saber毕业论文

作为金迷还是决定帮下你吧，但有的地方还不知道怎么译，人名大部分没译。你参考下吧。 The mid-fifties, from Jin Yong's "Ta Kung Pao" after the "New Evening News" for the supplement. Colleagues in Liang Yusheng, both like to go next, but also like to talk about martial arts novels, but also do not have to write yourself. At that time, Hong Kong, a well-known incident boxer contest. Ring based in Macau, the entire contest only played a few minutes to Tai Chi Master to send to send crane punched beaten bloody nose and the head end. This news makes people very excited, the man in the street, all in the discussion of this matter."New Evening News" that this great gimmicks, Xu readers can recruit, the next day in the contest, to be published novel series of Yushengresponsibility falls on the body, he started the idea of writing a day. In this way, while writing board, completed a "龙虎斗Jinghua", great reading, set off a boom not a small martial arts novels. In 1955, Jin Yong, into "martial arts", a hand is "书剑恩仇录", also posted on the "New Evening News" on. Since then stop until the seventies only to withdraw from "the political arena." He wrote a total of 14 36 long, short novels, according to chronological order, are:① "书剑恩仇录" ② "碧血剑" ③ "snowster" ④ "shooting Heroes" ⑤ "Return of the Condor Heroes" ⑥ "飞狐外传" ⑦ "白马啸西风" ⑧ "鸳鸯刀" ⑨ "连城诀" ⑩ "Yitian Dragon Saber" ⑾ "Dragon" ⑿ "knight line" ⒀ "Laughing In The Wind" ⒁ "Deer and the Cauldron" The quantity and LiKuang(倪匡)creative, Gulong compared, perhaps not that much. But must be aware that, in the creation of these novels of Jin Yong, the founder of his "Ming Pao Daily News", the complexity of the services, enough to make most people can not cope with. Jin Yong able in the newspaper outside, a hand-written novels, a hand-written editorial, every day for nearly two wrote the novel this afternoon, the evening of writing editorials, and his novels are first-class and social commentary. If there are no editorials and his novels, "Ming Pao Daily News" can be developed to look like today, I am afraid there is much doubt. Jin Yong had 14 works of his own words even as a first couplet: snow white deer shooting pain, laughter upon the book of God Bi Xia Yuan. Shows that both the title of his well-thought through in detail, not just an increase on. Sign off after he spent about ten years to amend the embellishment, the creation of a serious attitude can be compared to any great writer. Jin Yong is the life of their own creation, he did not repeat the past, not repeat itself. He was in the traditional mode of thinking has injected new blood for the culture of modern martial arts has made a try. In particular by Guo Jing, Yang Guo,令狐冲such as the right to scorn For the youthful hero, a high dignity, freedom of the spirit of an independent personality, which is the human spirit, "the progress of the only reliable source." Description of the character in Jin Yong's world, the best Olympic song of humanity,郭靖and黄蓉, Yang Guo and Xiao Long Nu, he was令狐冲Yingying, China丁典with others凌霜love, dumping countless readers. Jin Yong's works, completely broke, "pure literature" and "popular literature" of the do you say it is what it is, the line did not distinguish between what is the point. A strong sentiment, filled in the meantime. This is a great writers all have feelings. Jin said: "I think literature is the expression of people's feelings. Literature is not unreasonable, if we can demonstrate a profound and vivid emotions, and that is good literature.... ... After all, fiction or in life is to reflect, I think the final analysis, emotional life or an important part, therefore, should reflect the life experiences focusing on the most important emotional problems. " Talking about the great tragedy of life,Like a Dream, bleak volatile, I am afraid that the number of the history of Chinese literature Cao, Jin Yong's two best written. In short, they tried to write the Chinese people's life experience. Wrote so many martial arts and was known as the "heroes", Jin Yong's martial arts will be? Let's hear his own explanation: Imagine most of the (referring to martial arts movements). However, Tai Chi Chuan, Shaolin boxing, there is a formal record of Wudang boxing, there are a lot of people will, as far as possible, according to it is not written to be changed. The midst of many other martial arts is my own imagination to create out of the traditional did not. Not come from some great masters, the martial arts factions, but also can do some changes. Movements inside the majority of novels are my own imagination. At that time, the need to take a look at the role of what kind of action, which in the idiom, Poetry and the Four Books and Five Classics, or inside, to find an appropriate sentence as the names of the movements. Sometimes can not find suitable words on their own to go with. All in all the names of the movements must be figurative. It appears that only ordinary heroes scholar Jin Yong. Jin Yong's novels one of the important contribution is to rectify the 54 European literature and art since the new bad habits, the real spirit to write the Chinese language. Back in the fifties, Jin became aware of the importance of language. He pointed out that: In the history of world literature, a writer is almost no other countries have used the text written a great work. English and French are very close, many will view the text of the British from a young age, but not a British writer has written a great French course, writing articles is not difficult to the ordinary, the difficult point is the text where a number of subtle, and many can only realize the difference between the unspeakable, it is not foreign writers have. As far as I write, "书剑恩仇录" experience, because it is against the backdrop of a Qing Dynasty novel, all the vocabulary and concepts of modern is my effort to avoid the majority of, for example, I try to use "to the idea" "puzzling", "secretly Sato", etc. instead of "thinking", "consider"; with "attention", "careful" and to replace the "attention" and so novel is a popular recreational reading, but I think France and Germany are those sinologist, in spite of their "Book of History," "Songs of the South," "The Book of Songs" most studies, and I also read many books read do not understand, but they may not be able to differentiate between "cautious" and "attention to" subtle differences between the. Popular fiction does not matter is that, on to the real literary works, it is a significant matter. Home in the modern martial arts novels of Jin Yong undoubtedly has the capacity of master, is a veritable "chief martial arts." He is not only shaping the morphology of the modern martial arts novels - the writer Jin Yong's martial arts novels of the future, I am afraid there is no impact from him - in particular, valuable and hard standing and other writers is that he is extremely knowledgeable with the history of classical literature knowledge and deep understanding of human nature. No more is that Jin Yong wrote not only action, but also in depicting "fight" at the same time, the figure depicts the psychological activities, martial arts and martial arts perfect mood in which the character shows. This list goes on in the book of the lens, readily opened, all of this, I see immense interest people have a sense of this way, the traditional martial arts novels, there is a significant breakthrough. Jin Yong is also not particularly good at describing Fam King, so that the development of a more incredible circumstances, Qifeng as desert sand, a new vista, lotus leaf water south of the Yangtze River Adventure, Buddhist Taoist temple solemn,old Temple of the mountains, isolated paradise Taoyuan, lean wild tribes of the alien, inaccessible ice Xuefeng Ren, ... ... also What are the mountains of vague, mysterious hole valley, coupled with the bizarre eccentric cult activities, as well as the amazing group of stimuli to the high seas shark, etc., etc., it is incredible, made his mark. Jin Yong's rich imagination, none, so intoxicated with the total of which is reading, eye, eye-opener, very fun. The twentieth century Chinese fiction, reading to read to, or Jin Yong.

