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上面一帮2B 要帮就直接发嘛！Q你个毛~ 。 我发几分给你 有三份是原文 在外国工业设计网上找的，11年12年刚发表的 绝对在国内网上搜不到 内容我看了 也试着翻译了一下 不适很难 认真翻译 一天搞定 但这个外文翻译可以不认真 导师也说过了 我教你吧 把这些英文直接用百度翻译翻出来，复制下来，直接改复制好的，让语句通顺点就好了 以前的学长都是这么过的 我们这一届都这样 我这是剩下的三篇，还有一篇是我之前在豆丁网上下的 ，实在不想翻译，你把这篇文章的前面一段英文改成其它出处的一端，后面的都不用管。你可以问你老师~ “文献翻译 一段一段的翻译， 有些段不是同一篇文章的 可以不可以？” 她绝对说可以 然后 你就按照我说的去做吧~ 好运~ 发你邮箱了！
=.=~~你做毕业设计用啊??不是有专门的工业设计中英文双语的书么~
工业设计 Industrial Design designIndustrial design is an applied art whereby the aesthetics and usability of products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of engineering, usability, marketing, brand development and of industrial designGeneralIndustrial Designers are a cross between a mechanical engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and Depth"Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer." According to the IDSA (Industrial Design Society of America)Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state". This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. Industrial design is rapidly becoming an obsolete term as 'products' can now be industrially produced as 'one-offs' by the use of Rapid Prototyping Machines. In a post-industrial era and with the emergence of strategic design definitions such as this are incumbering designers and the advancement of design to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, Coke bottle, and VW Beetle are frequently-cited design has no focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the sexual or affectionate attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).Industrial design rightsIndustrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired.
工业设计 Industrial Design 帮楼主找了些很全面的资料哦，英文版本华文版本 designIndustrial design is an applied art whereby the aesthetics and usability of products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of engineering, usability, marketing, brand development and of industrial designGeneralIndustrial Designers are a cross between a mechanical engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and Depth"Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer." According to the IDSA (Industrial Design Society of America)Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state". This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. Industrial design is rapidly becoming an obsolete term as 'products' can now be industrially produced as 'one-offs' by the use of Rapid Prototyping Machines. In a post-industrial era and with the emergence of strategic design definitions such as this are incumbering designers and the advancement of design to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, Coke bottle, and VW Beetle are frequently-cited design has no focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the sexual or affectionate attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).Industrial design rightsIndustrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired.
=.=~~你做毕业设计用啊??不是有专门的工业设计中英文双语的书么~
工业设计 Industrial Design designIndustrial design is an applied art whereby the aesthetics and usability of products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of engineering, usability, marketing, brand development and of industrial designGeneralIndustrial Designers are a cross between a mechanical engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and Depth"Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer." According to the IDSA (Industrial Design Society of America)Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state". This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. Industrial design is rapidly becoming an obsolete term as 'products' can now be industrially produced as 'one-offs' by the use of Rapid Prototyping Machines. In a post-industrial era and with the emergence of strategic design definitions such as this are incumbering designers and the advancement of design to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, Coke bottle, and VW Beetle are frequently-cited design has no focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the sexual or affectionate attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).Industrial design rightsIndustrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired.
你好， foreknown下文从工业设计属性出发，讲到发展进程，立法权益保护还有产品设计的相关内容，字数有限，希望能多给你参考，期望能帮得上你。Industrial design is an applied art whereby the aesthetics and usability of mass-produced products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of form, usability, user ergonomics, engineering, marketing, brand development and term "industrial design" is often attributed to the designer Joseph Claude Sinel in 1919 (although he himself denied it in later interviews) but the discipline predates that by at least a decade. Its origins lay in the industrialization of consumer products. For instance the Deutscher Werkbund, founded in 1907 and a precursor to the Bauhaus, was a state-sponsored effort to integrate traditional crafts and industrial mass-production techniques, to put Germany on a competitive footing with England and the United of industrial design Water kettle designed by Peter Behrens in 1909 A Braun stereo Vox Phantom guitar, 1962General Industrial Designers are a cross between an engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement, but they can affect technical aspects through usability design and form relationships. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and Depth "Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer" according to the IDSA (Industrial Designers Society of America).Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state." This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic exchange."Process of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, the Jeep, the Fender Stratocaster, the Coke bottle, and the VW Beetle are frequently-cited design also has a focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the emotional attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior design, to schools where aesthetic design is almost completely subordinated to concerns of function and ergonomics of use (the so-called functionalist school）。Industrial design rightsIndustrial design rights are intellectual property rights that protect the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired. Design rights started in the United Kingdom in 1787 with the Designing and Printing of Linen Act and have expanded from 's Design Act, 2000 was enacted to consolidate and amend the law relating to protection of design and to comply with the articles 25 and 26 of TRIPS agreement. The new act, (earlier Patent and Design Act, 1911 was repealed by this act) now defines "design" to mean only the features of shape, configuration, pattern, ornament, or composition of lines or colours applied to any articlewhether in two or three dimensional, or in both forms, by any industrial process or means, whether manualal or mechanical or chemical, separate or combimed, which in the finished article appeal to and are judged solely bt the eye; but does not include any mode or principle of 's industrial design act affords ten years of protection to industrial designs that are registered; there is no protection if the design is not registered. The Industrial Design Act (., c. I-8) defines "design" or "industrial design" to mean features of shape, configuration, pattern or ornament and any combination of those features that, in a finished article, appeal to and are judged solely by the the existence of an exclusive right, no person can "make, import for the purpose of trade or business, or sell, rent, or offer or expose for sale or rent, any article in respect of which the design is registered." The rule also applies to kits and substantial differences are in reference to previously published KingdomIn addition to the design protection available under Community designs, UK law provides its own national registered design right and an unregistered design right. The unregistered right, which exists automatically if the requirements are met can last for up to 15 years. The registered design right can last up to 25 years subject to the payment of maintenance fees。United . design patents last fourteen years from the date of grant and cover the ornamental aspects of utilitarian objects. Objects that lack a use beyond that conferred by their appearance or the information they convey, may be covered by copyright -- a form of intellectual property of much longer duration that exists as soon as a qualifying work is created. In some circumstances, rights may also be acquired in trade dress, but trade dress protection is akin to trademark rights and requires that the design have source significance or "secondary meaning." It is useful only to prevent source misrepresentations; trade dress protection cannot be used to prevent others from competing on the designProduct design can be defined as the idea generation, concept development, testing and manufacturing or implementation of a physical object or service. Product Designers conceptualize and evaluate ideas, making them tangible through products in a more systematic approach. The role of a product designer encompasses many characteristics of the marketing manager, product manager, industrial designer and design term is sometimes confused with industrial design, which defines the field of a broader spectrum of design activities, such as service design, systems design, interaction design as well as product design.[citation needed] The role of the product designer combines art, science and technology to create tangible three-dimensional goods. This evolving role has been facilitated by digital tools that allow designers to communicate, visualize and analyze ideas in a way that would have taken greater manpower in the neededProduct designers are equipped with the skills needed to bring products from conception to market. They should have the ability to manage design projects, and subcontract areas to other sectors of the design industry. Aesthetics is considered important in Product Design but designers also deal with important aspects including technology, ergonomics, usability, stress analysis and materials with most of the design fields the idea for the design of a product arises from a need and has a use. It follows a certain method and can sometimes be attributed to more complex factors such as association and telesis. Also used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).ApplicationSome companies or individuals have particularly strong feel for developing new products than others. In the modern world these include especially technological companies like iRobot, Google or Nokia. Many product designers are strategic assets to companies that need to maintain a competitive edge in innovation.
