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适合红色经典征文的题目有：
1、缅怀革命先烈
2、革命精神绽光芒
3、红色记忆里诞生的梦
4、怕死就不当共产党员
5、党是灯塔
6、我爱我的祖国
7、我和我的祖国
8、红旗飘飘
9、东方红
10、东方雄狮
11、花儿为什么这样红
12、唱支歌曲给党听
13、沿着社会主义大道奔前方
如下：
1、缅怀革命先烈
2、革命精神绽光芒
3、红色记忆里诞生的梦
4、我爱我的祖国
5、我和我的祖国
6、红旗飘飘
7、东方红
8、东方雄狮
9、花儿为什么这样红
青少年传承红色文化的方法：
1、思想上树立良好品德，坚定信仰，崇敬我们的红色文化，把革命烈士们的热情和精神传承下来，做到内化于心，外化于行。
2、平时工作中要有不畏艰苦，勇于奉献和付出的精神，面对困难和挫折，要敢于直面和挑战，主动担当责任。
3、生活中要多去了解和学习我们的红色文化，有时间多去革命文化地参观学习，比如说遵义会址，了解长征精神和文化，平时多读一些革命书籍，了解中国革命的发展。
红色文化有别于其他文化的根本点在于红色。故此，要探究红色文化的基本内涵，就必须由红色谈起。中国人的红色情结与生俱来，它流动在民族的血脉里，遗传在民族基因中。红色文化华夏民族都是炎黄子孙。炎帝又称赤帝，是中国的太阳神。古时候，中原人称南方为炎方，称炎帝的国土为炎土，称炎帝的子民为炎人，炎帝的下属神是祝融，祝融是火神。黄帝的"黄"字，是太阳初出之色。"黄"与"皇"字可以通假，在古书上，黄帝也经常称作皇帝。甲古文中的"皇"字，上面是光芒四射的太阳，下面是一个王字，因此，黄帝氏族也是崇拜太阳神、火神和鸾凤的民族。炎黄二帝的传说，表明中华民族在立族之初就有着强烈的"红色崇拜"。而将这种"红色崇拜"转化到我们祖先的生活之中，应该是从"过年"开始。传说古时候，有一种叫"年"的怪兽，每到腊月三十夜，就要闯进我们祖先居住的村落，伤害人畜。为了免遭"年"的攻击，祖先们只好在这一夜逃离村庄，躲进山林。有一年的腊月三十日下午，正当祖先们扶老携幼大撤离的时候，从村口走进了一个仙风道骨的白胡子老人，叫大家休要惊慌，他有办法制服"年"。祖先们哪敢相信，还是迅速撤进了山林，不听劝说的老人独自留在村子里。老人住进一间屋子，在大门上贴上红纸，在屋子里点起红灯笼，静候"年"的到来。是夜，"年"按惯例准时入侵。可是，当它看到老人门上贴的红纸和屋里点亮的红灯笼时，大为惊恐，未敢搜寻人畜便狼狈逃窜了。正月初一早晨，"避年"的祖先们返回村庄，迎接他们的是安然无恙的老人。祖先们急问其方，老人据实以告。从此，祖先们再也不用逃进山林"避年"，而是效仿老人的方法，贴红纸，点红灯，安然度过"年"来之夜，叫做"过年"。从此，"红色"就被赋予了"避邪"与"吉祥"的含义。中华民族因此与"红色"结下了不解之缘，成为岁月无法流逝的"红色情结"。
如下所示1.传承红色基因2.讲好红色故事传承红色基因。3. 讲好红色文化，发扬井冈山精神。4.访红色遗迹，扬红色精神。5.回顾历史，反思眼前，升华未来，重温红色记忆，凝练新一代红色精神！6.回味红色经典，传承革命精神。7.发扬红船精神，走好脚下的路。8. 传承红色精神。9.拨云见日，振作奋起我的红色记忆。
隐喻的中西方文化差异Abstract: Metaphor is not only a linguistic phenomenon but also a way of thinking, which is one of the basic methods for human survival and cognition. It is rooted in language, thought and culture. Through the analysis and comparison of the use and concept of metaphor in different countries, we find that its universality and commonality of the metaphor as a basic human cognitive activities. However, metaphor in different languages reflects a different way of thinking and behavior and different cultural patterns. Owing to the different two modes of thinking and culture, there are some differences in understanding and formation that can not be ignored. Therefore, this paper will discuss the questions above.Keywords: metaphor, cross-cultural differences, translation. 1. Preamble Metaphor is a common phenomenon, a large number of people use metaphor to express his feelings and ideas. British scientists rhetoric Richards (IARichards) once said, "We have day-to-day in almost every conversation in three sentences may be a metaphor." According to statistics, life around the use of 4,700,000 new metaphor, 2,140,000 stereotypes of metaphor. Research in recent years, there is a great metaphor. This article introduced in the definition of metaphor on the basis of summing up the similarities and differences between Chinese and Western metaphor, and that its culture, precisely because of the prevalence of metaphor, how to translate metaphor has become a very important issue in the latter part of the article is aimed at The translation of metaphor put forward a translation of the three strategies. This paper studies aimed at trying to comparative analysis of English and Chinese in a large number of day-to-day language of metaphor to express, find out the differences and similarities, in order to be able to accurately translate the article in good metaphor to explore a little. This article is about the metaphor from the point of view to explore the differences in the way Thinking allows us to a deeper understanding of language, culture, the relationship between thinking and can more clearly understand the different ethnic language, culture, way of thinking, and so on On the nature of translation. 2. Metaphors in Chinese and Western studies In 1980, Lakoff & Johnson (George Lakoff & Mark Johnson) made a "living metaphor" (Metaphors We Live By) of the book, a modern metaphor to open a new chapter in the school. Domestic academia on the "metaphor" This is also a review of the system, such as Lin Wu's book "Study abroad metaphor Looking at the" beam-setting "metaphor research," Li of China and India "The main subjects Metaphor" and so on. However, the Chinese metaphor for the academic study of rare. "Chinese scholars on the study of metaphor, I am afraid the real contribution should be through the metaphor of the Chinese characteristics of research and study, through the metaphor of the Chinese and other languages in the comparative study of metaphor, metaphor for the establishment of a more general theory of the strong, and even unique The basis. "Lin Wu in the book" metaphor