发布时间：
英语毕业论文提纲模板
紧张又充实的`大学生活即将结束，毕业前要通过最后的毕业论文，毕业论文是一种有准备的检验学生学习成果的形式，毕业论文应该怎么写才好呢？以下是我整理的英语毕业论文提纲模板，希望能够帮助到大家。
Acknowledgements 4-6
Contents 6-10
List of Figures 10-12
List of Tables 12-20
Abstract 20-22
摘要 23-25
Chapter 1 Introduction 25-32
1.1 Purpose of the study and research questions 28-29
1.2 Significance of the study 29-30
1.3 Organization of the study 30-31
1.4 A note on terminology 31-32
Chapter 2 Literature review 32-51
2.1 T/TP and coherence in English writing 32-35
2.1.1 Defining coherence 32-33
2.1.2 T/TP as means to realize coherence 33-35
2.2 T/TP in EFL/ESL writing 35-42
2.2.1 T/TP and coherence in EFL/ESL writing 35-37
2.2.2 T/TP in EFL/ESL writing as compared to NS writing 37-42
2.3 T/TP in English research articles by EFL/ESL scholars 42-44
2.4 The factors that influence T/TP in EFL/ESL writing 44-47
2.5 Training in T/TP 47-49
2.6 Summary 49-51
Chapter 3 Theoretical background 51-70
3.1 Systemic Functional Grammar 51-55
3.1.1 Five dimensions of language as a semiotic system 51-53
3.1.2 Three metafunctions of language as a functional system 53-54
3.1.3 Three lines of meaning from metafunctions 54-55
3.2 Theme and thematic progression 55-70
3.2.1 Theme 56-62
3.2.2 Thematic progression 62-70
Chapter 4 Research Design 70-88
4.1 The participants and the educational context 70-73
4.1.1 Background of the participants and the participating school 70
4.1.2 The allocation of participants to the training 70-71
4.1.3 The sample sizes 71-72
4.1.4 The pilot study 72-73
4.2 The interventional procedures 73-74
4.3 The questionnaire 74-75
4.4 The training 75-80
4.4.1 Considerations behind the training 75-76
4.4.2 The training material 76-79
4.4.3 The role of the researcher as the trainer 79-80
4.5 Data analysis 80-86
4.5.1 Analysis of the writing 80-86
4.5.2 Analysis of the questionnaire 86
4.6 Ethical considerations 86-88
4.6.1 Informed consent 86-87
4.6.2 Anonymity 87
4.6.3 Harm 87-88
Chapter 5 Results and analysis of pre-training writing 88-115
5.1 Comparison of Themes in EEL pre-training writing and CEL pre-writing 88-102
5.1.1 Topical,textual and interpersonal Themes 88-91
5.1.2 Topical Themes:marked and unmarked Themes 91-95
5.1.3 Textual Themes:continuatives,conjunctions and conjunctive adjuncts 95-100
5.1.4 Interpersonal Themes 100-102
5.2 Comparison of thematic progression in EEL pre-training writing and CEL pre-writing 102-110
5.2.1 Linear,constant,summative and split progressions 102-107
5.2.2 Back,contextual and new Themes 107-110
5.3 Summary 110-115
Chapter 6 Results and analysis of post-training writing 115-137
6.1 Comparison of Themes in EEL post-training writing and CEL post-writing 115-129
6.1.1 Topical,textual and interpersonal Themes 115-117
6.1.2 Topical Themes:marked and unmarked Themes 117-121
6.1.3 Textual Themes:continuatives,conjunctions and conjunctive adjuncts 121-126
6.1.4 Interpersonal Themes 126-129
6.2 Comparison of thematic progression in EEL post-training writing and CEL post-writing 129-132
6.2.1 Linear,constant,summative and split progressions 129-131
6.2.2 Back,contextual and new Themes 131-132
6.3 Summary 132-137
Chapter 7 Results and analysis of pre- and post- training writing 137-155
7.1 Comparison of Themes in pre- and post- training writing 137-147
7.1.1 Topical,textual and interpersonal Themes 137-139
7.1.2 Topical Themes:marked and unmarked Themes 139-142
7.1.3 Textual Themes:continuatives,conjunctions and conjunctive adjuncts 142-145
7.1.4 Interpersonal Themes 145-147
7.2 Comparison of thematic progression in pre- and post- training writing 147-150
7.2.1 Linear,constant,summative and split progressions 147-149
7.2.2 Back,contextual and new Themes 149-150
7.3 Summary 150-155
Chapter 8 Results and analysis of the questionnaire 155-165
8.1 Findings from closed questions 155-160
8.1.1 EEL participants' general attitude to training on T/TP 155-157
8.1.2 EEL participants' perception of the usefulness of the training on T/TP 157-158
8.1.3 EEL participants' perception of the learnability of T/TP 158-159
8.1.4 EEL participants' perception of the applicability of T/TP in writing 159-160
8.2 Findings from open questions 160-164
8.2.1 The changes that occurred 161-162
8.2.2 The perceived difficulty of applying the theory of T/TP in writing 162-163
8.2.3 The reasons for the perceived difficulty in learning 163
8.2.4 EEL participants' suggestions for future training 163-164
8.3 Summary 164-165
Chapter 9 Discussion 165-195
9.1 Findings with regard to research questions 165-187
9.1.1 Chinese college students' use of T/TP in pre-training writing 165-172
9.1.2 Chinese college students' use of T/TP in post-training writing 172-181
9.1.3 Effects of the training on T/TP in Chinese college students' English writing 181-187
9.2 Positioning the study within the literature 187-190
9.2.1 T/TP in Chinese college students' English writing 187-189
9.2.2 Effects of training on Chinese college students' use of T/TP 189-190
9.3 Implications 190-194
9.3.1 Pedagogical implication 190-193
9.3.2 Methodological implication 193-194
9.4 Limitations 194-195
Chapter 10 Conclusion 195-200
10.1 Summary 195-197
10.2 Putting everything together 197-199
10.3 Suggestions for future work 199-200
Notes 200-202
References 202-214
Appendix 1: Plan for the interventional procedures 214-215
Appendix 2: The post-training questionnaire 215-217
Appendix 3: Training material 217-229
Appendix 4: Teachers' guide to the training 229-237
Appendix 5: Consent form for EEL group 237-238
Appendix 6: Consent form for CEL group 238-239
Appendix 7: Consent form for NS group 239
中文摘要 3-4
ABSTRACT 4
Chapter One Introduction 7-10
1.1 Motivation of the present study 7-8
1.2 Significance of this study 8
1.3 Composition of this thesis 8-10
Chapter Two Literature Review 10-19
2.1 Language production 10-14
2.1.1 L1 Production 10-11
2.1.2 L2 Production 11-12
2.1.3 Dimensions of language production 12-14
2.2 Theories on oral output 14-15
2.2.1 Skehan’s dual-model system 14
2.2.2 Swain’s Output Hypothesis 14-15
2.3 Task Repetition 15-17
2.3.1 Task 15-16
2.3.2 Task repetition 16-17
2.4 Relevant studies on effects of task repetition on L2 oral output 17-19
CHARPTER THREE THE CURRENT STUDY 19-25
3.1 Research justification and questions 19
3.2 Hypothesis 19-20
3.3 Methods 20-25
3.3.1 Participants 20-21
3.3.2 Material 21
3.3.3 Research design 21-23
3.3.4 Measures 23-25
Chapter Four Results and Discussion 25-41
4.1 Results and Analysis 25-34
4.1.1 Quantitative analysis 25-27
4.1.2 Qualitative analysis 27-34
4.2 Discussion 34-41
4.2.1 Fluency 34-36
4.2.2 Complexity 36-38
4.2.3 Accuracy 38-39
4.2.4 interlanguage development path of learner L 39-41
Chapter Five Conclusions 41-44
5.1 Conclusion and implication 41-43
5.2 Limitations and recommendations 43-44
Acknowledgements 44-45
References 45-49
Appendixes 49-54
A. Instructions of the experiment 49-50
B. The same-content task 50-51
C. The different-content task 51-52
D. Sample of oral pre-task 52-53
E. Sample of oral post-task 53-54
F. Sample of writing repetition task 54
Contents
