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The innovative application of Miao embroidery in modern clothing design in Guizhou Province Summary:Guizhou Miao embroidery is one of the intangible cultural heritage in the world. It is a wonderful flower in the history of Chinese embroidery and has a unique artistic charm. Miao embroidery is a cultural product created by the people of Miao nationality who exert their wisdom and diligence in the life of nature. It is the carrier of Miao culture. The application of Miao embroidery innovation in Guizhou in modern clothing design is beneficial to the establishment of unique artistic style of modern clothing, the integration of traditional technology and modern design, and the inheritance and development of traditional technology.Key words:Guizhou Miao Embroidery; modern clothing design; innovative application IntroductionMiao embroidery in Guizhou Province is wonderful, but with the development of the times, Miao embroidery skills gradually decline, is facing the challenge of metamorphosis and regeneration. Designers in the new era should shoulder the responsibility of inheriting and developing the Miao embroidery techniques. The Miao embroidery is a source of inspiration for modern fashion design because of its rich and varied shapes, colors and techniques[1].In the new era, how to apply the innovation of Guizhou Miao embroidery to modern clothing design, how to inherit and innovate, how to collide traditional techniques with modern design to create new sparks, and how to make Miao embroidery glow with new vitality, etc. , it is worthy of our deep thought and study. 1. Main characteristics and distribution of Miao embroidery in GuizhouMiao embroidery in Guizhou is very particular. Different needlework methods should be considered according to the expression of different objects and artistic effects. Some needlework, some needlework, some needlework, and some needlework involve thread winding, weaving and knotting each other. Guizhou Miao embroidery mainly flat embroidery, lock embroidery, braids embroidery, seed embroidery, plate embroidery, broken thread embroidery, tin embroidery and so on, embroidery design texture rich three-dimensional sense. There are many branches of Miao ethnic group in Guizhou, and different regions have different representative types of embroidery: the most common flat embroidery, mainly distributed in southeast Guizhou Taijiang, Shidong, Rongjiang and Danzhai County. Flat embroidery single needle single thread, pay attention to even and even stitch. CREPE and braid embroidery are mainly distributed in Xi River and Leishan. It is one of the most unique traditional embroideries. The craft is complicated, first the silk thread weaves the small plait, with the traditional pattern pastes the cloth as the bottom, the small plait sews on the pattern, each sews a stitch to fold, causes the small plait drape three-dimensional, like the relief. Dazi embroidery is mainly distributed in Taijiang, Dazi is to wire around a few times and then insert the base cloth to play a knot in one heart, a Zhang Sengyou effect. Broken thread embroidery, mainly distributed in Taijiang, is a very special embroidery method in flat embroidery. Broken thread embroidery divides ordinary silk thread into 8 to 12 strands of fine thread, and then uses fine threads to make flat embroidery. It is exquisite, exquisite and luxurious. It is a fine work in Miao embroidery. Tin Embroidery is distributed in Jianhe. The Intelligent Miao people cut tin foil into thread and embroider it on cloth. The geometric pattern is the most fashionable style of embroidery[2].Miao embroidery in Guizhou Province is rich and colorful, with distinctive features, which congeals the national spirit and historical and cultural connotation of Guizhou. 2. Development Status of Miao embroidery in Guizhou ProvinceWith the development of social economy, there are fewer and fewer young people learning embroidery skills[3].Miao embroidery process innovation and age is proportional to the younger generation of the Miao is the carrier of process inheritance, lack of innovation will lead to Miao embroidery culture and environmental adaptability[4].The lack of innovation ability has become a big problem in the development of Miao embroidery technology.Colorful Guizhou has unique tourism resources. In recent years, the rapid development of Guizhou tourism industry has led to the development of tourism products, and the design of tourism products with Guizhou characteristics has become a hot spot, including the