论文整体框架基本上就是你设计改良的过程，围绕你的设计展开，就可以了。前言摘要关键词：英文摘要第1章 概述 选题目的意义，设计的思路框架；（1-2页即可）第2章 电冰箱的设计分析（重点） 1.设计综述 2.产品分析：优缺点，产品工作原理等 3.消费者分析 4.市场分析 5技术分析等等第3章 电冰箱设计定位（重点） 1.综合分析 2.提出改良方向，功能造型等第4章设计方案的展开 1.概念草图 2.设计展示效果图 3.模型第5章结束语 设计体会心的；方向新的趋势见解等等 （1-2页即可）以上仅是一个基本框架，你可以根据你的认识来进行修改，基本思路应该是这样的，把你的设计从最开始的分析到最后的表现都一一展示出来，应该就OK了
论文的题目是论文不可分割的有机组成部分,而论文的主要内容一般在题目中就可反映出来。下面是我带来的关于工业设计类论文题目的内容，欢迎阅读参考!
1. 城市住宅整体厨房的规划设计研究
2. 上下肢主被动康复器的设计及人机工程学研究
3. 基于人机工程学的自动售药机的设计
4. 铁路客车设施设计新探讨
5. S180中老年人手机人性化设计研究
6. 宏茂科技的机床产品造型设计与研究
7. 安徽滁州卷烟厂自动化物流系统规划设计
8. 南京工业大学材料化学工程中心实验楼方案设计
9. 烟草工业企业业主方工程项目管理信息系统的分析与设计
10. 基于可用性工程理论的工业产品设计程序应用研究
11. 中航工业规划建设工程项目设计团队绩效考核改进及应用研究
12. 工业厂区自动消防系统工程的设计
13. 昆明卷烟厂成品库物流调度系统分析与设计
14. 形状混合的理论与应用研究
15. 论“对的设计”与“好的设计”
16. 工业设计中材料的可持续性应用研究
17. 工作室教学模式在高校工业设计专业的应用研究
18. 叉车座椅的工业设计研究
1. 基于工业设计的产品动作美学的研究与实践
2. 工业设计产品虚拟设计平台研究
3. 绿色光源LED产业转型下的工业设计
4. 湖南省工业设计现状及发展战略研究
5. 工业设计草图的多义性及团队设计中的草图重释
6. “健康工业设计”理念及其在办公环境中的应用研究
7. 医用平移推车造型及其侧倾机构的工业设计应用与研究
8. 工业设计理论在数控机床外观造型设计中的应用研究
9. 我国中小型制造企业的工业设计及其管理与协作系统研究
10. 现代工业设计在企业中的推广运用研究
11. 园林机械的设计研究—草坪切割机的改进研究性设计
12. 手柄的人的因素分析与研究
13. 面向家用健身器材的人机工程理论分析与研究
14. 数控机床设计中的人机工程界面研究
15. 敏捷制造环境下虚拟设计中心及其支撑平台的研究
16. 我国出口类农机设计策略研究
17. 多功能车的产品语意研究与应用
18. DALI住宅照明系统的工业设计
19. 数控机床的造型设计研究
20. 基于人机工程学的高铁自助售票机设计研究
21. 电动汽车形态设计的研究
22. 论工业设计在自动化立体仓库中的应用
1. 协调的艺术——现代工业设计的新角色
2. 中国深圳第八届“中国(深圳)国际工业设计周”盛大登场
3. 工业设计大师荣久庵宪司在日本逝世
4. 论设计素描在工业设计教学中的应用
5. 论建筑设计与工业设计之间差异性与互溶性见解
6. 工业设计是企业发展基石
7. 低碳经济背景下湖南工业设计社会伦理研究
8. 中国传统文化与工业设计
9. 工业设计史课程教学探析
10. 高职工业设计专业与模具专业共生建设探究
11. 机床辅机产品工业设计及改善策略
12. 浅析2015届各大高校工业设计展
13. 行为管理学在工业设计中的应用研究
14. 探析现代工业设计的审美体验
15. 为工业设计撑起保护伞
16. 工业设计专业高职和本科教育衔接一体的人才培养研究
17. 地方性本科院校工业设计专业“产学研”教学模式研究
18. 项目教学法在工业设计专业教学中的实践
19. 工业设计理念在农机产品设计中的应用
20. 信息化背景下交互设计在工业设计中的应用
21. 中兴通讯刀片服务器获中国工业设计红星奖
22. 工业设计中的设计管理研究
工业设计 Industrial Design designIndustrial design is an applied art whereby the aesthetics and usability of products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of engineering, usability, marketing, brand development and of industrial designGeneralIndustrial Designers are a cross between a mechanical engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and Depth"Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer." According to the IDSA (Industrial Design Society of America)Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state". This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. Industrial design is rapidly becoming an obsolete term as 'products' can now be industrially produced as 'one-offs' by the use of Rapid Prototyping Machines. In a post-industrial era and with the emergence of strategic design definitions such as this are incumbering designers and the advancement of design to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, Coke bottle, and VW Beetle are frequently-cited design has no focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the sexual or affectionate attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).Industrial design rightsIndustrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired.