of the basic research the status quo, and the focus of the trend "in the main text, put forward a model of cultural metaphors with the relationship:" The language of metaphor is the emergence of expression into the system, which not only reflects the psychological Structure, but also reflect the different cultural models also play a role. " 2.1 metaphor in the relationship between Chinese and Western cultures 2.1.1 relationship Correspond to (corresponding) refers to the relationship between the two languages, English and Chinese in the meaning and metaphor in the use of the same meaning in the culture and image, and so on and-one mapping. This is because the survival of mankind itself, as well as all the external conditions, including the geographical environment, climate change, and the whole of human society and cultural background are certain there is a common, which formed a common humanity of their own and the outside world on many issues. In the "angry" mood, the English are angry that physiological responses, such as: grind one's teeth. (Teeth), bare one's teeth. (Ziyaliezui) an eye for an eye and a tooth for a tooth. (an eye for an eye, a tooth for a tooth), reflecting the Chinese culture on the basis of common experience. 2.1.2 non-correspondence English-Chinese metaphor, after all, rooted in two different languages on the soil, resulting in very different cultural backgrounds, fully corresponds to the few metaphors, the vast majority do not have common cultural identity in order to form the corresponding non-(non-corresponding ) Relations. Non-relationship metaphor can be roughly divided into three categories: 2.1.2.1 Vehicle counterpart, Yu Yi does not correspond to English and Chinese in some cases there is the same as a metaphor, but in their own language and culture in the meaning of the metaphor means is different, even different. Peacock in the Chinese culture is auspicious, a symbol of beauty, especially the Dai people to express jumped Pavaner desire to better their own. If the Chinese people will be likened to a peacock, it means that beautiful light. However, in English, peacock (Peacock) is a symbol of pride, often interpreted as arrogance, love to show off. For example, They were eager to take the young peacock down a peg. (They want to pressure a pressure that the arrogant young guy's momentum). 2.1.2.2 counterpart Yu Yi, the vehicle does not correspond to English-Chinese two nations due to their differences, from different angles to look at things the same, it will be a different analogy. As a result both English and Chinese language there is a different vehicle, but Yu was referring to was basically the same as the meaning of the case, that is the same kind of non-correspondence. Such as: a person described as the hearts of anxious, restless, Chinese is "ants on the hot pan" and English is "a cat on the bricks". There are similar: To kick down the ladder. Guohechaiqiao. 2.1.2.3 Yu Yu Yi and do not correspond to Some of the metaphors Yu-Yu has a meaning and it refers to the language and culture are closely related, in another culture often can not find corresponding Yu and Yu Yi, which resulted in a culture known as the default Phenomenon. For example: in English "my rib" I am referring to Yu's wife, it comes from the "Bible" story, that is, Adam (Adam)'s wife Eve (Eve) God is with a piece of Adam's rib made. The Chinese did not, "the Bible" cultural background, and there was no analogy with rib habit, so the formation of a corresponding gap. Similarly, "ugly duckling" (Ugly Duckling) refers to the metaphor will get ahead of Little, "early bird" refers to the diligent Yu, in the words into Chinese language, culture, as a result of the default, can not find a corresponding relationship between metaphor . 2.2 Chinese and Western cultures in the common metaphor Metaphor and culture to a large extent, human beings have a common understanding, rooted in the people's own day-to-day experience. In this connection, often between different ethnic groups are the same. Both English and Chinese language in a lot of abstract thinking that the metaphorical expression is the same. For example: the human child in the period to form a position on the concept of input in that direction in the form of many of them easily understood, including the position expressed by metaphor, which has become a fixed pattern of thinking. For example: The term direction (up, down) to describe people's social status, physical, emotional, and other abstract concepts to the case when the good is up; Sad is down. We Chinese are also not difficult to find a similar sentence: "Gas Prices "," enhance the social status "and" vision "and" depressed. " Since the objective laws of nature with the relative unity of different cultures to understand the nature of the course is similar to the cognitive experience. 