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这种东西，自己去看看外国名著，你就会深有体会的！
作家作品分析，文学思潮的影响都可以写。
外国文学是一个丰富多彩的世界，需要自己去寻找，感受。
外国文学不怎么样，没有收获。
写她的坚强
女性主义有时也被译做女权主义，但两者的内涵是有所区别的，前者侧重与性别立场，后者侧重于政治立场。斯佳丽是《飘》的 女主人公，我想写她在书中所体现的女性主义，在那个特殊的时代的异类。
古希腊人认为大自然的一切现象都是由神主宰的，他们把自然力人格化，按照他们的想象塑造神的形象。到了公元前2世纪，希腊逐渐走向衰落，而罗马人在地中海一带取代了希腊人的统治。他们继承了希腊人的成就，也吸收了希腊神话的形象和内容，并给予拉丁化。因此，希腊和罗马的神话往往合称为希腊罗马神话，而同一个神话人物常常有两个不同的名字。例如。希腊神话的主神宙斯（Zeus），在罗马神话中叫朱庇特（Jupiter）。 象希腊神话这样的罗马神话实际上并不存在，一直到罗马共和国末期罗马的诗人才开始模仿希腊神话编写自己的神话，罗马人没有传统的、象希腊神话中那样的神之间的斗争之类的传说。 罗马人传统具有的是： 发展非常完善的仪式、祭司和一群互相关连的神。 一套丰富的、关于罗马的诞生和发展的传说，在这些传说中，人起主要作用，神有时插手。 这说明罗马人对神的理解与希腊人不一样。假如问一个古希腊人，德米特尔是谁的话，他会说，德米特尔有一个非常漂亮的女儿，被哈底斯抢走了，因此德米特尔很悲伤，等等。 假如问一个古罗马人，赛尔斯是谁的话，他会说，赛尔斯有一个祭司，他的地位比朱庇特、玛尔斯和奎里努斯的祭司的地位低，但是比福罗拉和普慕那的地位要高。他会说，赛尔斯与其他两个掌管农业的神立波尔和利贝拉是一个组的，他可能还可以将那些帮助赛尔斯的小神的名字说出来。 因此古罗马的“神话”不是故事，而是神与神以及神与人之间错综复杂的关系。 罗马初期的宗教后来被增加了许多有时甚至彼此矛盾的新内容，尤其是吸收了希腊神话的很多部分。今天我们对罗马神话的知识不是来自当时的记载，而是来自于后来一些试图将那些古老的传统保留下来的学者的描述。比如生活于前1世纪的玛尔库斯·提伦提乌斯·瓦罗。一些其他的罗马作家，比如奥维德在写作时受到希腊的影响非常深，他们经常引用希腊神话来填补罗马神话中的空缺。 罗马神话中主要的神对应希腊神话： 雅努斯 Janus 门神，具有前后两个面孔或四方四个面孔，象征开始。 朱庇特 Juppiter 神王。相对应于希腊神话的宙斯Z 朱诺 Juno 神后，相对应于希腊神话的赫拉H 墨邱利 Mercury 神的使者，相对应于希腊神话的赫耳墨斯H 维纳斯 Venus 美神、爱神，相对应于希腊神话的阿佛洛狄德Aphrodite。 玛尔斯 Mars 战神，相对应于希腊神话的阿瑞斯Ares。但形象较阿瑞斯正面许多。 萨敦 Saturn 朱庇特的父亲，相对应于希腊神话的科罗努斯Kronus。 玛亚 Maia 墨邱利的母亲，花神。 狄安娜 Diana 月亮女神，相对应于希腊神话的阿尔忒弥斯Artemis。 阿波罗 Apollo 太阳神，希腊和罗马名字相同。 米诺娃 Minerva 智慧女神，相对应于希腊神话的雅典娜Athena。 赛尔斯 Ceres 谷物和丰收女神，相对应于希腊神话的狄蜜特Demeter。 伏尔肯 Vulcan 火神，维纳斯的丈夫，相对应于希腊神话的赫斐斯托斯Hephaestus。 尼普敦 Neptune 海王神，相对应于希腊神话的波赛东Posidon，朱庇特的弟弟。 普鲁托 Pluto 冥神，相对应于希腊神话的哈底斯Hades，朱庇特的弟弟。 邱比特 Cupid 小爱神，维纳斯的儿子，相对应于希腊神话的爱罗斯Eros。 象希腊神话这样的罗马神话实际上并不存在，一直到罗马共和国末期罗马的诗人才开始模仿希腊神话编写自己的神话，罗马人没有传统的、象希腊神话中那样的神之间的斗争之类的传说。 罗马人传统具有的是： 发展非常完善的仪式、祭司和一群互相关连的神。 一套丰富的、关于罗马的诞生和发展的传说，在这些传说中，人起主要作用，神有时插手。 这说明罗马人对神的理解与希腊人不一样。假如问一个古希腊人，德米特尔是谁的话，他会说，德米特尔有一个非常漂亮的女儿，被哈底斯抢走了，因此德米特尔很悲伤，等等。 假如问一个古罗马人，赛尔斯是谁的话，他会说，赛尔斯有一个祭司，他的地位比朱庇特、玛尔斯和奎里努斯的祭司的地位低，但是比福罗拉和普慕那的地位要高。他会说，赛尔斯与其他两个掌管农业的神立波尔和利贝拉是一个组的，他可能还可以将那些帮助赛尔斯的小神的名字说出来。 因此古罗马的“神话”不是故事，而是神与神以及神与人之间错综复杂的关系。 罗马初期的宗教后来被增加了许多有时甚至彼此矛盾的新内容，尤其是吸收了希腊神话的很多部分。今天我们对罗马神话的知识不是来自当时的记载，而是来自于后来一些试图将那些古老的传统保留下来的学者的描述。比如生活于前1世纪的玛尔库斯·提伦提乌斯·瓦罗。一些其他的罗马作家，比如奥维德在写作时受到希腊的影响非常深，他们经常引用希腊神话来填补罗马神话中的空缺。
古希腊的文学史
当初做的论文是凯鲁雅克的在路上
《论英、法经典科幻文学的美感与警示作用》自创，一直想研究一下英威尔斯和法凡尔纳的文风区别
黑色文学怎么样呢？有一群叫“自由作家”的年轻人，他们记叙下生活中的点点滴滴作为日记，日记里有着暴力、无家可归、种族歧视、疾病和虐待，也有着改变人生的希望，他们的艾琳老师则用插叙，串起了这些篇章。当这本日记的集锦成书发表，美国却为之震惊了--《人物》杂志两次专题报道，美国教育部部长亲自会面，曾在二战中收留过安妮·弗兰克一家的荷兰女人，也被邀来看望他们，并称他们为真正的英雄。 因为他们写下的都是真实，这些被学校放弃、随时可能惨死街头的学生，在女老师的引导下改变了自己的人生和街区的风气。“拯救一条生命，就拯救了整个世界。”如此真实动人的老师感化学生的故事，自然也少不了被搬上好莱坞的银幕。虽然师生题材的电影不算少，但涉及到种族歧视、犯罪的真实街头色调的却绝对寥寥无几。 我觉得这样题材的电影很少，这部电影是根据真是的故事改编的，这本《Freedom Writers 》也确实有出版，在文学方面，类似“自由作家”这种敢把暴力，种族问题，这类敏感的问题著成书的也不多。虽然，我不知道这种“街头日记”的形式是否可以被成为文学，但确实是个很新颖的题材。
小王子写论文题，怎么诌三千字……表示理科生无能理解
上图书馆的网络，不过那好象要注册缴费的