先说汽车，这东西要做就肯定是做概念设计，所以很容易做出吸引眼球的效果，可以天马行空毫无顾忌，怎么科幻怎么来。把你见过的，听过的，想象的科技都加上去也没问题。再表现一下对环保、节能之类的主流趋势的关注就基本ok。论文也可以写得跟科幻小说似的，阐述一些对未来汽车工业的展望，及其未来交通工具和人类社会的关系什么的，当然也免不了说一点汽车的发展史。问题在于模型，普通的手板厂做汽车模型不一定nb，恐怕你想要的效果出不来，费半天劲全白瞎，真nb的价钱就不好说了。家具，两方面，一个是品味，一个是创意，看你想怎么做了。现在国际上顶级家具品牌都是玩品味的，往奢侈品方向上走，说句实在话，咱哥们做那东西还不够道行。往创意方面靠就得费点脑子了，关键在于你的东西必须要有好的新的使用方式，还不能让人觉得似曾相识。还有个问题，家具不象汽车那么科幻，这是很实际的东西，老师们也就会更关注可实现性，所以你就得摸清它的加工工艺，能告诉你们老师你的东西可以如何生产出来。论文可以偏重生活方式，从人的角度来进行阐述，要显得你不仅是设计了一个家具，而是设计了一种新的生活方式。楼上的兄弟说得不错，家具做出来效果很强大，而且你找手板厂或者家具厂应该都能做。不过万一你做的是个大家伙，那价钱估计也不低，你不一定非做1：1的吧？产品的话种类太多，也不知道你们能做哪种。不过这也是做产品的优势：什么东西都能叫做产品。产品设计的关键就在于，你的设计得有强硬的背景，就是说，这创意不是你拍脑子想出来的，它得有存在的理由。这跟汽车和家具又不一样，它是人们在消费在使用的东西，他的改进必须是有效的服务于人的。那你就得清楚现在这种产品的消费和使用状态，有什么缺陷或者可以改进的地方和功能。这样才能有足够的理由说服答辩的老师，你的设计是有意义有来历是经过详细调研分析的。当然你得真的去调研分析。论文基本就可以以调研做基础，讲讲这个产品的发展，讲讲人们的使用，讲讲人们未来对该产品的需求和你的设计在未来的拓展之类。小产品模型好做，也容易出效果，也不会很贵。还有就是做模型的时候别以为交给手板厂就完事了，你得盯着，这帮家伙有时候挺不靠谱的，到时候还跟你耍赖。说好什么效果就得做出什么效果，说做不出来就得让他们明明白白的告诉你为什么出不来，不能含糊。你也得多少知道点做手板的工艺和价格，别让人蒙了。三个方向我的想法都放这了，要我说，没个容易的。到底怎么选还是要你自己拿主意。还是那句话，别想着偷懒，老师也不是傻子，下没下功夫能看出来。
你好，同行！我也在写，按照我们指导老师的要求是要与设计有关的，题目不易定的太大，太大就不容易写的深入。比如可以谈谈后现代主义的某个流派什么的。希望我们继续交流，共同完成论文！
写好毕业论文的关键 (一)论文写作——材料、观点和文字材料是写好论文的基础，观点是论文的灵魂，文字是论文的外在表现。材料和观点是论文的内容，文字是论文的形式。形式是表现内容的，内容要通过形式来表现。三者的完美结合是内容和形式的统一。材料来源于实验。设计的好坏直接影响材料获得的效率与质量。整篇论文是由若干工作单元组成的，每一工作单元又是由每次实验材料积累起来的。因此要善待每天的实验。每天工作时都要考虑到这一数据在将来论文中的可能位置，对每一张影像记录都要认真收集保存。材料要真实可靠，数据要充足。有了异常，要及时分析处理，要保证所得结果可信，排除假象。一篇论文总要有新现象、新处理、新效果、新观点。观点应明确，客观辩证。不要、也不能回避不同观点。从论文定题到结论，处处有观点，所以观点是论文的灵魂，是贯穿始终的。讨论观点时不要强词夺理，不要自圆其说，力戒片面性、主观性、随意性。要和国内外文献上的观点相比较，也要和自己实验室过去的观点相比较。在比较中分析异同，提高认识。也不要怕观点错误，不要怕改正错误。要百家争鸣，通过争鸣，认识真理。论文的文字要自然流畅，“言而无文，行之不远”。但也不要华丽雕琢，目的是“文以载道”。论文叙述要合乎逻辑，层次分明，朴素真实，分寸恰当。(二)论文写作——准备和动笔论文写得好坏，关键在于准备。会写论文的人，一般总是三步过程。论文写前深思熟虑，全局在胸;充分打好论文腹稿，提起笔来，一气呵成;写出论文初稿后，放一段时间，反复吟读，千锤百炼。不会写论文的人相反。肚子里空洞洞，脑子里乱烘烘，笔头上千斤重。他们拿起笔来就写，写几下就停。写写停停，停停写写。忽儿找材料，忽儿查数据，忽儿补实验。忽儿撕掉一页，忽儿抄上几句。忽儿哀声叹气，搔头摸耳，咬笔杆，踱方步。这两种人的差别在于准备状况的不同，这是很多初写论文的人意识不到的。写论文的良好准备应该有三个阶段。1.论文写作——近期(写时)准备是指实验结束后到着手写作论文前一段时间的准备。应该收齐材料，处理好数据，制备好图表，完成统计处理。然后打好论文腹稿，列出 论文提纲，明确基本观点和主要结论。与指导者和合作者讨论，取得共识。深思熟虑后，一气呵成。其中“打腹稿”是写论文的关键阶段。这时应将所有工作和数据通盘考虑，全局在胸。这就像战斗打响前的运筹帷帽一样，是作者脑力劳动最紧张的时刻。2.论文写作——中期(做时)准备会写论文的人不是做完实验后才开始考虑写论文的，而是在研究工作的全过程中都考虑着写论文。论文“题目”和“引言”是论证时各种思考的凝炼。“材料和方法”是在找方法、建方法时形成的，写论文时只要如实叙述就可以了。“实验结果”是在实验设计、实验操作、阶段归纳、资料整理等过程中不断积累、整理而来的。“讨论”是综合平时的思考，同周围人员经常讨论商量，查阅和分析文献等过程后最后归纳而成的，是将平时思考过的众多问题集中几个主要观点以讨论的形式表达出来。“结论”则只须将最终结果归纳一下就可以了。所以会写论文的人，是在做研究的整个过程中不断地自然形成着最后的论文。这整个过程就是论文的中期准备。可见，中期准备以论文题目之始为始，以题目之终为终。题目结束之日，也就是论文中期准备完成之时。3.论文写作——远期(学时)准备如果只是着力于做好论文近期准备和中期准备，往往还不能写出上乘的论文，这就要看论文作者的远期准备，也就是学习阶段的基础准备了。这种准备是指对研究动态的掌握，专业基础的积累和逻辑思维、文字表达、分析综合等各方面能力的总体水平。这决不是一朝一夕所能企及，而是终生积累训练而就的。这就是为什么要强调“读书破万卷，下笔如有神”，“尔果欲学诗，功夫在诗外”了。这些平时积累的功夫，决定着作者 论文的写作水平，而论文写作水平又影响着论文的传播。这种能力不是临用时提得高的，而是要作者从年轻时就下苦功的。(三)论文写作——审稿与修改一气呵成写好论文稿件后，是要反复修改、千锤百炼的。不仅自己应该反复锤炼，还应请有关人员提意见，最后还要通过编辑部请相关专家审阅。 论文修改时凡是属于写作规格和篇幅方面的问题应按刊物规定的要求修改。作为论文作者，自己辛勤努力取得的实验数据当然十分珍惜，总希望在论文中尽量表达。但 论文审稿者旁观者清，往往提出一些合并或删除的意见。这时作者应该冷静考虑，该列入论文的列入，不必列入的不要列入。写论文只有“删繁就简三秋树”，才能“领导标新”地开出“二月花”。论文审稿者也常会对所论观点提出意见。这是需要认真推敲决定是否采纳修改的。论文作者毕竟对自己的工作己有过长期实践和思考，逐渐形成了观点。应该说这些观点是有相当根据的。只要言之有理，述之有据，可以对审稿人的意见进行解释，保留自己的观点。但有时 论文作者自己局处一隅，想法越来越钻牛角尖。论文审稿人从更高的角度宏观审视，一针见血地指出论文立论和观点中的问题，这种情况也是有的。这时论文作者就应该认真思考意见的实质，调整思路，反复推敲，决定取舍。既不固执己见，也不曲意迎合。抱着探讨真理的态度，相互交流，共同提高。论文通过审稿，有些意见不大，稍事修改即可发表。有些要有较大的改动才能发表。有的论文甚至认为基本事实不可靠或基本观点有误而无法发表。论文作者应冷静分析这些意见，妥善处理。一切都应坚持科学的、实事求是的态度。如果自己确认结果和观点无误，那么可以在 论文退稿后改投他刊。同一时候是不能一稿二投的。
那你看外国的的就好了。
机械工程论文参考文献
机械工程是一门涉及利用物理定律为机械系统作分析、设计、制造及维修的工程学科。下面是我为大家整理的机械工程论文参考文献，欢迎阅读。
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[1].职业技术师范教育《机械工程专业概论》课程改革的研究与实践.
