发布时间：
这个可以帮忙的，要求多少字呢
乌鸦象征其已逝的爱人。后来的诗no where , no more指再也看不到爱人，再也听不到爱人了。I cannot see you no where,I cannot hear you no more.诗中哀伤的氛围反映了作者悲凉的心境。
你的论文准备往什么方向写，选题老师审核通过了没，有没有列个大纲让老师看一下写作方向？ 老师有没有和你说论文往哪个方向写比较好？写论文之前，一定要写个大纲，这样老师，好确定了框架，避免以后论文修改过程中出现大改的情况！！学校的格式要求、写作规范要注意，否则很可能发回来重新改，你要还有什么不明白或不懂可以问我，希望你能够顺利毕业，迈向新的人生。1、论文题目：要求准确、简练、醒目、新颖。2、目录：目录是论文中主要段落的简表。（短篇论文不必列目录）3、提要：是文章主要内容的摘录，要求短、精、完整。字数少可几十字，多不超过三百字为宜。4、关键词或主题词：关键词是从论文的题名、提要和正文中选取出来的，是对表述论文的中心内容有实质意义的词汇。关键词是用作机系统标引论文内容特征的词语，便于信息系统汇集，以供读者检索。 每篇论文一般选取3-8个词汇作为关键词，另起一行，排在“提要”的左下方。主题词是经过规范化的词，在确定主题词时，要对论文进行主题，依照标引和组配规则转换成主题词表中的规范词语。5、论文正文：（1）引言：引言又称前言、序言和导言，用在论文的开头。 引言一般要概括地写出作者意图，说明选题的目的和意义, 并指出论文写作的范围。引言要短小精悍、紧扣主题。〈2）论文正文：正文是论文的主体，正文应包括论点、论据、 论证过程和结论。主体部分包括以下内容：a.提出-论点；b.分析问题-论据和论证；c.解决问题-论证与步骤；d.结论。6、一篇论文的参考文献是将论文在和写作中可参考或引证的主要文献资料，列于论文的末尾。参考文献应另起一页，标注方式按《GB7714-87文后参考文献著录规则》进行。中文：标题--作者--出版物信息（版地、版者、版期）：作者--标题--出版物信息所列参考文献的要求是：（1）所列参考文献应是正式出版物，以便读者考证。（2）所列举的参考文献要标明序号、著作或文章的标题、作者、出版物信息。
写哥特小说中的犯罪行为及其表达的内涵吧。
你的论文准备往什么方向写，选题老师审核通过了没，有没有列个大纲让老师看一下写作方向？ 老师有没有和你说论文往哪个方向写比较好？写论文之前，一定要写个大纲，这样老师，好确定了框架，避免以后论文修改过程中出现大改的情况！！学校的格式要求、写作规范要注意，否则很可能发回来重新改，你要还有什么不明白或不懂可以问我，希望你能够顺利毕业，迈向新的人生。1、论文题目：要求准确、简练、醒目、新颖。2、目录：目录是论文中主要段落的简表。（短篇论文不必列目录）3、提要：是文章主要内容的摘录，要求短、精、完整。字数少可几十字，多不超过三百字为宜。4、关键词或主题词：关键词是从论文的题名、提要和正文中选取出来的，是对表述论文的中心内容有实质意义的词汇。关键词是用作机系统标引论文内容特征的词语，便于信息系统汇集，以供读者检索。 每篇论文一般选取3-8个词汇作为关键词，另起一行，排在“提要”的左下方。主题词是经过规范化的词，在确定主题词时，要对论文进行主题，依照标引和组配规则转换成主题词表中的规范词语。5、论文正文：（1）引言：引言又称前言、序言和导言，用在论文的开头。 引言一般要概括地写出作者意图，说明选题的目的和意义, 并指出论文写作的范围。引言要短小精悍、紧扣主题。〈2）论文正文：正文是论文的主体，正文应包括论点、论据、 论证过程和结论。主体部分包括以下内容：a.提出-论点；b.分析问题-论据和论证；c.解决问题-论证与步骤；d.结论。6、一篇论文的参考文献是将论文在和写作中可参考或引证的主要文献资料，列于论文的末尾。参考文献应另起一页，标注方式按《GB7714-87文后参考文献著录规则》进行。中文：标题--作者--出版物信息（版地、版者、版期）：作者--标题--出版物信息所列参考文献的要求是：（1）所列参考文献应是正式出版物，以便读者考证。（2）所列举的参考文献要标明序号、著作或文章的标题、作者、出版物信息。
"The Black Cat" is a short story by Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart".[1] In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt. The story is presented as a first-person narrative using an unreliable narrator. The narrator tells us that from an early age he has loved animals. He and his wife have many pets, including a large black cat named Pluto. This cat is especially fond of the narrator and vice versa. Their mutual friendship lasts for several years, until the narrator becomes an alcoholic. One night, after coming home intoxicated, he believes the cat is avoiding him. When he tries to seize it, the panicked cat bites the narrator, and in a fit of rage, he seizes the animal, pulls a pen-knife from his pocket, and deliberately gouges out the cat's that moment onward, the cat flees in terror at his master's approach. At first, the narrator is remorseful and regrets his cruelty. "But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of PERVERSENESS." He takes the cat out in the garden one morning and hangs it from a tree, where it dies. That very night, his house mysteriously catches on fire forcing the narrator, his wife and their servant to next day, the narrator returns to the ruins of his home to find, imprinted on the single wall that survived the fire, the figure of a gigantic cat, hanging by