哥特式论文参考文献集

Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world. 仅供参考

哥特式教堂为例: 哥特式教堂的产生得益于一种新的建筑技术尖胁拱顶的运用。 .... 参考文献. [1]西蒙斯: 印象与评论: 法国作家[A].象征主义?意象派[M].论中世纪基督教美学的象征主义特征[1]西蒙斯: 印象与评论: 法国作家[A].象征主义?意象派[M].中国人民大学出版社.1989.[2][13]赫伊津哈著、刘军等译: 中世纪的衰落[M].中国美术出版社.1997.P211、P208.[3]参见季广茂: 隐喻视野下的诗性传统[M].P12、P85- 87.高等教育出版社.1998.[4][5]赵敦华: 基督教哲学 1500 年[M].人民出版社.1994.P98.P134.[6][7][12]伪丢尼修著、包利民译: 论圣名[M].P3.选自: 神秘神学[J].北京三联版.1998.P330、[107].[8]费多铎等编订: 东方教父选集[J].基督教文艺出版社.1992.P330.[9]参阅托马斯.阿奎那著、谢扶雅译: 圣多默的神学[M].基督教文艺出版社.1992.P32- 33.[10][11]塔塔科维兹著、褚朔维等译: 中世纪美学[M].中国社会科学出版社.1991.P19、P31.[14][17]塔塔科维兹著、褚朔维等译: 中世纪美学[M].中国社会科学出版社.1991.P45、P46- P47.[15]巴西利卡( basilica) 一译长方形会堂( 教堂) 。古罗马的一种公共建筑物, 用作市场、法院和会议大厅。是后来所有西方教堂建筑发展的基础。[16]迈克尔.列维著、孙津等译: 西方艺术史[M].江苏美术出版社.1987.P44.[18][19]费多铎等编订: 东方教父选集[J].基督教文艺出版社.1992.P495、P496.[20]孙津著: 基督教与美学[M].重庆出版社.1990.P326.[21]赫伊津哈著、刘军等译: 中世纪的衰落[M].中国美术学院出版社.1997.P209.[22]威利斯顿?沃尔克著、孙善玲等译: 基督教会史[M].中国社会出版社.1991.P108.[23][24]据伪丢尼修: 教阶体系[M]中的介绍, 洗礼之始众人一起唱从圣经[J]中选的赞美歌, 然后受洗者请求祭司施洗, 祭司在他的头上画十字并允以登记。之后, 受施者面西三次发誓弃绝罪恶, 又面东三次表示服从基督, 表白完毕即开始涂膏油, 其间要唱圣歌, 然后受洗者三次被浸入水中, 最后祭司用圣油在他身上画十字并宣布此人已属圣洁。参阅伪丢尼修著、包利民译: 神秘神学[M].北京三联版, 1998, P164- 166页。[25]费多铎编订: 东方教父选集[J].基督教文艺出版社.1992.P469.