《广东技术师范学院学报（社会科学版）》.2015年2期.王晓军.
[2].面向“卓越工程师教育培养计划”的《金属切削机床概论》教学改革探索.
《教育教学论坛》.2013年7期.牛宗伟.李志永.
[3].铸造铝合金绿色化规划概论.
《铸造技术》.被中信所《中国科技期刊引证报告》收录ISTIC.被北京大学《中文核心期刊要目总览》收录年z1期.钱翰城.李俊.
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对工业设计专业毕业设计选题的思考
毕业设计开始之前要做好各种各样的准备，下面是由我为大家带来的关于对工业设计专业毕业设计选题的思考，希望能够帮到您!
对工业设计专业毕业设计选题的思考
摘要：本科毕业设计是对学校本科四年教学成果的检验，是学生综合运用所学技能知识的实践平台，也是培养学生创新意识和创新能力的重要途径。本文从设计的功能、目的和价值、社会属性、设计的发展趋势，结合我校的办学特色对工业设计专业毕业设计的选题进行了思考和探讨。
关键词：工业设计;毕业设计;设计选题
中图分类号： 文献标志码：A 文章编号：1674-9324(2015)45-0166-02
一、工业设计专业的特点
工业设计是一门综合性、交叉性的学科，与艺术、工程技术、社会学、市场、管理、心理学、环境保护等学科有密切的联系，这就使得工业设计教育也具有了综合性、跨学科的特征。如何在工业设计教育体系中将各种相互渗透和交叉的知识融会贯通并传授给学生，使学生具有高度的综合能力，是我们教师不断探讨的问题。而毕业设计既是对本科四年教学成果的检验，是学生综合运用所学知识技能的实践平台，也是学生进入职场前的热身演练。毕业设计选题很关键，无论实题还是研究性课题，在毕业设计环节都要坚持详实完整的设计过程，指导学生从系统研究开始，观察生活现象的细微处，进而发现问题，分析问题，调查研究，最终解决问题。
二、对往届毕业设计选题经验和不足之处的分析
1.部分选题过于具体。许多学生毕业设计课题设定的过于具体，像空调室外机造型设计、电热水器造型设计等，学生往往仅在产品的造型方面去深入，难以在造型之外的领域进行突破，从而在一定程度上限制了学生的研究能力和创新能力。
2.教师指定选题多，选题形式较为单一。目前在本科毕业设计环节我们多采用以指导教师为主导出题，学生选择教师选题的毕业设计模式，这类选题一般在90%以上。今后应进一步进行选题多元化的探索，如学生在实习期间自行发掘毕业设计题目，结合学生毕业后工作岗位特点进行选题等，从而培养其创新意识和创新能力，也利于充分调动学生的主观能动性，为在毕业设计的后续工作中进一步培养创新意识和创新能力创造条件。
3.学科交叉不够。目前，工业设计专业的毕业设计还是以指导教师一对一进行为主。定义工业设计过去与未来的课题，并参考近年欧洲(IF)、美国(IDEA)、日本(G-Mark)等国际设计奖项论坛讨论内涵，罗列出相关派生类项：管理与经营、经济、史学、交通、建筑、社会学、艺术、环境、法律、健康、机构设计、材料、工业设计机构等。从中可以看出工业设计专业领域发展的日益宽泛和学科的交叉性，而我们目前选题的学科广度和学科交叉性仍不足。
三、选择和完善毕业选题时的思考
根据近年几所开设工业设计专业较早的高等院校优秀毕业设计作品以及选题的情况，结合笔者所带毕业设计的经验，笔者认为对于毕业设计选题，尤其是研究性选题时，主要基于以下几点思考。
1.紧密触摸社会发展的前沿。随着信息时代和体验经济时代的到来，工业设计学科的社会、经济、文化基础已发生了革命性的变化，多学科的知识交叉综合正成为一种必然，如何让学生更好地使用、把握社会整体融合发展的趋势，进而进一步培养、塑造他们引领性的设计意识与观念，已经成为设计教育的重要思考。近几年，穿戴式技术在国际学术界和工业界一直都备受关注，“穿戴式智能设备”是应用穿戴式技术对日常穿戴进行智能化设计、开发出可以穿戴的设备的总称，如眼镜、手套、手表、服饰及鞋等。在上学期与同工作老师共同指导的课程设计中，也引导学生做过可穿戴式智能设备方面的设计，不但使学生们能更好更快地获取最新的信息和技术，对智能可穿戴设计也有了更好的把握，如毛世昌、王灵毓等同学所做“PARTNER同伴”骑行者用户的可穿戴头盔设计，“PARTNER同伴”还参加了“2014年首届物联网感智创新大赛”，并获得了平台创意类作品银奖的优异成绩。
2.综合性，社会性选题。毕业选题要密切结合设计前沿，考虑社会意义和功能，具有研究意义和创新性，探索具有社会意义和研究前瞻性的课题。调查研究表明，近些年关注社会伦理问题的思考，针对老年人、残障人士等行为能力的弱势群体的关注和设计选题增多，诸如清华大学美术学院工业设计系优秀毕业设计作品“中国城市老年社区卫浴设计”“农村老年人医疗巡诊基站”，广州美术学院工业设计优秀毕业设计作品“POCKET――基于收纳行为的婴儿手推车再设计”，江南大学的“豆伴――为老年人设计的手机及社区养老系统”，中国美术学院的“脑瘫儿童早期干预辅具设计”，湖南大学的“新生儿经鼻无创呼吸机”等优秀毕业设计作品，都关注老龄化等社会弱势群体的需求，关注我国社会面临的突出和热点问题，进一步地探索设计的社会责任。在上述所罗列的.工业设计派生类别中，其中关于健康一类，又划分为医疗产品设计、辅具设计、通用设计、婴幼设计、食具设计。笔者所带毕业设计的选题，也主要基于以上的考虑。选择了婴幼设计这一研究性课题，并定义为儿童用具系统设计。这一课题的提出，结合了笔者自己对这一领域的研究上，在原有的儿童玩具设计的基础上将毕业设计选题进一步拓宽调整为儿童用具设计。这样一来，给了学生更大的选择范围，拓宽了学生对于社会问题和不同人群的未来需求的探究能力。选题过宽，学生往往不知所措，如大海捞针;选题过于具体明确，如曾经选择的儿童益智玩具设计，由于此类产品市场化充分，学生往往不容易打破诸多限制，进行创新思维。在进行了毕业课题的调整之后，学生可以对儿童用户以及儿童产品消费者的人群进行细分，也可以对儿童用具从衣、食、住、行、娱乐、教育进行细分，进而观察生活现象的细微处，发现问题，并解决问题。今年的毕业设计环节中，两名学生确定了《妙妙时间――儿童时间管理系统产品设计》和《蛋生――儿童财务管理系统产品设计》，学生最终的设计定位在教师的掌握之中却又在教师的意料之外，在我的儿童用具系统设计选题的大范围下，学生明确了自己的方向，又将自己的兴趣点结合进去，最终的结果也是大家通力合作，充分发挥创造性思维和创新的结果，取得了较好的效果。 