its neck from a first, this image terrifies the narrator, but gradually he determines a logical explanation for it, that someone outside had thrown the dead cat into the bedroom to wake him up during the fire, and begins to miss Pluto. Some time later, he finds a similar cat in a tavern. It is the same size and color as the original and is even missing an eye. The only difference is a large white patch on the animal's chest. The narrator takes it home, but soon begins to loathe, even fear the creature. After a time, the white patch of fur begins to take shape and, to the narrator, forms the shape of the , one day when the narrator and his wife are visiting the cellar in their new home, the cat gets under its master's feet and nearly trips him down the stairs. In a fury, the man grabs an axe and tries to kill the cat but is stopped by his wife. Enraged, he kills her with the axe instead. To conceal her body he removes bricks from a protrusion in the wall, places her body there, and repairs the hole. When the police came to investigate, they find nothing and the narrator goes free. The cat, which he intended to kill as well, has gone the last day of the investigation, the narrator accompanies the police into the cellar. There, completely confident in his own safety, the narrator comments on the sturdiness of the building and raps upon the wall he had built around his wife's body. A wailing sound fills the room. The alarmed police tear down the wall and find the wife's corpse, and on her head, to the horror of the narrator, is the screeching black cat. As he words it: "I had walled the monster up within the tomb!" Like the narrator in Poe's "The Tell-Tale Heart", the narrator of "The Black Cat" has questionable sanity. Near the beginning of the tale, the narrator says he would be "mad indeed" if he should expect a reader to believe the story, implying that he has already been accused of madness.[2]One of Poe's darkest tales, "The Black Cat" includes his strongest denouncement of alcohol. The narrator's perverse actions are brought on by his alcoholism, a "disease" and "fiend" which also destroys his personality.[3] The use of the black cat evokes various superstitions, including the idea voiced by the narrator's wife that they are all witches in disguise. The titular cat is named Pluto after the Roman god of the Underworld. Publication history"The Black Cat" was first published in the August 19, 1843 issue of The Saturday Evening Post. At the time, the publication was using the temporary title United States Saturday Post.[4] Readers immediately responded favorably to the story, spawning parodies including Thomas Dunn English's "The Ghost of the Grey Tadpole".[5][edit] Adaptations [edit] In film "The Black Cat" was adapted into a film starring Bela Lugosi and Boris Karloff in 1934 and another with Lugosi and Basil Rathbone in 1941, although neither version bears much resemblance to the original story.[5] Many other adaptations exist but the most faithful to the original is the middle segment of Roger Corman's trilogy film Tales of Terror in 1962.