Chapter 1 Introduction
1.1 Research Background
1.2 Significance of the Study
1.3 Research Goals and Questions
1.4 Data Collection and Methodology
1.5 Analysis Procedures
1.6 Organization of the Thesis
Chapter 2 Literature Review
2.1 Introduction to Appraisal Theory
2.2 Studies on Appraisal Theory
2.2.1 Studies on Appraisal Theory Abroad
2.2.2 Studies on Appraisal Theory at Home
2.3 Studies on Personal Statements
2.3.1 Introduction to Personal Statement
2.4 Summary
Chapter 3 Theoretical Framework
3.1 An Overview of Attitude System
3.2 Affect Resources
3.3 Judgment Resources
3.3.1 Social Esteem
3.3.2 Social Sanction
3.4 Appreciation Resources
3.5 Interactions of Affect, Judgment and Appreciation
3.6 Borders of Affect, Judgment and Appreciation
3.7 Summary
Appendix 1: Papers Published during Graduate Studies
Appendix 2: Some Samples of the Study
References
Acknowledgements
英语专业毕业论文其实格式和一般其它专业差不多，具体论文格式要以你学校提供的毕业论文模板为准，因为每个学校的论文格式多多少少都是不一样的，如果找不到合适的格式，可以百度下：普刊学术中心，也提供有很多论文格式模板和范文，可以多学习下
英语专业论文格式规范 A Contrastive Study between English and Chinese Idioms （题目：二号，黑体，加粗，居中,除了英语小词外，其他单词首字母都要大写；另外：除了题目外，论文中所有英文的字体均采用“Times New Roman”） （学院、专业、学号、作者姓名、指导教师姓名（小四号宋体字，加粗），依次排印在论文题目下，上空二行，居中） 【Abstract】 This paper centers on the different expressions of …… （英文摘要：上空二行；题目采用五号“Times New Roman”字体，加粗，置于粗体方括号【】内，顶格放置；随后的内容与前面的粗体方括号【】之间空一格，不用其他任何标点符号；采用五号“Times New Roman”字体，不加粗；单倍行距。） 【Key Words】 idiom; comparison; English; Chinese （英文关键词：题目采用五号“Times New Roman”字体，加粗，两个单词的首字母要大写，置于粗体方括号【】内，顶格放置；随后的内容与前面的粗体方括号【】之间空一格，不用任何其他标点符号，采用五号“Times New Roman”字体，不加粗，除了专有名词外，其他单词的首字母不大写，各单词之间用分号“；”隔开，分号之后空一格；最后一个关键词之后不用任何标点符号；单倍行距。） 1. Introduction (顶格，除了第一个单词及专有名词外，其他单词首字母都不要大写；标题最后不用任何标点符号，上空两行) In both English and Chinese, …. So, this essay is trying to focus on the differences between Chinese and English idoms in terms of their essential meaning, customary usage and typical expression (Chang Liang, 1993:44; Li Guangling, 1999). (段落第一行缩进4个英文字符；夹注的标注法：出现在夹注中的作者必须与文后的参考文献形成一一对应关系；注意一个或多个作者间的标点符号，时间、页码等的标注法；另外，汉语参考文献的作者要以拼音形式出现，不能出现汉语姓氏；夹注出现在标点符号之前) 2. The similarities between English idioms and Chinese idioms In English, …. And it can be clearly seen in the below examples: (1) I don’t know。我不知道。 (2) I am not a poet. 我不是诗人。 (正文中的例子以（1），（2）…为序号排列，直至最后一个例子；而①, ②…则为脚注或尾注的上标序号) 3. The differences between English idioms and Chinese idioms 3.1 The characteristics of English idioms （正文章节序号编制：章的编号：1. ，2.， 3.，…；节的编号：1.1,1.2…，2.1,2.2…；小节的编号为：1.1.1, 1.1.2…。小节以下层次，采用希腊数字加括号为序，如（i），（ii）…；之后再采用字母加括号，如(a), (b),…;每章题目左顶格，小四号字，加粗；每节（及小节以下）题目左顶格，小四号字，不加粗但要斜体；所有章节的题目都单独一行，最后不加任何标点符号） …. In conclusion, …. 3.2 The characteristics of Chinese idioms …. Feng (1998) found some problems as shown in the following examples (注意此句中夹注的另一种写法): (9) We never know the worth of water till the well is dry. (10) People take no thought of the value of time until they lose it. …. 3.2.1 The analysis of the differences between English and Chinese idioms … (i) …. …. (ii) …. …. 4. Conclusion …. Bibliography (References) （小四号，加粗，后面不加任何标点符号） Sanved, ed. The Oxford book of American literary anecdotes[C]. New York: OUP, 1981. 一、英语论文的标题 一篇较长的英语论文(如英语毕业论文)一般都需要标题页,其书写格式如下:第一行标题与打印纸顶端的距离约为打印纸全长的三分之一,与下行(通常为by,居中)的距离则为5cm,第三、第四行分别为作者姓名及日期(均居中)。如果该篇英语论文是学生针对某门课程而写,则在作者姓名与日期之间还需分别打上教师学衔及其姓名(如:Dr./Prof.C.Prager)及本门课程的编号或名称(如:English 734或British Novel)。打印时,如无特殊要求,每一行均需double space,即隔行打印,行距约为0.6cm(论文其他部分行距同此)。 就学生而言,如果英语论文篇幅较短,亦可不做标题页(及提纲页),而将标题页的内容打在正文第一页的左上方。第一行为作者姓名,与打印纸顶端距离约为2.5cm,以下各行依次为教师学衔和姓、课程编号(或名称)及日期；各行左边上下对齐,并留出2.5cm左右的页边空白(下同)。接下来便是论文标题及正文(日期与标题之间及标题与正文第一行之间只需隔行打印,不必留出更多空白)。 二、英语论文提纲 英语论文提纲页包括论题句及提纲本身,其规范格式如下:先在第一行(与打印纸顶端的距离仍为2.5cm左右)的始端打上 Thesis 一词及冒号,空一格后再打论题句,回行时左边须与论题句的第一个字母上下对齐。主要纲目以大写罗马数字标出,次要纲目则依次用大写英文字母、阿拉伯数字和小写英文字母标出。各数字或字母后均为一句点,空出一格后再打该项内容的第一个字母；处于同一等级的纲目,其上下行左边必须对齐。需要注意的是,同等重要的纲目必须是两个以上,即:有Ⅰ应有Ⅱ,有A应有B,以此类推。如果英文论文提纲较长,需两页纸,则第二页须在右上角用小写罗马数字标出页码,即ii(第一页无需标页码)。 三、英语论文正文 有标题页和提纲页的英语论文,其正文第一页的规范格式为:论文标题居中,其位置距打印纸顶端约5cm,距正文第一行约1.5cm。段首字母须缩进五格,即从第六格打起。正文第一页不必标页码(但应计算其页数),自第二页起,必须在每页的右上角(即空出第一行,在其后部)打上论文作者的姓,空一格后再用阿拉伯数字标出页码；阿拉伯数字(或其最后一位)应为该行的最后一个空格。在打印正文时尚需注意标点符号的打印格式,即:句末号(句号、问号及感叹号)后应空两格,其他标点符号后则空一格。 四、英语论文的文中引述 正确引用作品原文或专家、学者的论述是写好英语论文的重要环节；既要注意引述与论文的有机统一,即其逻辑性,又要注意引述格式 （即英语论文参考文献）的规范性。引述别人的观点,可以直接引用,也可以间接引用。无论采用何种方式,论文作者必须注明所引文字的作者和出处。目前美国学术界通行的做法是在引文后以圆括弧形式注明引文作者及出处。现针对文中引述的不同情况,将部分规范格式分述如下。 1.若引文不足三行,则可将引文有机地融合在论文中。如: The divorce of Arnold's personal desire from his inheritance results in “the familiar picture of Victorian man alone in an alien universe”(Roper9). 这里,圆括弧中的Roper为引文作者的姓(不必注出全名)；阿拉伯数字为引文出处的页码(不要写成p.9)；作者姓与页码之间需空一格,但不需任何标点符号；句号应置于第二个圆括弧后。 2.被引述的文字如果超过三行,则应将引文与论文文字分开,如下例所示: Whitman has proved himself an eminent democratic representative and precursor, and his “Democratic Vistas” is an admirable and characteristic diatribe. And if one is sorry that in it Whitman is unable to conceive the extreme crises of society, one is certain that no society would be tolerable whoses citizens could not find refreshment in its buoyant democratic idealism.(Chase 165) 这里的格式有两点要加以注意。一是引文各行距英语论文的左边第一个字母十个空格,即应从第十一格打起；二是引文不需加引号,末尾的句号应标在最后一个词后。 3.如需在引文中插注,对某些词语加以解释,则要使用方括号(不可用圆括弧)。如: Dr.Beaman points out that“he [Charles Darw in] has been an important factor in the debate between evolutionary theory and biblical creationism”(9). 值得注意的是,本例中引文作者的姓已出现在引导句中,故圆括弧中只需注明引文出处的页码即可。 4.如果拟引用的文字中有与论文无关的词语需要删除,则需用省略号。如果省略号出现在引文中则用三个点,如出现在引文末,则用四个点,最后一点表示句号,置于第二个圆括弧后(一般说来,应避免在引文开头使用省略号)；点与字母之间,或点与点之间都需空一格。如: Mary Shelley hated tyranny and“looked upon the poor as pathetic victims of the social system and upon the rich and highborn...with undisguised scorn and contempt...(Nitchie 43). 5.若引文出自一部多卷书,除注明作者姓和页码外,还需注明卷号。如: Professor Chen Jia's A History of English Literature aimed to give Chinese readers“a historical survey of English literature from its earliest beginnings down to the 20thcentury”(Chen,1:i). 圆括弧里的1为卷号,小写罗马数字i为页码,说明引文出自第1卷序言(引言、序言、导言等多使用小写的罗马数字标明页码)。此外,书名 A History of English Literature 下划了线；规范的格式是:书名,包括以成书形式出版的作品名(如《失乐园》)均需划线,或用斜体字；其他作品,如诗歌、散文、短篇小说等的标题则以双引号标出,如“To Autumn”及前面出现的“Democratic Vistas”等。 6.如果英语论文中引用了同一作者的两篇或两篇以上的作品,除注明引文作者及页码外,还要注明作品名。如: Bacon condemned Platoas“an obstacle to science”(Farrington, Philosophy 35). Farrington points out that Aristotle's father Nicomachus, a physician, probably trained his son in medicine(Aristotle 15). 这两个例子分别引用了Farrington的两部著作,故在各自的圆括弧中分别注出所引用的书名,以免混淆。两部作品名均为缩写形式(如书名太长,在圆括弧中加以注明时均需使用缩写形式),其全名分别为 Founder of Scientific Philosophy 及 The Philosophy of Francis Baconand Aristotle。 7.评析诗歌常需引用原诗句,其引用格式如下例所示。 When Beowulf dives upwards through the water and reaches the surface,“The surging waves, great tracts of water, / were all cleansed...”(1.1620-21). 这里,被引用的诗句以斜线号隔开,斜线号与前后字母及标点符号间均需空一格；圆括弧中小写的1是line的缩写；21不必写成1621。如果引用的诗句超过三行,仍需将引用的诗句与论文文字分开(参见第四项第2点内容)。 五、英语论文的文献目录 论文作者在正文之后必须提供论文中全部引文的详细出版情况,即文献目录页。美国高校一般称此页为 Works Cited, 其格式须注意下列几点: 1.目录页应与正文分开,另页打印,置于正文之后。 2.目录页应视为英语论文的一页,按论文页码的顺序在其右上角标明论文作者的姓和页码；如果条目较多,不止一页,则第一页不必标出作者姓和页码(但必须计算页数),其余各页仍按顺序标明作者姓和页码。标题Works Cited与打印纸顶端的距离约为2.5cm,与第一条目中第一行的距离仍为0.6cm；各条目之间及各行之间的距离亦为0.6cm,不必留出更多空白。 3.