3.融合我校办学特色。我们在选择毕业设计课题的时候，既要考虑设计的未来发展趋势和社会热点问题等社会大环境，也要结合我校“科学、艺术、时尚”的办学特色。随着经济、社会和人类需求的发展，时尚也成为诸多品牌的重要理念和诉求。现在，欧美许多品牌也是主要以时尚和体验作为其品牌理念，如Anthropologie，一家以一门社会科学――人类学的法语名称命名的美国高档服装及家居零售商。零售的商品涉及服装、饰品、家具、家居、装饰品等诸多方面，定位于舒适而时尚的城市风格。新的设计面向家庭总收入在20万美金以上，受过高等教育，有教养、追求独一无二的设计的职业女性。他们销售的是一种生活态度，其设计理念和设计人群定位可见一斑。随着人们对社会发展趋势和设计功能的不断探讨，时尚产业的范围也在不断扩大，时尚产品已经不仅仅局限于服装、服饰产品，此外，还有配饰、时尚电子产品，如最经典的苹果系列产品、时尚家居、时尚便携产品等。可穿戴技术的开发者以及谷歌眼镜的策划Thad Starner曾说过“可穿戴设备”本身就是时尚。第一意识就是你必须考虑它的外形，所有你戴在身上的东西都是时尚。”笔者认为，可穿戴设计是社会未来的发展趋势，是一种时尚，又与我校“科学、艺术、时尚”的定位吻合。如我们设定的基于特定用户生活方式的可穿戴产品的设计。因为可穿戴产品正越过技术的藩篱，融入时尚的元素，越来越深入到人们生活的方方面面。同学们以团队的形式对基于特定用户生活方式的可穿戴产品的设计有了更加深刻地认识和思考，系统性地对基于特定用户，比如特殊工种工作人员、明星、时尚青年、潮人、盲人、运动爱好者等进行研究，通过基于用户需求和生活方式的研究以及使用环境研究(如雾霾、户外、特殊工作环境等等)中找到设计定位。
4.不断探寻设计的价值目标。设计的目标和价值一直伴随着社会和现代设计的发展，为众人所热议。从现代设计之初最为推崇的“形式追随功能”，到20世纪的文化、情感、交互等，一直到当代的体验设计。在体验经济时代，生活变成一种感受体验的过程，设计的目标和价值就是为人们的生活提供更丰富和更多元化的体验。从一些高校工业设计学生的优秀毕业设计中可以窥见一斑，侧重文脉，即注重地方特色和历史文化传统的传承，如中国美术学院设计学院的“卿卿如晤”，注重体验的蔡尚同学的“感――Relight”以及注重对自然感知体验的我校工业设计毕业生钱雅慧同学的“FLOAT KINGDOM浮游王国――自然感知型儿童娱乐设施设计”等设计选题。
四、对于毕业设计选题的再思考
设计不是个人英雄主义的行为，只有进行团队合作，合理运用设计方法，才能得到1+1>2的效应。现在学生在进行毕业设计选题的时候，通常是两个以上同学一个选题，在前期的设计调研以及设计研究、设计定位和方案的探讨上，都能通力合作，迸发出创新和智慧的火花。在今后的毕业设计环节中，应该进一步加强教师之间的团队合作，除了教研室中艺术类专业和工科类专业教师的合作，还要加强工业设计专业和其他专业教师的跨专业和跨界的合作关系以及毕业设计选题的跨专业和跨界合作，这是我们今后毕业选题的发展趋势。
参考文献：
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[3]张凌浩.江南大学设计学院工业设计系优秀毕业设计作品 有限与无限――江南大学设计学院工业设计专业毕业设计概述[J].装饰，2011，(8)：35-42.
论文整体框架基本上就是你设计改良的过程，围绕你的设计展开，就可以了。前言摘要关键词：英文摘要第1章 概述 选题目的意义，设计的思路框架；（1-2页即可）第2章 电冰箱的设计分析（重点） 1.设计综述 2.产品分析：优缺点，产品工作原理等 3.消费者分析 4.市场分析 5技术分析等等第3章 电冰箱设计定位（重点） 1.综合分析 2.提出改良方向，功能造型等第4章设计方案的展开 1.概念草图 2.设计展示效果图 3.模型第5章结束语 设计体会心的；方向新的趋势见解等等 （1-2页即可）以上仅是一个基本框架，你可以根据你的认识来进行修改，基本思路应该是这样的，把你的设计从最开始的分析到最后的表现都一一展示出来，应该就OK了
21世纪是数字化的时代、信息的时代、也是设计的时代。设计是当今企业乃至国家寻求发展的重要因素。下文是我为大家搜集整理的工业设计毕业论文优秀范文的内容，欢迎大家阅读参考! 工业设计毕业论文优秀范文篇1 浅谈以人为本的工业设计认知观 一、工业设计初体验 印象中的工业设计，可以设计汽车，可以设计飞船，总是感觉这个专业非常强大，无所不能，只要你说得出来，它都可以参与进去。在学习工业设计的时候，很多男生心里都有一个梦想，希望自己在毕业之后能够成为一名汽车设计师，我也一样。于是对于工业设计的理解就是不停地画草图，努力地学软件。理想很丰富，很美满，等我们走进了工业设计这个专业，才发现它和自己想象中的设计有太多的不同，才真正体会到说设计就好比“戴着镣铐跳舞”这句名言的真谛。汽车设计师，准确说应该叫概念汽车造型设计师，这是现在的我对于当时那个梦想的定义。这个梦想破灭的同时，意味着我对工业设计的理解多了一点认识。我们在学生年代对于工业设计的认知，关注更多的是在产品的造型层面，纯粹在产品的形态和色彩上花心思，再赋予产品一些自以为是的材料和工艺，这个时期所提出的一些方案，现在想来都不敢称为设计，顶多也就是带着一丝想法的幼稚的草图，而且都只能停留在纸上。毕业之后，在企业里任职期间才接触了设计，发现自己对于这个专业有太多的不足，需要学习很多实践性的专业知识。我把更多的时间用在专业技能的提升上，以及对于产品材料构造、工艺结构知识的实践上，对于产品的制造与生产有了初步的了解。同时也学习了市场与设计的一些关系，市场需要什么，企业就会生产什么，哪个产品好卖，客户就会让我们“设计”什么样的产品。 在从学生到参加工作的这段时间，之前一些天真稚嫩的想法都不再有了，而是多了一些实际的考虑，懂得思考把作品变成产品的可能性因素，偶尔也会思考设计的过程合理性，在这个过程中才发现客户主导了设计的方向。这时候，我才懂得去思考关于工业设计的认知问题，有了想法掌握了技能懂得了生产，做出了方案满足了老板完成了任务，这就叫工业设计吗?在这个过程中，产品是主体，客户是最终目标，也就是说只要搞定了老板就意味着项目的成功。这种描述好像和标准的工业设计定义有太大的区别。产品、客户、消费者，我们的工业设计到底要搞定谁呢?