[5] Although the overall film was cast with Vincent Price as the lead, in this segment, he was in a supporting role with Peter Lorre as the main character. The 1934 film Maniac also loosely adapts the story. This version follows a former vaudeville actor who kills a doctor and takes the doctor's place to hide his crime. "The Black Cat" was also adapted into a film of the same name by Italian horror director Lucio Fulci in 1981. Film director Dario Argento presented his own loose adaptation of the story in the 1990 anthology film Two Evil Eyes.[edit] In television "The Black Cat" is the eleventh episode of the second season of Masters of Horror. The plot essentially retells the short story in a semi-autobiographical manner, with Poe himself undergoing a series of events involving a black cat which he used to inspire the story of the same name.[edit] Recordings In 1997, a compilation of Poe's work was released on a double CD entitled Closed on Account of Rabies, with various celebrities lending their voices to the tales. The Black Cat was read by avant-garde performer Diamanda Galás.[edit] References in literary works In 1970, Czech writer Ludvík Vaculík made many references to "A Descent into the Maelstr�0�2m" as well as "The Black Cat" in his novel The Guinea Pigs.[edit] References in art In 1910-11 Futurist artist Gino Severini painted "The Black Cat" in direct reference to Poe's short story. An illustration and description can be found at this site
简介：小说《黑猫》中，“我”因成了酒鬼，权暴地将家里的宠物黑猫的一只眼睛挖掉，后又将它吊死，谁知当晚家中失火。怀着仟悔的心情，“我”收养了一只不知来路的独眼黑猫，因苦于猫老是“执勤地跟着我的脚步走”，“弄得我跌跌撞撞”，一气之下抄起斧头去杀猫，妻子将“我”挡住，“我”将妻子杀死，把尸体砌进墙力。没想到黑猫也被砌进墙里。当警察到地窖来检查时，黑猫的叫声，使警察找到了杀妻的证据。《黑猫》：是美国作家爱伦·坡的短篇小说之一。讲述了一个人对于黑猫的心理惧怕。作家写的是猫，但表现的却是人；写的是人杀死猫或猫杀死人，但表现的主要是人“杀死”人；写的是黑猫与“我”之间的“爱”和“恨”，表现的是人与人之间、人与自然之间的“爱”和“恨”，其真正凸现的是黑猫形象的象征意蕴——对病态人格的反思。埃德加·爱伦·坡：（Edgar Allan Poe），生于1809年1月19日，逝于1849年10月7日，美国作家，诗人，编辑和文学评论家，美国浪漫主义思潮时期的重要成员。坡以神秘故事和恐怖小说闻名于世，他是美国短篇故事的最早先驱者之一，又被尊为推理小说的开山鼻祖，进而也被誉为后世科幻小说的始祖。他是第一个尝试完全依赖写作谋生的知名美国作家，从而导致贫困潦倒。
有资料，说明
埃德加·爱伦·坡是美国文学史上最有影响的作家之一。
1、其作品大多以死亡、凶杀、复仇等为主题。
2、他常常以第一人称，用象征、叙述、重复等表现手法，为读者描绘出许多怪诞诡异的另类世界。
3、 埃德加·爱伦·坡小说其巨大魅力源于恐怖与美丽的结合。
4、其作品形式精致、语言优美、内容多样，在任何时代都是“独一无二”的风格。
5、爱伦·坡的恐怖小说带有浪漫主义的特色。纵观爱伦·坡的恐怖小说创作，其故事主题大都“揭示了人类意识及潜意识中的阴暗面”，这—点显然迥异于同时代的其他浪漫主义作家。爱伦·坡以恐怖小说这样一种特殊的文学形式深入刻画与呈现了非现实状态下人的精神状态和心理特征，试图“以非现实、非理性的表达方式来揭示现代人的精神因顿”。他借助想象奇特、恐怖怪异的故事情节，通过夸张、隐喻和象征等修辞手段表现人性的危机，激起读者浓厚阅读兴趣的同时，震撼心灵，发人深省。
6、爱伦·坡恐怖小说的浪漫主义特色还体现在他独特的创作风格上。与爱默生、惠特曼等主流作家乐观自信、热情洋溢的格调不同，爱伦·坡通过展示死亡与丑恶来表现自己独特的浪漫主义灵感，以象征、隐喻的方式表达自己对世界、对人性的理解。他的恐怖小说常常置景于深渊、城堡、暗室、暴风雨或月光之下，人物备受孤独、死亡意识与精神反常的折磨，读起来令人毛骨悚然、不寒而栗，宛如噩梦一般。爱伦·坡文笔考究，运词精当，通过构思设计惊险奇绝的情节，在恐怖小说中向读者极力描绘了一个个常人难以想象的怪诞事件和恐怖场景，制造意境，渲染气氛，准确达到作品预期的艺术效果。
代表作：《厄舍古屋的倒塌》《黑猫》《泄密的心》《莫格街凶杀案》
"The Black Cat" is a short story by Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart".[1] In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt. The story is presented as a first-person narrative using an unreliable narrator. The narrator tells us that from an early age he has loved animals. He and his wife have many pets, including a large black cat named Pluto. This cat is especially fond of the narrator and vice versa. Their mutual friendship lasts for several years, until the narrator becomes an alcoholic. One night, after coming home intoxicated, he believes the cat is avoiding him. When he tries to seize it, the panicked cat bites the narrator, and in a fit of rage, he seizes the animal, pulls a pen-knife from his pocket, and deliberately gouges out the cat's that moment onward, the cat flees in terror at his master's approach. At first, the narrator is remorseful and regrets his cruelty. "But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of PERVERSENESS." He takes the cat out in the garden one morning and hangs it from a tree, where it dies. That very night, his house mysteriously catches on fire forcing the narrator, his wife and their servant to next day, the narrator returns to the ruins of his home to find, imprinted on the single wall that survived the fire, the figure of a gigantic cat, hanging by its neck from a first, this image terrifies the narrator, but gradually he determines a logical explanation for it, that someone outside had thrown the dead cat into the bedroom to wake him up during the fire, and begins to miss Pluto. Some time later, he finds a similar cat in a tavern. It is the same size and color as the original and is even missing an eye. The only difference is a large white patch on the animal's chest. The narrator takes it home, but soon begins to loathe, even fear the creature. After a time, the white patch of fur begins to take shape and, to the narrator, forms the shape of the , one day when the narrator and his wife are visiting the cellar in their new home, the cat gets under its master's feet and nearly trips him down the stairs. In a fury, the man grabs an axe and tries to kill the cat but is stopped by his wife. Enraged, he kills her with the axe instead. To conceal her body he removes bricks from a protrusion in the wall, places her body there, and repairs the hole. When the police came to investigate, they find nothing and the narrator goes free. The cat, which he intended to kill as well, has gone the last day of the investigation, the narrator accompanies the police into the cellar. There, completely confident in his own safety, the narrator comments on the sturdiness of the building and raps upon the wall he had built around his wife's body. A wailing sound fills the room. The alarmed police tear down the wall and find the wife's corpse, and on her head, to the horror of the narrator, is the screeching black cat. As he words it: "I had walled the monster up within the tomb!" Like the narrator in Poe's "The Tell-Tale Heart", the narrator of "The Black Cat" has questionable sanity. Near the beginning of the tale, the narrator says he would be "mad indeed" if he should expect a reader to believe the story, implying that he has already been accused of madness.[2]One of Poe's darkest tales, "The Black Cat" includes his strongest denouncement of alcohol. The narrator's perverse actions are brought on by his alcoholism, a "disease" and "fiend" which also destroys his personality.