各条目内容顺序分别为作者姓、名、作品名、出版社名称、出版地、出版年份及起止页码等；各条目应严格按各作者姓的首字母顺序排列,但不要给各条目编码,也不必将书条与杂志、期刊等条目分列。 4.各条目第一行需顶格打印,回行时均需缩进五格,以将该条目与其他条目区分开来。 现将部分较为特殊的条目分列如下,并略加说明,供读者参考。 Two or More Books by the Same Author Brooks, Cleanth. Fundamentals of Good Writing: A Handbook of Modern Rhetoric. NewYork: Harcourt, 1950. ---The Hidden God: Studies in Hemingway, Faulkner, Yeats, Eliot, and Warren. New Haven: Yale UP,1963. 引用同一作者的多部著作,只需在第一条目中注明该作者姓名,余下各条目则以三条连字符及一句点代替该作者姓名；各条目须按书名的第一个词(冠词除外)的字母顺序排列。 An Author with an Editor Shake speare, William. The Tragedy of Macbeth. Ed. Louis B. Wright. New York: Washington Square, 1959. 本条目将作者 Shakespeare 的姓名排在前面,而将编者姓名(不颠倒)放在后面,表明引文出自 The Tragedy of Macbeth；如果引文出自编者写的序言、导言等,则需将编者姓名置前,如: Blackmur, Richard P.Introduction. The Art of the Novel: Critical Prefaces. By Henry James. New York: Scribner's, 1962.vii-xxxix. 如果引言与著作为同一人所写,则其格式如下例所示(By后只需注明作者姓即可): Emery, Donald. Preface. English Fundamentals. By Emery. London: Macmillan, 1972.v-vi. A Multivolume Work Browne, Thomas. The Works of Sir Thomas Browne. Ed. Geoffrey Keynes. 4 vols. London: Faber, 1928. Browne, Thomas. The Works of Sir Thomas Browne. Ed. Geoffrey Keynes. Vol.2. London: Faber, 1928. 4 vols. 第一条目表明该著作共4卷,而论文作者使用了各卷内容；第二条目则表明论文作者只使用了第2卷中的内容。 A Selection from an Anthology Abram, M. H.“English Romanticism: The Spirit of the Age.” Romanticism Reconsidered. Ed. Northrop Frye. New York: Columbia UP,1963.63-88. 被引用的英语论文名须用引号标出,并注意将英语论文名后的句点置于引号内。条目末尾必须注明该文在选集中的起止页码。 Articles in Journals, Magazines, and Newspapers Otto, Mary L.“Child Abuse: Group Treatment for Parents.” Personnel and Guidance Journal 62(1984): 336-48
英语专业毕业论文标准格式模板免费下载英语专业毕业论文范文的方法英语专业毕业论文不限量免费下载的方法中国知网免费入口不限量免费下载英语专业毕业论文的方法英语专业毕业论文职称论文范文的不限量免费下载方法参考文献的标准格式的免费不限量下载方法【超实用】
一、格式文章必须采用A4大小的纸张，内文宽为16公分，高为24.7公分以每栏7.6公分的宽度分为二栏。文章排列必须左右对齐，不可参差不齐。文章包括图片、表格、参考文献不可超过10页，不加页码。论文格式档可自本研讨会网站下载。1. 论文题目与作者论文题目字型为14pt标楷体，且必须置中。作者部分姓名为12pt标楷体，亦必须置中。所属机关为10pt标楷体；行高为固定行高15pt。2. 内文内文字型均采用11pt标楷体。行高为固定行高15pt。3. 段落标题与子标题段落标题与子标题须采用粗体。每段标题与子标题前请留一行空白。每一段落首行以1公分缩排开始。二、图片、表格与方程式1. 图片图片可使用一栏或二栏，说明必须置于图片下方。必须置中。图一 XX图2. 表。表格可以使用一栏或二栏，说明必须置于表格上方且置中。
英语专业论文格式规范 A Contrastive Study between English and Chinese Idioms （题目：二号，黑体，加粗，居中,除了英语小词外，其他单词首字母都要大写；另外：除了题目外，论文中所有英文的字体均采用“Times New Roman”） （学院、专业、学号、作者姓名、指导教师姓名（小四号宋体字，加粗），依次排印在论文题目下，上空二行，居中） 【Abstract】 This paper centers on the different expressions of …… （英文摘要：上空二行；题目采用五号“Times New Roman”字体，加粗，置于粗体方括号【】内，顶格放置；随后的内容与前面的粗体方括号【】之间空一格，不用其他任何标点符号；采用五号“Times New Roman”字体，不加粗；单倍行距。） 【Key Words】 idiom; comparison; English; Chinese （英文关键词：题目采用五号“Times New Roman”字体，加粗，两个单词的首字母要大写，置于粗体方括号【】内，顶格放置；随后的内容与前面的粗体方括号【】之间空一格，不用任何其他标点符号，采用五号“Times New Roman”字体，不加粗，除了专有名词外，其他单词的首字母不大写，各单词之间用分号“；”隔开，分号之后空一格；最后一个关键词之后不用任何标点符号；单倍行距。） 1. Introduction (顶格，除了第一个单词及专有名词外，其他单词首字母都不要大写；标题最后不用任何标点符号，上空两行) In both English and Chinese, …. So, this essay is trying to focus on the differences between Chinese and English idoms in terms of their essential meaning, customary usage and typical expression (Chang Liang, 1993:44; Li Guangling, 1999). (段落第一行缩进4个英文字符；夹注的标注法：出现在夹注中的作者必须与文后的参考文献形成一一对应关系；注意一个或多个作者间的标点符号，时间、页码等的标注法；另外，汉语参考文献的作者要以拼音形式出现，不能出现汉语姓氏；夹注出现在标点符号之前) 2. The similarities between English idioms and Chinese idioms In English, …. And it can be clearly seen in the below examples: (1) I don’t know。我不知道。 (2) I am not a poet. 我不是诗人。 (正文中的例子以（1），（2）…为序号排列，直至最后一个例子；而①, ②…则为脚注或尾注的上标序号) 3. The differences between English idioms and Chinese idioms 3.1 The characteristics of English idioms （正文章节序号编制：章的编号：1. ，2.， 3.，…；节的编号：1.1,1.2…，2.1,2.2…；小节的编号为：1.1.1, 1.1.2…。小节以下层次，采用希腊数字加括号为序，如（i），（ii）…；之后再采用字母加括号，如(a), (b),…;每章题目左顶格，小四号字，加粗；每节（及小节以下）题目左顶格，小四号字，不加粗但要斜体；所有章节的题目都单独一行，最后不加任何标点符号） …. In conclusion, …. 3.2 The characteristics of Chinese idioms …. Feng (1998) found some problems as shown in the following examples (注意此句中夹注的另一种写法): (9) We never know the worth of water till the well is dry. (10) People take no thought of the value of time until they lose it. …. 3.2.1 The analysis of the differences between English and Chinese idioms … (i) …. …. (ii) …. …. 4. Conclusion …. Bibliography (References) （小四号，加粗，后面不加任何标点符号） Sanved, ed. The Oxford book of American literary anecdotes[C]. New York: OUP, 1981. 一、英语论文的标题 一篇较长的英语论文(如英语毕业论文)一般都需要标题页,其书写格式如下:第一行标题与打印纸顶端的距离约为打印纸全长的三分之一,与下行(通常为by,居中)的距离则为5cm,第三、第四行分别为作者姓名及日期(均居中)。如果该篇英语论文是学生针对某门课程而写,则在作者姓名与日期之间还需分别打上教师学衔及其姓名(如:Dr./Prof.C.Prager)及本门课程的编号或名称(如:English 734或British Novel)。打印时,如无特殊要求,每一行均需double space,即隔行打印,行距约为0.6cm(论文其他部分行距同此)。 就学生而言,如果英语论文篇幅较短,亦可不做标题页(及提纲页),而将标题页的内容打在正文第一页的左上方。第一行为作者姓名,与打印纸顶端距离约为2.5cm,以下各行依次为教师学衔和姓、课程编号(或名称)及日期；各行左边上下对齐,并留出2.5cm左右的页边空白(下同)。接下来便是论文标题及正文(日期与标题之间及标题与正文第一行之间只需隔行打印,不必留出更多空白)。 二、英语论文提纲 英语论文提纲页包括论题句及提纲本身,其规范格式如下:先在第一行(与打印纸顶端的距离仍为2.5cm左右)的始端打上 Thesis 一词及冒号,空一格后再打论题句,回行时左边须与论题句的第一个字母上下对齐。主要纲目以大写罗马数字标出,次要纲目则依次用大写英文字母、阿拉伯数字和小写英文字母标出。各数字或字母后均为一句点,空出一格后再打该项内容的第一个字母；处于同一等级的纲目,其上下行左边必须对齐。需要注意的是,同等重要的纲目必须是两个以上,即:有Ⅰ应有Ⅱ,有A应有B,以此类推。如果英文论文提纲较长,需两页纸,则第二页须在右上角用小写罗马数字标出页码,即ii(第一页无需标页码)。 三、英语论文正文 有标题页和提纲页的英语论文,其正文第一页的规范格式为:论文标题居中,其位置距打印纸顶端约5cm,距正文第一行约1.5cm。段首字母须缩进五格,即从第六格打起。正文第一页不必标页码(但应计算其页数),自第二页起,必须在每页的右上角(即空出第一行,在其后部)打上论文作者的姓,空一格后再用阿拉伯数字标出页码；阿拉伯数字(或其最后一位)应为该行的最后一个空格。在打印正文时尚需注意标点符号的打印格式,即:句末号(句号、问号及感叹号)后应空两格,其他标点符号后则空一格。 四、英语论文的文中引述 正确引用作品原文或专家、学者的论述是写好英语论文的重要环节；既要注意引述与论文的有机统一,即其逻辑性,又要注意引述格式 （即英语论文参考文献）的规范性。引述别人的观点,可以直接引用,也可以间接引用。无论采用何种方式,论文作者必须注明所引文字的作者和出处。目前美国学术界通行的做法是在引文后以圆括弧形式注明引文作者及出处。现针对文中引述的不同情况,将部分规范格式分述如下。 1.若引文不足三行,则可将引文有机地融合在论文中。如: The divorce of Arnold's personal desire from his inheritance results in “the familiar picture of Victorian man alone in an alien universe”(Roper9). 这里,圆括弧中的Roper为引文作者的姓(不必注出全名)；阿拉伯数字为引文出处的页码(不要写成p.9)；作者姓与页码之间需空一格,但不需任何标点符号；句号应置于第二个圆括弧后。 2.被引述的文字如果超过三行,则应将引文与论文文字分开,如下例所示: Whitman has proved himself an eminent democratic representative and precursor, and his “Democratic Vistas” is an admirable and characteristic diatribe. And if one is sorry that in it Whitman is unable to conceive the extreme crises of society, one is certain that no society would be tolerable whoses citizens could not find refreshment in its buoyant democratic idealism.(Chase 165) 这里的格式有两点要加以注意。一是引文各行距英语论文的左边第一个字母十个空格,即应从第十一格打起；二是引文不需加引号,末尾的句号应标在最后一个词后。 3.如需在引文中插注,对某些词语加以解释,则要使用方括号(不可用圆括弧)。如: Dr.Beaman points out that“he [Charles Darw in] has been an important factor in the debate between evolutionary theory and biblical creationism”(9). 值得注意的是,本例中引文作者的姓已出现在引导句中,故圆括弧中只需注明引文出处的页码即可。 4.如果拟引用的文字中有与论文无关的词语需要删除,则需用省略号。如果省略号出现在引文中则用三个点,如出现在引文末,则用四个点,最后一点表示句号,置于第二个圆括弧后(一般说来,应避免在引文开头使用省略号)；点与字母之间,或点与点之间都需空一格。如: Mary Shelley hated tyranny and“looked upon the poor as pathetic victims of the social system and upon the rich and highborn...with undisguised scorn and contempt...(Nitchie 43). 5.若引文出自一部多卷书,除注明作者姓和页码外,还需注明卷号。如: Professor Chen Jia's A History of English Literature aimed to give Chinese readers“a historical survey of English literature from its earliest beginnings down to the 20thcentury”(Chen,1:i). 圆括弧里的1为卷号,小写罗马数字i为页码,说明引文出自第1卷序言(引言、序言、导言等多使用小写的罗马数字标明页码)。