2.3 in the metaphor of the difference between Chinese and Western cultures As the English-Chinese geographical and cultural differences, living in two different cultures in practice there are a lot of differences, and different life experiences and let people understand the objective world, a different language carries different nationalities Cultural characteristics and cultural information. Understanding of metaphor is not out of socio-cultural backgrounds. For example, social and cultural impact of the color words is deep-rooted, some color words in different cultures in an entirely different meaning, has a distinctive feature of our national culture. Such as: English, said in green "inexperienced" and "shallow knowledge", such as: "a green hand", "I was very green when I started working there." The Chinese like to express the meaning of the word is "yellow" Such as: "Huangmaoyatou" and "flower girl". Cultural background knowledge is the metaphor to create a rich source of thinking, as the Eastern and Western cultures are different, metaphors in English and Chinese applications there are also significant differences. 2.4 The metaphor of the cross-cultural differences between Chinese and Western influence Language is a cultural change in the development of the complex, subject to political, economic, historical, environmental and other factors. Chinese and Western styles are different, but in many ways to infiltrate interaction and integration, language differences and cultural metaphor for the inevitable impact is complex and diverse. 2.4.1 metaphorical expression of cultural conflict Different nationalities in the world to observe a different perspective and ideas, different cultures there are a lot of conflict or inconsistency metaphor. If the animal metaphors, in English Long (dragon) is a kind of evil, will belch out smoke monster. "Bible", the dragon is the devil, is a symbol of evil and terror, there is a terrible vicious meaning. The Chinese dragon is in power, the auspicious symbol of Chinese traditional culture, the Chinese have "Wangzichenglong", "descendants of the Dragon." The same analogy in different cultures, different meaning, of two cultures "Dragon" to give a different connotation. 2.4.2 differences in living conditions caused by differences in metaphor In English is a lot of metaphor and marine-related, such as: all at sea (at a loss what to do); drink like a fish (drinking cow); fish in the air (Shuizhonglaoyue); give up the ship (give up). In Chinese, there are a lot of the horse or cattle pose a metaphor, such as: "a willing ox" (a willing horse) Gan means to serve the community; "old ox" (a working horse) refers to the hard work; "bragging "(Talk horse), and so on. This is due to different geographical location and natural environment caused by different cultural metaphor. Britain is an island, ultimately, dependent on the sea, and China is a large agricultural country, farming culture deeply feudal society. 2.4.3 different religious and cultural differences arising from the metaphor Religious culture of human culture is an important part of it by referring to the nation's religious beliefs, such as the formation of the sense of culture, "the Bible" in the story, with its language and meaning has become a feature of daily life in the West in terms of . For example, power of the keys (the keys to the kingdom of heaven; the rights of the Pope), in the right church, but in the wrong pew (in general is right, but not the details), and so on. Chinese culture and Buddhism, Taoism and more affected by the impact of Confucianism, the Chinese, there are a lot of related argot. "Jiehuaxianfo"; "临时抱佛脚"; "做一天和尚撞一天钟" and so on. It is due to the diversity of culture, resulting in the differences between English and Chinese metaphor. This difference to the cross-cultural communication has brought the impact. As a foreign language students, do not understand the difference between metaphor and language will make mistakes, sometimes mistakenly made good as pleasant, caused by either one or both of the conversation unpleasant; also sometimes mocked as a praise. When a native language other operators do not understand the language contained in the cultural differences, it is often difficult for such language to accurately convey the meaning of the understanding, difficulty to the cross-cultural exchange. 