[3] The use of the black cat evokes various superstitions, including the idea voiced by the narrator's wife that they are all witches in disguise. The titular cat is named Pluto after the Roman god of the Underworld. Publication history"The Black Cat" was first published in the August 19, 1843 issue of The Saturday Evening Post. At the time, the publication was using the temporary title United States Saturday Post.[4] Readers immediately responded favorably to the story, spawning parodies including Thomas Dunn English's "The Ghost of the Grey Tadpole".[5][edit] Adaptations [edit] In film "The Black Cat" was adapted into a film starring Bela Lugosi and Boris Karloff in 1934 and another with Lugosi and Basil Rathbone in 1941, although neither version bears much resemblance to the original story.[5] Many other adaptations exist but the most faithful to the original is the middle segment of Roger Corman's trilogy film Tales of Terror in 1962.[5] Although the overall film was cast with Vincent Price as the lead, in this segment, he was in a supporting role with Peter Lorre as the main character. The 1934 film Maniac also loosely adapts the story. This version follows a former vaudeville actor who kills a doctor and takes the doctor's place to hide his crime. "The Black Cat" was also adapted into a film of the same name by Italian horror director Lucio Fulci in 1981. Film director Dario Argento presented his own loose adaptation of the story in the 1990 anthology film Two Evil Eyes.[edit] In television "The Black Cat" is the eleventh episode of the second season of Masters of Horror. The plot essentially retells the short story in a semi-autobiographical manner, with Poe himself undergoing a series of events involving a black cat which he used to inspire the story of the same name.[edit] Recordings In 1997, a compilation of Poe's work was released on a double CD entitled Closed on Account of Rabies, with various celebrities lending their voices to the tales. The Black Cat was read by avant-garde performer Diamanda Galás.[edit] References in literary works In 1970, Czech writer Ludvík Vaculík made many references to "A Descent into the Maelstr�0�2m" as well as "The Black Cat" in his novel The Guinea Pigs.[edit] References in art In 1910-11 Futurist artist Gino Severini painted "The Black Cat" in direct reference to Poe's short story. An illustration and description can be found at this site
埃德加·爱伦坡（Edgar Allan Poe，1809—1849），美国小说家、诗人、批评家。提倡“为艺术而艺术”，宣扬唯美主义、神秘主义。受西欧尤其是法国资产阶级文学颓废派影响大。小说有《怪诞故事集》、《黑猫》、《莫格街谋杀案》等。论文有《写作的哲学》、《诗歌原理》等。 爱伦·坡被誉为“侦探小说的鼻祖”。《莫格街谋杀案》、《罗杰疑案》和《失窃的信》被奉为侦探小说的先河。《莫格街谋杀案》写密室凶杀，凶手居然是猩猩。《罗杰疑案》借新闻报道，纯粹用推理形式破案。《失窃的信》是对人类心理进行解剖与逻辑演示的范本。在这三篇小说中塑造了业余侦探杜宾的形象，将科学精神和诗意灵韵融于这个理想的侦探身上，可以说他是柯南道尔笔下福尔摩斯的前辈
你的论文准备往什么方向写，选题老师审核通过了没，有没有列个大纲让老师看一下写作方向？ 老师有没有和你说论文往哪个方向写比较好？写论文之前，一定要写个大纲，这样老师，好确定了框架，避免以后论文修改过程中出现大改的情况！！学校的格式要求、写作规范要注意，否则很可能发回来重新改，你要还有什么不明白或不懂可以问我，希望你能够顺利毕业，迈向新的人生。1、论文题目：要求准确、简练、醒目、新颖。2、目录：目录是论文中主要段落的简表。（短篇论文不必列目录）3、提要：是文章主要内容的摘录，要求短、精、完整。字数少可几十字，多不超过三百字为宜。4、关键词或主题词：关键词是从论文的题名、提要和正文中选取出来的，是对表述论文的中心内容有实质意义的词汇。关键词是用作机系统标引论文内容特征的词语，便于信息系统汇集，以供读者检索。 每篇论文一般选取3-8个词汇作为关键词，另起一行，排在“提要”的左下方。主题词是经过规范化的词，在确定主题词时，要对论文进行主题，依照标引和组配规则转换成主题词表中的规范词语。5、论文正文：（1）引言：引言又称前言、序言和导言，用在论文的开头。 引言一般要概括地写出作者意图，说明选题的目的和意义, 并指出论文写作的范围。引言要短小精悍、紧扣主题。〈2）论文正文：正文是论文的主体，正文应包括论点、论据、 论证过程和结论。主体部分包括以下内容：a.提出-论点；b.分析问题-论据和论证；c.解决问题-论证与步骤；d.结论。6、一篇论文的参考文献是将论文在和写作中可参考或引证的主要文献资料，列于论文的末尾。参考文献应另起一页，标注方式按《GB7714-87文后参考文献著录规则》进行。中文：标题--作者--出版物信息（版地、版者、版期）：作者--标题--出版物信息所列参考文献的要求是：（1）所列参考文献应是正式出版物，以便读者考证。（2）所列举的参考文献要标明序号、著作或文章的标题、作者、出版物信息。