此外,书名 A History of English Literature 下划了线；规范的格式是:书名,包括以成书形式出版的作品名(如《失乐园》)均需划线,或用斜体字；其他作品,如诗歌、散文、短篇小说等的标题则以双引号标出,如“To Autumn”及前面出现的“Democratic Vistas”等。 6.如果英语论文中引用了同一作者的两篇或两篇以上的作品,除注明引文作者及页码外,还要注明作品名。如: Bacon condemned Platoas“an obstacle to science”(Farrington, Philosophy 35). Farrington points out that Aristotle's father Nicomachus, a physician, probably trained his son in medicine(Aristotle 15). 这两个例子分别引用了Farrington的两部著作,故在各自的圆括弧中分别注出所引用的书名,以免混淆。两部作品名均为缩写形式(如书名太长,在圆括弧中加以注明时均需使用缩写形式),其全名分别为 Founder of Scientific Philosophy 及 The Philosophy of Francis Baconand Aristotle。 7.评析诗歌常需引用原诗句,其引用格式如下例所示。 When Beowulf dives upwards through the water and reaches the surface,“The surging waves, great tracts of water, / were all cleansed...”(1.1620-21). 这里,被引用的诗句以斜线号隔开,斜线号与前后字母及标点符号间均需空一格；圆括弧中小写的1是line的缩写；21不必写成1621。如果引用的诗句超过三行,仍需将引用的诗句与论文文字分开(参见第四项第2点内容)。 五、英语论文的文献目录 论文作者在正文之后必须提供论文中全部引文的详细出版情况,即文献目录页。美国高校一般称此页为 Works Cited, 其格式须注意下列几点: 1.目录页应与正文分开,另页打印,置于正文之后。 2.目录页应视为英语论文的一页,按论文页码的顺序在其右上角标明论文作者的姓和页码；如果条目较多,不止一页,则第一页不必标出作者姓和页码(但必须计算页数),其余各页仍按顺序标明作者姓和页码。标题Works Cited与打印纸顶端的距离约为2.5cm,与第一条目中第一行的距离仍为0.6cm；各条目之间及各行之间的距离亦为0.6cm,不必留出更多空白。 3.各条目内容顺序分别为作者姓、名、作品名、出版社名称、出版地、出版年份及起止页码等；各条目应严格按各作者姓的首字母顺序排列,但不要给各条目编码,也不必将书条与杂志、期刊等条目分列。 4.各条目第一行需顶格打印,回行时均需缩进五格,以将该条目与其他条目区分开来。 现将部分较为特殊的条目分列如下,并略加说明,供读者参考。 Two or More Books by the Same Author Brooks, Cleanth. Fundamentals of Good Writing: A Handbook of Modern Rhetoric. NewYork: Harcourt, 1950. ---The Hidden God: Studies in Hemingway, Faulkner, Yeats, Eliot, and Warren. New Haven: Yale UP,1963. 引用同一作者的多部著作,只需在第一条目中注明该作者姓名,余下各条目则以三条连字符及一句点代替该作者姓名；各条目须按书名的第一个词(冠词除外)的字母顺序排列。 An Author with an Editor Shake speare, William. The Tragedy of Macbeth. Ed. Louis B. Wright. New York: Washington Square, 1959. 本条目将作者 Shakespeare 的姓名排在前面,而将编者姓名(不颠倒)放在后面,表明引文出自 The Tragedy of Macbeth；如果引文出自编者写的序言、导言等,则需将编者姓名置前,如: Blackmur, Richard P.Introduction. The Art of the Novel: Critical Prefaces. By Henry James. New York: Scribner's, 1962.vii-xxxix. 如果引言与著作为同一人所写,则其格式如下例所示(By后只需注明作者姓即可): Emery, Donald. Preface. English Fundamentals. By Emery. London: Macmillan, 1972.v-vi. A Multivolume Work Browne, Thomas. The Works of Sir Thomas Browne. Ed. Geoffrey Keynes. 4 vols. London: Faber, 1928. Browne, Thomas. The Works of Sir Thomas Browne. Ed. Geoffrey Keynes. Vol.2. London: Faber, 1928. 4 vols. 第一条目表明该著作共4卷,而论文作者使用了各卷内容；第二条目则表明论文作者只使用了第2卷中的内容。 A Selection from an Anthology Abram, M. H.“English Romanticism: The Spirit of the Age.” Romanticism Reconsidered. Ed. Northrop Frye. New York: Columbia UP,1963.63-88. 被引用的英语论文名须用引号标出,并注意将英语论文名后的句点置于引号内。条目末尾必须注明该文在选集中的起止页码。 Articles in Journals, Magazines, and Newspapers Otto, Mary L.“Child Abuse: Group Treatment for Parents.” Personnel and Guidance Journal 62(1984): 336-48
一、论文选题考生应在指导教师的指导下自选与英语相关的论文题目，选题应尽量做到具体有意义，不宜太大太空泛；论文选题经导师确认后方可开始着手写作。自考本科毕业论文一律用汉语写作。完稿后用A4纸打印一式四份，页面四边距均设置为2.5厘米，正文统一使用宋体小四号字。全文字数不少于5000字。论文写作格式规范应严格按照《自考英语专业本科毕业论文格式范例及写作规范说明》，要特别注意参考文献、摘要及封面的各类规范和细节。选题主要应考虑四个要素：1. 自己熟悉和感兴趣的；2. 有意义且有可操作性的；3. 能比较容易找到十本以上相关研究成果或参考文献的；4. 选题越小越具体越好，而且要有一些自己的idea。写论文前要明确你想研究什么？别人对此已经做了哪些研究，主要有什么观点，你有什么特别的观点？千万不要想把一篇论文写得象十本专著的量，什么都想说，什么都只是蜻蜓点水。也不要把论文写得象教材。如果想参考在核心期刊上已经发表的论文选题，可以浏览参考外国语学院网站上的期刊论文目录. 在论文写作中还有几点需要注意：1）摘要是将论文中最精华的部分言简意赅地表述出来的地方，不是写引言或定义的地方。2）不要有多余空行。缩进、排版和参考文献的标注要符合自考毕业论文格式规范。3）参考文献数量至少要有十项，而且每篇均须标注出处页码，并与文中序号一一对应。4）不要混用中英文标点，中文标点要用全角，英文标点要用半角。5）不要为了强调而盲目使用太绝对又没有充分理据的表述。6）论文中不能出现口语化表述，写好后要多读几遍，反复推敲修订。7）切不可抄袭，凡是别人的都要注明出处。英语论文目录怎么排版？
在Word里面有template的，theses就是了。
英语专业毕业论文参考格式
写毕业论文主要目的是培养学生综合运用所学知识和技能，理论联系实际，独立分析，解决实际问题的能力，使学生得到从事本专业工作和进行相关的基本训练。以下是我为您整理的英语专业毕业论文参考格式，欢迎参考阅读。
一、英语论文的标题
一篇较长的英语论文(如英语毕业论文)一般都需要标题页,其书写款式如下:第一行标题与打印纸顶端的距离约为打印纸全长的三分之一,与下行(通常为by,居中)的距离则为5cm,第三、第四行分辨为作者姓名及日期(均居中)。如果该篇英语论文是学生针对某门课程而写,则在作者姓名与日期之间还需分辨打上教师学衔及其姓名(如:Dr./Prof.C.Prager)及本门课程的编号或名称(如:English 734或British Novel)。打印时,如无特殊要求,每一行均需double space,即隔行打印,行距约为0.6cm(论文其他部分行距同此)。
就学生而言,如果英语论文篇幅较短,亦可不做标题页(及提纲页),而将标题页的内容打在正文第一页的左上方。第一行为作者姓名,与打印纸顶端距离约为2.5cm,以下各行依次为教师学衔和姓、课程编号(或名称)及日期;各行左边高低对齐,并留出 2.5cm左右的页边空白(下同)。接下来便是论文标题及正文(日期与标题之间及标题与正文第一行之间只需隔行打印,不必留出更多空白)。
二、英语论文提纲
英语论文提纲页包括论题句及提纲本身,其规范款式如下:先在第一行(与打印纸顶端的距离仍为2.5cm左右)的始端打上 Thesis 一词及冒号,空一格后再打论题句,回行时左边须与论题句的第一个字母高低对齐。主要纲目以大写罗马数字标出,次要纲目则依次用大写英文字母、阿拉伯数字和小写英文字母标出。各数字或字母后均为一句点,空出一格后再打该项内容的第一个字母;处于同一等级的纲目,其高低行左边必须对齐。需要注意的是,同等首要的纲目必须是两个以上,即:有Ⅰ应有Ⅱ,有A应有B,以词攀类推。如果英文论文提纲较长,需两页纸,则第二页须在右上角用小写罗马数字标出页码,即 ii(第一页无需标页码)。
三、英语论文正文
有标题页和提纲页的英语论文,其正文第一页的规范款式为:论文标题居中,其位置距打印纸顶端约5cm,距正文第一行约1.5cm。段首字母须缩进五格,即从第六格打起。正文第一页不必标页码(但应计算其页数),自第二页起,必须在每页的右上角(即空出第一行,在其后部)打上论文作者的姓,空一格后再用阿拉伯数字标出页码;阿拉伯数字(或其最后一位)应为该行的最后一个空格。在打印正文时尚需注意标点符号的打印款式,即:句末号(句号、问号及感叹号)后应空两格,其他标点符号后则空一格。
四、英语论文的文中引述
正确引用作品原文或专家、学者的论述是写好英语论文的首要环节;既要注意引述与论文的有机统一,即其逻辑性,又要注意引述款式 (即英语论文参考文献)的规范性。引述别人的观点,可以直接引用,也可以间接引用。无论采纳何种方式,论文作者必须注明所引文字的作者和出处。目前美国学术界通行的做法是在引文后以圆括弧形式注明引文作者及出处。现针对文中引述的不同情况,将部分规范款式分述如下。
1.若引文不足三行,则可将引文有机地交融在论文中。如:
The divorce of Arnold's personal desire from his inheritance results in “the familiar picture of Victorian man alone in an alien universe”(Roper9).
这里,圆括弧中的Roper为引文作者的姓(不必注出全名);阿拉伯数字为引文出处的页码(不要写成p.9);作者姓与页码之间需空一格,但不需任何标点符号;句号应置于第二个圆括弧后。
2.被引述的'文字如果超过三行,则应将引文与论文文字分开,如下例所示:
Whitman has proved himself an eminent democratic representative and precursor, and his “Democratic Vistas”
is an admirable and characteristic
diatribe. And if one is sorry that in it
Whitman is unable to conceive the
extreme crises of society, one is certain
that no society would be tolerable whoses
citizens could not find refreshment in its
buoyant democratic idealism.(Chase 165)
这里的款式有两点要加以注意。一是引文各行距英语论文的左边第一个字母十个空格,即应从第十一格打起;二是引文不需加引号,末尾的句号应标在最后一个词后。
3.如需在引文中插注,对某些词语加以解释,则要应用方括号(不可用圆括弧)。如:
Dr.Beaman points out that“he [Charles Darw in] has been an important factor in the debate between evolutionary theory and biblical creationism”(9).
值得注意的是,本例中引文作者的姓已出现在引导句中,故圆括弧中只需注明引文出处的页码即可。
4.如果拟引用的文字中有与论文无关的词语需要删除,则需用省略号。
如果省略号出现在引文中则用三个点,如出现在引文末,则用四个点,最后一点表示句号,置于第二个圆括弧后(一般说来,应避免在引文开头应用省略号);点与字母之间,或点与点之间都需空一格。如:
Mary Shelley hated tyranny and“looked upon the poor as pathetic victims of the social system and upon the rich and highborn...with undisguised scorn and contempt...(Nitchie 43).
5.若引文出自一部多卷书,除注明作者姓和页码外,还需注明卷号。如:
Professor Chen Jia's A History of English Literature aimed to give Chinese readers“a historical survey of English literature from its earliest beginnings down to the 20thcentury”(Chen,1:i).
圆括弧里的1为卷号,小写罗马数字i为页码,说明引文出自第1卷序言(引言、序言、导言等多应用小写的罗马数字标明页码)。此外,书名 A History of English Literature 下划了线;规范的款式是:书名,包括以成书形式出版的作品名(如《失乐园》)均需划线,或用斜体字;其他作品,如诗歌、散文、短篇小说等的标题则以双引号标出,如“To Autumn”及前面出现的“Democratic Vistas”等。
6.如果英语论文中引用了同一作者的两篇或两篇以上的作品,除注明引文作者及页码外,还要注明作品名。如:
Bacon condemned Platoas“an obstacle to science”(Farrington, Philosophy 35).
Farrington points out that Aristotle's father Nicomachus, a physician, probably trained his son in medicine(Aristotle 15).
这里,被引用的诗句以斜线号隔开,斜线号与前后字母及标点符号间均需空一格;圆括弧中小写的1是line的缩写;21不必写成1621。如果引用的诗句超过三行,仍需将引用的诗句与论文文字分开(参见第四项第2点内容)。
五、英语论文的文献目录
论文作者在正文之后必须供给论文中整个引文的详细出版情况,即文献目录页。美国高校一般称此页为 Works Cited, 其款式须注意下列几点:
1.目录页应与正文分开,另页打印,置于正文之后。
2.目录页应视为英语论文的一页,按论文页码的顺序在其右上角标明论文作者的姓和页码;如果条目较多,不止一页,则第一页不必标出作者姓和页码(但必须计算页数),其余各页仍按顺序标明作者姓和页码。标题Works Cited与打印纸顶端的距离约为2.5cm,与第一条目中第一行的距离仍为0.6cm;各条目之间及各行之间的距离亦为0.6cm,不必留出更多空白。
