毕业论文大纲参考模板英语

英语教育专业毕业论文提纲模板

所谓论文提纲，是指论文作者动笔行文前的必要准备，是论文构思谋篇的具体体现。构思谋篇是指组织设计毕业论文的篇章结构，以便论文作者可以根据论文提纲安排材料素材、对课题论文展开论证。下面我以英语教育专业毕业论文提纲为例，为大家介绍论文提纲的写法。

英语教育专业毕业论文提纲模板一

摘要 2-3

Abstract 3

引言 6-13

一、研究的背景 6-7

二、文献综述 7-11

(一) 国外研究状况 7-9

(二) 国内研究状况 9-11

三、研究方法 11-12

四、创新之处 12-13

第一章 小学高年级英语语篇整体性教学的理论思考 13-22

一、相关概念的界定 13

二、小学高年级实施英语语篇整体性教学的必要性 13-14

(一) 小学高年级学生心理发展的特点 13

(二) 小学高年级英语语篇的特点 13-14

三、小学高年级英语语篇整体性教学的理论基础 14-18

(一) 心理学中的整体性原则 14-15

(二) 心理学中的认知理论 15-16

(三) 三种阅读教学模式 16-18

四、小学高年级英语语篇整体性教学的主要类型 18-22

(一) 对话类语篇整体性教学要素 18-19

(二) 故事类语篇整体性教学要素 19-22

第二章 小学高年级英语语篇整体性教学课堂模式实施的现状调研 22-38

一、调研设计 22-23

(一) 调研对象 22

(二) 调研方法 22

(三) 调研内容 22-23

二、对小学高年级英语语篇整体性教学推进情况的调研 23-38

(一) 对语篇整体性教学实施态度的调研 23-25

(二) 对语篇整体性教学实施过程的调研 25-27

(三) 对语篇整体性教学实施效果的调研 27-34

(四)对语篇整体性教学实施困惑的调研 34-38

第三章 小学高年级英语语篇整体性教学调研的问题及原因分析 38-46

一、在实施语篇整体性教学过程中存在的问题 38-41

(一) 过于重视“整体”，完全放弃了 “局部”知识点学习 38-39

(二)为了体现“学生主体”，大胆放弃“教师主导” 39-40

(三)误解“阅读语篇”的意义，变成“反复朗读语篇” 40

(四)为了“整体情境”，拘泥于“单一情境” 40

(五)为了“立足语篇”，拒绝“适当有效拓展” 40-41

二、小学高年级英语语篇整体性教学问题产生原因的分析 41-46

第四章 优化小学高年级英语语篇整体性教学的途径 46-54

一、小学高年级英语语篇整体性教学课堂实施的原则 46-51

(一) 整体理解为主,细节理解为辅 46-48

(二) 语感训练为主,语法理解为辅 48-50

(三) 思维训练为主,知识技能掌握为辅 50-51

二、小学高年级英语语篇整体性教学的策略研究 51-54

(一) 确立明确的教学目标 51

(二) 分配合理的预习任务 51-52

(三) 关注有效的情景创设 52

(四) 把握清晰的主线设置 52

(五) 关注丰富的拓展阅读 52-54

结语 54-55

参考文献 55-59

致谢 59-60

英语教育专业毕业论文提纲模板二

Idiom Translation under the Chinese and English Cultures

Class XXX Number XXX Name XXX

Abstract: Nida, a famous translator, says, "For truly successful translation, it is much more important to familiarize two cultures than master two languages, because words are assigned meanings in its particular cultures."(Background information) This is to say, translation is closely related with not only languages but also cultures. Studies of the cultural distinction in idiom translation are still relatively weak in the field of translation in China. Exclusive research on the translation of Chinese and English idioms is still incomplete. In the last twenty years, idiom translation has mostly emphasized the level of inter-lingual communication, but cultural differences were rarely involved in it.(Identify problem) This thesis analyses the cultural differences in Chinese and English idioms, then studies English-Chinese\Chinese-English idiom translation methods(Research subject) from the angle of culture(Method) and points out some warnings concerning idiom translation: pay attention to context and choose the right version in line with the style and meaning of the original passage(Results); culture is a whole way of life, when new culture emerges, new idioms also appear, therefore idiom translation should develop with the time.(Conclusion)