埃德加·爱伦坡（Edgar Allan Poe，1809—1849），美国小说家、诗人、批评家。提倡“为艺术而艺术”，宣扬唯美主义、神秘主义。受西欧尤其是法国资产阶级文学颓废派影响大。小说有《怪诞故事集》、《黑猫》、《莫格街谋杀案》等。论文有《写作的哲学》、《诗歌原理》等。 爱伦·坡被誉为“侦探小说的鼻祖”。《莫格街谋杀案》、《罗杰疑案》和《失窃的信》被奉为侦探小说的先河。《莫格街谋杀案》写密室凶杀，凶手居然是猩猩。《罗杰疑案》借新闻报道，纯粹用推理形式破案。《失窃的信》是对人类心理进行解剖与逻辑演示的范本。在这三篇小说中塑造了业余侦探杜宾的形象，将科学精神和诗意灵韵融于这个理想的侦探身上，可以说他是柯南道尔笔下福尔摩斯的前辈
这个可以帮忙的，要求多少字呢
A: in this paper:Edgar Allen POE is a famous 19th century American novelist, poet and literary critic. George Bernard shaw once said: "the United States out of the two great writers, POE and Mark Twain." Mark Twain has long been a household name, but Edgar Allan POE's life experience, even in the first decades after the death of his neglected, even the sky. Until the twentieth century, he was gradually favored by various criticism genre. Slope in its short life of the communist party of China produced 70 short stories and 48 poem. His poetry pays great attention to the subjective emotion, the pursuit of the beauty of music and form; In the majority with gothic horror fiction novel. This kind of work often mysterious story, character in the majority of insanity, is full of terrorist weird things, build
埃德加·爱伦·坡（Edgar Allan Poe）（1809～1849），十九世纪美国诗人、小说家和文学评论家，美国浪漫主义思潮时期的重要成员。在世时长期担任报刊编辑工作。其作品形式精致、语言优美、内容多样，在任何时代都是“独一无二”的风格。坡以神秘故事和恐怖小说闻名于世，他是美国短篇故事的最早先驱者之一，又被尊为推理小说的开山鼻祖，进而也被誉为后世科幻小说的始祖。他是第一个尝试完全依赖写作谋生的知名美国作家，从而导致贫困潦倒。代表作品：小说《黑猫》、《厄舍府的倒塌》，诗《乌鸦》、《安娜贝尔·丽》等等。
埃德加·爱伦坡（Edgar Allan Poe，1809—1849），美国小说家、诗人、批评家。提倡“为艺术而艺术”，宣扬唯美主义、神秘主义。受西欧尤其是法国资产阶级文学颓废派影响大。小说有《怪诞故事集》、《黑猫》、《莫格街谋杀案》等。论文有《写作的哲学》、《诗歌原理》等。 爱伦·坡被誉为“侦探小说的鼻祖”。《莫格街谋杀案》、《罗杰疑案》和《失窃的信》被奉为侦探小说的先河。《莫格街谋杀案》写密室凶杀，凶手居然是猩猩。《罗杰疑案》借新闻报道，纯粹用推理形式破案。《失窃的信》是对人类心理进行解剖与逻辑演示的范本。在这三篇小说中塑造了业余侦探杜宾的形象，将科学精神和诗意灵韵融于这个理想的侦探身上，可以说他是柯南道尔笔下福尔摩斯的前辈
你和我写的差不多啊，去网上搜下，哥特文学的重要性。下面是我找的资料，你参考下吧。哥特文学现在已经成为英美文学研究中的一个重要领域。对哥特文学的认真研究开始于20 世纪二三十年代, 到70 年代以后, 由于新的学术思潮和文学批评观念的影响, 该研究出现了前所未有而且日趋高涨的热潮。根据在国际互联网上的搜索, 到2000 年9月为止, 英美等国的学者除发表了大量关于哥特文学的论文外, 还至少出版专著达184部, 其中1970 年以后为126 部, 仅90 年代就达59 部, 几乎占总数的三分之一。当然,近年来哥特文学研究的状况不仅在于研究成果迅速增加, 更重要的是它在深度和广度方面都大为拓展, 并且把哥特传统同英美乃至欧洲的历史、社会、文化和文学的总体发展结合起来。爱伦•坡被公认为是“第一个写出真正的哥特式小说精品的美国人．使哥特小说朝内在化方面发展最突出的作家。爱伦•坡的诸多短篇小说如：《厄舍古屋的倒塌》、《泄秘的心》、《黑猫》、《红死魔的面具》、《活埋》、《陷坑和钟摆》、《一桶白葡萄酒》等都含有浓郁的哥特意蕴。
埃德加·爱伦·坡（Edgar Allan Poe）（1809～1849），十九世纪美国诗人、小说家和文学评论家，美国浪漫主义思潮时期的重要成员。在世时长期担任报刊编辑工作。其作品形式精致、语言优美、内容多样，在任何时代都是“独一无二”的风格。坡以神秘故事和恐怖小说闻名于世，他是美国短篇故事的最早先驱者之一，又被尊为推理小说的开山鼻祖，进而也被誉为后世科幻小说的始祖。他是第一个尝试完全依赖写作谋生的知名美国作家，从而导致贫困潦倒。作品年表编辑短篇小说作品中文名英文名出版日期类型说明梅岑格施泰因 Metzengerstein 1832-01-14 恐怖、讽刺 匿名发表。最初副标题：A Tale in Imitation of the German德洛梅勒特公爵 The Duc De L'Omelette 1832-03-03 幽默 最初名：The Duke of l'Omelette 耶路撒冷的故事 A Tale of Jerusalem 1832-06-09 幽默 失去呼吸 Loss of Breath 1832-10-10 幽默 最初名：A Decided Loss 甭甭 Bon-Bon 1832-12-01 幽默 最初名：The Bargain Lost瓶中手稿 MS. Found in a Bottle 1833-10-19 冒险、恐怖 幽会 The Assignation 1834-01 恐怖 最初名：The Visionary。