3.各条目内容顺序分辨为作者姓、名、作品名、出版社名称、出版地、出版年份及起止页码等;各条目应严峻按各作者姓的首字母顺序排列,但不要给各条目编码,也不必将书条与杂志、期刊等条目分列。
4.各条目第一行需顶格打印,回行时均需缩进五格,以将该条目与其他条目区分开来。
英美文学作为世界文学史上重要的组成部分,对于它的学习是必不可少的。下文是我为大家整理的关于英美文学硕士 毕业 论文 范文 的内容，欢迎大家阅读参考! 英美文学硕士毕业论文范文篇1 浅谈英美女性主义文学批评 【摘要】英美派女性主义文学批评是当代西方女性主义文学批评的一个重要学派，它关注文学的社会 文化 语境，强调从女性的视角重新审视传统的文学史，批判男性中心主义的文学标准，并要求研究妇女作品的特殊性、谱写妇女作家的传统。本文着重从女性主义文学批评以及解构男性中心文学的框架与建立女性主义诗学这几个方面进行论述，指出英美派女性主义批评在女权主义运动中富有的实践指导意义。 【关键词】英美文学;女性主义;男性中心文学 女性主义文学批评是20世纪60年代随着女权运动而兴起的西方文艺批评新军。它以女性主义思想为理论基础，以性别和社会性别为基本出发点，以从边缘走向中心为行动纲领，其显著的特点在于具有很强的政治性和个人色彩。之所以把英美文学合在一起，是因为二者不约而同地对女性问题中的社会历史因素给予格外关注。另外，同为英语国家，女性主义批评者致力找寻的文学传统和艺术形象都集中在相仿的经典之中。 一、英美派女性主义文学批评的深层背景和原因 以往所谓的文学传统一律以男性为中心，文学史和文学批评也都被父权主义意识所统治。面对这种情况，女性主义批评家认为，文学批评要具备普遍意义和有效性，无论如何都应该将女性意识包括在内，坚决动摇和解构以男性为中心的文学传统框架，对现存的文化和制度进行总批判，整理提供掀起一场女权主义的文化革命。英美女性主义文学批评首先是从解构男性中心的文学传统框架而开始的。 这主要是通过考察、分析、审视男性文学中那些陈旧的女性形象。在男性本位创造的 神话 故事 中，女性总是以虚幻、美化或扭曲的形象出现的。她们是象牙女郎、安德洛美达、夏娃、潘多拉，是为男人享用而创造出来的尤物，是一种被动、缺乏自主能力的次等客体。在《性别政治》一书中，米勒特对D?H?劳伦斯、亨利?米勒、诺曼?梅勒和让?热奈特等男性作家的思想意识作了尖锐有力的批评和分析，指出这些作家的小说中有很多细节描写都把女性给非人化了。小说中描写的场景和过程全都是从男主人公的角度出发的，女性人物自始至终都处于被控制的地位，男性人物则是绝对的操纵者。 米勒特的分析说明，男作家正是通过这种夸张的描写，把男女之间的性关系表现为正常的政治关系，让女人处于屈从、附属的地位。桑德拉?吉尔伯特和苏珊?格巴在《阁楼上的疯女人》一书中指出，19世纪(乃至今日)占统治地位的父权主义意识形态把艺术创造力当成男性的一种根本优质，由于创造力被界定为男性，其结果必然是，占统治地位的女性文学形象也必然是男人幻想的产物，女作家们被剥夺了创造自我形象的权利，而必须努力遵照父权制强加在她们身上的标准。 吉尔伯特和格巴条分缕述地论证了19世纪的《不朽女性》是怎样被男人想象为虚无飘缈、温柔美丽的天使形象，认为从但丁的贝雅特里齐、歌德的葛雷特和玛甘泪一直到考文垂?帕特莫尔的《屋内天使》，理想的女性始终被视为逆来顺受、俯首帖耳和最富有自我牺牲精神的一种创造物。她们还指出，在天使形象的背后隐藏着妖妇的形象，男人把女性理想化的对应面就是对女性的恐惧。她既给男人带来满足，又会使他产生厌恶。 女性主义者认为，男性中心的文学把性别推向边缘，让妇女成为文化的接受者，批评的功能在于揭露隐藏在作品中的男性沙文主义的真正面目。因此，女性主义者的首要任务是用批判的眼光审视男性创造的女性神话，作一种对抗性阅读，把根植于女性心中的男性意识根除。文学批评一旦揭开了这些形象的政治含义和文本的性歧视，就能帮助读者摆脱意识形态的控制，从而动摇父权制的根基，达到改造世界的目的。 二、建立女性主义诗学女性主义批评家的一些实践 女性主义批评家们试图通过对男作家笔下诸多女性形象的考察、剖析和审视来解构男性中心的文学传统框架，但她们并不只满足于此，她们努力扩大批评的范围，拓展新的批评领域，确立女性主义批评原则，建造一座她们自己的文学宫殿，发掘被男人和社会所忽视的妇女文学传统，将批评的焦点对准女作家及其作品。她们要求拓宽妇女生活题材，创造一种崭新的、富有生命力的、迥然有别于男性文学的妇女文学;她们系统阐述女性主义批评原则以此肯定妇女的文学 经验 和社会经验;建构女性主义诗学，以此对传统的文学作品进行新的评价，重新书写文学史;此外，她们还对男女作家在文学传统方面的差异进行开创性的探索，对女作家的创作经验、想象及其创作手法等方面显示出来的不同倾向进行初步研究，对既存的批评观念和文学的道德性质进行深刻的 反思 和审视。 具体做法就是寻觅女性文学的传统，挖掘被埋没的女作家及作品。美国女性主义批评家丽娜?蓓姆指出，如果从已出版的文学史或文集来看，美国几乎没有一个女性大作家，而主要的小说很容易发现，早在移民时期，女作家就开始活跃了。到了19世纪中叶，在销售和品种方面，女作家已在美国文学史上占了重要位置，连霍桑那样的名作家都免不了担心自己的读者会被女作家吸引过去。然而，这些女作家在文学史上却名不见经传，因为文学史对她们不屑一顾，认为女人不能算是作家，其作品也够不上载入史册的标准。 正是这种以男性为中心的文学批评标准将女性作家长期摒弃于文学史外。因此，女性主义批评家的任务之一便是从女性的视角重新审视整个文学史，发掘被埋没或受冷漠的女作家的作品，纠正男性传统对之的错误理解，寻觅女性文学的传统，重铸文学批评的 方法 。伍尔夫在《一间自己的屋子》中承认一个女性文学的传统存在，但它时时被迫中断，妇女文学的发展呈间歇状态，直到19世纪以后才能较清楚地看到文学创作的具有历史延续性的女性文学传统。 相对于世界文学的发展，这一女性文学的传统无疑是十分短暂的，并且以阿弗拉?贝恩为代表的19世纪初期的妇女创作又被男性的文学批评排斥在文学范围之外，故导致妇女文学传统的难以发现。尽管有着种种困难，但妇女文学传统的存在是无疑的。伍尔夫认为她自己的创作也是沿着这条女性先辈开拓出的道路而进行的，这条道路是许多年以前开辟出来的，动手的有芬尼?伯尔尼、阿弗拉?本、哈利?马提诺、简?奥斯汀、乔治?艾略特。许多著名的女人，以及许多无名的和被忘记的女人，曾在我之前修缮着这条路以使之平坦光滑，并且调整着我的步伐。 所以，当我写作时，我的前面只有极少一些物质障碍。伊莱恩?肖瓦尔特是当代西方女性主义文学批评理论家中最为活跃、影响较大者之一，她倡导建构独立的妇女文学史和女性文学经典。 三、对女性主义批评理论的反思 女性主义文学批评灵活地吸收了西方流行的各种批评方法，容纳了生理学、人类学、现代心理学和美学等领域的知识和理论，呈现出一个多元开放的体系。女性主义批评不为单一的方法所左右，从语言、心理、文化等多角度解构男性中心的意识形态，达到建立女性自身的价值标准与独特文化的目的。 然而，玛丽?朴维在其文《女性主义与解构批评》里声称：“‘女性’仅仅是社会的产物，不具有自然的基础，即‘女性’是一个术语，对这个术语的界定取决于它所被讨论的语境，而不取决于某些性器官或社会经验”，“‘女性’反映不了完整的自我，因为特征是有所联系的，‘女性’仅仅是同‘男性’相对照时获得的临时定义的一个位置。”如果性别角色完全取决于话语，这一话语又时刻处于变化和解构之中，两性的意义缺乏稳定性，那么女权主义批评家和理论家就失去了存在的支点。如果放弃了对社会性别的界定，要求女性正当权益的斗争就失去了理论基石。 她因此呼吁，女性主义不能忽视女性受歧视的社会现实，不应该消解主体，反倒更应该加强对现实的斗争策略的研究。 综上所述，女性主义文学批评是20世纪6O年代末兴起于欧美的新女性主义话语的一部分。它在当代西方文学理论与实践中扮演重要的角色。不仅对父权制文化给予了尖锐的批判;而且还突破了理论话语惯有的表述方式，使历经沧桑的女权思想终于在20世纪下半叶得以理论化，并进入了理论话语的中心，使女性主义文学批评摆脱异端与边缘的地位，转而成为当代理论话语的重要一维，促进了西方理论话语的转型。当然，对这一领域的研究、探讨还需要我们做进一步深入的发掘。 参考文献： [1]英美派女性主义文学批评论莫文斌，罗艳《求索》2005(02). [2]试论20世纪英美女权主义文学批评理论的流变及其影响《北方民族大学学报》2002(02). [3]女性主义文学批评的本土化历程及其问题[J].魏天无外国文学研究，2011(06). 英美文学硕士毕业论文范文篇2 论英语教学中的英美文学 摘要：随着社会的飞速发展，要适应新世纪英美文学教学的发展，满足21世纪外语人才的需要，高校必须改变传统的英美文学教学模式，不断加强英美文学教学改革，构成合理的学科梯队。本文从英美文学在英语教学中的重要作用、英语专业英美文学教学现状和英美文学的 教学方法 三个方面进行了探讨。 关键词：英美文学;英语教学 一、英美文学在英语教学中的重要作用 (一)有效提高学生对所学英语知识的实际应用能力 文学作品是语言的艺术表现形式，是源于生活而又高于生活的文字语言形式。语言文字经过大师们的加工酝酿，便具有了鲜活形象的生命力，成为社会生活中的经典和宝贵的精神文化财富。因为文学作品中饱含生活气息，使人们更加易于接受，所以成为教学的典范和人们争相模仿的对象。在英语教学中适当引入英美文学作品赏析，可以进一步提高学生对英语语言背景的了解和对英语语言艺术的浓厚兴趣。在英语教学过程中充分利用这些经典的英美文学作品，结合其中的优美的语句段落让学生们在具体的语境中去感悟单词和语法的实际应用，能够收到良好的教学效果。 (二)可以提升学生的个人修养和综合素质 在英美文学作品的熏陶下，学生们不仅学到了基本的英语常识，还通过对作品内容的了解进一步开拓了自己的文化视野，了解到在不同文化背景下的文学作品所表现出的不同的社会生活场景，从而使自己的个人修养和文化情操得到进一步提升，对不同文化的欣赏、学习能力进一步增强。通过学习优秀的英美文学作品，在不同程度上了解英美国家的发展历程，感受英美人民的生活现实，可以让学生的 思维方式 和修养水平得到不同程度的提升。 (三)能够培养学生的思辨能力 文学作品是作者优秀思想的结晶。通过阅读作品，我们可以和作者进行跨越时空的精神交流。优秀的文学作品，其内容寄托于文字之中但精神无限延展。在欣赏文学作品的过程中，我们展开丰富的想象能力，对作者表达出的中心思想从不同角度加以揣摩，从而丰富了我们的情感体验、滋润了我们的心灵，是我们的眼界进一步拓宽。在英语教学上，通过阅读英美文学作品，对作品内容进行赏析，可以增强学生的创造性思维能力，提高他们对英语语言的理解能力。 对于同一篇作品，学生们可能会有不同的理解，教师可以引导学生对作品展开讨论，抒发自己的见解，在探讨过程中教师引领学生进入一个潜藏着未知答案的文本空间，由于没有标准答案，学生能够自己理解自认为正确的看法，主动去通过作品对作者进行评判。他们主动对话作者、质疑作者甚至否定作者，在对作品进行深入细致的分析、探讨中，逐步养成敏锐的感知能力，掌握严谨的分析方法，形成准确的表达方式。在英语教学中引入英美文学作品赏析的真正意义也正在这里。 二、英语专业英美文学教学现状 在我国的英语专业教学中，英美文学教学还保持着传统的泛读化教学方式。文本资料以教材上的为主要对象，在英语课堂上教师重点讲解教材，把重点在黑板上罗列出来，学生阅读仍然是次要的。英语教师往往背负着较重的教学目标，对教材的讲解也只是一遍而过，而教材对于英美文学的选取也受篇幅所限往往节选某一段落，对于英美文学的分类和评价往往比较混乱。 在英美文学课程中，由于教材教学内容信息量大，历史年限跨度长，文学流派和创作风格不一，英语文学作品的完整性和作品中心思想无法得到全面展现。这使得学生们的阅读效果大打折扣，教师在讲解过程中也无法全面展现作品中蕴涵的宝贵精神财富，只能针对几个关键的词汇和语言点重点讲解。 所以，现实中英美文学与课往往就是教师在讲台上漫无目的讲，学生在下面机械地听，麻木地记词汇。随着民间国际交往的不断扩大，英语专业教学中通过英美文学阅读引导学生提高 英语学习 效果，提升英美文学作品的阅读欣赏能力已经成为当下学术界的共识。 目前的英美文学教学模式还存在很大的问题。首先体现在教师的授课方式上，在课堂上，教师对于教材中的英美文学理论部分的讲述过于冗长，使学生们对学习毫无兴趣可言。学生们对这一部分的课堂内容只是被动地接受，自己不会动脑去思考有关作品的问题。教材选取的作品与文史理论也不利于课堂教学有效进行。其次，英美文学课由于教材篇幅有限，无法完整摘录某一文学作品，只能有选择地节选作品中的关键段落，而对作品的完整性造成破坏，作品的发生背景、人物介绍也变得残缺不全，学生初次接触作品很难深入阅读下去，教学效果可见一斑。 三、英美文学的科学教学方法 (一)循序渐进 英美文学课是需要一定的英语基础的，因此在课程安排上要遵循循序渐进的教学规律，贯穿于整个英语教学过程的始终。在具体的授课方式上，要考虑到学生们对英语的掌握情况，结合学生的词汇量和阅读水平逐步提高讲课层次。例如，在学生刚入学可以选择一些简单的英语读本培养他们的 英语阅读 习惯，等他们有了良好的阅读习惯，阅读水准达到一定的水平后，再给他们安排英语作品的原著阅读赏析。只有阅读英美文学原著作品，才可以看做是真正意义上的英美文学 教育 。学生有了一定的原著阅读经验，可以在课堂上适量增加阅读量，逐步提升学生们的英语阅读水平。 (二)通读原著 开设英美文学阅读课的目的是全面掌握英美文学作品的中心思想和作者的写作特色。只有将英语原著通读下来，才能充分体会到作品的语言特色、思想脉络和其中蕴含的深刻道理。目前我国英美文学教材只是节选作品的某一章节，断章取义，不利于学生整体理解作品。因此教师要创造条件，使学生尽量通读原著全文，全面体会作品思想内核，有条件的也可以横向扩展，多读一些相关作品，从更广阔的角度试着去理解作品，一定能收到意料之外阅读效果。因此，教师要向学生强调通读整本书的重要性，并布置写 读后感 ，督促学生完成任务。 (三)向学生推荐作品 英语教师在教授英美文学课时，除了教材上节选的内容外，还要积极拓展学生们的知识面，向他们推荐一些通俗易懂、可读性强的英美文学作品。例如英语典籍《圣经》、英国史诗文学《贝奥武夫》、经典小说《鲁滨逊漂流记》等等，都是一些优秀的英语文学作品，读来让人兴趣盎然，学生们课余饭后可以认真的深入进去进行精读。 (四)要求学生写读后感 英美文学作品阅读不能仅仅当做消遣，教师要要求学生每读完一篇作品都要写出心得。只有这样学生们在阅读过程中才会加强体验，在写读后感时重温对作品的个人理解，从而加深了最作品的认识。教师可以从学生的读后感中看出学生对作品的掌握是否充分?认识角度是否恰当?指出他们的不足，引导学生重读作品相关章节，纠正错误认识，进一步提高学生的英语阅读分析能力。此外，英美文学课程的考核可以采取写论文的方式，来促进学生通读作品，加深认识。 (五)让学生积极参与课程设计 课堂教学中教师可以反串角色，让学生主导课堂教学，扮演老师的角色在讲台上为大家讲解分析教材。这样可以活跃课堂气氛，调动学生们的学习积极性，使学生参与到课程设计中来，在学习中变被动为主动，加强对学习过程的记忆。从而避免了其被动接受知识养成的惰性。这样做一方面强化了课堂教学的学习氛围，另一方面使学生主动去对作品内容进行学习、记忆，对作品的印象进一步加深，促使他们在课外通过各种途径去对作品本身或作者相关资料进行搜集、检索，将之作为教科书的有益补充，学生们的自主学习能力得到有效提升。 四、结语 随着教育改革的不断深入，英语教学模式和教学理念面临着全新的挑战，在英美文学课程的教学上，只有转变教育理念，创新教学模式，改革教学内容，改进教学方法，在教育实践中探索有效的英美文学教学方法，合理的利用现代化的教学手段，以一颗火热赤诚的心投入到教育事业中，才能真正地帮助学生提高英语学习能力，满足新时期对外语人才的需要。 参考文献： [1]胡恒.基于网络环境的英语文学课程教学设计[J].英语广场(学术研究)，2012，(5). [2]董梅.英语教学中导入经典文学阅读的创新型教学研究[J].前沿，2012，(10). [3]张春开.浅谈英美文学在高中英语教学中的渗透[J].英语教师，2012，(4). [4]章洁帆.论文学性在综合英语课堂上的体现[J].宁波教育学院学报，2012，(2).