美国城市规划教授林奇在1960年出版的《城市意象》一书中，详细介绍了美国三个城市—波士顿、洛杉矶和泽西市市民的认知地图，其理论和方法很快在美国及世界其他地区被推广应用他在城市意象理论中提出构成认知地图的5要素(标志物、节点、区域、边界、道路） 美国心理学家、哈佛大学教授加德纳认为，智力的内涵是多元的，它有9种相对独立的智力成分所构成。每种智力都是一个单独的功能系统，这些系统可以相互作用，产生外显的智力行为。这9种智力为:认知地图能力是一种“视觉一空间”智力，加德纳认为视觉一空间智力是在脑中形成一个外部空间世界的模式并能够运用和操作这种模式的能力。它的核心能力是准确的知觉到视觉世界的能力，是对一个人所知觉到的东西进行加工和改造的能力，是即使在刺激不在时重现视觉经验的能力。 美国心理学家安德森(J·R·Anderson)对知识在人的头脑中的表征性质做了两种最基本的划分:陈述性知识和程序性知识。陈述性知识是有关事实、定义、程序以及规则是什么的知识，其表征形式主要是四种:命题、表象、线性序列和图式。其解释如下:程序性知识是指导如何行动的知识，其在头脑中的表征是通过产生式来完成。一个产生式就是一个“如果—那么”规则。当“如果”得到满足，“那么”就得以执行。当然很多产生式构成了一个产生式系统，产生式系统通过许多子目标，控制产生式的流向。程序性知识分为自动化的程序性知识和有意识的程序性知识。构建认知地图的目标就是经过系统的训练，由有意识的认知地图成为自动化的认知地图。Timosaarinen(1987)找到证据证明命题性表征对世界地图的表象性表征有强大的影响。具体说来，要求41个国家71个地点的学生画一幅世界的草图。大部分人(甚至是亚洲人)所绘的地图显示的是一个以欧洲为中心的世界，多数美洲人是以美洲为中心，而少数其他人显示的观点则以自己的国家为中心或者突出了自己的国家(比如很多澳大利亚学生画出的世界地图就是上南下北的地图)。此外，大部分学生表现了中度的失真，即夸大了更著名的、家喻户晓的国家面积而减少了不太出名国家的大小(如非洲国家)。StephenHirtle及其同事考察了语义集群对距离估计的影响，他们向被试出示一幅由许多建筑组成的地图，接着要求他们估计各组建筑之间的距离。被试倾向于就熟悉的地界标猜测其距离更近而不太熟悉的地界标猜测其距离更远，以这种方式扭曲距离估计，他们发现学生们对自己居住的城市(密歇根州的安阿白市)的认知地图也有着类似的变形。Thomdye认为人类在形成和使用认知地图时用到了三类知识:(1)地界标知识，这是关于位置的特定特征的信息，以及那些既源于表象性表征又基于命题性表征的信息;(2)路线道路知识，这涉及从一个位置移动到另一个位置的具体路径，以及那些既基于程序性知识又基于陈述性知识的信息;(3)测量性知识，这涉及对地界标间距离的估计，正如它们可能出现在测量地图上的那样，而且这些可以用表象性和命题性的方式表征。 皮亚杰是20世纪杰出的认知发展心理学家，发生认识论专家。他提出，人的认知发展依次经过四个主要阶段，每个阶段都大致的对应一定的年龄范围，每个阶段是前一阶段的自然延伸，也是后一阶段的必然前提，发展阶段不能逾越，也不能逆转，认知总是朝着必经的途径向前发展。①这四个阶段是:感知运动阶段(0岁—2岁)前运算阶段(2岁—7岁)具体运算阶段(7岁—11岁)形式运算阶段(11—16岁)根据皮亚杰的发展理论，西格尔和怀特(ASiegel，White，1975)在实验的基础上提出，在大尺度的环境中，儿童认知成图能力经历四个连续的发展阶段:首先注意和记住空间标志物识别和熟悉特定标志物之间的路径将彼此临近的标志和路径结合成子群将各种环境要素综合组织为统一的环境整体随着认知成图能力的发展，儿童依次建立起三种不同类型的参照系:自我中心定向系统，认为外部世界以自己为中心，月亮跟着自己走，认知地图中的环境要素彼此分离。固定点定向系统，认知地图围绕环境中熟悉的固定场所发展，最早以家为中心，随后扩展到少数路径、标志和熟悉的地点，这阶段儿童只能注意到一维空间，只能将相邻的标志用路径联系在一起。直角坐标系，认知地图能反映有机的整体空间环境，能根据坐标网想象出环境的空间透视关系。 结论：认知地图的影响因素很多，包括:年龄。手绘简图的能力会随着年龄的增大而提高，但这并不是普遍适用的。性别。性别是个很重要的影响因素，总体来说，男生比女生在这方面的能力要强。国籍。被试者所在的国家通常会出现在手绘的简图上。临近性。学生对离自己家较近的地方通常会形成较详细、较精确的认知地图。媒体。经常阅读新闻报纸或观看电视新闻的学生所形成的认知地图较详细、较精确的认知地图。地区形状。如果一个地区形状比较特别，学生就会比较容易记住，所以笔者在后文中有把某区域几何形状比喻成某种事物的理念。文化。如果一个国家曾经被占领过，那么学生的认知地图会受占领国的影响。投影形式。如果一种投影的形式经常出现在课本上或日常生活中，那么学生所绘的世界简图也通常会采用这种投影形式。地理教育水平。地理教育水平较高的国家，其学生的认知地图较好，反之，地理教育水平较差的国家，其学生的认知地图较差。
The term English literature refers to literature written in the English language, including literature composed in English by writers not necessarily from England; Joseph Conrad was Polish, Robert Burns was Scottish, James Joyce was Irish, Dylan Thomas was Welsh, Edgar Allan Poe was American, Salman Rushdie is Indian, VS Naipaul was born in Trinidad, Vladimir Nabokov was R In other words, English literature is as diverse as the varieties and dialects of English spoken around the In academia, the term often labels departments and programmes practising English studies in secondary and tertiary educational Despite the variety of authors of English literature, the works of William Shakespeare remain paramount throughout the English-speaking This article primarily deals with literature from Britain written in E For literature from specific English-speaking regions, consult the see also section at the bottom of the Contents [hide]1 Old English2 Renaissance literature3 Early Modern 1 Elizabethan E2 Jacobean 3 Caroline and Cromwellian 4 Restoration 5 Augustan literature4 18th century5 Romanticism6 Victorian literature7 Modernism8 Post-modern literature9 Views of English literature10 See also11 External linksOld EnglishMain article: Anglo-Saxon literatureThe first works in English, written in Old English, appeared in the early Middle Ages (the oldest surviving text is Cædmon's Hymn) The oral tradition was very strong in early British culture and most literary works were written to be Epic poems were thus very