Key Words: idioms; culture; translation

论英汉文化背景下的习语翻译

摘要 :著名翻译学家奈达指出:“对于真正成功的翻译而言，熟悉两种文化甚至比掌握两种语言更为重要，

因为词语只有在其作用的'文化背景下才有意义。”也就是说，翻译不仅与语言有关也和文化有关。习语翻译中对文化差异的研究在中国的翻译领域中仍然较弱，专门对中英习语翻译的研究还不很完善。近20年来，习语翻译大多强调语际的交流，而很少涉及文化差异。本文通过分析中英习语的文化差异，进而从文化角度研究中英习语翻译方法，并指出中英习语翻译要注意的问题:联系上下文，选择与原文风格，意思相符的翻译;文化是一种生活方式，文化在变化，出现新的习语，习语翻译要与时俱进。

关键词： 习语;文化;翻译

1. Introduction

Idioms universally exist in every language. An Idiom is a word or an expression

that cannot be literally translated from the source language into the target language because its idiomatic meaning cannot be understood by literally defining its component parts.(Background) In a broad sense, idioms contain set phrases, proverbs, colloquialisms, slangs, maxims, allusions, etc. (YinLi, 2007:9) In Chinese, they also include enigmatic folk similes. Newmark, a British translation theorist, in his work A Textbook of Translation, said, "I define as culture the way of life and his manifestation that are peculiar to a community that uses a peculiar language as its means of expression. "(Previous research) English Idioms derives from English cultures and daily life. In real context, idioms explain themselves: nine times out of ten they carry their own explanations. If we are unaware of these, we will find ourselves in a state of confusion since we will assign literal meaning to them. The Chinese Idioms, especially the four-character idioms, have their own unique origins which are closely correlative to the Chinese history and cultures. In view of the difficulties in understanding idioms, we should pay due attention and efforts to understand their cultures and customs. This thesis is designed to dig into the cultural differences between Chinese and English and then elaborates on the translation theories applied to idioms. (Subject + Method)

2. A Comparison Between English and Chinese Idioms

2.1 The Cultural Differences Between English and Chinese Idioms 2.1.1 Geographical Conditions

The formation of culture is closely related with natural geographical conditions. A specific geographical environment produces a specific culture, which also leads to a particular expression.

Great Britain covers islands including the Northern one-sixth of the island of

Ireland between the North Atlantic Ocean and the North Sea, northwest of France. It has a moist climate with much rainfall. Rivers and lakes are numerous. No wonder that fishery is thriving and most important in Britain. Accordingly, idioms concerning fish and navigation constitute a great part in English idioms. (LiYuping, 2008:20)(Theory/Results of previous research)

For example, "like a fish out of water". If you feel like fish out of water, you feel awkward and uncomfortable because you are in an unusual and unfamiliar situation. Fish in the air 缘木求鱼 An odd fish 怪人 Miss the boat 错过机会

Trim the sails to the wind 顺势前进

A small leak will sink a great ship 小洞不补要沉大船 (Examples)

On the other hand, China is located in the Asian Continent and reputed as an agricultural country with a large population of peasants. It is not surprising to find many idioms relevant to farming, such as "骨瘦如柴，对牛弹琴, 众人拾柴火焰高,竹篮打水一场空......". Chinese people also have a mysterious and awe feeling for sea, so they have idioms like "海角天涯，海枯石烂，海阔天空，海底捞针，海市蜃楼......". (Analysis)

2.1.2 History

2.2 The Similarities Between English and Chinese Idioms

2.2.1 Colours

2.2.2 Numbers

3. Methods of Idiom Translation

Translation is far more than a science. It is also a skill, and at the ultimate analysis, fully satisfactory translation is always an art. (Nida, 1982:49) Translation is considered as the cultural bridge and media between two languages. As there are wide differences in vocabulary and syntax between English and Chinese, translation is no easy job. Therefore, in order to keep the flavor of the original as well as cater for both the Chinese and English languages, translation skills should be reasonably employed in the process of translating, such as the following translating methods:

3.1 Literal Translation

3.2 Free Translation

3.3 Translation with Notes

3.4 Replacement with Similar Idioms

3.5 The Translation of Corresponding Idioms with the Same Meaning

3.6 A Combination of Literal and Free Translation

4. Some Warnings Concerning Idiom Translation

5. Conclusion

One of the major characteristics identifying us as human is our ability to use language. Language plays a very important role in people’s daily life; it enables people communicate with each other and understand others' feelings. Language has close relations with culture. It is impossible to separate language from culture. As the essence of language, idioms also have close relations with culture. The contents of them range from society, history, psychology to customs and other various social phenomena. So, in the process of translation, translators should pay more attention to the cultural factors, in doing this, he can dig up the implicit meanings. (Conclusion of research) Only the cultural factors are concerned, translators can have a satisfactory translation. Besides, people should get acquaintances with the cultural background when using idioms to avoid embarrassment in communication. (Suggestions)