英语毕业论文提纲的写作流程：1.提纲写作需要先拟定论文标题.2.根据论文题目写出总论点.3.结合总论点考虑全篇的整体布局.4.确定论文的整体布局后再逐步考虑总论点下面的分论点,直至确定论点句.5.结合段落部署,把相关材料组合起来,以便写作过程中的随用随取.6.进行全面的检查,对于不必要的内容进行不必要的删减.英语专业毕业论文提纲要求学位论文包括前置、主体、附录等三个部分.(一)前置1.英文封面：由论文英文题目、解释、作者、指导老师姓名和职称、时间组成.2.目录：由论文的中、英文摘要、篇、章、条、款以及参考书目、附录等序号、题名和页码组成,排在英文封面之后另页.3.中、英文内容论文摘要：摘要是论文的内容不加注释和评论的简短陈述,宜以最简洁的语言介绍论文的概要、作者的突出论点、新见解或创造性成果以及实验方法、数据或结论,是一篇完整的短文,可以独立使用,中文摘要一般在200字左右4关键词：关键词是用以表示全文主题内容信息的单词或术语.为便于文献检索,学位论文应注明三至五个具有代表意义中、外文,关键词,,这些关键词就是论文的中心词,以显著的字符另起一行,分别排在中、外文摘要的左下方.各关键词之间用,分号,隔开.外文关键词应与中文关键词相对应.(二)主体部分主题部分包括引言(introduction)、正文(body)、结论(conclusion)、参考文献(bibliography).主体部分必须由另页右页开始.1.引言：主要说明研究工作的目的、涉及范围、相关领域的前人研究成果和知识空白、研究设想、研究方法等方面的概述、理论意义和实用价值等.2.正文：论文的正文是核心部分,占主要篇幅.一般论文选题需要从几个方面来论述或论证.要求论据充分,论点明确.行文必须实事求是,客观真切,准确完备,合乎逻辑,层次分明,简练可读.正文部分要有分级标题,章、条、款、项的序号编码方法,采用阿拉伯数分级系列编号法,论文中的章、条、款、项依次排列,依次从1开始,连续编号,中间用,.,相隔,最末级编号之后不加点.3.结论：学位论文的结论是最终的、总体的结论,它是对正文部分的论述的概述,也可以在结论或讨论中提出建议、研究设想、尚待解决的问题等.毕业论文提纲的编写方法：1.1 标题式写法用简洁的文字凝练出标题,并将这部分内容概括出来.这种写法的好处是简洁明了,一目了然,但是这种方法存在一定的缺陷,作者本人对此非常了解熟悉,但是外人乍看没有眉目,因此,在毕业论文的提纲写作中,很少使用这种方法.1.2 句子式写法就是用表述完整通畅的句子将所要描述出来的内容进行概括,这种写法更为具体,更为明确,自己了解的同时也能让外人看得懂.因为毕业论文不是针对个人,因此在毕业论文提纲的写作中得到广泛应用.2.毕业论文提供的修改推敲毕业论文提纲写好后,需要进行推敲和修改,修改的过程中需要注意以下几点：2.1 题目是否合适.题目是一篇文章的精华所在,其重要性不容忽视,不合适的论文题目会对接下来的论文写作带来阻碍.2.2 结构是否合理.合理的结构需要点明主题的基础上围绕主题进行拓展延伸,划分层次和段落,提高文章的逻辑性,检查过渡是否自然,然后进行全局性的把控.2.3 层次是否完善.提纲的层次必须完善,每个层次必须保证清晰,总论点应该重点突出,序论和结论部分应该简明扼要.本论是全文的重点,是需要集中精力写的一部分,因此,提纲应该罗列地详细一点,层层深入,体现总论和分论的巧妙融合.希望能帮到你
英语专业的毕业论文提纲模板2017
英语专业的毕业论文提纲的模板是怎样的呢?英语专业的毕业论文提纲的目的和意义是什么呢?下面是我分享的英语专业的毕业论文提纲的模板，欢迎阅读!
一、目的和意义
英语专业的毕业论文写作是完成本科教学计划、实现本科培养目标的重要阶段;是对学生的英语实践技能、英语语言知识、经贸英语知识以及其他相关学科知识、全面素质、研究与创新能力进行检验考核的重要手段;是学生学士学位资格认证的重要依据;是衡量、评估英语专业教学质量与水平的重要内容之一。
二、选题原则
毕业论文选题应从本专业培养目标的要求出发，结合学科发展的动态和研究现状，尽可能使其具有发展与创新的空间，从而有利于巩固和拓宽学生的知识面，有利于对学生进行科研能力基本训练以及独立工作能力的培养。
毕业论文属于研究性论文，讲求一定的学术性，但其要求与目的有别于刊于学术杂志的学术论文，因而为确保学生在教学计划规定的时间内，在教师指导下完成所要求的工作，选题应遵循如下基本原则：
1、选题须符合教学大纲的基本要求和人才培养的基本规格，须体现专业训练的基本内容，须与所学的专业知识相衔接。
2、选题须充分考虑学生的语言能力、知识构成和专业兴趣。
3、选题的类型应多种多样，力求有益于学生综合运用多学科的理论知识与技能，有利于培养学生独立工作的能力。
4、选题须考虑完成的工作量与所需的时间应符合教学计划的要求，内容既要有探索、钻研的余地，又要考虑完成的可能性。工作量原则上应控制在经过努力能够在规定的时间内完成规定任务的范围内，以保证教学任务的完成。
三、类型及基本要求
英语专业毕业论文依据学术性质和类型不同应符合如下要求：
1、语言及语言学研究类论文
就本科毕业论文而言，纯语言研究无论在理论知识的储备上，还是在语料的收集上都有很大难度，不宜提倡。此类论文可以在语言结构(语音、语法、词汇、语篇等)，语言运用(独特的语言现象、语言手段、语言变化等)，语言文化(文化对语言理解、使用和学习的影响等)，两种语言对比等领域进行应用性的研究。应用性研究的重点在于如何运用现有的知识提出、分析、论证或解决在实践中出现的各种新问题，做出有参考或应用价值的结论。
2、文学评论类论文
此类论文应建立在对所评述的对象，尤其是文学文本的正确理解、解读的基础上，通过具体、细致、深入的分析与研究提出令人信服的、言之成理的结论。论文的形式可以是作家论、文学思潮或流派论、断代文学史论、文学批评介绍等。文学评论可采用不同的方法进行，如社会历史学的、美学与诗学的，也可以是比较的、文化学的方法。无论哪一种方法，都要求学生运用唯物主义与历史唯物主义的学术思想，要求以中国读者的评论视角与立场，进行具有一定新意的'探讨。
3、翻译研究类论文
此类论文可以是纯理论的研究，或具体翻译技巧的研究，或翻译与文化的关系(或与其他学科的关系)的研究，也可以由学生对名家名译做对比性研究，另加对作品本身的评述，对某一翻译理论或技巧进行阐述。
4、语言教学研究类论文
此类研究属交叉学科的研究，涉及语言学、心理语言学、社会语言学、教育学及教学法等，是一个十分广泛的研究领域。其研究范围包括语言研究(教师语言及学习者语言研究)，教学方法与技巧研究，课堂教学管理策略研究，学生个体差异研究，影响教学效果的外部条件研究，教育技术的使用与开发研究，教材的分析与评估研究，测试与评估研究，素质教育与外语教学等。此类研究无论从选题，还是方法，或是研究的过程以及结论都应具有应用的意义和价值，突出对语言教学的指导意义和作用。
5、经贸方向研究类论文
此类论文可以是经济、金融、财会、国际贸易、贸易法规、现代管理学等相关领域的纯理论或实证性研究，可结合所学相关经贸及管理类课程，运用现有的知识提出、分析、论证或解决在实践中出现的各种新问题，作出有参考或应用价值的结论。
四、任务及深度要求
毕业论文的主要内容包括：选题、开题报告、论文提纲、论文撰写、论文答辩等，其具体要求遵照《南京工程学院外语系毕业论文实施方法(试行)》相关规定;论文工作与所学专业知识相关，工作量饱满，满足学生一人一题的要求。论文用英文撰写，具有一定的创新性和应用性，正文篇幅在5，000词以上，参考文献8篇(种)以上。指导教师与学生定期见面，并填写《毕业论文指导记录》。
五、考核办法
毕业论文考核及成绩评定由三部分组成：
1、根据毕业论文撰写过程中学生分析、解决问题能力的表现，论文观点的新颖性，论文结构的合理性，论文论证的逻辑性，英语表达的正确性和地道性，以及学生的工作态度，指导教师给予满分为40分的成绩评定。
2、根据毕业论文的指导思想与方案制订的科学性，论文论据的充分性，论文的创见与突破性，论文的结构、文字表达情况，评阅老师给予满分为20分的成绩评定。
3、根据学生本人对论文工作的总体介绍，毕业论文的质量，答辩中回答问题的正确程度，英语语音、语调的规范性和流畅性，答辩小组给予满分为40分的成绩评定。
六、毕业论文时间分配
序号 内 容 时间(周)
1 完成开题报告及相关参考文献的选定工作 4
2 完成论文初稿的撰写 5
3 完成论文二稿的撰写 2
4 完成论文三稿的撰写并定稿 2
5 毕业论文答辩 1
合 计 14
七、其它说明
外语系毕业论文实行“末位淘汰制”，即综合评定成绩倒数1-3名的学生论文将被判定为不合格，学生无权获得学士学位。
contents
introduction………………………………………………………………1
1.the common historical background……………………………………1
1.1 international………………………………………………………1
1.2 national…………………………………………………………1
2.the common beliefs of beats and rockers……………………………2
2.1 rebellion against conventions……………………………………2
2.1.1 beats in literature………………………………………………2
2.1.2 rockers in music circles………………………………………3
2.2 ideologies in between……………………………………………4
2.2.1 beatniks were fed up with their government about
the explanations of why things happened……………………4
2.2.2 their same destiny……………………………………………4
2.2.3 beat culture and rock culture were not accepted by
both capitalist and socialist ideologies………………………5
2.3 belief in oriental religion…………………………………………5
2.3.1 beatniks study on chinese buddhism…………………………6
2.3.2 rockers belief in indian buddhism……………………………6
3.their identical lifestyles………………………………………………6
3.1 bohemian…………………………………………………………7
3.1.1 beats…………………………………………………………7
3.1.2 rockers………………………………………………………7
3.2 madness…………………………………………………………8
3.2.1 the beats regarded modern american life as cruel, selfish,
and impersonal that writers and artists were being driven
to madness……………………………………………………8
3.2.2 rockers were mad enough to drive rockniks crazy on
rock circus spot………………………………………………9
3.3 self-indulgent……………………………………………………9
3.3.1 drugs…………………………………………………………9
3.3.2 homosexual…………………………………………………10
4. the same conduct……………………………………………………10
4.1 beats of satan and angles………………………………………10
4.2 rockers' conduct of the two sides………………………………11
conclusion………………………………………………………………13
Why should we write the thesis?