popular and many, including Beowulf, have survived to the present day in the rich corpus of Anglo-Saxon literature that closely resemble today's Norwegian or, better yet, I Much Anglo-Saxon verse in the extant manuscripts is probably a "milder" adaptation of the earlier Viking and German war poems from the When such poetry was brought to England it was still being handed down orally from one generation to another, and the constant presence of alliterative verse, or consonant rhyme (today's newspaper headlines and marketing abundantly use this technique such as in Big is Better) helped the Anglo-Saxon peoples remember Such rhyme is a feature of Germanic languages and is opposed to vocalic or end-rhyme of Romance But the first written literature dates to the early Christian monasteries founded by S Augustine of Canterbury and his disciples and it is reasonable to believe that it was somehow adapted to suit to needs of Christian Even without their crudest lines, Viking war poems still smell of blood feuds and their consonant rhymes sound like the smashing of swords under the gloomy northern sky: there is always a sense of imminent danger in the Sooner or later, all things must come to an end, as Beowulf eventually dies at the hands of the monsters he spends the tale The feelings of Beowulf that nothing lasts, that youth and joy will turn to death and sorrow entered Christianity and were to dominate the future landscape of English Renaissance literatureMain article: English RenaissanceFollowing the introduction of a printing press into England by William Caxton in 1476, vernacular literature The Reformation inspired the production of vernacular liturgy which led to the Book of Common Prayer, a lasting influence on literary English The poetry, drama, and prose produced under both Queen Elizabeth I and King James I constitute what is today labelled as Early modern (or Renaissance)Early Modern periodFurther information: Early Modern English and Early Modern BritainElizabethan EraMain article: Elizabethan literatureThe Elizabethan era saw a great flourishing of literature, especially in the field of The Italian Renaissance had rediscovered the ancient Greek and Roman theatre, and this was instrumental in the development of the new drama, which was then beginning to evolve apart from the old mystery and miracle plays of the Middle A The Italians were particularly inspired by Seneca (a major tragic playwright and philosopher, the tutor of Nero) and Plautus (its comic clichés, especially that of the boasting soldier had a powerful influence on the Renaissance and after) However, the Italian tragedies embraced a principle contrary to Seneca's ethics: showing blood and violence on the In Seneca's plays such scenes were only acted by the But the English playwrights were intrigued by Italian model: a conspicuous community of Italian actors had settled in London and Giovanni Florio had brought much of the Italian language and culture to E It is also true that the Elizabethan Era was a very violent age and that the high incidence of political assassinations in Renaissance Italy (embodied by Niccolò Machiavelli's The Prince) did little to calm fears of popish As a