development of Guizhou Miao embroidery tourism products with Guizhou characteristics, for example has the Miao nationality embroidery clothing, the bag, the small ornament and so on. Since 2015, the international ethnic and folk cultural tourism products fair of Guizhou has been held, fully displaying the colorful and varied forms of Guizhou, displaying ingenious ethnic cultural products and unique ethnic cultures, to promote the protection, inheritance and scientific and reasonable industrial transformation of national folk arts and crafts, so as to promote Guizhou mass entrepreneurship and innovation, further enhance cultural self-confidence, and enhance the soft power of culture. The opening of the fair has brought a new opportunity for the innovation and development of Miao embroidery in Guizhou. 3. The application of Miao embroidery in costume design in Guizhou Province3.1The application of Miao embroidery in traditional dress in Guizhou ProvinceMiao embroidery is not bound by natural form, pay attention to emotional expression screen, rich in strong artistic appeal. Abstract methods are widely used in the modeling of Traditional Miao costumes. The image of virtual animals and plants of the Miao people in Guizhou Province means that in the long course of history, the Miao people have naturally transcended the process of imitating reality in the face of various external circumstances, the abstract form of the object in the Miao embroidery to provide a broad space for its creation.In the traditional costumes, the Miao people in Guizhou have rich and colorful embroidery colors and techniques, which are full of the unique artistic language of the Miao Culture. In traditional costumes, Miao embroidery uses unique embroidery techniques to decorate costumes, which are often decorated on the body, placket, collar, cuffs and Hem of traditional costumes, the texture effect in the decoration increases the layering, massiness and artistic sense of the dress. Women dress up, complex exquisite needle will focus on the collar, cuffs and other parts, highlighting the focus of clothing, and ensure the harmony and unity of clothing and accessories[5].3.2The application of Miao embroidery in modern clothing designThe modern clothing design uses the Miao nationality traditional color matching method for reference, the decorative color mainly gives priority to the bright color, forms the intense contrast color. Highlight the decorative patterns of clothing, traditional Miao costumes into modern clothing. In the modern clothing design, the traditional national cultural elements are increasing, the unique style of Guizhou Miao embroidery has created the traditional significance modern fashion works in the international modern clothing design application[6].In 2009, the famous domestic designer Lin Xuefei designed the evening dress with the Miao nationality characteristic by the tin embroidery element, and displayed it at the European wedding dress conference, which caused a great sensation overseas. Miaos'clothing elements are widely used in modern fashion design in European and American fashion shows. Modern women underwear design is often used embroidery techniques, highlighting the Miao embroidery close to the heart, showing the feminine soft and sexy[7].
The world of fashion has become global. What we wear is increasingly influenced by people living in places across the globe.The clothes we buy are likely to connect us to places on a global scale.The pursuit of fashion connects people on a global scale to a network of designers and manufacturers. Away from the catwalk, globalisation takes us into an unglamorous world that challenges us to consider the issues surrounding ethical consumption.In 1909, the millionaire French banker, Albert Khan set about photographing the world and its people. His work Les Archives de la Planète records a world before globalisation changed the way many people dressed. Albert Khan's photographs show a world of local fashions and clothing. National dress was important and a persons clothing could reveal where they lived.Today, our clothes are very different - something has happened to change the way people dress.Indigo trousers worn by American cattle ranchers have become a global fashion icon. The story of cowboy pants begins with the course cotton material called denim that takes its name from the French town of Nîmes (de Nîmes).During the Cold War, attempts were made by the USSR to restrict American jeans. Yet today, communism in Russia and China have given away to a new global clothing culture.