To write a thesis before graduation is a must for every university graduate.
By writing a thesis, we may get some experience and some basic methods for further theoretical study and research and the ability to solve problems.
It is the reflection of a student’s study in college.
Whether a student has such an ability to write a thesis or to solve problems in his/her field is one basis for a unit to accept him/her or not.
How long should we prepare for writing a thesis?One year or so
What do we need when we write a thesis?
Firstly, for English major, most important of all, it is English knowledge and ability that based on your language skills, especially writing skill and grammar knowledge.
Secondly, the way of writing is also important.
A good title, some good ideas to support thesis statement, right language and standard format are what we need.
The language style is something that we should pay much attention to, for example:
Wording: we prefer big word to small one;
Sentence: Long sentences are quite expectable.
How do we write a thesis? How many steps should we follow?
Generally speaking, when we write a thesis, we follow 10 steps:
1. Choose a subject: that is, what you are going to write about. For English major, we may apply:
2. Choose a title/Title a paper;
3. Collect materials for reference in writing;
4. Analyze the collected materials;
5. Sort out the data and arguments;
6. List references;
7. Make up an outline;
8. 1—3 drafts;
9. Proofread;
10. The last version.
What subjects may we choose to write?
English and American Literature
The Practice and Theory of Translation
English Language
English Linguistics
English Grammar
English Phonetics
English Lexicology
English Rhetoric
Language and Culture
ELT Methodology
Teaching English in Middle School
English Teaching Research and Survey
The History of… (All mentioned above)
英语毕业的论文答辩稿（精选6篇）
毕业论文答辩是一种有组织、有准备、有计划、有鉴定的比较正规的审查论文的重要形式。为了搞好毕业论文答辩，在举行答辩会前，校方、答辩委员会、答辩者（撰写毕业论文的作者）三方都要作好充分的准备。下面是我整理的英语毕业的论文答辩稿（精选6篇），欢迎大家分享。
Good evening, all the appraiser committee members. I come from HUST, majoring in foreign linguistics and applied linguistics. I am xxx and my supervisor is prof.xxx. With her sincere and intellectual guidance, for nearly one whole year's hard work, I have finished my paper. Finally, it is the show time. This evening I will present my efforts to you all and I gratefully welcome any correction.
The title of my paper is A Study of the Causes of the Gothic Style.
I hope by studying this short story we can know more about American southern women in certain history and culture and more importantly help women in modern society get a deeper understanding about ourselves ,help us raise our independence and confidence and show more concern for our mental health.
Next , I will present it to you. Here is an outline of my presentation. They are literature review, gothic tradition , the gothic style in the story and the causes of the gothic style .
This paper consists of six parts. Part one presents an introduction to the author William Faulkner and A Rose for Emily by pointing out the purpose and significance of this study. Part two is literature review which introduces the relevant research about this novel at home and abroad and then points out the theoretical basis and methods. Part three gives a timeline of the gothic tradition in literature and explains the main characteristics of gothic works. Part four explains the three aspects of the gothic style in the novel，that is, the death theme, grotesque characters and mystic atmosphere. Part five then explains in detail the causes of the gothic style in this novel: patriarchal oppression, the myth of southern ladyhood and Emily’s attitude towards love. Finally, in the conclusion, the author summarizes the previous parts and emphasizes the significance of the argument of the thesis again.
Ok, that's all. Now you may raise your questions ! I am ready! Thank you !
晚上好，所有的评估委员会成员。我来自HUST，主修外国语言学和应用语言学。我是xxx，我的主管是教授。 xxx。凭着她的真诚和智慧的指导，近一年的辛苦工作，我已经完成了我的论文。最后，这是展示时间。今天晚上，我将向大家致以衷心的感谢，我衷心地欢迎您的加入。
我的论文的标题是哥特式风格的研究
我希望通过研究这个短小的故事，我们可以在某些历史和文化中更多地描述美国南方妇女，更多地要求帮助现代社会的妇女对自己有一个广泛的了解，帮助我们提高我的独立性和信心，并更多地关注我们的心理健康该
接下来，我将向您介绍。这是我演讲的大纲。他们是文学评论，哥特式传统，哥特式风格的故事和哥特风格的原因。
本文由六部分组成。第一部分提出了作者威廉·福克纳(William Faulkner)和艾米莉·艾丝丽(A Rose)的作者，指出了这项研究的目的.和意义。第二部分是文献综述，对国内外这本小说进行了相关研究，并指出了理论依据和方法。第三部分给出了小说中哥特式传统的时间表，即死亡主题，独特的人物和神秘的气氛。部分原因，详细介绍了这本小说中哥特式风格的原因：父权制的压迫，南方女士的神话和艾米莉对爱情的态度。最后，在结论中，笔者对以前的部分进行了梳理，再次强调了论文论证的意义。
好的，就是这样。现在你可以提出你的问题!我准备好了!谢谢 ！
Good morning,
Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense. (或Welcome to attend the oral defense.) ：
I am Wu Lin. First and foremost, I would like to express my sincere gratitude to my supervisor, professor Hu Anjiang, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this thesis.
My topic is On the tragedy figures at historical turning points(Comparison of KongYiji and Rip Van Winkle).
The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic’s significance in the real society. And the second part is going to analyze the figures’ background to show the historical necessity of the tragedies. In the third part, the tragic heroes’ failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.
Thank you!
good afternoon, all appraiser committee members. i am xxxx and my supervisor is xxx. with her constant encouragement and guidance, i have finished my paper. now, it is the show time. i will present my efforts to you and welcome any correction.the title of my paper is on transformation of parts of speech in translation. i choose this as my topic due to the following reasons. different languages have different standards to distinguish parts of speech. each language has its own special structure. and there are no equivalent parts of speech between different languages. in order to make the target version more idiomatic and standard, the transformation of parts of speech is always used by translators. so the transformation of parts of speech is playing a more important role in english to chinese based on different characteristics of english and chinese. for the above facts, i select the subject of“on transformation of parts of speech”as the title of my paper.i hope by studying this topic we can know the importance of the transformation of parts of speech in english to chinese translation. through transformation, we can get the better version and improve the translation skills.the way of thinking and expressing is quite different between chinese and english. english is a kind of static languages which tends to use more nouns. while chinese is a dynamic one in which verbs are often used.so when we make translation in english to chinese, we should know this point and shift the parts of speech.next, it is an outline of my paper. in the main part of this paper, i divide it into five parts.part one presents an introduction to the basic concepts of parts of speech and transformation.part two discusses the definition of translation and emphasizes the importance of transformation of parts of speech in the course of translation.part three gives four basic ways of transformation of parts of speech through illustrative examples. there are transformed english words into chinese verbs, nouns, adjectives and adverbs.part four presents some problems about transformation and gives some advise to solve the problems.part five draws some conclusions that transformation between parts of speech is necessary for us to achieve good translation. it is demonstrated that we can have a good master of transformation and improve the translation. in addition, we must continuously study and explore in all kinds of translation practices.ok! that is all. thank you!
stant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any correction.The topic of my thesis is 《Angela carter to mythology research - the female archetype in “new eve passion”, for example》。 I choose this as my topic due to the following reasons.Angela Carter （1940-1992） is an outstanding feminist writer whose influence on Britishwomen's writing was “pivotal in this opening and transformation” [“23]. The year 2014 represents the 22”^ anniversary of Angela Carter's death. In those twenty-two years, her works have been widely taught internationally and brought about much critical debate. In a survey conducted by Cristina Bacchilega and Danielle M. Roemer [2],Carter is one of the most commonly taught women writers on North American programs. She has endowed us with an amazingly large number of legacies in her comparatively limited life, setting foot in various fields such as novels,short stories,children stories, dramas, non-fictions and so on. The acute observations with great insights,as well as the devastating wit and poignant mockery in Carter's works have made her stand out as an iconic figure in English literature. Many scholars and critics have devoted themselves to the research on Angela Carter from many perspectives,including gothic, magic realism, feminism,post-modernism and so on. As a prolific writer who is always ready to blur the boundaries between different genres, Carter has left us a wonderful world to delve into.With the emergence of western women's movement as well as the development of feminist criticism in the 1960s,the feminist approach has become a potent weapon for those who are concerned with the emancipation and legal rights of women. Though women's social status has considerably improved due to the contribution made by countless predecessors,the fundamental problem still lingers on. Carter, with her versatile and avant-garde reputation, is best known as a feminist writer. Concerning the dilemmas and predicaments faced by women nowadays,it is very necessary for us to probe into her insightful and penetrating reflections on femininity as well as the relationship between two genders. The Passion of New Eve, as one of Carter's most representative works, is of great value in the research of her feminist thoughts and propositions.Next, is my paper outline. In the main part of this article, I put it into five parts.Chapter one is an introduction to the thesis, covering the research background, theobjective and significance as well as the organization of the thesis.Chapter two presents a broad picture of Angela Carter's life and her works, as well as the background information about The Passion of New Eve. It also reviews previous studies on Angela Carter and her works at home and abroad, summarizing achievements in the past and pointing out new directions in the future.Chapter three conducts a retrospective study on feminism and archetypal criticism. The author attempts to work out the origin and development of feminism, demonstrating the important role feminism plays in Carter's life. Then is the history of archetypal criticism,as well as those classic female archetypes in mythology. Regarding those fossilized and monotonous images as impediments to women's freedom and liberation,Carter endeavors to shatter them in her demythologizing strategy and appeals for a rational attitude toward heterosexual relationship.Chapter four is the main body of the thesis. Through an in-depth analysis on The Passion of New Eve,it demonstrates Carter's demythologizing of “The Temptress,,,”Mother Goddess“and ”Eve“ respectively in the text. Leilah,the embodiment of Delilah,the famous temptress in the Bible,cannot escape the fate of being objectified by men and herself. By exposing”temptresses“ as mere victims rather than symbols of viciousness. Carter condemns the oppression and exploitation of women in a patriarchal society. ”Mother“ in Beulah serves as a severe satire on those mother goddesses in mythology. Carter smashes the legend by revealing the surgically-made essence of mother and the patriarchal values lurking behind her alleged matriarchal kingdom, warning against the peril and impracticality of extremist matriarchy.And her most convincing example goes to Eve, the most important female character in the Bible, Her transformative journey from a chauvinist to a real woman in the story illustrates that gender, rather than a hereditary feature, is the result of social influence and unremitting imitations. Carter concludes the story with proposing ”androgyny“ as a solution to the current problems,implying that mutual respect and understanding is the only way to achieve the harmony between the two genders.Chapter five comes to a general conclusion, summarizing the limitations of the theses as well as some suggestions for further study.OK! That is all. Thank you!
