the first week.

老人独自驾着小舟在湾流捕鱼，八十四天过去了，还一无所获。在最初的四十天里，有一个小男孩与他同行，但这四十天毫无收获，男孩的父母告诉他这个老人准是十足地 salao ，这是用来描述不幸透顶的，于是男孩在父母的安排下，在另一艘船的第一个星期就捕获了三条不错的鱼。

It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with flour sacks and, furled, it looked like the flag of permanent defeat.

看着老人每天回来时，驾着他那艘空荡荡的小船, 男孩感到非常难过，他常常下去帮助老人拿盘绕的线或鱼叉，以及桅杆周围卷起的帆。用面粉袋打着补丁的船帆，收拢起来，看上去像持久战败的旗帜。

The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.

老人瘦瘦憔悴，脖子后有很深的皱纹。照射在热带海洋上的阳光带来的良性皮肤癌的褐色斑点出现在他脸颊上。这些斑点顺着他脸的两侧流淌下来，他的双手因用绳子抓重鱼而留下深深的伤疤。但这些伤疤并不新鲜，它们像无鱼可抓的沙漠里的侵蚀一般久远。

Everything about him was old except his eyes and they were the samecolor as the sea and were cheerful and undefeated.

他全身已经老的不行，除了那双眼睛，它们和海洋一样有相同的颜色，充满愉快且无法被打败。

"Santiago," the boy said to him as they climbed the bank from where the skiff was hauled up. "I could go with you again. We've made somemoney."。

“圣地亚哥”，男孩对他说，在他们从小船被拖到岸边处爬上岸时，“我可以和你一起去海。我们赚了不少钱。”

The old man had taught the boy to fish and the boy loved him.

老人教会了孩子捕鱼，海子喜欢老人。

"No," the old man said. "You're with a lucky boat. Stay with them."

“不，”老人说。“你遇上了一艘好运船，和他们待在一起吧。”

"But remember how you went eighty-seven days without fish and then we caught big ones every day for three weeks."

“但请记住，有一次你出海 87 天一条鱼都没捕到，然而之后连续三周，我们每天都能捕到一条大鱼。”

"I remember," the old man said. "I know you did not leave me because you doubted."

“我记得，”老人说。“我知道你不会离开我，因为你满是疑惑。”

"It was papa made me leave. I am a boy and I must obey him."

“是我爸爸让我离开的。我还是个孩子，我必须听从他们。”

"I know," the old man said. "It is quite normal."

“我知道，”老人说。“这很正常。”

"He hasn't much faith."

“他没有太多信心。”

"No," the old man said. "But we 't we?"

“这个自然”，老人道。“但我们有，不是吗？”

"Yes," the boy said. "Can I offer you a beer on the Terrace and then we'll take the stuff home."

“是的，”男孩说。“我可以请你在露台上喝啤酒吗，喝好后我们再把这些东西带回家。”

"Why not?" the old man said. "Between fishermen.”

“好呀，”老人说。“渔民还会客气吗？”

They sat on the Terrace and many of the fishermen made fun of the oldman and he was not angry. Others, of the older fishermen, looked athim and were sad.

他们坐在露台上，许多渔民取笑老人，但他并不生气。其它老渔民，看着他，很伤心。

But they did not show it and they spoke politely about the current and the depths they had drifted their lines at and the steady good weather and of what they had seen. The successful fishermen of that day were already in and had butchered their marlinout and carried them laid full length across two planks, with two men staggering at the end of each plank, to the fish house where they waited for the ice truck to carry them to the market in Havana. Those who had caught sharks had taken them to the shark factory on the otherside of the cove where they were hoisted on a block and tackle, their livers removed, their fins cut off and their hides skinned out and their flesh cut into strips for salting.