3. Metaphor of the three methods of translation The translation of metaphor not only accurately and effectively convey the original language, but also loyal, accessible, complete reproduction of the original language and cultural connotation and significance. But in the West because of cultural differences and different, so the translation of metaphor in English on the need to consider not only its literal sense, and so on, but also in the West should pay attention to their cultural differences. American Eugene Nida said: "Translation is the exchange between the two cultures. The real success of the translation, even more familiar with the two cultures is more important to master two languages. Because only in terms of its role in the culture In the background will only be meaningful. "Therefore, the translation of metaphor to combining Chinese and Western cultures, and cultural backgrounds to leave the translation, can not be achieved between the two languages of the real exchange. 3.1 Literal Translation The so-called "literal" is asked in the language when conditions permit, in the translation to maintain the original content, but also to maintain the original form, in particular, to maintain the original metaphor, the image of the nation, and other local color. In the literal translation method to maintain the original expression of the culture and at the same time, target enriched the vocabulary and expression, such as: "a Pandora's box" (Pandora's Box); "chain reaction" (chain reaction). In the original text and asked the information contained in the same culture, we should adopt the literal translation method. (1) You are my sunshine, my only sunshine. : You are my sun, my only sunshine. In Chinese and English, the sun is warm, beautiful, in both languages, they disseminate information on culture are the same. As a rule, and asked in the original text in the form of grammatical structure, similar to the style or color on basically the same, the law should adopt the literal translation. (1) He is another Shylock. : He is also a Shylock. (Note: Shakespeare's Shylock is "The Merchant of Venice" in a very harsh mean business People. ) (2) To carry coals to Newcastle. : Coal to Newcastle. (Note: "Newcastle" is a British coal, coal is superfluous here.) 4. Conclusion Metaphor as a way to figures of speech or skills, a unique feature of grammar, which features make the sentence more flexible and constructive, but the United States. Is a metaphor to express more complex ideas and things, a powerful tool. Wherever and whenever people in their daily lives are often used metaphor. As Mr. Lin Zhuang said: "The metaphor is no longer expanding his knowledge and understanding of a passive process. To help us in the form of new knowledge, the metaphor has played an active role so that we can better a better understanding of the objective world." In English and Chinese Metaphorical significance of the difference is due to cultural differences between East and West, that mode of thinking, moral values and sense of difference. However, different cultural impact of what is the concept of metaphor, it is still a need to examine and address the problem. At the same time, in the metaphor of the process of translation must pay special attention to cultural differences. The best translation is to be able to accurately reflect the true meaning of the author, as well as its cultural and stylistic characteristics of the translation, that is, the translation of metaphor to make as much as possible the original language and to achieve the target language culture, and so on.
(一)红色在中国文化中更多地象征吉祥、兴旺等积极意义,而在英语文化中则更多地侧重于暴力、血腥等负面意义(二)红色在中国具有浓厚的政 治色彩,而在西方其政 治意义则相对比较淡薄(三)特定文化背景的不同导致红色引申意义的不同由于东西方文化发展历程的不同,导致在某些特定背景中形成的具有特定内涵的情况。