LZ是要交毕业论文吗==不过我只回答我的感受，论文来不了。现状就是请大明星给动漫角色配音增加电影人气！但有的动画作得很烂，而且那些明星配的音有的也很奇怪！

无聊`幼稚`适合学龄前儿童`~一般以动物为主角```人物要么是小孩`要么是古代英雄...有意效仿日本动漫`但又学不彻底`又没自己的特色...人物不够生动`线条硬梆梆的`...音乐也不够好`声优更是不用讲`~本人觉得中国动漫就[西游记]还像样点`尊重原著不像那个[哪咤]实在是... [我为歌狂]里没用的镜头实在是太多了`就是那种有意效仿小日本型~日本动漫已产业化`中国动漫要是还停留在小蝌蚪找妈妈的水平上`那要怎么发展?一说我喜欢看日本动漫`老有人说我不爱国`~可是我总不能像幼稚园的小孩一样看着老鼠兔子用扭捏的声音说着[小朋友们...]吧~实在是应该还和反省啊~日本动漫有向各年龄层的不同风格的动漫`从剧情到周边都非常华美`记得在网上看到过一款中国产的saber~简直是颠覆啊!!!

“汝身寄于吾侧吾命系于汝剑臣服于圣杯之本循此意，循此理则应之在此起誓吾乃永世为善之人吾乃永世作恶之人汝，三大言灵护体之七天由抑止之轮降临于此天平的守护者遵从于吾则吾命系于汝剑”“吾堵上Saber之名，接受誓言承认你是我的主人凛！”看着动画打了半天字呢！！

1，对动漫的理解有偏差。（好多人都觉的是小孩子看的……）2，缺少资金和技术。由于国家对动漫产业的误解和忽视，以及国内动漫市场的狭小，动漫产业发展缓慢，画质动作特技都达不到国际水平。制作简单粗糙。3，缺少新鲜血液。没有新的好底本，常年翻拍经典作品，没有创新。主角往往以动物为主，缺少生活。由于概念偏差，被认为只有小孩子看的动漫可以避免爱情等元素，角色的年龄阶层也很少超过小学。4，漫画家的画风古老，粗糙甚至怪诞，跟不上审美水平，让人难以接受。5，刻意表达高立意。总想通过动漫教小朋友们做人的大道理，什么拾金不昧呀之类的。太多了，一下说不完……

看了暗之圣堂武士和eva001的帖子感触很深 我觉得大家一味地骂是不对的，毕竟要在现阶段发展出EVA式的经典中式漫画是不可能的，而且是绝对不可能的，原因如下 1：大家也很清楚，现在我们仍生活在一个时代变跟文化交替的阶段，一方面我们面对着大权在握的老人们，一方面我们有些还靠着没有动漫概念的父母们，另一方面我们还是要为许多事操心的少年们。动漫的主力军--我们能做的事十分少…… 2：中国现在的经济还有的是问题，大家知道最成功的《我为歌狂》就是因为经费不足而夭折，何况即使是最支持动漫的我们，也是靠D版的钥匙才打开通往动漫世界的大门的。我想问问有多少人有正版的动漫游戏，有多少人有正版的动漫VCD，有多少人有正版的漫画书？我们在网上分享资源，我们也在网上践踏版权，放眼百度的搜索，有关动漫最多的点击链界无非是下载，在线，免费，图。你到日本YAHOO去搜索，出现的最多的都是价钱…… 做动漫的人也是人，他们的努力不是靠喝西北风喝出来的，大家都笑庵野和异型总搞新世纪黑钱法，可是他们两不是雷锋，他们希望用努力换来掌声，但他们也希望可以换来钞票，不然怎么会有动力，要知道想出这样的故事画出这样的气氛可不是象拾到10元前交到警察叔叔手里面那么简单的 所以当然了，在中国这个人人都要为吃饭操心的地方，没有人会为难以保证回报的动漫事业鞠躬尽瘁的，有这种人也很快会被我们这些动漫迷们的“热情”行为（支持D版）给搞得没动力…… 3：中国的动漫本来起步就比较有问题，深陷寓教娱乐不能自拔，且制作水平也不敢恭维，看惯了日本精美动漫的我们当然有时会不屑一顾了（我就是，我看《我为歌狂》太不流畅了懒得看）。当然了，先入为主的日本动漫在我们心中有不可动摇的地位，中式动漫难以在这个环境下迅速成长：模仿吧不象会招骂（我就是，那个李世民的我都不忍心去看），创新吧我们不习惯会招骂。另一方面蓝猫什么的已经在太多人心中留下阴影（- -||||的确是这样，我几个朋友一听到中国卡通就要暴走），对于新的东西喜欢用挑刺的眼光去看，不找出缺点就一定不罢休，还没出现就恨不得用口水把他扼杀在摇篮中，和中式动漫制作者好像有血海深仇（我就是……）。在这种没鼓励没动力的环境下，动漫制作者心里压力也很大， 中国动漫要在这种夹缝中开出花我靠那也是够难的。 所以拉，中式动漫生长的环境是惨不忍睹的，归结一下主要还是经济不发达的原因，精神文明是建立在物质文明的基础上啊。不过大家不用灰心，剧本方面我们这边的制作者并不是白痴（某郭的幻城），动画方面技术也一定会提高（新的动画如那个呢咤的流畅度就不错），人物设计方面想像力丰富的大虾们还是很多的（看那些FLASH，我靠真的是很不错了）。但是要把这些连起来制作出好的动漫还是需要时间的，所以我们现在唯一可以做的就是放平心态静静的等待拉。 最后，希望中国动漫可以早成大器，满足我们的需要