谁是重点?显然，如果工业设计关注的重点是客户的话，我觉得是不可取的，这样的话我感觉自己不像个设计师，因为老板让我干什么我就干什么，那还需要我干什么呢?他需要的只是一个绘图员而已，顶多称为产品外观设计师。 二、从手机谈工业设计 工业设计的目标是不是产品呢?我们都知道工业设计有狭义和广义之分，而狭义上的工业设计把重点放在了有形的实体产品上，即产品设计。在这里，我想以自己对工业设计的理解从设计的角度去说说手机这个实体产品。第一台手机是由摩托罗拉生产的，大哥大的手机造型直到现在都深入人心。手机通信技术的发展经历了模拟手机时代、GSM时代、2G/3G时代以及现在即将普及的4G时代。随着技术的不断进步，手机的样式也是千变万化，从笨重的大哥大到今天轻薄的苹果6，工业设计在手机这个产品上扮演着极其重要的角色，特别是在2G时代，上百个品牌上千种手机造型，让你眼花缭乱。诺基亚品牌是2G时代手机市场中的大哥大，一年甚至可以推出一百多款手机造型，摩托罗拉、索尼品牌手机紧随其后，这些品牌的工业设计做得非常成功，直到现在都能让人记得那一款款经典机型。但是到了3G/4G时代，这些品牌风光不再，诺基亚被微软收购，MOTO被谷歌吞并，索尼退出手机市场，在激烈的手机市场份额竞争中，这些曾经的手机品牌王者退出了历史舞台。 在这个过程中，竞争虽然激烈，但是苹果手机却能够独树一帜，生存并发展壮大到今天王者的地位。我们可以研究一下苹果的工业设计，从第一代手机到现在的6S，每年推出的产品屈指可数，但是它的品牌生命力和产品竞争力不是其他品牌所能够比拟的。手机工业设计已从2G时代的机海战术，变成了现在3G、4G时代的机皇战术。然而，3G、4G时代各个品牌的手机造型，却都是大同小异，大屏幕、轻薄化。如果说砖头一样的大哥大是属于MOTO的经典之作，那么现在瓦片一样的大屏手机又能够代表哪个品牌呢?显然工业设计在手机的2G时代是最火热的，因为手机造型的需求量非常大。 反之，3G、4G时代手机的工业设计是难的，但绝对不是因为需求量变小，有技术成分的因素，也有设计方向的转变问题。如果手机继续发展下去，它还会需要工业设计吗?我认为手机品牌的激烈竞争，成也工业设计败也工业设计，关键在于看这些品牌怎样来理解工业设计的概念。同样，电视机产品的工业设计也面临这个问题，发展到今天，电视机已经连边框都没有了，我们还能设计什么呢?设计电视的底座和支架吗?如果我们还只是把工业设计理解成产品造型设计，那手机和电视机的发展无疑会告诉你，以这样的观念来选择工业设计那是没有前途的。特别是当前的3D打印技术的猛烈发展，也进一步地验证了这一点，想法人人都可以有，再加上万能的3D打印，可以想象，当人人都是设计师的时候，就不存在设计师的说法了。所以，如果我们把工业设计的重点定位在产品上，手机、电视机、3D打印机的发展都能够说明这个发展方向的局限性。那么，工业设计的重点只能是放在“人”身上，我们必须从狭义的工业设计概念中跳出来。广义的工业设计概念，把工业设计理解成一个以人为本的设计服务过程，要求我们不能再用传统的眼光、方法来对待工业设计，要走出传统的工业设计定义范畴。 三、工业设计中的造型与结构 之前谈过学生时代有成为汽车设计师的梦想，这个梦想也只是建立在狭义的工业设计概念认知基础上，关注的只是产品的造型色彩，甚至连产品的结构设计都忽略了。这个阶段自然不会考虑造型设计与结构设计之间的关系，也可以说是结构设计无意识地服从了造型设计。在有了一定的工作经验之后，发现在设计过程中存在这样那样条条框框的限制，特别是在结构设计这个环节，给我们造成很大的困扰和压力，更多的项目只是要求在现有产品结构的基础上进行外观的设计，这时候的造型设计必须服务结构设计，这也可以称为我们设计的初体验。在积累了比较扎实的设计经验之后，我们就得反思这个设计过程，真正产品的创新绝不是停留在造型上，绝不是被限制在结构上，相反，它对于结构设计提出更高的要求。我们开始慢慢意识到产品的创新，应该包括但不限于产品的造型创新及结构创新。在反思的过程中，我们开始学会以广义的工业设计去思考设计问题，把工业设计的重点从产品、客户身上转移到人的因素上，从消费者的角度去寻找产品创新机会的突破口。此时此刻才能体会到，成熟的工业设计师在产品创新的过程中，更多的是关注人的需求，以人的需求为导向来主导设计过程，有意识地让结构设计来配合造型设计。 四、关于工业设计的改良与创新 设计的目的是为了创新，创新的方法中包括了改良型设计和创新型设计。直到现在，我认为我所经历过的设计，百分之九十九都是属于改良型设计，还剩的百分之一，其实也只是自己一相情愿的想法而已。深圳山寨机，莆田高仿鞋，它们为什么会存在并广为人知，我认为不仅仅是因为它们具有市场。山寨、高仿也是属于产品改良型设计，因为我们的设计需要经历这样一个过程，借鉴的过程。但是在这个过程之后，很多厂商从山寨、高仿得到好处之后却不懂得创新，一味地改良，导致产品没有了竞争力，企业丧失了发展的机会而被淘汰。工业设计更多的是需要创新性设计，而不是改良型。所以山寨、高仿不是有效的可持续的创新途径，从2008年温家宝给中国工业设计协会写了要高度重视工业设计开始，就注定了山寨机、高仿鞋的灭亡。企业对于工业设计的认识不能停留在单一的改良设计来进行产品创新，应该将创新的重点从产品设计过程转移到设计的研究过程，从产品的生产制造过程转移到人与产品相互关系的研究，进行以人为本的创新性产品设计开发。 五、工业设计的广与精 随着这几年工业设计市场的不断成熟，市场竞争也越来越激烈，怎样保证工业设计的竞争力，成为我们不得不去思考的一个问题。俗话说术业有专攻，工业设计想做得好，就必须得把它做精，通过去细分市场来实现。一方面，我们可以专注于某个行业的工业设计，在这个产品领域内积累出雄厚的设计力量，形成行业内的拳头产品保持竞争力。另一方面，我们也可以专注于工业设计内的某个环节，比如战略咨询、产品规划等工业设计前期内容，也可以是产品设计、制造、生产等后期环节。工业设计是一项高度综合性的交叉学科，美学、经济学、心理学力学等学科知识都有涉及，它是一门系统性的综合学科，所以我认为每一个成功工业设计案例的背后，都站着一群人，而不是某一个人的功劳。 工业设计强调个人分工的同时更注重团队协作来完成项目。我所理解的工业设计，不再像以前那样，通过理想化的个人英雄主义形式来完成设计救赎，这种形式的设计对于当前形势下的工业设计不科学不合理，不可取，不利于工业设计未来的发展。