Chinese and Western cultural differences in the performance of every aspect of daily life from the greeting 、 term diet and cultural differences in the way of thinking in the abstract, such as differences everywhere, from the West focus on the following colors to express the difference between Chinese and Western cultural differences in areas such as a wedding set. First, in the West to express the color difference Different colors in different languages is not expressed in the same way. The representative of China in a sense, the West has a meaning that even the "color" to understand the meaning of the contrary. (A) red (red) Whether in China or in the English-speaking countries, often in red and festive celebrations or day-related. Calendar, red font used these days, therefore, red letter day: refers to the "Day" or "happy occasion." It also refers to the red "liabilities" or "loss" because people are always negative in red to register. So there are these phrases: red figure deficit in the red loss In common with the Chinese "red" words, translated into English, may not necessarily use the "red" for example: brown sugar brown sugar red wine red wine (B) yellow Yellow in English and Chinese in the extended meaning of the differences are considerable. In English, yellow can be said that the "timid, cowardly, despicable," meaning, for example: a yellow dog despicable, cowardly people a yellow livered coward Chinese yellow symbol of the term is sometimes vulgar, vulgar and obscene, indecent indecency means, such as yellow film, erotica, yellow CD, and so on. These in the name of "yellow" in English and "yellow" has nothing to do. However, in another English word blue is the color used to indicate the kind of meaning in Chinese, such as the blue jokes (dirty joke), blue films (yellow film). Second, the cultural differences in Western wedding First of all, in Western wedding culture and the first in the West in thinking about the differences: the Chinese people more conservative, like excitement, more old-fashioned thinking, so in the history of China for thousands of years the entire wedding customs did not change much. The thinking in the West is more open to the requirements of the wedding will be lower, they will be the climax of the wedding in the church: the sacred as the "wedding march" into the red carpet, Jiao Mei's father, the bride linked hands Rose walked slowly to the groom, the bride's father, daughter to the groom's hand on hand, her daughter's life will be entrusted to the groom, all eyes followed the couple, filled with well-being in their face. Second, the result of cultural differences wedding in the West because the West in a different religion. China is mainly Buddhist, but the West is mainly Christian. Therefore, the Western wedding is to be held in the church and the priest is Zhuhun Ren. China's traditional customs of the most important part of the Bai Tiandi is, the worship heaven and earth even after the ceremony has become.中西方文化差异表现在方方面面，从日常生活的打招呼用语、饮食文化等差异到思维方式等抽象方面的差异无所不在，下面着重从中西方颜色表达的差异，中西方婚礼文化差异等方面阐述。 一、中西方颜色表达的差异 不同颜色在不同语言中表达的方式并不一样。在中国代表一种意义，在西方又表示一种涵义，甚至对“颜色”的涵义理解恰恰相反。（一）red（红色）无论是在英语国家还是在中国，红色往往与庆祝活动或喜庆日子有关。日历中，这些日子常用红色字体，因此，red letter day：指的是“纪念日”或“喜庆的日子”。红色还指“负债”或“亏损”，因为人们总是用红笔登记负数。于是就有了这些词组：red figure赤字 in the red亏损汉语中常用的带“红”字的词语，翻译成英语，可不一定用“red”例如：红糖brown sugar 红酒red wine （二） yellow黄色在英语和汉语中的引申含义差别比较大。英语中，yellow可以表示“胆小、卑怯、卑鄙”的意思，例如：a yellow dog 可鄙的人，卑鄙的人a yellow livered 胆小鬼汉语中黄色一词有时象征低级趣味、色情庸俗、下流猥亵的意思，如黄色电影、黄色书刊、黄色光碟等等。这些名称中的“黄”与英语中的“yellow”无关。然而，英语中另一个颜色词blue却常用来表示汉语中这类意思，如blue jokes（下流的玩笑）， blue films（黄色电影）等。 二、中西方婚礼文化差异 首先，中西方婚礼文化差异首先和中西方人在思维方面的差异有关：中国人比较保守，喜欢热闹，思维较古板，所以在中国历史几千年的时间里整个婚礼的习俗并没有多大的变化。而西方人的思想则比较开放，对于婚礼的要求也比较低，他们婚礼的高潮则是在教堂中：随着神圣的《婚礼进行曲》步入鲜红的地毯，娇美的新娘挽着父亲手捧玫瑰慢慢向新郎走去，新娘的父亲将女儿的手放在新郎的手上，将女儿的一生托付给新郎，所有人的目光注视着这对新人，幸福洋溢在他们的脸上。其次，造成中西方婚礼文化差异的原因是中西方不同的宗教。中国是以佛教为主，而西方则是基督教为主的。所以西方的婚礼是在教堂中举行而主婚人则是神甫。中方的传统婚俗中的最重要环节就是拜天地，拜了天地以后就算是礼成了。
1、什么是红色旅游
关于红色旅游的内涵， 有侠义和广义之分。侠义上的红色旅游， 主要指和我国革命事业相关的旅游， 而广义的红色旅游则是和全世界革命事业相关的旅游活动。
2、国内红色旅游综述
2.1 红色旅游资源开发研究
这方面的研究所占比例较大。一方面是因为需求量大。越来越的旅行者愿意进行红色旅游， 因此这方面的需求就很大。另一方面， 我国红色旅游资源的开发相对滞后一些。基于这两方面的原因， 红色旅游资源开发方面的研究占的比例就很大。
2.2 红色旅游翻译问题研究
这方面的研究所占比例也较大， 特别是随着“一带一路”倡议的推进和中国文化“走出去”战略的发展， 研究红色旅游资源翻译的人员越来越多。这方面的研究集中在以下几个方面：红色旅游资源翻译现状调查、红色旅游资源翻译错误分析、红色旅游资源翻译策略及方法研究等等。
2.3 红色旅游开发与扶贫结合问题研究
这方面的研究很有价值。这是当前的两个热点问题， 也是很有价值的两个问题。一些红色老区存在着经济发展缓慢的问题， 如果能够将红色旅游开发与扶贫结合起来， 就是一项非常有价值的事业。
3、国外红色旅游研究综述
红色旅游这一概念是我国独创的， 那么， 国外是否存在红色旅游呢?研究者的观点不尽相同。如果红色旅游专指和我国革命历史相关的旅游， 那国外自然不存在红色旅游。如果红色旅游指弘扬爱国主义、培育民族精神相关的旅游， 那国外也存在广义上的红色旅游。
4、目前研究现状的不足
虽然我国红色旅游研究轰轰烈烈地开展起来了， 但是仔细研究可以发现也还存在一些不足。
(1) 宽度不足。
红色旅游涉及方方面面的东西， 因此， 红色旅游的研究宽度应当非常大。但是， 目前的情况是很多方面尚未涉及到， 例如红色旅游的旅游者需求调查、市场规范性、红色旅游文本的撰写等等。
(2) 深度不足。
红色旅游应当加强深度研究， 例如翻译问题， 应当进行深度调研、系统研究翻译策略及方法等。
(3) 联动不足。
我们仔细进行了研究， 发现红色旅游的研究基本上是一个专业的人士合作的多， 不同专业联合研究的少。只有不同专业的人员联动才能形成合力， 取得丰富的成果。
(4) 形式单一。
就成果形式而言， 目前集中在论文上。其他方面， 如专着、研究报告等有所不足。
以上就是环球青藤小编关于国内国外红色旅游研究综述的相关分享，希望对大家有所帮助，想要了解更多相关内容，也欢迎大家及时在本平台查看!