我高一就已经写过这方面的东西,因为中国动画真的让人很痛心.不知道为啥怎么看都怎么觉得新推出的作品和几年前的感觉没多大差别,一样的线条,一样的背景,一样的故事套路,一样的``````有时真不知道自己是怎样从小一天天看着这样的动画成长过来的.<大头儿子小头爸爸>,<蓝皮鼠与大脸猫>,<小糊涂神>,《西游记》```我都想哭了。最最让我受不了的是《花木兰》！中国的民间传统故事，竟然就这么活生生地被“拿”走了，而且票房还如此之高！中国不是没有素材的，上下五千年的文化底蕴不是随随便便就可以抹开不谈的。既然如此，为什么不好好发掘利用起来，即使那些历史剧会让部分人觉得老套无味，好，那么我们就双向发展。日本动画已经成为支柱产业，取其所长补己之短有何不可？不是硬生生地模仿，而是要创造！为什么一部小小的《千与千寻》就已经可以和迪士尼同台竞技，因为那是经典。我相信只要是对动画感兴趣的人没有多少是不知道宫崎骏老先生的吧？而反观我们中国，说起动画，你又能在脑海里浮现出几个人的名字？我深知动画工作者的艰辛，虽然我只是在空余时间偶尔画几幅画，但要达到自己满意的真的很少。作品真的不需要多如牛毛，因为数量而影响质量这样的傻事更不应该做。像中国人这样内敛的性格，默默无闻然后一鸣惊人是最好不过的。下面分点再说一些。立体感：我不是艺术动画漫画的科班，但凭我这十几年看动画的经验和画画的直觉，一直觉得中国动画的背景和阴影总是不对头。二维动画平面感很强，但总不至于一眼看过让人感觉是一张纸在说话。至于背景，我不得不提的是蓝猫。他所谓的三维到底有多强势我没看得出来，但它与二维的人物之间的极端不融合去暴露无遗。制作者本来的出发点我是极其赞赏的，科技教育片在继《海尔兄弟》后一直空缺。但是，为什么不好好珍惜这样的咸鱼翻身的机会？？？？？？？？背景音乐：宫崎骏的作品的成功，很大程度上少不了恰合时宜的背景音乐。感伤的，愉悦的，欣喜的，恐怖黑暗的，催人奋进的，每当音乐响起，人就不由自主地进入了那个情境。他的背景音乐也成为经典。然后，有没有发现每部中国动画的背景音乐都```说了一堆中国动画的不是，很愧疚。但我真心希望它能健康快乐地快快成长，中国小孩看中国自己的动画长大，那是多么幸福的一件事。当问及他们“你最喜欢哪个动画啊？”，他们用稚嫩而兴奋的声音告诉你我喜欢那个**（中国原创动画人物）而不再是奥特曼柯南蜡笔小新或者hello kitty的时候，中国动画人嘴上挂着的会是怎样幸福满足的微笑``````真心祝福中国动画，我会一直期待。