既然是团队合作、个人分工，那么我们在选择工业设计的时候，就可以根据自己的实际情况，有针对性地选择学习和锻炼工业设计的某个环节或者方向，这样就可以实现工业设计的深耕细作，这样才能够让工业设计的生命力更加旺盛，让自己具有核心的竞争力。随着工业设计理念的不断发展和完善，设计已经从对产品、对物的关注转向了对人的关注，对人的生活和情感的关注，转向了对人类生存环境的关注，出现了很多新的设计理念：体验式设计、交互式设计、服务设计等，所以我们也应该抛弃传统的工业设计观念，走进以人为本的广义工业设计概念中，与时俱进。 工业设计毕业论文优秀范文篇2 试谈实用主义工业设计 1当前我国的消费文化以及设计道德状况探讨 实用主义为了达到效用与利益的目标可以摒弃原则与假定必需的东西，无疑这会带来很多社会问题:为了卫生与方便，我们每天都在制造一次性餐具垃圾，每个婴儿都会用尿不湿，每次购物都会有一个甚至一堆塑料袋，每次喝饮料都会制造一个塑料瓶废品等等，这直接导致了资源的大量浪费以及城市周边堆积如上的垃圾堆，我们不禁反思实用和主义、工业化到底给我们带来了什么?工业设计价值观作为社会价值观的一部分，也具有社会整体价值观的一般的特征。工业设计的目标是服务工业生产，辅助实现工业产品效益并提高产品的附加价值，由于人们无休止的私欲激发了工业的生产，从而使设计不由自主的卷入其中，成了工业化的傀儡而不能自拔。 2我国设计应具有的道德及文化 在设计方面，每个民族都有自己的特征鲜明并且积极的设计文化与道德，同样，我国有着深厚的民族底蕴与传统美德，有着丰富的关于造物的文化与道德观。关于器物道德的记载，最早见于《道德经》，老子说:“道生之，德畜之，物形之，器成之。是以万物莫不尊道而贵德。意思是说，器成，需要有事物的规律与生产方法，其次是器物的文化与德行，再加上物质条件赋予其外形。可见，先秦时期的造物道德放之今日依然有其现实意义，我们现在的工业生产何尝不是如此呢?每个行业需要具备生产工艺、行业规范、行业文化等，再加上具体产品，才能达到“器成”的要求。宋明时期，理学倡导“存天理，灭人欲”，主张抑制私人欲望，将伦理道德推向极致，这种思想也直接影响了当时的器物文化。虽然没有直接说明当时的器物思想，但是通过当时的社会价值观可以窥见当时的器物文化，毕竟器物文化来源于社会文化。 例如，宋代的瓷器，釉色朴素，形态不事雕琢;明代家具，无论造型、材料还是其中的人文思想，都是古今设计的典范。通过这种禁欲与推崇伦理道德的思想可以看出，我国古代的正统思想重视事物的自然规律，重视人的修养及德行的提高，以禁欲来维护世间道德，可以说，体现出了我国传统文化主张朴素、维护自然及社会道德的特征。在今日我国市场经济条件下，显然这种思想是行不通的，因为实用主义生活哲学占据了社会主流地位，每个人都在追求个人利益的最大化，都在实现自我的最大发展，也因此使社会出现很多重效益不计后果、重指标不计投入的社会现象，但是，这不是我们当今社会的本质要求。针对以往粗放型的经济发展模式以及生活方式，我国提出“资源节约型、环境友好型”的经济发展新方针，强调“可持续发展”目标，不再以指标作为唯一的衡量标准，经济增长由粗放型改为集约型，这些都体现出当前我国充分考量了资源、环境与人的关系，更加注重系统的和谐发展。试问，这些现象不正是“天人合一”的体现吗?可见，我们并不是没有工业设计的文化与道德，只是人们忙于实现自身的利益、贪图方便与效率，从而导致了上述问题的发生。 3设计道德回归的可能性分析 工业设计道德的回归首先需要社会生活道德、生活哲学的回归，毕竟有什么样的生活道德与哲学，就有什么样的消费哲学与设计哲学。我国传统哲学是以儒家哲学为主导，儒、道、释三教相融合而发展，形成我国传统哲学的基本特征，而当代我们面临的是西方哲学思想的冲击，能否形成中西哲学的融合与发展是当代我国当代哲学发展的新挑战。牟宗三先生的说过，“中国未来的哲学特质，在于中国传统主流哲学与当代西方哲学的融合，从而形成新时代特征的中国哲学。”[3]我国正处在传统文化与西方价值观激烈碰撞的时代，受西方哲学、价值观、生活方式影响很大。 但可喜的是，近年来我国逐渐重视传统文化与传统哲学，逐渐对当代不良的、实用主义特征的重指标、重眼前效益的价值观进行了纠正，开始回归“可持续发展”观，“环境友好型”“资源节约型”等，既重视效益又协调整体协调的全面发展观，颇有“存天理”“致良知”“天人合一”的哲学意味。同时，主流媒体加大了工艺公告的投放力度，对社会节约、环保、和谐等思想进行了大力弘扬，这些都是我国传统哲学思想与优秀传统发扬的典型例子。通过这些现象可以看出，我们在中西方道德文化激烈碰撞中并没有迷失自己，而是把握住了自己文化的前进方向，从而对弘扬具有我国传统哲学特征的价值观、器物观有着积极的建设意义，社会哲学、价值观问题的解决，工业道德、设计道德问题也会水到渠成。实用主义的社会哲学，是以个人、民主、进化的观念为基础。 4结语 工业设计道德的回归需要工业文化的回归，更需要社会大众生活态度的转变与价值观的转变，而这些又是与社会时代哲学密不可分的。通过新中国成立以来经济、社会的快速发展，我们既从实用主义哲学中收到巨大的建设成果，也在享受成果的同时忍受了种种社会苦果，现在我们终于慢慢意识到一味追求传统哲学不可取，一味崇拜实用目标也不可取，只有将二者结合，发挥各自的优势，才能均衡社会哲学文化的体系，从而产生具有符合我国当代哲学观的设计。 工业设计毕业论文优秀范文篇3 浅析混合现实技术在工业设计的作用 虚拟现实技术 虚拟现实是以可计算信息为基础的一种沉浸式交互环境，此现代高科技的核心为计算机技术，进而形成以味觉、触觉、视觉、嗅觉和听觉为主导的感官世界和虚拟环境，用户可通过各项传感设备实现与虚拟环境的交互，进而产生相互影响和身临其境的作用。虚拟现实技术具有构想性、交互性和沉浸性的基本特征，是综合人工智能技术、计算机图形学、计算机网络技术、多媒体技术和仿真技术的一种计算机高级人机界面，通过多传感技术和并行处理技术，向用户提供良好的触觉、听觉和视觉等感官功能，用户可沉浸于该虚拟境界，通过手势和语言等方式与其建立起实时交互，为用户创建起适应用户需求的多维信息空间。 混和现实技术 混合现实技术是基于虚拟现实技术发展起来的一种增强现实技术，通过可视化技术和计算机图形技术实现现实环境中没有的虚拟对象，在传感技术的帮助下在真实环境中准确“放置”虚拟对象，使虚拟对象和真实环境同时叠加至一个空间。