result, representing that kind of violence on the stage was probably more cathartic for the Elizabethan Following earlier Elizabethan plays such as Gorboduc by Sackville & Norton and The Spanish Tragedy by Kyd that was to provide much material for Hamlet, William Shakespeare stands out in this period as a poet and playwright as yet Shakespeare was not a man of letters by profession, and probably had only some grammar school He was neither a lawyer, nor an aristocrat as the "university wits" that had monopolised the English stage when he started But he was very gifted and incredibly versatile, and he surpassed "professionals" as Robert Greene who mocked this "shake-scene" of low Though most dramas met with great success, it is in his later years (marked by the early reign of James I) that he wrote what have been considered his greatest plays: Hamlet, Romeo and Juliet, Othello, King Lear, Macbeth, Antony and Cleopatra, and The Tempest, a tragicomedy that inscribes within the main drama a brilliant pageant to the new This 'play within a play' takes the form of a masque, an interlude with music and dance coloured by the novel special effects of the new indoor Critics have shown that this masterpiece, which can be considered a dramatic work in its own right, was written for James's court, if not for the monarch The magic arts of Prospero, on which depend the outcome of the plot, hint at the fine relationship between art and nature in Significantly for those times (the arrival of the first colonists in America), The Tempest is (though not apparently) set on a Bermudan island, as research on the Bermuda Pamphlets (1609) has shown, linking Shakespeare to the Virginia Company The "News from the New World", as Frank Kermode points out, were already out and Shakespeare's interest in this respect is Shakespeare also popularized the English sonnet which made significant changes to Petrarch's The sonnet was introduced into English by Thomas Wyatt in the early 16th Poems intended to be set to music as songs, such as by Thomas Campion, became popular as printed literature was disseminated more widely in See English Madrigal S Other important figures in Elizabethan theatre include Christopher Marlowe, Thomas Dekker, John Fletcher and Francis B Had Marlowe (1564-1593) not been stabbed at twenty-nine in a tavern brawl, says Anthony Burgess, he might have rivalled, if not equalled Shakespeare himself for his poetic Remarkably, he was born only a few weeks before Shakespeare and must have known him Marlowe's subject matter, though, is different: it focuses more on the moral drama of the renaissance man than any other Marlowe was fascinated and terrified by the new frontiers opened by modern Drawing on German lore, he introduced D Faustus to England, a scientist and magician who is obsessed by the thirst of knowledge and the desire to push man's technological power to its He acquires supernatural gifts that even allow him to go back in time and wed Helen of Troy, but at the end of his twenty-four years' covenant with the devil he has to surrender his soul to His dark heroes may have something of Marlowe himself, whose untimely death remains a He was known for being an atheist, leading a