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SCD：科学引文数据库(Science Citation Database)是《中国大学评价》课题组独立研发、拥有全部知识产权的国内引文数据库。自2006年开始用于《中国大学评价》和《中国大学研究生院评价》。大学评价应以客观、公正、公开为宗旨。作为易测量的绩效评价工具，SCD还应该具有一目了然的直观属性。
scd期刊属于B类期刊，是中国科学引文数据库，也是中国大学评价课题组单独研发的，拥有全部知识产权的国内引文数据库。SCD期刊共收录国内期刊1205种，其中理科(含理学、工学、农学、医学4个学科门类)690种，文科(含哲学、经济学、法学、教育学、文学、历史学、管理学7个学科门类)513种。
SCD (科学引文数据库)是《中国大学评价》课题组独立研发、拥有全部知识产权的国内引文数据库，自从发布以来，不对外开放，只有购买雅学资讯网系统的高校才能进入。关于 2020年SCD期刊目录(文学) ，如下。
俄语学习
语文教学通讯：学术(D)
符号与传媒
新文学史料
江苏外语教学研究
中国应用语言学：英文版
世界文学
三峡论坛
英美文学研究论丛
人民文学
世界文化
百家评论
外国语言与文化
国际汉语学报
中学生英语
中国典籍与文化
德语人文研究
国际汉学
世界文学评论
古典文学知识
疯狂英语：理论版
现代中国文化与文学
复旦外国语言文学论丛
安徽文学：下半月
法语学习
南开语言学刊
中国莎士比亚研究通讯
满语研究
英语世界
芒种
韩国语教学与研究
花城
SCD全名为Science Citation Database，简称：SCD 。SCD期刊共收录国内期刊1205种，其中理科(含理学、工学、农学、医学4个学科门类)690种，文科(含哲学、经济学、法学、教育学、文学、历史学、管理学7个学科门类)513种。以下为常见期刊：1.经济类：《经济研究导刊》《物流技术》《物流科技》《物流工程与管理》2.科技类：《软件》3.传媒类：《新媒体研究》4.英语类：《英语广场》5.社科类：《汉字文化》6.艺术类：《艺术研究》《美术教育研究》《当代音乐》《包装与设计》《艺术科技》《艺术教育》
服装类核心期刊为《北京服装学院学报》，绝对够专业。
《服装设计师》的专业性比较强，涉及时装界咨询也包罗万象，除主要介绍海内外知名时装设计精英外，难得还有专业评论和最新技术成果。《国际纺织品流行趋势》是纺织服装类专业杂志，也是目前国内唯一一本系统提供从流行色、纱线、面料、辅料到时装和纺织品设计等全方位流行资讯的杂志。登陆订阅网看看吧，能直接网络订阅，目前还有优惠价。
《男生女生》、《流行色》、《时尚先锋》、《嘉人》
CoCo薇。它位居台湾服饰杂志排行冠军。这本杂志容量大、信息多、报道服饰文化的前线流行情报，是国内服装设计师、服装精品店的必备参考书。
《VOGUE》《GISELe》都是比较很有个性的服装设计杂志，上面的服装搭配是十分的有特色的，很多年轻女性都会去在这两本杂志上学习穿搭，衣品也有了很大的改善。
比较值得推荐的有《Vogue》，《RE-EDITION》，《i-D》，《国际时装设计元素 设计与调研》，《图案配色经典》，《色彩使我更自信》等等。
有RE-EDITION，Issuu，BoredPanda，Speckyboy和Dwell。并且这些设计类型的杂志非常受人们欢迎。
注意字符和主画像的搭配，要是以字符为主的话。
就因该注意背景的颜色和字符的颜色，若以画像为主，要将字符设计小一些，颜色搭配也很重要，比如，你用白色的绘画板面。
可以搭配粉红色，天蓝色，人物画像要注意与背景相衬，反差不可以太大，简单的就这么说。