匿名发表 贝蕾妮丝 Berenice 1835-03 恐怖 莫雷娜 Morella 1835-04 恐怖 捧为名流 Lionizing 1835-05 讽刺 副标题： A Tale 瘟疫王 King Pest 1835-09 恐怖、幽默 最初名：King Pest the First。匿名发表 死荫——寓言一则 Shadow - A Parable 1835-09 恐怖 匿名发表 四不象 Four Beasts in One 1836-03 幽默 副标题：The Homo-Cameleopard本篇初用名：Epimanes故弄玄虚 Mystification 1837-06 幽默 最初名：Von Jung, the Mystific 静——寓言一则 Silence - A Fable 1838 幽默 最初名：Siope - A Fable 丽姬娅 Ligeia 1838-09 恐怖 1845年2月15日由《纽约世界报》再版发行，加入了丽姬娅临终时以“征服者爬虫”为题所作诗。 如何写布莱克伍德式文章 How to Write a Blackwood Article 1838-11 谐仿 “绝境”介绍篇 绝境 A Predicament 1838-11 谐仿 初用名：The Scythe of Time。"如何写布莱克伍德式文章"的续篇。 钟楼魔影 The Devil in the Belfry 1839-05-18 幽默、讽刺 被用光的人 The Man That Was Used Up 1839-08 讽刺 厄舍府的倒塌 The Fall of the House of Usher 1839-09 恐怖 威廉·威尔逊 William Wilson 1839-10 恐怖 埃洛斯与沙米翁的对话 The Conversation of Eiros and Charmion 1839-12 科幻 为什么那小个子法国佬的手悬在吊腕带里 Why the Little Frenchman Wears His Hand in a Sling 1840 幽默 生意人 The Business Man 1840-02 幽默 最初名：Peter Pendulum 人群中的人 The Man of the Crowd 1840-12 恐怖 莫格街谋杀案 The Murders in the Rue Morgue 1841-04 侦探 莫斯肯漩涡沉浮记 A Descent into the Maelström 1841-04 冒险 仙女岛 The Island of the Fay 1841-06 幻想 莫诺斯与尤拉的对话 The Colloquy of Monos and Una 1841-08 科幻 千万别和魔鬼赌你的脑袋 Never Bet the Devil Your Head 1841-09 讽刺 初用名：A Tale with a Moral 埃莉奥诺拉 Eleonora 1841年秋 浪漫 一星期中的三个星期天 Three Sundays in a Week 1841-11-27 幽默 初用名：A Succession of Sundays 椭圆形画像 The Oval Portrait 1842-04 恐怖 初用名：Life in Death 红死病的假面具 The Masque of the Red Death 1842-05 恐怖 初用名：The Mask of the Red Death 风景园 The Landscape Garden 1842-10 幻想 后并入“阿恩海姆乐园”。 玛丽·罗杰疑案 The Mystery of Marie Rogêt 1842-11、12至1843-02 侦探 最初副标题：A Sequel to ‘The Murders in the Rue Morgue’ 陷坑与钟摆 The Pit and the Pendulum 1842—1843 恐怖 泄密的心 The Tell-Tale Heart 1843-01 恐怖 金甲虫 The Gold-Bug 1843-06 侦探 黑猫 The Black Cat 1843-08-19 恐怖 欺是一门精密的科学 Diddling 1843-10-14 谐仿 初用名：Raising the Wind 眼镜 The Spectacles 1844-03-27 幽默 凹凸山的故事 A Tale of the Ragged Mountains 1844-04 幻想、冒险 气球 The Balloon-Hoax 1844-04-13 科幻 过早埋葬 The Premature Burial 1844-07-31 恐怖 催眠启示录 Mesmeric Revelation 1844-08 幻想 长方形箱子 The Oblong Box 1844-09 恐怖 离奇天使 The Angel of the Odd 1844-10 幽默 副标题：An Extravaganza 你就是凶手 Thou Art the Man 1844-11 侦探、讽刺 森格姆·鲍勃先生的文学生涯 The Literary Life of Thingum Bob, Esq. 1844-12 幽默、讽刺 被窃之信 The Purloined Letter 1844-1845 侦探 山鲁佐德的第一千零二个故事 The Thousand-and-Second Tale of Scheherazade 1845-02 幽默 与一具木乃伊的谈话 Some Words with a Mummy 1845-04 讽刺 言语的力量 The Power of Words 1845-06 幻想 反常之魔 The Imp of the Perverse 1845-07 恐怖 塔尔博士和费瑟尔教授的疗法 The System of Doctor Tarr and Professor Fether 1845-11 幽默、讽刺 瓦尔德马先生病例之真相 The Facts in the Case of M. Valdemar 1845-12 幽默、科幻 初用名：The Facts of M. Valdemar's Case 斯芬克斯 The Sphinx 1846-01 讽刺 一桶蒙特亚白葡萄酒 The Cask of Amontillado 1846-11 恐怖 阿恩海姆乐园 The Domain of Arnheim 1847-03 幻想 “风景园”故事的拓展 未来之事 Mellonta Tauta 1849-02 科幻 跳蛙 Hop-Frog 1849-03-17 恐怖 副标题：Or, The Eight Chained Ourang-Outangs 冯·肯佩伦和他的发现 Von Kempelen and His Discovery 1849-04-14 讽刺 用X代替O的时候 X-ing a Paragrab 1849-05-12 幽默 兰多的小屋 Landor's Cottage 1849-06-09 幻想 初用名：Landor's Cottage: A Pendant to 'The Domain of Arnheim' 。