lawless life, keeping many mistresses, consorting with ruffians: living the 'high life' of London's But many suspect that this might have been a cover-up for his activities as a secret agent for Elizabeth I, hinting that the 'accidental stabbing' might have been a premeditated assassination by the enemies of The C Beaumont and Fletcher are less-known, but it is almost sure that they helped Shakespeare write some of his best dramas, and were quite popular at the It is also at this time that the city comedy genre In the later 16th century English poetry was characterised by elaboration of language and extensive allusion to classical The most important poets of this era include Edmund Spenser and Sir Philip S Elizabeth herself, a product of Renaissance humanism, produced occasional poems such as On Monsieur’s DCanons of Renaissance poetryJacobean literatureAfter Shakespeare's death, the poet and dramatist Ben Jonson was the leading literary figure of the Jacobean era (The reign of James I) However, Jonson's aesthetics hark back to the Middle Ages rather than to the Tudor Era: his characters embody the theory of According to this contemporary medical theory, behavioral differences result from a prevalence of one of the body's four "humours" (blood, phlegm, black bile, and yellow bile) over the other three; these humours correspond with the four elements of the universe: air, water, fire, and This leads Jonson to exemplify such differences to the point of creating types, or clichéJonson is a master of style, and a brilliant His Volpone shows how a group of scammers are fooled by a top con-artist, vice being punished by vice, virtue meting out its Others who followed Jonson's style include Beaumont and Fletcher, who wrote the brilliant comedy, The Knight of the Burning Pestle, a mockery of the rising middle class and especially of those nouveaux riches who pretend to dictate literary taste without knowing much literature at In the story, a couple of grocers wrangle with professional actors to have their illiterate son play a leading role in a He becomes a knight-errant wearing, appropriately, a burning pestle on his Seeking to win a princess' heart, the young man is ridiculed much in the way Don Quixote One of Beaumont and Fletcher's chief merits was that of realising how feudalism and chivalry had turned into snobbery and make-believe and that new social classes were on the Another popular style of theatre during Jacobean times was the revenge play, popularized by John Webster and Thomas K George Chapman wrote a couple of subtle revenge tragedies, but must be remembered chiefly on account of his famous translation of Homer, one that had a profound influence on all future English literature, even inspiring John Keats to write one of his best The King James Bible, one of the most massive translation projects in the history of English up to this time, was started in 1604 and completed in It represents the culmination of a tradition of Bible translation into English that began with the work of William T It became the standard Bible of the Church of England, and some consider it one of the greatest literary works of all This project was headed by James I himself, who