References

[*] 作者. 书名(英语的斜体). (出版地：)出版社，年份：参考内容页码 [*] 作者. 文章名(英语的斜体). 刊物名称. (出版地：)出版社，年份

[1] Li Mei. Mother tongue and translation. Shanhai: Shanhai Foreign Language Education Press,2008

[2] Li Qingming. A Comparison of the Cultures between the Chinese and English Language. Xi'an: Northwest University of technology Press, 2007

[3] Nida Eugene. The theory and Practice of Translation. Leiden: E. J. Brill, 1982

[4] Nida Eugene. Language, Culture, and Translating. Shanhai: Shanhai Foreign Language Education Press, 1993

[5] Susan Bassnett, Andre Lefevere. Translation, History, Culture. Shanghai: Shanhai Foreign Language Education Press, 1987

[6] Luo Shiping. A Research on English Idioms. Shanhai: Shanhai Foreign Language Education Press, 2006

[7] Li Yuping. English Idioms and their Cultural Origin. Tianjin: Nankai University Press, 2008

[8] Yin Li. English-Chinese Idioms and Folk Culture. Beijing: Bejing university Press, 2007

[9] Zhang Yajun. A Kaleidoscope of Chinese Culture. Beijing: Sinolingua, 2008\

[10] 李云(Li Yun).《新编大学翻译教程》. 北京：世界知识出版社, 2007 [11] 马爱英(Ma Aiying).《中英文化翻译》. 北京：科学出版社, 2006

英语专业的论文提纲模板

导语：在毕业论文的.写作过程中，指导教师一般都要求学生编写提纲。从写作程序上讲，它是作者动笔行文前的必要准备；从提纲本身来讲，它是作者构思谋篇的具体体现。下面我整理了英语专业的论文提纲模板，欢迎参考借鉴！

Chapter One Influencing Factors of Creative Treason

1.1The Background of Gone with the Wind

1.1.1The Author's Life and Emotional Experience

1.1.2The Development of the Feminist Movement

1.1.3The Influence of Economic Crisis

1.2The Background of the Translator

1.3The Reader's Expectations and the Ability to Accept

Chapter Two Creative Treason and Translator Style

2.1The Selection and Use of Words

2.1.1Logical Symbolthe Usage of Idioms

2.1.2Aesthetic Symbolthe Usage of Reduplication

2.2Sentences5 Structure and Modalitythe Usage of Parallel Construction

2.3Paragraphs' Logic and Combination

2.4Rhetoric's Device and Style

2.5Register's Transition

2.5.1Witticisms, Slangs and Fixed Collocations

2.5.2Black Identity

2.6Reappearance of Narrative Style

Chapter Three The Limitation of Translator Style

Chapter Four The Sociality of Creative Treason

4.1Culture Significance

4.2Social Significance

4.3Translators' Effort

Conclusion

This article conclusion

Creative treason develops a new domain for literary translation. In this thesis, thebackground of main factors was taken as the entry point. Through analyzing thebackground of tiie original, translator and readers we got the result that affected byvarious factors especially different background the creative treason in literary translationis objective and inevitable. By reason of existence of creative treason, it is possible toform the unique translation style in the translation process. Based on parsing FuDonghua's version of Gone with the Wind,this study analyzes translator style from sixaspects and has proved the existence of translator style. Retoning to the ultimate purposemotivation of translation, we should affirm that the translation work which is in theframework of the original and makes recreations for the need of target readers is thehigh-quality one.

Behind two literary works are two different languages, behind two languages are twodifferent cultures,after discussing the translator style which is based on the languageexchange we should see the most fundamental factor is the cultural differences, which isone of the social significance of creative treason. Just as Escarpit states, all thetranslations are the result of creative treason. So the social significance of translation isalso creative treason V In the process of social development the role of translation can notbe replaced and the creative treason's function should be paid more attention to. For theexistence of creative treason, we can not ignore the hard work and efforts the translatorsdo,it should be folly admitted and respected.

In addition to translation activities, in the field of other social life, we can still findthe creative treason. There are some subjective factors which are mixed into theunderstanding and judgment of object,that's why different people have differentcognitions for the same thing. Therefore, in the process of recognizing the world creativetreason always exists- This can be the new point of creative treason's socialization, enrichthe connotation of the concept and extend the social significance of creative treason.