[2] 长篇小说作品中文名英文名出版日期类型说明汉斯·普法尔历险记 The Unparalleled Adventure of One Hans Pfaall 1835-06 科幻 阿瑟·戈登·皮姆的故事 The Narrative of Arthur Gordon Pym of Nantucket 1837年1-2月前两章，1838年7月全部出完 冒险 罗德曼日记 The Journal of Julius Rodman 1840年1-6月前六章 冒险 未完成[2] 诗歌中文名英文名写作或发表日期说明诗 Poetry 作于1824年 坡在世时从未发表哦，时代！哦，风尚！ O, Tempora! O, Mores! 约作于1825年 坡在世时从未发表 致玛格丽特 To Margaret 约1827 坡在世时从未发表 帖木儿 Tamerlane 1827-07 收录于《帖木儿及其他诗》 歌 Song 1827-07 收录于《帖木儿及其他诗》 模仿 Imitation 1827-07 收录于《帖木儿及其他诗》 一个梦 A Dream 1827-07 收录于《帖木儿及其他诗》 湖——致—— The Lake——to—— 1827-07 收录于《帖木儿及其他诗》 亡灵 Spirits of the Dead 1827-07 收录于《帖木儿及其他诗》 金星 Evening Star 1827-07 收录于《帖木儿及其他诗》 梦 Dreams 1827-07 收录于《帖木儿及其他诗》 诗节 Stanzas 1827-07 收录于《帖木儿及其他诗》 最快乐的日子 The Happiest Day 1827-09-15 孤独 Alone 1829 坡在世时从未发表 致艾萨克·利 To Isaac Lea 约1829 坡在世时从未发表 致河—— To The River —— 1829 收录于《阿尔阿拉夫、帖木儿及小诗》 致——（在梦中） To —— 1829 起使句： "The bowers whereat, in dreams..." 致——（我不在乎） To —— 1829 起使句：Begins "Should my early life seem..." 传奇 Romance 1829 收录于《阿尔阿拉夫、帖木儿及小诗》 仙境 Fairy-Land 1829 收录于《阿尔阿拉夫、帖木儿及小诗》 十四行诗——致科学 Sonnet——To Science 1829 收录于《阿尔阿拉夫、帖木儿及小诗》 阿尔阿拉夫 Al Aaraaf 1829 收录于《阿尔阿拉夫、帖木儿及小诗》 一首离合诗 An Acrostic 1829 坡在世时从未发表 伊丽莎白 Elizabeth 1829 坡在世时从未发表 致海伦 To Helen 1831 收录于《诗集》 赞歌 A Paean 1831 收录于《诗集》 睡美人 The Sleeper 1831 收录于《诗集》 海中之城 The City in the Sea 1831 收录于《诗集》 不安的山谷 The Valley of Unrest 1831 收录于《诗集》 以色拉费 Israfel 1831 收录于《诗集》 谜 Enigma 1833-02-02 范妮 Fanny 1833-05-18 罗马大圆形竞技场 The Coliseum 1833-10-26 小夜曲 Serenade 1833-04-20 致乐园中的一位 To One in Paradise 1834-01 赞歌 Hymn 1835-04 致F——s S. O——d To F——s S. O——d 1835-09 1835年09月初版名为：致伊丽莎白（To Elizabeth）五月皇后颂 May Queen Ode 约1836 坡在世时从未发表 赞美歌 Spiritual Song 1836 坡在世时从未发表 赞歌 Latin Hymn 1836-03 新婚小调 Bridal Ballad 1837-01 初版名： "Ballad" 十四行诗——致桑特岛 Sonnet——To Zante 1837-01 闹鬼的宫殿 The Haunted Palace 1839-04 十四行诗——静 Silence——A Sonnet 1840-01-04 咏乔·洛克 Lines on Joe Locke 1843-02-28 征服者爬虫 The Conqueror Worm 1843-01 丽诺尔 Lenore 1843-02 一首竞选歌 A Campaign Song 1844 坡在世时从未发表 梦境 Dream-Land 1844-06 即兴曲、致凯特·卡罗尔 Impromptu. To Kate Carol 1845-04-26 致F—— To F—— 1845-04 1845年9月6日，再版更名为："To Frances" 尤拉丽 Eulalie 1845-07 华尔街警句 Epigram for Wall Street 1845-01-23 乌鸦 The Raven 1845-01-29 收录于《乌鸦及其他诗》 君权神授 The Divine Right of Kings 1845-10 赠——的情人节礼物 A Valentine 1846-02-21 初版名："To Her Whose Name Is Written Below" 亲爱的医生 Beloved Physician 1847 未完成，坡在世时从未发表 深眠黄土 Deep in Earth 1847 未完成，坡在世时从未发表 致—— To M. L. S—— 1847-03-13 尤娜路姆 Ulalume 1847-12 咏酒 Lines on Ale 1848 坡在世时从未发表 致玛丽·路易丝 To Marie Louise 1848-03 一首谜诗 An Enigma 1848-03 致海伦 To Helen 1848-11 梦中之梦 A Dream Within A Dream 1849-03-31 黄金国 Eldorado 1849-04-21 献给安妮 For Annie 1849-04-28 致我的母亲 To My Mother 1849-07-07 安娜贝尔·丽 Annabel Lee 1849-10-09 坡死前已有售出，逝世后出版 钟声 The Bells 1849-11 坡死前已有售出，逝世后出版[2] 戏剧作品中文名英文名出版日期说明波利希安 Politian 1835-1836 1835年12月–1836年1月，仅写完两场[2] 随笔、论文作品中文名英文名出版日期说明梅泽尔的象棋手 Maelzel's Chess Player 1836-04 装饰哲学 The Philosophy of Furniture 1840-05 关于秘写的只言片语 A Few Words on Secret Writing 1841-07 维萨西孔河之晨 Morning on the Wissahiccon 1844 创作哲学 The Philosophy of Composition 1846-04 我发现了—— 一首散文诗 Eureka: A Prose Poem 1848-03 诗律阐释 The Rationale of Verse 1848-10 诗歌原理 The Poetic Principle 1848-12[2] 其他作品中文名英文名出版日期说明贝壳学基础 The Conchologist's First Book 1839 关于海洋贝类的教课书，非爱伦坡作品。迫于生计，同意用自己名字为该书的作者署名。灯塔 The Light-House 1849年以后 残稿，生前未发表[2]