红歌可以激发人们对祖国的热爱之情，听红歌可以让人产生抛头颅洒热血的澎湃激动心情，勾起人们对祖国各个发展历程的回忆，不由得自心中产生对祖国、对时代英雄的景仰之情，从而更加坚定的开拓美好明天的坚定信念，它对祖国的发展有进步意义。流行歌曲是现代文化发展的经典代表，它反映了社会文化的进步，体现了年轻一代不断追求新的生活方式、新的时代流行的态度，它是现代快节奏生活的有效减压方式，可以在人们疲惫时给人们以舒缓，好的流行歌曲更可以在人们迷茫是给人们力量，使人们重新找回方向，勇往直前。红歌是人们对祖国热爱的体现，流行歌曲是人们对生活态度的反映，他们各自有自己的存在价值，以及积极意义。红歌是时代的经典，流行歌曲是是时代的流行。他们的区别在于，经典的红歌总是充满积极与进步意义，而流行歌曲是精华与糟粕并存的，我们必须要正视二者的存在，既要看到它积极的一面，也要看到它消极的一面，取其精华，去其糟粕。红歌与流行歌曲二者之间是有联系的，它们都是人们对社会发展状态的反映，体现了人们在不同时代的心理活动。这是我自己的一些想法，希望对你有帮助。
红歌就是弘扬中国文化精神，就是唱歌时要唱出中国的壮志豪情，流行歌曲主要是结合了多种元素，有中国的，也有外国的
加强民族音乐教育 弘扬民族音乐文化艺术论文
摘要： 我国的民族传统音乐文化是人民音乐才智的结晶，是凝聚着民族精神的宝贵文化财富，是创造、发展我国未来音乐的参照系，亦是对青少年进行爱国主义教育的宝贵教材。加强民族音乐教育是当前我国高校教育改革的重要课题。
关键词： 高校音乐；教学；民族音乐教育
我国的民族传统音乐是人类文化中的瑰宝，我国音乐教育长期以来以西方音乐体系为主，造成了民族音乐教育的缺失，这成为当今音乐教育界的一个关注问题。我作为一名高校音乐教育工作者，以多年的教学经验，认为加强民族音乐教育，弘扬民族音乐文化是解决这一问题的方法。就此谈一谈我的看法。
一、加强民族音乐教育的必要性
1.加强民族音乐教育是传承和弘扬民族音乐文化的需要
所谓传承，就是要尊重和传播历史文化传统。民族音乐是一个民族历史、文化、风格与情感的载体与镜像。他凝结着一个民族的精神与性格。中国是一个多民族的国家，每一个民族都有着自己独具特色的民族音乐。他们共同构成了中华多姿多彩的音乐文化。不了解这些民族音乐，就很难真正了解祖国丰富灿烂的文化与文明，当然也就更谈不上传承与发展。近些年来，甚至高校音乐专业的一部分学生也对我国丰富的民族音乐知识表现出一种陌生的态度，他们听惯了迪斯科节奏，电声磁带和通俗音乐，而对优美动听的民歌，旋律委婉悠长的戏曲唱腔，产生了抵触的情绪，还有每年的招生考试中，演唱民歌、演奏民乐的考生却寥寥无几。在迪斯科、爵士、摇滚等外来音乐的旋律中如痴如醉。这种现象若任其发展，不仅可能造成中国民族音乐的后继乏人，而且很有可能造成民族音乐文化的进一步断裂。高校音乐专业作为音乐教育与研究的主要阵地，传承与弘扬祖国音乐文化是其应有之义。
2.加强民族音乐教育是21世纪中国音乐发展创新的需要
在多元文化背景下，加强民族音乐教育可以增强学生民族音乐的积累和储备，增厚学生民族文化历史与情感的底蕴，使学生在与世界其他异质音乐文化的比较鉴赏中，了解各民族音乐的风格特点，培养跨文化的开放多维的音乐视阈。广泛吸纳各民族音乐的.优长，以母语音乐为基础，融汇中西、贯通古今，创作出新的音乐作品。因此，在音乐专业的教学中加强民族音乐教育，有利于开发学生的创作思维，培养创新能力，并进而推动当代音乐的进一步发展。
3.加强民族音乐教育是培养和提高音乐专业学生人文素养的重要途径