但他们并没有表现出来，他们礼貌地讲述了当前的线路和线路的深度以及稳定的天气及他们的见闻。那天成功的渔民已经回来了，他们已经屠宰好马林鱼，把它们平摊在了两个甲板上，每个甲板的末端都有两个人蹒跚地走进鱼屋，他们等待着冰床将它们运到哈维那。那些已经捕捉到鲨鱼的人已经将鲨鱼运到了小海湾另一侧的鲨鱼工厂，吊在滑车组上，它们的肝脏被移除，鱼鳍被切除，皮被剥去，肉被切成条腌制。

The old man and the sea "SangDeYa brother character analysis:SangDeYa elder brother, this lonely, failure, but also a strong will and the winner of the old impulses into the sea. Without doubt, this will be the world met with two fight. A lonely and dilapidated, and have their own unique character and spirit of the old world, in the life on earth and the most violent natural unfolding a thrilling fight. Stars and the vast expanse of the sea, constitute a game of space magnificent brilliant background. SangDeYa brother love the sea. Therefore, he will always sea as a woman. In his mind, "ocean's kindness and very beautiful, but on the other hand, he knew the sea" brutal ". So I thought, he will be the woman, there are also regarded as the deeper reason, it is usually to the sea of his desire to conquer men. He and the sea, and the big marlin and shark's bloody battle, this is the concrete embodiment of sea SangDeYa Jericho underlines once again he alone, but never failed to defeat the character and destiny. Like all his life, in the most concentrated in hunting. He in the ocean soliloquize, experiencing the deepest helpless and loneliness. In his battle with the blood flow, scars, collapse with his hunger, weary and injured and cramps body on self fights. But as he said: "a man is not made for defeat to destroy him. You can, but is he", a fisherman, he was born the dry up ". He will all be understanding to undertake the fate. So he himself will eventually kill fish, he failed. In the end, he left the wreckage of fish. But in the spirit, but he still is the winner. He and the big marlin, even by completely, leaving only "destruction" bones, but still has not been "beat". This is the reality of life, Hemingway's failure to convert and sublimate into bitter spirit of triumph, and give praise of the brother indeed like saints. He hung in the shack in the sacred and barzillai starkovs Jesus virgin. He fought in the prayer. His disciples of Jesus and the fishermen in st. Especially in his first endure pain, he landed on the toughness of the mast after carrying up, and his works in the final "pull up blanket cover two shoulder, back, and then wrapped up in arms and legs, stretched straight, palms up the crucifixion of Jesus" image shows a solemn, the writer intentionally shaping the holy temperament. So the researchers SangDeYa saint "of" head almost surrounded the aperture of the holy, so has the works or mystical religions, "meaning", 3) "is a religious poetry". [4]But after all, SangDeYa elder brother and not saints. He even "is not religious". His distinctive temperament of the saints, but maybe just agree with that writer painstakingly. [5] in his world, with so many ordinary but again good things. The world SangDeYa or lonely, but not although autistic. He and the people around him, and the world, even small village and javan, to the modern world wide and be closely bound up. He and the name, and the children get along and manolin deeply loved him. He is in the sea. But his newspaper and radio such modern things, also full of love and curiosity. This is because, with them, he can focus the baseball game. For SangDeYa elder brother, pay attention to children means focus on the future, and focus on the baseball game, not only he beat his opponent, the echo of the inner urge to victory, but also used his and broader and more modern spirit of the outside only that, Hemingway portrays the spirit and character SangDeYa world, also very fully show the world with the nature of the world (the big marlin, Marine, seabirds, shark, and stars as small society), the village children), (fishermen, broader modern world (baseball games) and hopeful future world (children), and beyond ordinary divine world (his prayer and his passion of the spirit of the holy image), and such contact, and further enriched and deepen his spirit and personality. The world SangDeYa is so vast, brilliant, broad and profound! I think this is the old man and the sea "this not long, the novel is always the artistic charm of the basic course, the old man and the sea "narrative art undoubtedly is quite outstanding. On the one hand, it is "iceberg theory" Hemingway once again extremely successful. He spoke in the old man and the sea "creation once said:" the old man and the sea "could have written more than a thousand pages long, but he always according to the principle of the iceberg" to write about it. Every part, appeared in the seven eighths. You can avoid you know anything, it will only make your tip. This is not deep, part of the "appeared. [6] in its simple storyline, hidden behind our front of so rich and broad world, On the other hand, it is like a poem, a song sullen, suffering, the enthusiasm and solemn, even not bright and gentleness vision magnificent symphony. It SangDeYa from the loneliness and failure in writing, began to write in the sea with his little boy before the contacts, and his setting sail, he and the big marlin and shark's struggle, he failed to return to his final solemn dreams. Narrative is a waterfall, luxury, pour a solemn lyric passages and rhythm is in its intonation. [7] its colorful language, not only elegant, simple and unadorned and bright colours, powerful, with solemn underfoot art style.