supervised the work of forty-seven Although many other translations into English have been made, some of which are widely considered more accurate, many aesthetically prefer the King James Bible, whose meter is made to mimic the original Hebrew Besides Shakespeare, whose figure towers over the early 1600s, the major poets of the early 17th century included John Donne and the other Metaphysical Influenced by continental Baroque, and taking as his subject matter both Christian mysticism and eroticism, metaphysical poetry uses unconventional or "unpoetic" figures, such as a compass or a mosquito, to reach surprise For example, in "A Valediction: Forbidding Mourning", one of Donne's Songs and Sonnets, the points of a compass represent two lovers, the woman who is home, waiting, being the centre, the farther point being her lover sailing away from But the larger the distance, the more the hands of the compass lean to each other: separation makes love grow The paradox or the oxymoron is a constant in this poetry whose fears and anxieties also speak of a world of spiritual certainties shaken by the modern discoveries of geography and science, one that is no longer the centre of the Apart from the metaphysical poetry of Donne, the 17th century is also celebrated for its Baroque Baroque poetry served the same ends as the art of the period; the Baroque style is lofty, sweeping, epic, and Many of these poets have an overtly Catholic sensibility (namely Richard Crashaw) and wrote poetry for the Catholic counter-Reformation in order to establish a feeling of supremacy and mysticism that would ideally persuade newly emerging Protestant groups back toward CCaroline and Cromwellian literatureThe turbulent years of the mid-17th century, during the reign of Charles I and the subsequent Commonwealth and Protectorate, saw a flourishing of political literature in E Pamphlets written by sympathisers of every faction in the English civil war ran from vicious personal attacks and polemics, through many forms of propaganda, to high-minded schemes to reform the Of the latter type, Leviathan by Thomas Hobbes would prove to be one of the most important works of British political Hobbes's writings are some of the few political works from the era which are still regularly published while John Bramhall, who was Hobbes's chief critic, is largely The period also saw a flourishing of news books, the precursors to the British newspaper, with journalists such as Henry Muddiman, Marchamont Needham, and John Birkenhead representing the views and activities of the contending The frequent arrests of authors and the suppression of their works, with the consequence of foreign or underground printing, led to the proposal of a licensing The Areopagitica, a political pamphlet by John Milton, was written in opposition to licensing and is regarded as one of the most eloquent defenses of press freedom ever Specifically in the reign of Charles I (1625 – 42), English Renaissance theatre experienced its concluding The last works of Ben Jonson appeared on stage and in print, along with the final generation of major voices in the drama of the age: John Ford, Philip Massinger, James Shirley, and Richard B