人文素养是一个人之所以为人所应具备的基本素质和修养。高等教育的终极目标是培养全面发展的高素质人才，这一点早已成为人们的共识。高校音乐专业不仅仅是技艺型人才，更要培养全面发展的高素质音乐人才。因为音乐教育不仅是一种知识教育，技艺教育，更是一种审美教育、文化教育和人文教育。民族音乐浓缩着一个国家和民族的历史文化、风格、情感，蕴涵着丰富的人文精神。我国抗战时期产生的《义勇军进行曲》、《黄河大合唱》、《太行山上》……充分表现了中国人民浴血奋战、抵御外侮、不屈不挠的民族精神。通过对《长征组歌》、《梁祝》等作品的学习，可以加强学生对民族历史文化的理解，激发学生热爱祖国音乐艺术的情感，增强学生民族自豪感和为民族音乐发展奉献自己的热情，它对于完善学生的自我人格，培养其审美观具有十分重要的意义。
二、加强民族音乐教育的途径
1.应在理念上加强民族音乐教育。在大纲、教材和教学方面应形成系统化和科学化。从一个学校的整体看，教材和大纲可以反映一个学校的管理水平和教学质量。我国是个多民族的国家，各民族都有自己极为丰富的音乐，应该将这些优秀的传统音乐的精华和风格编入教材，传授给学生。并将民族音乐作品的学习作为教学的重要目标，安排足够的课时。只有突出了民族特色的教材，才能使我们高校的教学更具有民族化，有价值，立得住，更容易被承认。当然，这里并不排斥世界各国的优秀音乐，同时还应该在吸取外国的民族音乐精华中来进一步充实自己。
2.在具体的教学中，民族音乐的教学应表现在各个学科上，如在声乐课的教学中，要让学生多演唱一些民歌，浏览大量的我国优秀的民族歌剧；在舞蹈课的教学中，要让学生多学习一些民族民间舞蹈，或尝试民族歌舞的编导；在和声课上，尽可能多解析一些民族调式；视唱练耳教学中，让学生多演唱民歌或具有民族调式的乐曲；在民族民间音乐课上，让学生广泛浏览、演唱民歌和戏曲音乐；在器乐选修课上要让学生多选学民族器乐，并建立民乐队，开设民乐合奏课。从情感上加深学生对民族民间音乐的了解和兴趣。
3.教学方法教师不仅要通过演唱，演奏技能的培养，使学生从技术上了解中国传统音乐的民族特异性，而且还应通过对作品创作背景内在情感、音乐结构的分析、引导学生从深层次上理解民族音乐，体会其中所蕴藏的精神文化内涵。由表及里，潜移默化培养学生热爱民族音乐，尊重和传承音乐文化的自觉意识和责任感。
三、结束语
作为音乐教育者，应志在通过音乐教育引导青少年学生维护本国家、本民族文化的独特性，从而更好地担当起继承和发展我国民族文化的重任。我们要不断加强探索和研究，制定出切实可行的措施，让高校民族音乐教育迈上一个新的台阶，使我国悠久灿烂的民族音乐文化进一步发扬光大。
【参考文献】
[1]特里斯[M].沃尔克.音乐教育与多元文化．
[2]陶敏霞.中国钢琴作品教学与欣赏.陕西人民出版社.
[3]蔡仲德.中国音乐美学史资料注译.人民音乐出版社.
[4]樊祖荫.中国少数民族音乐在世界多元化音乐中的作用与地位.中国音乐.2004，（4）.
红歌就是所谓的革命战争歌曲，就是为解放人类，推翻三座大山应运而生的！今时今日的我们必须要回顾历史，回顾红歌经典，纪念我们的过去！流行歌曲是时代的音律，是当下生活状态的一种艺术形式，反映的是当下人们的思想状态。当然从这里可以想到，那红歌是不是就是革命战争，解放战争的时代音律？非常正确，但那是一种非常时期，非常流血，非常要勇气和毅力的时代音律，所以每唱红歌经典，你就如置身革命斗志豪情中！战争已经过去，和平已经到来！当代的生活的安逸使很多人腐败多留，思想追求和兴趣爱好的发展多远话，流行歌曲应运而生，反映的就是她或者她的那个群体的声音，所以流行歌曲一般多元化，主题旋律不能完整反映那个年代所有人的心声！越写越多，不写了，思绪有些混乱，主线不明确，你自己整理下，可用！