Good morning, distinguished professors and teachers, thank you for attending the oral defense. I’m xxx and come from class x. My supervisor is professor Li. I would like to express my deepest gratitude to Prof. Li.With his consistent guidance and valuable suggestions, I have finished my paper. Now I will present my efforts to you and gratefully welcome any suggestion.
The title of my paper is xxxxxxxxxxxxx. I choose this as my topic due to the following reasons.
Firstly, I am very interested in the study of ambiguity. Ambiguity is a common phenomenon in all natural languages. As is known to all, in our daily conversations, ambiguity is often employed to achieve the effect of humor, thus creating a relaxing atmosphere and letting people feel at ease. Some jokes caused by ambiguity is very interesting.
Secondly, I have read several articles about ambiguity written by linguistics and scholars. I found my knowledge of ambiguity is very limited, superficial and nonsystematic. What I knew is just the tip of the iceberg. So I plan to learn more about ambiguity by this research.
Thirdly, I found many scholars have carried out numerous studies of ambiguity, but a majority of these studies are focused on single language separately. Articles about comparison between English ambiguity and Chinese ambiguity are not sufficient. So it is necessary to make further study.
For the above facts, I select this title.
Next, I will present the outline of my thesis. It consists of 7 parts.
The first part gives a brief introduction to the ambiguity and structure of the thesis.
The second part is literature review, briefly introducing the development of study of ambiguity and some scholars’s main views.
The third to fifth parts focus on three types of ambiguity in English and Chinese: phonological ambiguity, lexical ambiguity, syntactic ambiguity. In every broad type, I respectively list some detailed branches and cite some vivid English and Chinese examples to explain these ambiguity phenomena. But I put more focus on the third part and point out two differences of ambiguity between English ambiguity and Chinese ambiguity.
The part six will point out positive results by using ambiguity deliberately in daily conversations, advertisements and literary works.
The last part is the conclusion.
I hope by this contrastive research, we will have a better understanding of ambiguity in English and Chinese and apply it to our life and study.
When reading the final draft, I still find my argument is not so comprehensive and improvements are needed. So welcome your precious suggestion.
That’s all. Thank you.
Good morning,Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense. （或Welcome to attend the oral defense.） :I am XX. First and foremost, I would like to express my sincere gratitude to my supervisor, professorXX, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this thesis.My topic is On the tragedy figures at historical turning points（Comparison of KongYiji and Rip Van ）The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic s significance in the real society. And the second part is going to analyze the figures background to show the historical necessity of the tragedies. In the third part, the tragic heroes failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.
毕业论文答辩自述稿英文版（通用6篇）
转眼间充满意义的大学生活就即将结束，我们都知道毕业生要通过最后的毕业论文，毕业论文是一种、有准备的检验大学学习成果的'形式，那么什么样的毕业论文才是好的呢？下面是我整理的毕业论文答辩自述稿英文版，仅供参考，欢迎大家阅读。
Good morning, all appraiser committee members. I am **** and my supervisor is ***. With her constant encouragement and guidance, I have finished my paper. Now, it is the show time. I will present my efforts to you and welcome any correction. The title of my paper is On Transformation of Parts of Speech in Translation.
I choose this as my topic due to the following reasons. Different languages have different standards to distinguish parts of speech. Each language has its own special structure. And there are no equivalent parts of speech between different languages. In order to make the target version more idiomatic and standard, the transformation of parts of speech is always used by translators.
So the transformation of parts of speech is playing a more important role in English to Chinese based on different characteristics of English and Chinese. For the above facts, I select the subject of“On Transformation of parts of speech”as the title of my paper.
I hope by studying this topic we can know the importance of the transformation of parts of speech in English to Chinese translation. Through transformation, we can get the better version and improve the translation skills.
The way of thinking and expressing is quite different between Chinese and English. English is a kind of static languages which tends to use more nouns. While Chinese is a dynamic one in which verbs are often used.
So when we make translation in English to Chinese, we should know this point and shift the parts of speech.
Next, it is an outline of my paper. In the main part of this paper, I divide it into five parts.
Part one presents an introduction to the basic concepts of parts of speech and transformation.
Part two discusses the definition of translation and emphasizes the importance of transformation of parts of speech in the course of translation.
Part three gives four basic ways of transformation of parts of speech through illustrative examples. There are transformed English words into Chinese verbs, nouns, adjectives and adverbs.
Part four presents some problems about transformation and gives some advise to solve the problems.
Part five draws some conclusions that transformation between parts of speech is necessary for us to achieve good translation. It is demonstrated that we can have a good master of transformation and improve the translation. In addition, we must continuously study and explore in all kinds of translation practices. OK! That is all. Thank you! Please ask questions。
Good morning,
Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense. (或Welcome to attend the oral defense.) ： I am XX. First and foremost, I would like to express my sincere grat-itude to my supervisor, professorXX, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this thesis.
My topic is On the tragedy figures at historical turning points(Comparison of KongYiji and Rip Van )The whole thesis consists of 6 parts.
The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic’s significance in the real society. And the second part is going to analyze the figures’ background to show the historical necessity of the tragedies.
In the third part, the tragic heroes’ failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society.
Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.
Thank you!
good evening, all the appraiser committee members. i come from hust, majoring in foreign linguistics and applied linguistics. i am and my supervisor is prof.***. with her sincere and intellectual guidance, for nearly one whole year"s hard work, i have finished my paper. finally, it is the show time. this evening i will present my efforts to you all and i gratefully welcome any correction.
the title of my paper is a study of the causes of the gothic style in a rose for emily from a feminist perspective. i choose this as my topic due to the following reasons. firstly, i am fond of literature works , especially gothic literature works. secondly, i am quite familiar with this short story as this is one of the texts in our intensive teaching course and i have taught this text for more than 3 times . last but not the least ,as a female , i am keen on the study of feminism. for the above facts, i select the subject of a study of the causes of the gothic style in a rose for emily from a feminist perspective as the title of my paper.
i hope by studying this short story we can know more about american southern women in certain history and culture and more importantly help women in modern society get a deeper understanding about ourselves ,help us raise our independence and confidence and show more concern for our mental health.
next , i will present it to you. here is an outline of my presentation. they are literature review, gothic tradition , the gothic style in the story and the causes of the gothic style .
this paper consists of six parts. part one presents an introduction to the author william faulkner and a rose for emily by pointing out the purpose and significance of this study. part two is literature review which introduces the relevant research about this novel at home and abroad and then points out the theoretical basis and methods. part three gives a timeline of the gothic tradition in literature and explains the main characteristics of gothic works. part four explains the three aspects of the gothic style in the novel,that is, the death theme, grotesque characters and mystic atmosphere. part five then explains in detail the causes of the gothic style in this novel: patriarchal oppression, the myth of southern ladyhood and emily s attitude towards love. finally, in the conclusion, the author summarizes the previous parts and emphasizes the significance of the argument of the thesis again.
ok, that"s all. now you may raise your questions ! i am ready! thank you !
today, the title of my paper is on the network novels. in recent years, the network literature is developing rapidly. network novel is one of the fast of them. in the middle schools, high schools and even universities, there is no lack of network novels" addicts. for the above facts, i select the subject of on the network novels as the title of my paper.
the last part, the forecast. looking from the internal strength pattern, the outstanding writers in our country mainly hold one kind of critique and the pessimistic manner to the network novels at present. if each big literature website enlarges their own supervision, the vulgar works, the pornography and bad works like those things, meanwhile hanker for new person s new article as well as depth ones, the network novels can be accepted by more people.
not a low-level novel but a kind of enjoyment.
good morning, all appraiser committee members. i am **** and my supervisor is ***. with her constant encouragement and guidance, i have finished my paper. now, it is the show time. i will present my efforts to you and welcome any correction.
the title of my paper is on transformation of parts of speech in translation. i choose this as my topic due to the following reasons. different languages have different standards to distinguish parts of speech. each language has its own special structure. and there are no equivalent parts of speech between different languages. in order to make the target version more idiomatic and standard, the transformation of parts of speech is always used by translators. so the transformation of parts of speech is playing a more important role in english to chinese based on different characteristics of english and chinese. for the above facts, i select the subject of on transformation of parts of speech as the title of my paper.
i hope by studying this topic we can know the importance of the transformation of parts of speech in english to chinese translation. through transformation, we can get the better version and improve the translation skills.the way of thinking and expressing is quite different between chinese and english. english is a kind of static languages which tends to use more nouns. while chinese is a dynamic one in which verbs are often used.so when we make translation in english to chinese, we should know this point and shift the parts of speech.
part one presents an introduction to the basic concepts of parts of speech and transformation.
part two discusses the definition of translation and emphasizes the importance of transformation of parts of speech in the course of translation.
stant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any correction.
The topic of my thesis is 《Angela carter to mythology research - the female archetype in “new eve passion”, for example》. I choose this as my topic due to the following reasons.
Angela Carter (1940-1992) is an outstanding feminist writer whose influence on Britishwomen's writing was “pivotal in this opening and transformation” [“23]. The year 2014 represents the 22”^ anniversary of Angela Carter's death. In those twenty-two years, her works have been widely taught internationally and brought about much critical debate. In a survey conducted by Cristina Bacchilega and Danielle M. Roemer [2],Carter is one of the most commonly taught women writers on North American programs. She has endowed us with an amazingly large number of legacies in her comparatively limited life, setting foot in various fields such as novels,short stories,children stories, dramas, non-fictions and so on. The acute observations with great insights,as well as the devastating wit and poignant mockery in Carter's works have made her stand out as an iconic figure in English literature. Many scholars and critics have devoted themselves to the research on Angela Carter from many perspectives,including gothic, magic realism, feminism,post-modernism and so on. As a prolific writer who is always ready to blur the boundaries between different genres, Carter has left us a wonderful world to delve into.
With the emergence of western women's movement as well as the development of feminist criticism in the 1960s,the feminist approach has become a potent weapon for those who are concerned with the emancipation and legal rights of women. Though women's social status has considerably improved due to the contribution made by countless predecessors,the fundamental problem still lingers on. Carter, with her versatile and avant-garde reputation, is best known as a feminist writer. Concerning the dilemmas and predicaments faced by women nowadays,it is very necessary for us to probe into her insightful and penetrating reflections on femininity as well as the relationship between two genders. The Passion of New Eve, as one of Carter's most representative works, is of great value in the research of her feminist thoughts and propositions.
Next, is my paper outline. In the main part of this article, I put it into five parts.
Chapter one is an introduction to the thesis, covering the research background, theobjective and significance as well as the organization of the thesis.
Chapter two presents a broad picture of Angela Carter's life and her works, as well as the background information about The Passion of New Eve. It also reviews previous studies on Angela Carter and her works at home and abroad, summarizing achievements in the past and pointing out new directions in the future.
Chapter three conducts a retrospective study on feminism and archetypal criticism. The author attempts to work out the origin and development of feminism, demonstrating the important role feminism plays in Carter's life. Then is the history of archetypal criticism,as well as those classic female archetypes in mythology. Regarding those fossilized and monotonous images as impediments to women's freedom and liberation,Carter endeavors to shatter them in her demythologizing strategy and appeals for a rational attitude toward heterosexual relationship.
Chapter four is the main body of the thesis. Through an in-depth analysis on The Passion of New Eve,it demonstrates Carter's demythologizing of “The Temptress,,,”Mother Goddess“and ”Eve“ respectively in the text. Leilah,the embodiment of Delilah,the famous temptress in the Bible,cannot escape the fate of being objectified by men and herself. By exposing”temptresses“ as mere victims rather than symbols of viciousness. Carter condemns the oppression and exploitation of women in a patriarchal society. ”Mother“ in Beulah serves as a severe satire on those mother goddesses in mythology. Carter smashes the legend by revealing the surgically-made essence of mother and the patriarchal values lurking behind her alleged matriarchal kingdom, warning against the peril and impracticality of extremist matriarchy.And her most convincing example goes to Eve, the most important female character in the Bible, Her transformative journey from a chauvinist to a real woman in the story illustrates that gender, rather than a hereditary feature, is the result of social influence and unremitting imitations. Carter concludes the story with proposing ”androgyny“ as a solution to the current problems,implying that mutual respect and understanding is the only way to achieve the harmony between the two genders.
Chapter five comes to a general conclusion, summarizing the limitations of the theses as well as some suggestions for further study.
OK! That is all. Thank you! Please ask questions.