平面杂志，从产业的角度来说早就是夕阳了，但从文艺的角度，似乎一直都是朝阳的状态：有多少人在前面倒下，就是多少人在后面又站起来。在这个世界上，每天都有传统杂志倒闭关门，但每天也有新的杂志诞生。虽然大家都有时尚的内容，但角度越来越刁钻，视觉越来越多元，内容自然也越来越细分。那么有个性的服装设计类杂志，都有哪些推荐呢？
1.《i-D》
《I-D》是英国《Vogue》杂志前艺术总监特瑞·琼斯于1980年创办的时尚杂志。它致力于时尚、音乐、艺术和青年文化，并以其独特的图片和原创的布局而闻名。Logo中小写字母I寓意杂志“我行我素”的风格，大写字母D则强调杂志对设计的重视。中间带连字符的两个字母似乎是一个眨眼的笑脸，这也让杂志坚持所有封面人物自成立以来都以不同的方式闭着一只眼睛做鬼脸。该杂志创造了纪录片和时尚摄影的混合风格。打开杂志，你会发现内页几乎没有排版的痕迹，图片占据了杂志的大部分版面，文字内容很少。特瑞·琼斯认为“即时性”是反映街头创意的最佳方式:通过视觉，而不仅仅是文本。我们可以看到很多前沿的设计师，自由想象的摄影师，街头艺人，邪教文化等主流时尚以外的广阔时尚视野和潮流文化。
2.《RE-EDITION》
英国出版的独立杂志RE-EDITION聚焦时尚摄影，聚焦过去与未来，旨在将艺术世界与时尚摄影更紧密地联系起来。文字有限，纯摄影赋予图像喘息的空间，为读者提供极佳的视觉体验。杂志上的照片充满了怀旧、诗意、原创和新鲜感。整体审美在某种程度上给人一种内敛低调的感觉，甚至有一种沉思默想的隐居，这在如今浮华的时尚界很难找到。内页的版面以摄影作品为主，少量文字给读者足够的想象空间。每一位艺术家都有着与众不同、独一无二的艺术风格，将激动人心的艺术与时尚结合在一起，每一种含蓄柔和的美学都让杂志脱颖而出，而不是像知名杂志那样公式化。
印染。。。
根据武汉大学中国学术期刊评价方法，A+类的为《棉纺织技术》和《纺织学报》，A类按排名分别为《印染》、《纺织高校基础科学学报》、《印染助剂》、《合成纤维》、《毛纺科技》、《纺织导报》、《北京服装学院学报》和《纺织科学研究》。B+类分别为《中国麻业科学》、《丝绸》、《上海纺织科技》《产业用纺织品》、《轻工机械》、《针织工业》、《染整技术》、《山东纺织科技》、《纺织科技进展》、《非织造布》、《南通纺织职业技术学院学报》、《福建轻纺》、《现代纺织技术》、《广西纺织科技》。B类为《成都纺织高等专科学校学报》、《天津纺织科技》、《国际纺织导报》、《纺织器材》、《江苏纺织》、《四川丝绸》、《河南纺织高等专科学校学报》、《化纤与纺织技术》、《中国纺织》、《纺织机械》、《纺织标准与质量》、《国外丝绸》、《江苏丝绸》、《浙江纺织服装职业技术学院学报》，C类分别为《辽宁丝绸》、《黑龙江纺织》、《麻纺科技》、《麻纺织技术》、《上海毛麻科技》、《国外纺织技术》、《国际服装技术》、《纺织教育》、《四川纺织科技》、《现代生活用品》。
浙江省或者上海有哪些核心期刊的编辑社？ 2全国有哪些关于纺织服装类的核心期刊？ 3如果要发表核心期刊的手续是怎么样的？ 4有什么核心期刊比较权威？ 5我在网络上查询到了《商业时代》《当代经济》在口碑上是比较好的，但是《当代经济》却没在全国中文核心期刊目录的记录内，是不是这样他就不是核心期刊了？ 6发表一篇学术论文的话一般费用是怎么计算的？ 7一般发表到出版的周期是多长？
作为最权威历史最久远的当属《中国纺织》杂志，这是由周恩来总理题名的杂志。杂志涵盖全行业的主要内容，紧密联系国内外发展的形势，业内把它定位为高端杂志，主要是内容适合行业专业人士阅读。目前类似风格的还有一本杂志《纺织服装周刊》，以周刊的形式报道行业发展。当然杂志还有很多，专业领域的杂志也很多，比如《产业用纺织品》、《流行色》、《棉纺织技术》、《中国服装》、《服装界》等等。报纸当然是《中国纺织报》，这是中国纺织领域的唯一的一张日报。原来属于国家纺织工业部，机构改革后，划给经济日报报业集团。《中国服饰报》也是如此。