With the closure of the theatres at the start of the English Civil War in 1642, drama was suppressed for a generation, to resume only in the altered society of the English Restoration in Other forms of literature written during this period are usually ascribed political subtexts, or their authors are grouped along political The cavalier poets, active mainly before the civil war, owed much to the earlier school of metaphysical The forced retirement of royalist officials after the execution of Charles I was a good thing in the case of Izaak Walton, as it gave him time to work on his book The Compleat A Published in 1653, the book, ostensibly a guide to fishing, is much more: a meditation on life, leisure, and The two most important poets of Oliver Cromwell's England were Andrew Marvell and John Milton, with both producing works praising the new government; such as Marvell's An Horatian Ode upon Cromwell's Return from I Despite their republican beliefs they escaped punishment upon the Restoration of Charles II, after which Milton wrote some of his greatest poetical works (with any possible political message hidden under allegory) Thomas Browne was another writer of the period; a learned man with an extensive library, he wrote prolifically on science, religion, medicine and the Restoration literatureMain article: Restoration LiteratureRestoration literature includes both Paradise Lost and the Earl of Rochester's Sodom, the high spirited sexual comedy of The Country Wife and the moral wisdom of Pilgrim's P It saw Locke's Treatises on Government, the founding of the Royal Society, the experiments of Robert Boyle and the holy meditations of Boyle, the hysterical attacks on theatres from Jeremy Collier, the pioneering of literary criticism from Dryden, and the first The official break in literary culture caused by censorship and radically moralist standards under Cromwell's Puritan regime created a gap in literary tradition, allowing a seemingly fresh start for all forms of literature after the R During the Interregnum, the royalist forces attached to the court of Charles I went into exile with the twenty-year old Charles II The nobility who travelled with Charles II were therefore lodged for over a decade in the midst of the continent's literary Charles spent his time attending plays in France, and he developed a taste for Spanish Those nobles living in Holland began to learn about mercantile exchange as well as the tolerant, rationalist prose debates that circulated in that officially tolerant The largest and most important poetic form of the era was In general, publication of satire was done There were great dangers in being associated with a On the one hand, defamation law was a wide net, and it was difficult for a satirist to avoid prosecution if he were proven to have written a piece that seemed to criticize a On the other hand, wealthy individuals would respond to satire as often as not by having the suspected poet physically attacked by John Dryden was set upon for being merely suspected of having written the Satire on M A consequence of this anonymity is that a great many poems, some of them of merit, are unpublished and largely
建议写沾中国文学边的，比如中英对比，英文相对于中文的异同。