“长征是历史记录上的第一次，长征是宣言书，长征是宣传队，长征是播种机。”红军长征，跨越11个省，行程二万五千里，是中国革命史上的奇迹、世界军事史上的壮举，创造了无与伦比的英雄业绩，谱写了惊天动地的革命篇章。长征途中，红军不畏征途艰险，四渡赤水，巧渡金沙江，强渡大渡河，跨越雪山草地，克服重重困难，表现出了不怕牺牲、敢于胜利的无产阶级乐观主义精神，表现出了顾全大局、严守纪律、亲密团结的高尚品德。是什么力量支撑并凝聚着他们，毫无畏惧、前仆后继地勇往直前？这种力量就是永存的长征精神。中华民族一个比较突出的精神，我们所提倡的以长征精神为核心的根源所在，就是把个人命运跟国家民族命运联系在一起的爱国主义精神。从红军终于胜利到达陕北这艰难的经过中，总结出长征精神的内涵是：“乐于吃苦，不惧艰难的革命乐观主义；勇于战斗，无坚不摧的革命英雄主义；善于团结，顾全大局的集体主义。”长征精神就是一往无前、所向无敌的革命英雄主义精神，是万众一心、团结拼搏的革命集体主义精神，是战天斗地其乐无穷的革命乐观主义精神。在强大的敌人和险恶的自然环境面前，红军凭着艰苦奋斗、甘于奉献的革命精神，征服千难万险，战胜了强大敌人，取得了长征的伟大胜利。
假如有人问你：“看到红领巾，你会想到什么?”你们会是怎样回答?假如有人这样问我，我一定会说：“我会想到革命战士在战场上抛头颅、洒热血的情景，会想到革命先辈们那种宁死不屈的伟大精神，会想到… …”然而，在现实生活中，什么抛头颅、洒热血是不可能再现了的，那么，去哪儿感受这些呢?对了!那就是书了!俗话说：“书中自有黄金屋。”有许多写革命先辈们英勇事迹的书籍，如：“《红岩》、《永远的丰碑》等。因为我热爱红领巾，所以我也就爱上了这些红色经典书籍，与它们结下了不解之缘。记得《永远的丰碑》中的赵一曼烈士所受得刑法，惨不忍睹，什么：老虎凳啊、电击呀、灌辣椒汤啊等等、等等。但是这些并没有使她屈服，她宁愿付出自己的生命也不泄露半点机密，时刻将党的利益、人民的利益放在第一位，把个人的利益置之度外，她那宁死不屈的精神，人们永远铭记在心，不会忘记她为我们付出的一点一滴，她的精神永远值得我们学习，这种精神是不会朽的。虽然像她这样的事迹是不会再发生在现在这样的和平年代中了，可是在生活中这样的精神还是存在的。就像在这次汶川大地震中那些武警官兵、医务人员们，他们奋力战斗在生命战争的第一线，奋不顾身，为国家、为人民做贡献。他们也是时刻将国家的利益、人民的利益放在第一位，把个人的利益丢在一边，奋力抢救灾区人民，在多少次的余震中，他们不怕困难，不怕危险，抢救了多少人民，从死神的手中拉回了多少条生命。不管而自己受了多少伤，不管肚子多么饿了，也还要去抢救别人。不耽误一分一秒、只为多救一个人。宁愿用自己的生命去换别人的生命，这种精神是不朽的，会永远刻在人们心中，会继续发扬光大会变得更美、更加灿烂。
自己想吧，想说啥就写啥！
假如有人问你：“看到红领巾，你会想到什么?”你们会是怎样回答?假如有人这样问我，我一定会说：“我会想到革命战士在战场上抛头颅、洒热血的情景，会想到革命先辈们那种宁死不屈的伟大精神，会想到… …”
然而，在现实生活中，什么抛头颅、洒热血是不可能再现了的，那么，去哪儿感受这些呢?对了!那就是书了!俗话说：“书中自有黄金屋。”有许多写革命先辈们英勇事迹的书籍，如：“《红岩》、《永远的丰碑》等。因为我热爱红领巾，所以我也就爱上了这些红色经典书籍，与它们结下了不解之缘。
记得《永远的丰碑》中的赵一曼烈士所受得刑法，惨不忍睹，什么：老虎凳啊、电击呀、灌辣椒汤啊等等、等等。但是这些并没有使她屈服，她宁愿付出自己的生命也不泄露半点机密，时刻将党的利益、人民的利益放在第一位，把个人的利益置之度外，她那宁死不屈的精神，人们永远铭记在心，不会忘记她为我们付出的一点一滴，她的精神永远值得我们学习，这种精神是不会朽的。
虽然像她这样的事迹是不会再发生在现在这样的和平年代中了，可是在生活中这样的精神还是存在的。就像在这次汶川大地震中那些武警官兵、医务人员们，他们奋力战斗在生命战争的第一线，奋不顾身，为国家、为人民做贡献。他们也是时刻将国家的利益、人民的利益放在第一位，把个人的利益丢在一边，奋力抢救灾区人民，在多少次的余震中，他们不怕困难，不怕危险，抢救了多少人民，从死神的手中拉回了多少条生命。不管而自己受了多少伤，不管肚子多么饿了，也还要去抢救别人。不耽误一分一秒、只为多救一个人。宁愿用自己的生命去换别人的生命，这种精神是不朽的，会永远刻在人们心中，会继续发扬光大会变得更美、更加灿烂。