用户可通过头盔显示器等显示设备观察现实环境与虚拟对象融合的新环境，从而产生一个全新的感官世界。混合现实技术为用户提供了不同于日常生活的感知信息，人们在接触真实世界的同时，也可接触到虚拟的信息内容，通过叠加和补充两种信息，使用户获得良好的使用体验。混合现实技术的核心是通过附加信息增强用户对现实环境的感知和观察，而非将现实世界转换为虚拟世界。 混合现实技术在工业设计中的应用 混合现实技术是基于虚拟现实而发展和普及的，故和虚拟现实系统的硬件结构有一定的一致性和继承性。计算机课可通过混合现实系统将虚拟的图像、文字和物体生成相关信息，并将这些信息叠加在用户可视范围内，使用户可感官真实物体上的虚拟信息。这些与现实相关的虚拟辅助信息可有效增加用户的使用体验，而注册和显示是混合现实中的关键技术，该系统中不可或缺的外部设备为方位跟踪器和头盔显示器。 1.产品的外形设计 混合现实技术可被运用于产品外形设计，可根据对产品的研发要求，多次评测和修改产品的外形，此类修改方式对产品方案修改效率的提高具有积极意义，在很大程度上减少了产品研发风险，有利于建模数据的构建，而冲压模具的基础设计和仿真加工等环节也可直接运用系统生成的建模数据。 2.产品的布局设计 混合现实技术也可用于研发布局较为繁杂的产品，可对产品布局进行相应的整合和设计。该技术的应用可有效显示出产品布局，使设计者直观全面的观察产品设计，避免不合理的设计问题出现，最大化的提升产品结构和布局的设计，使产品布局具有较高的准确性。(本文来自于《设计艺术》杂志。《设计艺术》杂志简介详见.) 3.产品的运动和动力学仿真 运动物件类产品设计需注重工作时产品的运动协调关系，针对产品运动时可能出现的问题进行重点核实，例如动力学性能、产品强度和运动干涉检查。现阶段的企业生产线均由各个环节组合而成，各个环节间的配合度和协调度在很大程度上决定了产品的生产质量。混合现实技术可在产品生产环节的基础上设计出仿真技术，该仿真技术可有效设计和配置生产工作流程，具有直观性的特点。 3D技术和混合现实技术是广告设计中的主力军，两者的合理组合可有效实现逼真的广告效果。混合现实技术和三维动画技术可将产品外形直观的置入广告中，且将产品内部结构通过模型向受众展现出来。此外，这两项技术的运用还可详细介绍该产品的生产过程，例如产品的维修、装配、工作和使用等过程，在网络技术发达的21世纪，产品广告和产品推广活动的核心就是直观、生动，在传播方位方面较为广泛。现阶段的网络漫游技术是扩宽广告范围的关键，对产品广告的详细程度和推广范围具有积极影响，例如工厂、城市、车间、设计图纸和机器结构，使用户可快速准确的获取广告信息。 随着科学技术的发展，混合现实技术已经被日渐运用在社会的各个领域，而混合现实技术的发展和普及对产品设计产生了较为深远的影响，直接导致产品设计和生成手段的改变。混合现实技术促进了产品设计思维的活跃，虽然混合现实技术被运用于各领域的时间较短，在一定程度上存在缺陷，但其自身所具有的优势确定了其成为人机接口的重要方式。产品通过运用混合现实技术，实现产品生产过程的数字化，而虚拟产品的设计不论从信息存储还是功能上均与现实计算机模型接近，高度相似的虚拟产品促进了虚拟现实技术的发展，也使其成为产品设计中的主要方式。 猜你喜欢： 1. 浅谈工业设计论文范文3篇 2. 工业设计论文的范文 3. 工业设计毕业设计优秀论文 4. 工业设计毕业论文范文 5. 工业设计专业毕业论文
论文的题目是选题的直接表达,是作者想要研究的问题,是一篇论文的主题。下面是我带来的关于工业设计毕业论文选题的内容，欢迎阅读参考!
1. 模块化机器人设计
2. 智能行走监测机器人设计
3. 未来家电设计——互联网生活时代设计
4. 未来家电设计——互联网生活时代设计
5. 创意生活——电子小产品设计
6. 未来家电设计——为高度城市密集化和资源集约有限化的时空设计
7. 创意生活——电子小产品设计
8. 情趣化家居生活产品设计
9. “风”格“风”尚美的风扇创意设计
10. “广州手信”文化创意产品设计
11. 创意生活用品开发设计
12. 环保节能公共设施设计
13. 低碳环保文具设计
14. 厨卫产品开发设计
15. 手提旅行箱造型设计
16. 公交候车亭造型设计
17. 绿色环保灯具设计
18. 公用电话亭造型设计
19. 可携带式氧气瓶设计
20. 轻便式家用创意除湿机设计
1. 装载机驾驶室的工业设计研究
2. 产品设计中工业设计与工程技术设计衔接过程研究
3. 工业设计专业工程基础类课程整合研究
4. 反求工程在工业设计中的应用研究
5. 面向工程机械的工业设计程序与方法研究
6. 基于逆向工程开发模式的工业设计流程研究
7. 大型工业设计企业(TDI)发展战略的研究
8. 电工产品工业设计与工程设计的统一性研究
9. 工业设计与船舶系统工程相关性研究
10. 工业设计中可用性工程的应用
11. 三一重工堆高机外观造型设计与研究
12. 工程机械产品形态设计研究
13. 基于文化内涵的和谐之门体验设计
14. 基于产品形象的工程机械工业设计研究
15. 关于应用人机工程学的研究
16. 基于Alias的逆向工业设计实践研究
17. 多功能睡床设计理论研究及工业设计实践
1. 面向产品设计自动化的人机工程研究与应用 限制性设计理论研究
2. 基于用户评价的房车造型设计方法研究 应用人机工程学研究
3. 面向家居产品定制设计的人机设计方法研究
4. 基于人机工程学的自动售药机的设计
5. 铁路客车设施设计新探讨
6. S180中老年人手机人性化设计研究
7. 宏茂科技的机床产品造型设计与研究
8. 安徽滁州卷烟厂自动化物流系统规划设计
9. 南京工业大学材料化学工程中心实验楼方案设计
10. 数控机床中人机工学应用研究
11. 非上路微型车新开发设计方法研究
12. 汽车驾驶室人机界面设计技术研究
13. 人机驱动的产品创新设计研究
14. 基于人机工程的数控机床外防护设计研究
15. 计算机辅助人机工程设计的虚拟人研究
16. “ETC3650”经济型数控车床防护结构设计
一个完整的毕业设计，除了毕业论文，还要有设计概念，草图，分析，完善，效果图，实物图，尺寸图，模型等等，其实毕业论文就是阐述这些．先写市场调查，表明为何做此设计，有何市场；再对现在情况进行分析，找到突破口，也就找到设计方向，再从此突破口寻找设计灵感等，进行草图描绘……简单的说，毕业论文就是用文字和图片的方式，将你的毕业设计前因后果等阐述清楚明白